The Sources and Traditions of Milton's "L'allegro" and "Il Penseroso" PDF Download
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Author: C. Harold Hurley
Publisher:
ISBN:
Category : Poetry
Languages : en
Pages : 182
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Book Description
This study aims to enable a modern audience to assess the nature of Milton's creativity and also experience the companion poems as Milton's contemporary readers - unencumbered by several centuries of scholarly commentary and accretion - might have experienced them.
Author: C. Harold Hurley
Publisher:
ISBN:
Category : Poetry
Languages : en
Pages : 182
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Book Description
This study aims to enable a modern audience to assess the nature of Milton's creativity and also experience the companion poems as Milton's contemporary readers - unencumbered by several centuries of scholarly commentary and accretion - might have experienced them.
Author: John Walter Good
Publisher:
ISBN:
Category :
Languages : en
Pages : 318
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Book Description
Author: Jean-François Vallée
Publisher: University of Toronto Press
ISBN: 9780802087065
Category : Literary Criticism
Languages : en
Pages : 332
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Book Description
Prevalent but long-neglected genres such as dialogue have recently been attracting attention in Renaissance studies. In view of the pervasive and varied nature of this genre's use in the European Renaissance, it has become crucial to widen the perspective so as to take into account more diverse approaches to this hybrid form. For this reason, Dorothea Heitsch and Jean-François Vallée have assembled a broad collection of essays by international scholars that presents comparative, interdisciplinary, and theoretical inquiry into this neglected area. The contributors ? who bring with them different linguistic, cultural, and disciplinary backgrounds ? examine dialogue from a variety of perspectives, taking into account various factors linked to the upsurge of the genre in the Renaissance. These factors include the emergence of a complex and multifarious subjectivity, the advent of modern utopias, the social and political importance of courtliness, the rise of print culture, religious and scientific controversy, the prevalence of pedagogy and rhetorical culture, the ethos of humanism, the gendering of dialogue, and Renaissance 'logocentrism.' Discussed are some of the most important works in Italian, French, German, Neo-Latin, and English, as well as some lesser known texts, making Printed Voices a truly essential volume for the Renaissance scholar.
Author: Andrew Hadfield
Publisher: OUP Oxford
ISBN: 0191655066
Category : Literary Criticism
Languages : en
Pages : 767
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Book Description
The Oxford Handbook of English Prose 1500-1640 is the only current overview of early modern English prose writing. The aim of the volume is to make prose more visible as a subject and as a mode of writing. It covers a vast range of material vital for the understanding of the period: from jestbooks, newsbooks, and popular romance to the translation of the classics and the pioneering collections of scientific writing and travel writing; from diaries, tracts on witchcraft, and domestic conduct books to rhetorical treatises designed for a courtly audience; from little known works such as William Baldwin's Beware the Cat, probably the first novel in English, to The Bible, The Book of Common Prayer and Richard Hooker's eloquent statement of Anglican belief, The Laws of Ecclesiastical Polity. The work not only deals with the range and variety of the substance and types of English prose, but also analyses the forms and styles of writing adopted in the early modern period, ranging from the Euphuistic nature of prose fiction inaugurated by John Lyly's mannered novel, to the aggressive polemic of the Marprelate controversy; from the scatological humour of comic writing to the careful modulations of the most significant sermons of the age; and from the pithy and concise English essays of Francis Bacon to the ornate and meandering style of John Florio's translation of Montaigne's famous collection. Each essay provides an overview as well as comment on key passages, and a select guide to further reading.
Author: Luiz Fernando Ferreira Sá
Publisher: Cambridge Scholars Publishing
ISBN: 1527512983
Category : Literary Criticism
Languages : en
Pages : 173
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Book Description
In this study of John Milton’s “L’Allegro”, “Il Penseroso”, and “Lycidas”, the perspective of an interpreting sign serves as the basis for analysis of the poems’ allusions to the Orpheus myth. The idea of an interpretant proposed by Charles Sanders Peirce and the semiotic relations theorized by Jorgen Dines Johansen work as a lens that enables the reader to see the extent to which Milton recreated the Orpheus myth and used its recreating powers in his poems. Since the three poems have different and opposing voices, the Orpheus myth is the trigger behind the change of voices, as well as the modeling frame that underlies the transitions from an innocent to an enlightened viewpoint. Furthermore, readers in general and critics of all persuasions will have the chance to appreciate the presence of the Orpheus myth in Milton’s work as the fragmented configuration of consciousness in the process of defining two orders of existence: the human and the divine.
Author: Arthur S. P. Woodhouse
Publisher: Columbia University Press
ISBN: 9780231088800
Category :
Languages : en
Pages : 368
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Book Description
Author: William Bridges Hunter
Publisher: Bucknell University Press
ISBN: 9780838750537
Category : Literary Criticism
Languages : en
Pages : 188
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Book Description
This nine volume set presents in easily accessible format the extensive information now available about John Milton. It has grown to be a study of English civilization of Milton's time and a history of literary and political matters since then.
Author: John Milton
Publisher:
ISBN:
Category :
Languages : en
Pages : 220
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Book Description
Author: John Milton
Publisher:
ISBN:
Category : Elegiac poetry, English
Languages : en
Pages : 200
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Book Description
Author: John Milton
Publisher:
ISBN:
Category :
Languages : en
Pages : 88
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Book Description
