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Author: Hannah W. Matis
Publisher: BRILL
ISBN: 9004389253
Category : History
Languages : en
Pages : 263
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Book Description
In The Song of Songs in the Early Middle Ages, Hannah W. Matis examines how the Song of Songs, the collection of Hebrew love poetry, was understood in the Latin West as an allegory of Christ and the church. This reading of the biblical text was passed down via the patristic tradition, established by the Venerable Bede, and promoted by the chief architects of the Carolingian reform. Throughout the ninth century, the Song of Songs became a text that Carolingian churchmen used to think about the nature of Christ and to conceptualize their own roles and duties within the church. This study examines the many different ways that the Song of Songs was read within its early medieval historical context.
Author: Hannah W. Matis
Publisher: BRILL
ISBN: 9004389253
Category : History
Languages : en
Pages : 263
Get Book Here
Book Description
In The Song of Songs in the Early Middle Ages, Hannah W. Matis examines how the Song of Songs, the collection of Hebrew love poetry, was understood in the Latin West as an allegory of Christ and the church. This reading of the biblical text was passed down via the patristic tradition, established by the Venerable Bede, and promoted by the chief architects of the Carolingian reform. Throughout the ninth century, the Song of Songs became a text that Carolingian churchmen used to think about the nature of Christ and to conceptualize their own roles and duties within the church. This study examines the many different ways that the Song of Songs was read within its early medieval historical context.
Author: Ann W. Astell
Publisher: Cornell University Press
ISBN: 1501720694
Category : Literary Criticism
Languages : en
Pages : 212
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Book Description
Included among the sacred books of Judaism and Christianity alike, the Song of Songs does not mention God at all; on the surface it is a lyrical exchange between unnamed lovers who articulate the range of emotions associated with sexual love. Ann W. Astell here examines medieval reader response, both interpretive and imitative, to the Song. Disputing the common view that the literal meaning of Canticles had no value for medieval readers, Astell points to twelfth-century commentaries on the Song, as well as an array of Middle English works, as evidence that the Song's sensuous imagery played an essential part in its tropological appeal. Emphasizing the ways in which a complex fusion of the Song's carnal and spiritual meanings appealed rhetorically to a variety of audiences, Astell first considers interpretive responses to Canticles, contrasting Origen's dialectical exposition with the affective commentaries of the twelfth century—ecclesiastical, Marian, and mystical. According to Astell, these commentaries present Canticles as a marriage song that mirrors a series of analogous marriages, both within the individual and between human and divine persons. Astell describes interpretations of the Song of Songs in terms of the various feminine archetypes that the expositors emphasize—the Virgin, Mother, Hetaira, or Medium. She maintains that the commentat5ors encourage the auditor's identification with the figure of the Bride so as to evoke and direct the feminine, affective powers of the soul. Turning to literature influenced by the Song, she then discusses how the reading process is reinscribed in selected works in Middle English, including Richard Rolle's autobiographical writings, Pearl, religious love lyrics, and cycle dramas. The Song of Songs in the Middle Ages provides an innovative model of reader response that opens the way for a deeper understanding of the literary influence of biblical texts.
Author:
Publisher: Penn State Press
ISBN: 0271045604
Category : Literary Criticism
Languages : en
Pages : 266
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Book Description
Author: Timothy Robinson
Publisher: BRILL
ISBN: 9004209506
Category : Music
Languages : en
Pages : 433
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Book Description
As one of the most frequently commentated on biblical books during antiquity and the middle ages, the Song of Songs has played a central role in the history of Christian spirituality. At a time of heightened interest in the Song of Songs among biblical scholars, historians, and students of spirituality, this Companion to the Song of Songs in the History of Spirituality provides a state-of-the art overview of its history, challenges some conventional wisdom, and presents innovative studies of some lesser-known aspects of the Song’s reception. The essays in this volume—including a chapter on Jewish interpretation—present the diverse forms of spirituality inspired by the Song since the beginning of the Christian era. Contributors: Ann W. Astell, Mark S. Burrows, Emily Cain, Catherine Cavadini, Rabia Gregory, Arthur Holder, Jason Kalman, Suzanne LaVere, Hannah Matis, Bernard McGinn, Timothy H. Robinson, and Karl Shuve.
Author: Serge-Thomas Bonino
Publisher: CUA Press
ISBN: 0813235987
Category : Philosophy
Languages : en
Pages : 177
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Book Description
St. Thomas Aquinas never commented on the Song of Songs. The purpose of this book is to demonstrate, however, that he meditated on it and absorbed it, so that the words of the Song are for him a familiar repertoire and a theological source. His work contains numerous citations of the Song, not counting his borrowings of vocabulary and images from it. In total, there are 312 citations of the Song in Aquinas’s corpus, along with citations of the Song that are found in citations that Aquinas makes of other authors (as for example in the Catena aurea). Understanding the purpose and placement of these citations significantly enriches our understanding of Aquinas as a theologian, biblical exegete, and spiritual master. The book contains an Appendix listing and contextualizing each citation. The study of the citations of the Song especially illuminates Aquinas’s spiritual doctrine. By citing the Song, Aquinas emphasizes the spiritual life’s path of dynamic ascent, through an ever increasing participation in the mystery of the nuptial union of Christ and the Church through love. The Song also highlights the eschatological tension or yearning present in the spiritual life, which is ordered to the fullness of beatific vision. Although Aquinas’s theology is highly “intellectual,” by citing the Song he brings out the affective character of the spiritual life and conveys the centrality of love in the soul’s journey toward Christ. He also draws together contemplation and preaching through his use of the Song.
Author: Shane Bobrycki
Publisher: Princeton University Press
ISBN: 0691255598
Category : History
Languages : en
Pages : 336
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Book Description
The importance of collective behavior in early medieval Europe By the fifth and sixth centuries, the bread and circuses and triumphal processions of the Roman Empire had given way to a quieter world. And yet, as Shane Bobrycki argues, the influence and importance of the crowd did not disappear in early medieval Europe. In The Crowd in the Early Middle Ages, Bobrycki shows that although demographic change may have dispersed the urban multitudes of Greco-Roman civilization, collective behavior retained its social importance even when crowds were scarce. Most historians have seen early medieval Europe as a world without crowds. In fact, Bobrycki argues, early medieval European sources are full of crowds—although perhaps not the sort historians have trained themselves to look for. Harvests, markets, festivals, religious rites, and political assemblies were among the gatherings used to regulate resources and demonstrate legitimacy. Indeed, the refusal to assemble and other forms of “slantwise” assembly became a weapon of the powerless. Bobrycki investigates what happened when demographic realities shifted, but culture, religion, and politics remained bound by the past. The history of crowds during the five hundred years between the age of circuses and the age of crusades, Bobrycki shows, tells an important story—one of systemic and scalar change in economic and social life and of reorganization in the world of ideas and norms.
Author: Claudio Leonardi
Publisher: Sismel
ISBN:
Category : Religion
Languages : en
Pages : 376
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Book Description
Author:
Publisher: BRILL
ISBN: 9004543937
Category : Religion
Languages : en
Pages : 359
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Book Description
The Song of Songs is the only book of the Bible to privilege the voice of a woman, and its poetry of love and eroticism also bears witness to violence. How do the contemporary #MeToo movement and other movements of protest and accountability renew questions about women, gender, sex, and the problematic of the public at the heart of this ancient poetry? This edited volume seeks to reinvigorate feminist scholarship on the Song by exploring diverse contexts of reading, from Akkadian love lyrics, to Hildegard of Bingen, to Marc Chagall.
Author: Jennifer O'Reilly
Publisher: Routledge
ISBN: 100000872X
Category : History
Languages : en
Pages : 411
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Book Description
When she died in 2016, Dr Jennifer O’Reilly left behind a body of published and unpublished work in three areas of medieval studies: the iconography of the Gospel Books produced in early medieval Ireland and Anglo-Saxon England; the writings of Bede and his older Irish contemporary, Adomnán of Iona; and the early lives of Thomas Becket. In these three areas she explored the connections between historical texts, artistic images and biblical exegesis. This volume brings together seventeen essays, published between 1984 and 2013, on the interplay of texts and images in medieval art. Most focus on the manuscript art of early medieval Ireland and England. The first section includes four studies of the Codex Amiatinus, produced in Northumbria in the monastic community of Bede. The second section contains seven essays on the iconography and text of the Book of Kells. In the third section there are five studies of Anglo-Saxon Art, examined in the context of the Benedictine Reform. A concluding essay, on the medieval iconography of the two trees in Eden, traces the development of a motif from Late Antiquity to the end of the Middle Ages.(CS1080)
Author: Jeremy Cohen
Publisher: Cornell University Press
ISBN: 1501764756
Category : Religion
Languages : en
Pages : 287
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Book Description
The Salvation of Israel investigates Christianity's eschatological Jew: the role and characteristics of the Jews at the end of days in the Christian imagination. It explores the depth of Christian ambivalence regarding these Jews, from Paul's Epistle to the Romans, through late antiquity and the Middle Ages, to the Puritans of the seventeenth century. Jeremy Cohen contends that few aspects of a religion shed as much light on the character and the self-understanding of its adherents as its expectations for the end of time. Moreover, eschatological beliefs express and mold an outlook toward nonbelievers, situating them in an overall scheme of human history and conditioning interaction with them as that history unfolds. Cohen's close readings of biblical commentary, theological texts, and Christian iconography reveal the dual role of the Jews of the last days. For rejecting belief and salvation in Jesus Christ, they have been linked to the false messiah—the Antichrist, the agent of Satan and the exemplary embodiment of evil. Yet from its inception, Christianity has also hinged its hopes for the second coming on the enlightenment and repentance of the Jews; for then, as Paul prophesized, "all Israel will be saved." In its vast historical scope, from the ancient Mediterranean world of early Christianity to seventeenth-century England and New England, The Salvation of Israel offers a nuanced and insightful assessment of Christian attitudes toward Jews, rife with inconsistency and complexity, thus contributing significantly to our understanding of Jewish-Christian relations.
