Author: Emma Goldman
Publisher: Good Press
ISBN:
Category : Social Science
Languages : en
Pages : 228
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Book Description
Emma Goldman's 'The Social Significance of the Modern Drama' is a groundbreaking analysis of the role that drama plays in reflecting and shaping society. Published in 1914, amidst a period of significant social and political upheaval, Goldman delves into the works of playwrights such as Henrik Ibsen, George Bernard Shaw, and August Strindberg to explore how their plays challenge traditional norms and power structures. She argues that the modern drama serves as a powerful tool for social change and liberation, drawing connections between art and political activism. Goldman's writing style is passionate and incisive, drawing on her own experiences as an anarchist and feminist to provide a unique perspective on the cultural landscape of her time. Her insights continue to resonate today, making this book a must-read for anyone interested in the intersection of art, politics, and social justice.
Author: Emma Goldman
Publisher: Cosimo, Inc.
ISBN: 1596053186
Category : Literary Criticism
Languages : en
Pages : 193
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Book Description
The Modern Drama, as all modern literature, mirrors the complex struggle of life... -Emma Goldman, in the Foreword With her reputation as a political radical, it is often forgotten that much of Emma Goldman's activism was rooted in the arts. As a member of The Progressive Stage Society, a founding force in the experimental theater movement, and through her work as a theatrical manager herself, she moved in quite artistic circles. And in these 1914 essays, adapted from a lecture series, she turned her passionate and philosophical eye on the stage, blending social commentary and theatrical criticism as she dissects: Henrik Ibsen's A Doll's House and An Enemy of the People August Strindberg's Miss Julie and Comrades Edmond Rostand's Chantecler George Bernard Shaw's Mrs. Warren's Profession and Major Barbara William Butler Yeats's Where There Is Nothing Anton Chekhov's The Seagull and The Cherry Orchard Leonid Andreyev's King Hunger and others from Scandinavia, Germany, France, England, Ireland, and Russia who were the "social iconoclasts" of her time... and ours. Also available from Cosimo Classics: Anarchism and Other Essays, by Emma Goldman. Anarchist and feminist EMMA GOLDMAN (1869-1940) is one of the towering figures in global radicalism of the late 19th and early 20th centuries. Born in Lithuania, she emigrated to the United States as a teenager, was deported in 1919 for her criticism of the U.S. military draft in World War I, and died in Toronto after a globetrotting life. An early advocate of birth control, women's rights, and workers unions, she was an important and influential figure in such far-flung geopolitical events as the Russian Revolution and the Spanish Civil War. Amongher many books are My Disillusionment in Russia (1925) and Living My Life (1931).
Author: Goldman Emma
Publisher: Hardpress Publishing
ISBN: 9781318068241
Category :
Languages : en
Pages : 332
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Book Description
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
Author: Richard Paul Knowles
Publisher: University of Toronto Press
ISBN: 9780802086211
Category : Literary Criticism
Languages : en
Pages : 236
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Book Description
The contributors examine varied topics such as the analysis of periodicity; the articulation of social, political, and cultural production in theatre; the re-evaluation of texts, performances, and canons; and demonstrations of how interdisciplinarity inflects theatre and its practice.
Author: Emma Goldman
Publisher:
ISBN: 9781375474238
Category : Drama
Languages : en
Pages : 328
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Book Description
Author: W. B. Worthen
Publisher: Univ of California Press
ISBN: 0520286871
Category : Drama
Languages : en
Pages : 240
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Book Description
The history of drama is typically viewed as a series of inert "styles." Tracing British and American stage drama from the 1880s onward, W. B. Worthen instead sees drama as the interplay of text, stage production, and audience. How are audiences manipulated? What makes drama meaningful? Worthen identifies three rhetorical strategies that distinguish an O'Neill play from a Yeats, or these two from a Brecht. Where realistic theater relies on the "natural" qualities of the stage scene, poetic theater uses the poet's word, the text, to control performance. Modern political theater, by contrast, openly places the audience at the center of its rhetorical designs, and the drama of the postwar period is shown to develop a range of post-Brechtian practices that make the audience the subject of the play. Worthen's book deserves the attention of any literary critic or serious theatergoer interested in the relationship between modern drama and the spectator.
Author: Emma Goldman
Publisher: Applause Theatre & Cinema
ISBN:
Category : Drama
Languages : en
Pages : 332
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Book Description
Study of several major and a few minor dramatists from Goldman's anarchist, social revolutionary viewpoint.
Author: Kwok-kan Tam
Publisher: Springer Nature
ISBN: 981136303X
Category : Performing Arts
Languages : en
Pages : 301
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Book Description
This book is a study of the relation between theatre art and ideology in the Chinese experimentations with new selfhood as a result of Ibsen’s impact. It also explores Ibsenian notions of self, women and gender in China and provides an illuminating study of Chinese theatre as a public sphere in the dissemination of radical ideas. Ibsen is the major source of modern Chinese selfhood which carries notions of personal and social liberation and has exerted great impacts on Chinese revolutions since the beginning of the twentieth century. Ibsen’s idea of the self as an individual has led to various experimentations in theatre, film and fiction to project new notions of selfhood, in particular women’s selfhood, throughout the history of modern China. Even today, China is experimenting with Ibsen’s notions of gender, power, individualism and self. Kwok-kan Tam is Chair Professor of English and Dean of Humanities and Social Science at the Hang Seng University of Hong Kong. He was Head (2012-18) and is currently a member of the International Ibsen Committee, University of Oslo. He is a Foundation Fellow of the Hong Kong Academy of the Humanities. He has held teaching, research and administrative positions in various institutions, including the East-West Center, the Chinese University of Hong Kong and the Open University of Hong Kong. He has published numerous books and articles on Ibsen, Gao Xingjian, modern drama, Chinese film, postcolonial literature, and world Englishes. His recent books include Ibsen, Power and the Self: Postsocialist Experimentations in Stage Performance and Film (2019), The Englishized Subject: Postcolonial Writings in Hong Kong, Singapore and Malaysia (2019), and a co-edited volume Fate and Prognostication in the Chinese Literary Imagination (2019).
Author: Rachel Hui-Chi Hsu
Publisher: University of Notre Dame Pess
ISBN: 0268200289
Category : Political Science
Languages : en
Pages : 382
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Book Description
This book unveils the history and impact of an unprecedented anarchist awakening in early twentieth-century America. Mother Earth, an anarchist monthly published by Emma Goldman, played a key role in sparking and spreading the movement around the world. One of the most important figures in revolutionary politics in the early twentieth century, Emma Goldman (1869–1940) was essential to the rise of political anarchism in the United States and Europe. But as Rachel Hui-Chi Hsu makes clear in this book, the work of Goldman and her colleagues at the flagship magazine Mother Earth (1906–1917) resonated globally, even into the present day. As a Russian Jewish immigrant to the United States in the late nineteenth century, Goldman developed a keen voice and ideology based on labor strife and turbulent politics of the era. She ultimately was deported to Russia due to agitating against World War I. Hsu takes a comprehensive look at Goldman’s impact and legacy, tracing her work against capitalism, advocacy for feminism, and support of homosexuality and atheism. Hsu argues that Mother Earth stirred an unprecedented anarchist awakening, inspiring an antiauthoritarian spirit across social, ethnic, and cultural divides and transforming U.S. radicalism. The magazine’s broad readership—immigrant workers, native-born cultural elite, and professionals in various lines of work—was forced to reflect on society and their lives. Mother Earth spread the gospel of anarchism while opening it to diversified interpretations and practices. This anarchist awakening was more effective on personal and intellectual levels than on the collective, socioeconomic level. Hsu explores the fascinating history of Mother Earth, headquartered in New York City, and captures a clearer picture of the magazine’s influence by examining the dynamic teamwork that occurred beyond Goldman. The active support of foreign revolutionaries fostered a borderless radical network that resisted all state and corporate powers. Emma Goldman, “Mother Earth,” and the Anarchist Awakening will attract readers interested in early twentieth-century history, transnational radicalism, and cosmopolitan print culture, as well as those interested in anarchism, anti-militarism, labor activism, feminism, and Emma Goldman.
Author: David Krasner
Publisher: John Wiley & Sons
ISBN: 1405157577
Category : Literary Criticism
Languages : en
Pages : 420
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Book Description
Covering the period 1879 to 1959, and taking in everything from Ibsen to Beckett, this book is volume one of a two-part comprehensive examination of the plays, dramatists, and movements that comprise modern world drama. Contains detailed analysis of plays and playwrights, connecting themes and offering original interpretations Includes coverage of non-English works and traditions to create a global view of modern drama Considers the influence of modernism in art, music, literature, architecture, society, and politics on the formation of modern dramatic literature Takes an interpretative and analytical approach to modern dramatic texts rather than focusing on production history Includes coverage of the ways in which staging practices, design concepts, and acting styles informed the construction of the dramas
