Author: Judith A. Habicht-Mauche
Publisher: University of Arizona Press
ISBN: 0816551065
Category : Social Science
Languages : en
Pages : 337
Book Description
The demographic upheavals that altered the social landscape of the Southwest from the thirteenth through the seventeenth centuries forced peoples from diverse backgrounds to literally remake their worlds—transformations in community, identity, and power that are only beginning to be understood through innovations in decorated ceramics. In addition to aesthetic changes that included new color schemes, new painting techniques, alterations in design, and a greater emphasis on iconographic imagery, some of the wares reflect a new production efficiency resulting from more specialized household and community-based industries. Also, they were traded over longer distances and were used more often in public ceremonies than earlier ceramic types. Through the study of glaze-painted pottery, archaeologists are beginning to understand that pots had “social lives” in this changing world and that careful reconstruction of the social lives of pots can help us understand the social lives of Puebloan peoples. In this book, fifteen contributors apply a wide range of technological and stylistic analysis techniques to pottery of the Rio Grande and Western Pueblo areas to show what it reveals about inter- and intra-community dynamics, work groups, migration, trade, and ideology in the precontact and early postcontact Puebloan world. The contributors report on research conducted throughout the glaze producing areas of the Southwest and cover the full historical range of glaze ware production. Utilizing a variety of techniques—continued typological analyses, optical petrography, instrumental neutron activation analysis, X-ray microprobe analysis, and inductively coupled plasma mass spectroscopy—they develop broader frameworks for examining the changing role of these ceramics in social dynamics. By tracing the circulation and exchange of specialized knowledge, raw materials, and the pots themselves via social networks of varying size, they show how glaze ware technology, production, exchange, and reflected a variety of dynamic historical and social processes. Through this material evidence, the contributors reveal that technological and aesthetic innovations were deliberately manipulated and disseminated to actively construct “communities of practice” that cut across language and settlement groups. The Social Life of Pots offers a wealth of new data from this crucial period of prehistory and is an important baseline for future work in this area. Contributors Patricia Capone Linda S. Cordell Suzanne L. Eckert Thomas R. Fenn Judith A. Habicht-Mauche Cynthia L Herhahn Maren Hopkins Deborah L. Huntley Toni S. Laumbach Kathryn Leonard Barbara J. Mills Kit Nelson Gregson Schachner Miriam T. Stark Scott Van Keuren
The Social Life of Pots
Author: Judith A. Habicht-Mauche
Publisher: University of Arizona Press
ISBN: 0816551065
Category : Social Science
Languages : en
Pages : 337
Book Description
The demographic upheavals that altered the social landscape of the Southwest from the thirteenth through the seventeenth centuries forced peoples from diverse backgrounds to literally remake their worlds—transformations in community, identity, and power that are only beginning to be understood through innovations in decorated ceramics. In addition to aesthetic changes that included new color schemes, new painting techniques, alterations in design, and a greater emphasis on iconographic imagery, some of the wares reflect a new production efficiency resulting from more specialized household and community-based industries. Also, they were traded over longer distances and were used more often in public ceremonies than earlier ceramic types. Through the study of glaze-painted pottery, archaeologists are beginning to understand that pots had “social lives” in this changing world and that careful reconstruction of the social lives of pots can help us understand the social lives of Puebloan peoples. In this book, fifteen contributors apply a wide range of technological and stylistic analysis techniques to pottery of the Rio Grande and Western Pueblo areas to show what it reveals about inter- and intra-community dynamics, work groups, migration, trade, and ideology in the precontact and early postcontact Puebloan world. The contributors report on research conducted throughout the glaze producing areas of the Southwest and cover the full historical range of glaze ware production. Utilizing a variety of techniques—continued typological analyses, optical petrography, instrumental neutron activation analysis, X-ray microprobe analysis, and inductively coupled plasma mass spectroscopy—they develop broader frameworks for examining the changing role of these ceramics in social dynamics. By tracing the circulation and exchange of specialized knowledge, raw materials, and the pots themselves via social networks of varying size, they show how glaze ware technology, production, exchange, and reflected a variety of dynamic historical and social processes. Through this material evidence, the contributors reveal that technological and aesthetic innovations were deliberately manipulated and disseminated to actively construct “communities of practice” that cut across language and settlement groups. The Social Life of Pots offers a wealth of new data from this crucial period of prehistory and is an important baseline for future work in this area. Contributors Patricia Capone Linda S. Cordell Suzanne L. Eckert Thomas R. Fenn Judith A. Habicht-Mauche Cynthia L Herhahn Maren Hopkins Deborah L. Huntley Toni S. Laumbach Kathryn Leonard Barbara J. Mills Kit Nelson Gregson Schachner Miriam T. Stark Scott Van Keuren
Publisher: University of Arizona Press
ISBN: 0816551065
Category : Social Science
Languages : en
Pages : 337
Book Description
The demographic upheavals that altered the social landscape of the Southwest from the thirteenth through the seventeenth centuries forced peoples from diverse backgrounds to literally remake their worlds—transformations in community, identity, and power that are only beginning to be understood through innovations in decorated ceramics. In addition to aesthetic changes that included new color schemes, new painting techniques, alterations in design, and a greater emphasis on iconographic imagery, some of the wares reflect a new production efficiency resulting from more specialized household and community-based industries. Also, they were traded over longer distances and were used more often in public ceremonies than earlier ceramic types. Through the study of glaze-painted pottery, archaeologists are beginning to understand that pots had “social lives” in this changing world and that careful reconstruction of the social lives of pots can help us understand the social lives of Puebloan peoples. In this book, fifteen contributors apply a wide range of technological and stylistic analysis techniques to pottery of the Rio Grande and Western Pueblo areas to show what it reveals about inter- and intra-community dynamics, work groups, migration, trade, and ideology in the precontact and early postcontact Puebloan world. The contributors report on research conducted throughout the glaze producing areas of the Southwest and cover the full historical range of glaze ware production. Utilizing a variety of techniques—continued typological analyses, optical petrography, instrumental neutron activation analysis, X-ray microprobe analysis, and inductively coupled plasma mass spectroscopy—they develop broader frameworks for examining the changing role of these ceramics in social dynamics. By tracing the circulation and exchange of specialized knowledge, raw materials, and the pots themselves via social networks of varying size, they show how glaze ware technology, production, exchange, and reflected a variety of dynamic historical and social processes. Through this material evidence, the contributors reveal that technological and aesthetic innovations were deliberately manipulated and disseminated to actively construct “communities of practice” that cut across language and settlement groups. The Social Life of Pots offers a wealth of new data from this crucial period of prehistory and is an important baseline for future work in this area. Contributors Patricia Capone Linda S. Cordell Suzanne L. Eckert Thomas R. Fenn Judith A. Habicht-Mauche Cynthia L Herhahn Maren Hopkins Deborah L. Huntley Toni S. Laumbach Kathryn Leonard Barbara J. Mills Kit Nelson Gregson Schachner Miriam T. Stark Scott Van Keuren
The Social Life of Things
Author: Arjun Appadurai
Publisher: Cambridge University Press
ISBN: 1107392977
Category : Social Science
Languages : en
Pages : 350
Book Description
The meaning that people attribute to things necessarily derives from human transactions and motivations, particularly from how those things are used and circulated. The contributors to this volume examine how things are sold and traded in a variety of social and cultural settings, both present and past. Focusing on culturally defined aspects of exchange and socially regulated processes of circulation, the essays illuminate the ways in which people find value in things and things give value to social relations. By looking at things as if they lead social lives, the authors provide a new way to understand how value is externalized and sought after. Containing contributions from American and British social anthropologists and historians, the volume bridges the disciplines of social history, cultural anthropology, and economics, and marks a major step in our understanding of the cultural basis of economic life and the sociology of culture. It will appeal to anthropologists, social historians, economists, archaeologists, and historians of art.
Publisher: Cambridge University Press
ISBN: 1107392977
Category : Social Science
Languages : en
Pages : 350
Book Description
The meaning that people attribute to things necessarily derives from human transactions and motivations, particularly from how those things are used and circulated. The contributors to this volume examine how things are sold and traded in a variety of social and cultural settings, both present and past. Focusing on culturally defined aspects of exchange and socially regulated processes of circulation, the essays illuminate the ways in which people find value in things and things give value to social relations. By looking at things as if they lead social lives, the authors provide a new way to understand how value is externalized and sought after. Containing contributions from American and British social anthropologists and historians, the volume bridges the disciplines of social history, cultural anthropology, and economics, and marks a major step in our understanding of the cultural basis of economic life and the sociology of culture. It will appeal to anthropologists, social historians, economists, archaeologists, and historians of art.
Art & Fear
Author: David Bayles
Publisher: Souvenir Press
ISBN: 1800815999
Category : Self-Help
Languages : en
Pages : 109
Book Description
'I always keep a copy of Art & Fear on my bookshelf' JAMES CLEAR, author of the #1 best-seller Atomic Habits 'A book for anyone and everyone who wants to face their fears and get to work' DEBBIE MILLMAN, author and host of the podcast Design Matters 'A timeless cult classic ... I've stolen tons of inspiration from this book over the years and so will you' AUSTIN KLEON, NYTimes bestselling author of Steal Like an Artist 'The ultimate pep talk for artists. ... An invaluable guide for living a creative, collaborative life.' WENDY MACNAUGHTON, illustrator Art & Fear is about the way art gets made, the reasons it often doesn't get made, and the nature of the difficulties that cause so many artists to give up along the way. Drawing on the authors' own experiences as two working artists, the book delves into the internal and external challenges to making art in the real world, and shows how they can be overcome every day. First published in 1994, Art & Fear quickly became an underground classic, and word-of-mouth has placed it among the best-selling books on artmaking and creativity. Written by artists for artists, it offers generous and wise insight into what it feels like to sit down at your easel or keyboard, in your studio or performance space, trying to do the work you need to do. Every artist, whether a beginner or a prizewinner, a student or a teacher, faces the same fears - and this book illuminates the way through them.
Publisher: Souvenir Press
ISBN: 1800815999
Category : Self-Help
Languages : en
Pages : 109
Book Description
'I always keep a copy of Art & Fear on my bookshelf' JAMES CLEAR, author of the #1 best-seller Atomic Habits 'A book for anyone and everyone who wants to face their fears and get to work' DEBBIE MILLMAN, author and host of the podcast Design Matters 'A timeless cult classic ... I've stolen tons of inspiration from this book over the years and so will you' AUSTIN KLEON, NYTimes bestselling author of Steal Like an Artist 'The ultimate pep talk for artists. ... An invaluable guide for living a creative, collaborative life.' WENDY MACNAUGHTON, illustrator Art & Fear is about the way art gets made, the reasons it often doesn't get made, and the nature of the difficulties that cause so many artists to give up along the way. Drawing on the authors' own experiences as two working artists, the book delves into the internal and external challenges to making art in the real world, and shows how they can be overcome every day. First published in 1994, Art & Fear quickly became an underground classic, and word-of-mouth has placed it among the best-selling books on artmaking and creativity. Written by artists for artists, it offers generous and wise insight into what it feels like to sit down at your easel or keyboard, in your studio or performance space, trying to do the work you need to do. Every artist, whether a beginner or a prizewinner, a student or a teacher, faces the same fears - and this book illuminates the way through them.
Not So Much a Pot, More a Way of Life
Author: Christopher G. Cumberpatch
Publisher: Oxbow Books Limited
ISBN:
Category : Art
Languages : en
Pages : 180
Book Description
There is more to artefact analysis than the study of chronology and provenance. This is the theme of these essays which are based on discussions at the Theoretical Archaeology Group conferences at Durham and Bradford in 1993 and 1994. The authors are concerned that some of the theoretical and practical orientations of artefact analysis are restrictive and of questionable validity. Contents include: Individual and community choice in present-day pottery production and exchange in the Andes (Bill Sillar); The social context of eating and drinking in early Roman Britain (Karen I Meadows); Historical, geographical and anthropological imaginations: early ceramics in southern Italy (M Z Pluciennik); From ceramic finishes to modes of production: Iron Age finewares from central France (Kevin Andrews); Why do excavation reports have finds catalogues? (Penelope M Allison); Family, household and production: the potters of the Saintonge, France, 1500 to 1800 (Elizabeth Musgrave); The social significance of imported medieval pottery (Duncan H Brown); Habitus, social identity and Anglo-Saxon pottery (P W Blinkhorn); Towards a phenomenological approach to the study of medieval pottery (C G Cumberpatch); Size is important: Iron Age vessel capacities in central and southern England (Ann Woodward & Paul Blinkhorn).
Publisher: Oxbow Books Limited
ISBN:
Category : Art
Languages : en
Pages : 180
Book Description
There is more to artefact analysis than the study of chronology and provenance. This is the theme of these essays which are based on discussions at the Theoretical Archaeology Group conferences at Durham and Bradford in 1993 and 1994. The authors are concerned that some of the theoretical and practical orientations of artefact analysis are restrictive and of questionable validity. Contents include: Individual and community choice in present-day pottery production and exchange in the Andes (Bill Sillar); The social context of eating and drinking in early Roman Britain (Karen I Meadows); Historical, geographical and anthropological imaginations: early ceramics in southern Italy (M Z Pluciennik); From ceramic finishes to modes of production: Iron Age finewares from central France (Kevin Andrews); Why do excavation reports have finds catalogues? (Penelope M Allison); Family, household and production: the potters of the Saintonge, France, 1500 to 1800 (Elizabeth Musgrave); The social significance of imported medieval pottery (Duncan H Brown); Habitus, social identity and Anglo-Saxon pottery (P W Blinkhorn); Towards a phenomenological approach to the study of medieval pottery (C G Cumberpatch); Size is important: Iron Age vessel capacities in central and southern England (Ann Woodward & Paul Blinkhorn).
Pots of Promise
Author: Cheryl Ganz
Publisher: University of Illinois Press
ISBN: 9780252071973
Category : Art
Languages : en
Pages : 172
Book Description
Exploring the untold stories of Hull-House arts programs in the 1920s and 1930s and the pottery program at the commercial Hull-House Kilns, Pots of Promise also addresses the story of Mexicans in Chicago and the history of Hull-House in the years when Jane Addams increasingly turned her attention beyond the settlement house she had co-founded. This book is the first on the Hull-House Kilns; it examines Mexicans in the Hull-House colonia, Chicago's largest Mexican settlement. Pots of Promise includes 131 color and black-and-white photographs, many of them previously unpublished, and four essays: "Bringing Art to Life: The Practice of Art at Hull-House" by Peggy Glowacki; "Incorporating Reform and Religion: Mexican Immigrants, Hull-House, and the Church" by David A. Badillo; "Shaping Clay, Shaping Lives: The Hull-House Kilns" by Cheryl R. Ganz; and "Forging a Mexican National Identity in Chicago: Mexican Migrants and Hull-House" by Rick A. L pez.
Publisher: University of Illinois Press
ISBN: 9780252071973
Category : Art
Languages : en
Pages : 172
Book Description
Exploring the untold stories of Hull-House arts programs in the 1920s and 1930s and the pottery program at the commercial Hull-House Kilns, Pots of Promise also addresses the story of Mexicans in Chicago and the history of Hull-House in the years when Jane Addams increasingly turned her attention beyond the settlement house she had co-founded. This book is the first on the Hull-House Kilns; it examines Mexicans in the Hull-House colonia, Chicago's largest Mexican settlement. Pots of Promise includes 131 color and black-and-white photographs, many of them previously unpublished, and four essays: "Bringing Art to Life: The Practice of Art at Hull-House" by Peggy Glowacki; "Incorporating Reform and Religion: Mexican Immigrants, Hull-House, and the Church" by David A. Badillo; "Shaping Clay, Shaping Lives: The Hull-House Kilns" by Cheryl R. Ganz; and "Forging a Mexican National Identity in Chicago: Mexican Migrants and Hull-House" by Rick A. L pez.
The social life
Author: Henri Alexandre Junod
Publisher:
ISBN:
Category : Tsonga (African people)
Languages : en
Pages : 516
Book Description
Publisher:
ISBN:
Category : Tsonga (African people)
Languages : en
Pages : 516
Book Description
Playing with Things
Author: Mary Weismantel
Publisher: University of Texas Press
ISBN: 147732321X
Category : Social Science
Languages : en
Pages : 263
Book Description
More than a thousand years ago on the north coast of Peru, Indigenous Moche artists created a large and significant corpus of sexually explicit ceramic works of art. They depicted a diversity of sex organs and sex acts, and an array of solitary and interconnected human and nonhuman bodies. To the modern eye, these Moche “sex pots,” as Mary Weismantel calls them, are lively and provocative but also enigmatic creations whose import to their original owners seems impossible to grasp. In Playing with Things, Weismantel shows that there is much to be learned from these ancient artifacts, not merely as inert objects from a long-dead past but as vibrant Indigenous things, alive in their own human temporality. From a new materialist perspective, she fills the gaps left by other analyses of the sex pots in pre-Columbian studies, where sexuality remains marginalized, and in sexuality studies, where non-Western art is largely absent. Taking a decolonial approach toward an archaeology of sexuality and breaking with long-dominant iconographic traditions, this book explores how the “pots play jokes, make babies, give power, and hold water,” considering the sex pots as actual ceramic bodies that interact with fleshly bodies, now and in the ancient past. A beautifully written study that will be welcomed by students as well as specialists, Playing with Things is a model for archaeological and art historical engagement with the liberating power of queer theory and Indigenous studies.
Publisher: University of Texas Press
ISBN: 147732321X
Category : Social Science
Languages : en
Pages : 263
Book Description
More than a thousand years ago on the north coast of Peru, Indigenous Moche artists created a large and significant corpus of sexually explicit ceramic works of art. They depicted a diversity of sex organs and sex acts, and an array of solitary and interconnected human and nonhuman bodies. To the modern eye, these Moche “sex pots,” as Mary Weismantel calls them, are lively and provocative but also enigmatic creations whose import to their original owners seems impossible to grasp. In Playing with Things, Weismantel shows that there is much to be learned from these ancient artifacts, not merely as inert objects from a long-dead past but as vibrant Indigenous things, alive in their own human temporality. From a new materialist perspective, she fills the gaps left by other analyses of the sex pots in pre-Columbian studies, where sexuality remains marginalized, and in sexuality studies, where non-Western art is largely absent. Taking a decolonial approach toward an archaeology of sexuality and breaking with long-dominant iconographic traditions, this book explores how the “pots play jokes, make babies, give power, and hold water,” considering the sex pots as actual ceramic bodies that interact with fleshly bodies, now and in the ancient past. A beautifully written study that will be welcomed by students as well as specialists, Playing with Things is a model for archaeological and art historical engagement with the liberating power of queer theory and Indigenous studies.
Potters and Communities of Practice
Author: Linda S. Cordell
Publisher: University of Arizona Press
ISBN: 0816544530
Category : Social Science
Languages : en
Pages : 209
Book Description
The peoples of the American Southwest during the 13th through the 17th centuries witnessed dramatic changes in settlement size, exchange relationships, ideology, social organization, and migrations that included those of the first European settlers. Concomitant with these world-shaking events, communities of potters began producing new kinds of wares—particularly polychrome and glaze-paint decorated pottery—that entailed new technologies and new materials. The contributors to this volume present results of their collaborative research into the production and distribution of these new wares, including cutting-edge chemical and petrographic analyses. They use the insights gained to reflect on the changing nature of communities of potters as they participated in the dynamic social conditions of their world.
Publisher: University of Arizona Press
ISBN: 0816544530
Category : Social Science
Languages : en
Pages : 209
Book Description
The peoples of the American Southwest during the 13th through the 17th centuries witnessed dramatic changes in settlement size, exchange relationships, ideology, social organization, and migrations that included those of the first European settlers. Concomitant with these world-shaking events, communities of potters began producing new kinds of wares—particularly polychrome and glaze-paint decorated pottery—that entailed new technologies and new materials. The contributors to this volume present results of their collaborative research into the production and distribution of these new wares, including cutting-edge chemical and petrographic analyses. They use the insights gained to reflect on the changing nature of communities of potters as they participated in the dynamic social conditions of their world.
Pots Syndrome
Author: Patrick Ussher
Publisher: Createspace Independent Publishing Platform
ISBN: 9781545299395
Category :
Languages : en
Pages : 158
Book Description
Postural Orthostatic Tachycardia Syndrome (POTS) is currently defined as a 'syndrome', a collection of symptoms for which the root cause has not yet been identified. This book aims to rectify this by arguing the case for POTS being considered a form of neurological injury to the limbic system following an antecedent trauma, such as a viral illness, pregnancy, surgery or psychological trauma (or a combination). Patrick Ussher himself had POTS but recovered by following a limbic system rehabilitation program (originally developed to treat Multiple Chemical Sensitivity) called the Dynamic Neural Retraining System (DNRS). After recovery, he set about mapping the idea of a limbic system impairment onto pre-existing research into POTS and found that it could explain many key findings including: NET protein deficiency (which is responsible for blood vessel constriction problems and resulting elevated heart rate upon standing), low aldosterone and poor sodium retention (which are responsible for low blood volume problems) and mast cell activation problems. This book will simultaneously act as a guide for those interested in using the DNRS as a treatment for POTS and also as a call for further research into the potential efficacy of the DNRS for treating POTS.
Publisher: Createspace Independent Publishing Platform
ISBN: 9781545299395
Category :
Languages : en
Pages : 158
Book Description
Postural Orthostatic Tachycardia Syndrome (POTS) is currently defined as a 'syndrome', a collection of symptoms for which the root cause has not yet been identified. This book aims to rectify this by arguing the case for POTS being considered a form of neurological injury to the limbic system following an antecedent trauma, such as a viral illness, pregnancy, surgery or psychological trauma (or a combination). Patrick Ussher himself had POTS but recovered by following a limbic system rehabilitation program (originally developed to treat Multiple Chemical Sensitivity) called the Dynamic Neural Retraining System (DNRS). After recovery, he set about mapping the idea of a limbic system impairment onto pre-existing research into POTS and found that it could explain many key findings including: NET protein deficiency (which is responsible for blood vessel constriction problems and resulting elevated heart rate upon standing), low aldosterone and poor sodium retention (which are responsible for low blood volume problems) and mast cell activation problems. This book will simultaneously act as a guide for those interested in using the DNRS as a treatment for POTS and also as a call for further research into the potential efficacy of the DNRS for treating POTS.
Pottery and Practice
Author: Suzanne L. Eckert
Publisher: UNM Press
ISBN: 0826338348
Category : History
Languages : en
Pages : 217
Book Description
Eckert illustrates how the relationship between ethnicity, migration, and ritual practice combined to create a complexly patterned material culture among residents of two fourteenth-century Pueblo villages.
Publisher: UNM Press
ISBN: 0826338348
Category : History
Languages : en
Pages : 217
Book Description
Eckert illustrates how the relationship between ethnicity, migration, and ritual practice combined to create a complexly patterned material culture among residents of two fourteenth-century Pueblo villages.