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Author: Anahid Nersessian
Publisher: University of Chicago Press
ISBN: 022670131X
Category : Literary Criticism
Languages : en
Pages : 224
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Book Description
Romanticism coincided with two major historical developments: the Industrial Revolution, and with it, a turning point in our relationship to the earth, its inhabitants, and its climate. Drawing on Marxism and philosophy of science, The Calamity Form shines new light on Romantic poetry, identifying a number of rhetorical tropes used by writers to underscore their very failure to make sense of our move to industrialization. Anahid Nersessian explores works by Friedrich Hölderlin, William Wordsworth, John Keats, and others to argue that as the human and ecological costs of industry became clear, Romantic poetry adopted formal strategies—among them parataxis, the setting of elements side by side in a manner suggestive of postindustrial dissonance, and apostrophe, here an address to an absent or vanishing natural environment—as it tried and failed to narrate the calamities of capitalism. These tropes reflect how Romantic authors took their bewilderment and turned it into a poetics: a theory of writing, reading, and understanding poetry as an eminently critical act. Throughout, Nersessian pushes back against recent attempts to see literature as a source of information on par with historical or scientific data, arguing instead for an irreducibility of poetic knowledge. Revealing the ways in which these Romantic works are of their time but not about it, The Calamity Form ultimately exposes the nature of poetry’s relationship to capital—and capital’s ability to hide how it works.
Author: Anahid Nersessian
Publisher: University of Chicago Press
ISBN: 022670131X
Category : Literary Criticism
Languages : en
Pages : 224
Get Book Here
Book Description
Romanticism coincided with two major historical developments: the Industrial Revolution, and with it, a turning point in our relationship to the earth, its inhabitants, and its climate. Drawing on Marxism and philosophy of science, The Calamity Form shines new light on Romantic poetry, identifying a number of rhetorical tropes used by writers to underscore their very failure to make sense of our move to industrialization. Anahid Nersessian explores works by Friedrich Hölderlin, William Wordsworth, John Keats, and others to argue that as the human and ecological costs of industry became clear, Romantic poetry adopted formal strategies—among them parataxis, the setting of elements side by side in a manner suggestive of postindustrial dissonance, and apostrophe, here an address to an absent or vanishing natural environment—as it tried and failed to narrate the calamities of capitalism. These tropes reflect how Romantic authors took their bewilderment and turned it into a poetics: a theory of writing, reading, and understanding poetry as an eminently critical act. Throughout, Nersessian pushes back against recent attempts to see literature as a source of information on par with historical or scientific data, arguing instead for an irreducibility of poetic knowledge. Revealing the ways in which these Romantic works are of their time but not about it, The Calamity Form ultimately exposes the nature of poetry’s relationship to capital—and capital’s ability to hide how it works.
Author: Oren Izenberg
Publisher: Princeton University Press
ISBN: 1400836522
Category : Literary Criticism
Languages : en
Pages : 245
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Book Description
"Because I am not silent," George Oppen wrote, "the poems are bad." What does it mean for the goodness of an art to depend upon its disappearance? In Being Numerous, Oren Izenberg offers a new way to understand the divisions that organize twentieth-century poetry. He argues that the most important conflict is not between styles or aesthetic politics, but between poets who seek to preserve or produce the incommensurable particularity of experience by making powerful objects, and poets whose radical commitment to abstract personhood seems altogether incompatible with experience--and with poems. Reading across the apparent gulf that separates traditional and avant-garde poets, Izenberg reveals the common philosophical urgency that lies behind diverse forms of poetic difficulty--from Yeats's esoteric symbolism and Oppen's minimalism and silence to O'Hara's joyful slightness and the Language poets' rejection of traditional aesthetic satisfactions. For these poets, what begins as a practical question about the conduct of literary life--what distinguishes a poet or group of poets?--ends up as an ontological inquiry about social life: What is a person and how is a community possible? In the face of the violence and dislocation of the twentieth century, these poets resist their will to mastery, shy away from the sensual richness of their strongest work, and undermine the particularity of their imaginative and moral visions--all in an effort to allow personhood itself to emerge as an undeniable fact making an unrefusable claim.
Author: Abigail Williams
Publisher: Yale University Press
ISBN: 0300228104
Category : Literary Criticism
Languages : en
Pages : 374
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Book Description
“A lively survey…her research and insights make us conscious of how we, today, use books.”—John Sutherland, The New York Times Book Review Two centuries before the advent of radio, television, and motion pictures, books were a cherished form of popular entertainment and an integral component of domestic social life. In this fascinating and vivid history, Abigail Williams explores the ways in which shared reading shaped the lives and literary culture of the eighteenth century, offering new perspectives on how books have been used by their readers, and the part they have played in middle-class homes and families. Drawing on marginalia, letters and diaries, library catalogues, elocution manuals, subscription lists, and more, Williams offers fresh and fascinating insights into reading, performance, and the history of middle-class home life. “Williams’s charming pageant of anecdotes…conjures a world strikingly different from our own but surprisingly similar in many ways, a time when reading was on the rise and whole worlds sprang up around it.”—TheWashington Post
Author: Michael C. Cohen
Publisher: University of Pennsylvania Press
ISBN: 081229131X
Category : Literary Criticism
Languages : en
Pages : 292
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Book Description
Poetry occupied a complex position in the social life of nineteenth-century America. While some readers found in poems a resource for aesthetic pleasure and the enjoyment of linguistic complexity, many others turned to poems for spiritual and psychic wellbeing, adapted popular musical settings of poems to spread scandal and satire, or used poems as a medium for asserting personal and family memories as well as local and national affiliations. Poetry was not only read but memorized and quoted, rewritten and parodied, collected, anthologized, edited, and exchanged. Michael C. Cohen here explores the multiplicity of imaginative relationships forged between poems and those who made use of them from the post-Revolutionary era to the turn of the twentieth century. Organized along a careful genealogy of ballads in the Atlantic world, The Social Lives of Poems in Nineteenth-Century America demonstrates how the circulation of texts in songs, broadsides, letters, and newsprint as well as in books, anthologies, and critical essays enabled poetry to perform its many different tasks. Considering the media and modes of reading through which people encountered and made sense of poems, Cohen traces the lines of critical interpretations and tracks the emergence and disappearance of poetic genres in American literary culture. Examining well-known works by John Greenleaf Whittier and Walt Whitman as well as popular ballads, minstrel songs, and spirituals, Cohen shows how discourses on poetry served as sites for debates over history, literary culture, citizenship, and racial identity.
Author: C. Green
Publisher: Springer
ISBN: 0230101690
Category : Literary Criticism
Languages : en
Pages : 281
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Book Description
From Jewish publishers to Appalachian poets, Green s cultural study reveals the role of "Mountain Whites" in American racial history. Part One (1880-1935) explores the networks that created American pluralism, revealing Appalachia s essential role in shaping America s understanding of African Americans, Anglos, Jews, Southerners, and Immigrants. Drawing upon archival research and deft close readings of poems, Part Two (1934-1946) delves into the inner-workings of literary history and shows how diverse alliances used four books of poetry about Appalachia to change America s notion of race, region, and pluralism. Green starts with how Jesse Stuart and the Agrarians defended Southern whiteness, follows how James Still appealed to liberals, shows how Muriel Rukeyser put Appalachia at the center of anti-fascism, and ends with how Don West and the Progressives struggled to form interracial labor unions in the South.
Author: George Oppen
Publisher:
ISBN:
Category : American poetry
Languages : en
Pages : 0
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Book Description
Author: Jonathan Farmer
Publisher: Stephen F. Austin University Press
ISBN: 9781622884728
Category : Literary Criticism
Languages : en
Pages : 0
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Book Description
Poems are social. They reach out, however crookedly, to another person, however imperfectly imagined. And sometimes they not only embody but enact those things that we might value in the other parts of our social lives--kindness, for example, or joy--as well as the complications those values entail. Looking closely at poems from Lucille Clifton, Elizabeth Bishop, Gwendolyn Brooks, Terrance Hayes, Spencer Reece, Robert Pinsky, Claudia Rankine, Jericho Brown, Patricia Lockwood, Ross Gay, Paisley Rekdal, Gabrielle Calvocoressi, and many others, That Peculiar Affirmative tries to understand what it means for a poem to be humble or humorous, decorous or confident, and what that tells us not only about poems, but also about the larger world of social virtues, personal vulnerabilities, and political problems that define so much of our time together and apart. "If I had to imagine an ideal reader or critic of poetry it would be Jonathan Farmer, and his soulful book of essays, That Peculiar Affirmative, would be my ideal book. These essays constitute more than a series of discrete engagements with modern and contemporary poets; together they conduct nothing less than a spiritual autobiography that tracks the growth of the writer's moral and aesthetic imagination. There is no book like this in its combination of personal revelation and writerly attention to technique, in its thrilling recreation of the mind through poetry redefining what it thinks and feels." --Alan Shapiro "Along the front line of a new generation of poetry commentators, I place Jonathan Farmer beside Meghan O'Rourke, Philip Metres, and Solmaz Sharif. It's a very fertile moment for poetry, and Farmer is one of the first critics I look to now for clarity and depth. His readings in That Peculiar Affirmative are uniformly brilliant, unswayed by partisan aesthetics, and marked by real joy in intellectual and social engagement with the lyric poem. Even his subtitles point to this rare odic impulse; he writes "on" decorum and humility, "on" politics and humor, even as he applies contemporary issues of racial and sexual identity, for instance, to an old-school devotion to close reading. His touchstones--Sidney and Shakespeare, Kristeva and Durrell--are as aptly rangy as his contemporary subjects, from Brooks and Bishop to Ross Gay, Gabrielle Calvocoressi, or Claudia Rankine. I greet this critic and his book with celebratory gratitude." --David Baker "That Jonathan Farmer writes in his introduction that in this book, he 'has tried to make something worth your time' is characteristic of the critical voice you will find in this thoughtful, probing, and reflective book of essays. The 'I' of That Peculiar Affirmative is modest while its eye is expansive and inclusive; Farmer's curiosity is palpable, both in the questions he poses and the questions he hears in the poems he reads. In beautiful and generous essays on subjects of perennial poetic relevance and contemporary sociopolitical relevance, Farmer rethinks topics like joy, decorum, humility, kindness, humor, and political discourse itself through insightful readings of contemporary poets as varied as Ross Gay, Patricia Lockwood, Paisley Rekdal, Jill McDonough, Mary Syzbist, Terrance Hayes, Claudia Rankine, and more, as well as a vast array of interlocutors across time, such as Hamlet, W. H. Auden, Elizabeth Bishop (whose phrase gives this book its title), Lucille Clifton, and even Allie Brosh of the iconic web comic Hyperbole and a Half. As befits an exploration of the social life of poetry, That Peculiar Affirmative is a book that will not only speak to you about poetry, affect, and politics, but will speak with you. Farmer has met his goal and then some: this book is dazzlingly and rewardingly worth your time." --Sumita Chakraborty
Author: Mark Nowak
Publisher: Coffee House Press
ISBN: 1566895758
Category : Literary Criticism
Languages : en
Pages : 295
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Book Description
Social Poetics documents the imaginative militancy and emergent solidarities of a new, insurgent working class poetry community rising up across the globe. Part autobiography, part literary criticism, part Marxist theory, Social Poetics presents a people’s history of the poetry workshop from the founding director of the Worker Writers School. Nowak illustrates not just what poetry means, but what it does to and for people outside traditional literary spaces, from taxi drivers to street vendors, and other workers of the world.
Author: Ben Lerner
Publisher: Macmillan
ISBN: 0865478201
Category : History
Languages : en
Pages : 97
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Book Description
"The novelist and poet Ben Lerner argues that our hatred of poetry is ultimately a sign of its nagging relevance"--
Author: Jill Bialosky
Publisher: Simon and Schuster
ISBN: 1451693214
Category : Poetry
Languages : en
Pages : 240
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Book Description
From a critically acclaimed New York Times bestselling author and poet comes “a delightfully hybrid book: part anthology, part critical study, part autobiography” (Chicago Tribune) that is organized around fifty-one remarkable poems by poets such as Robert Frost, Emily Dickinson, Wallace Stevens, and Sylvia Plath. For Jill Bialosky, certain poems stand out like signposts at pivotal moments in a life: the death of a father, adolescence, first love, leaving home, the suicide of a sister, marriage, the birth of a child, the day in New York City the Twin Towers fell. As Bialosky narrates these moments, she illuminates the ways in which particular poems offered insight, compassion, and connection, and shows how poetry can be a blueprint for living. In Poetry Will Save Your Life, Bialosky recalls when she encountered each formative poem, and how its importance and meaning evolved over time, allowing new insights and perceptions to emerge. While Bialosky’s personal stories animate each poem, they touch on many universal experiences, from the awkwardness of girlhood, to crises of faith and identity, from braving a new life in a foreign city to enduring the loss of a loved one, from becoming a parent to growing creatively as a poet and artist. Each moment and poem illustrate “not only how to read poetry, but also how to love poetry” (Christian Science Monitor). “An emotional, sometimes-wrenching account of how lines of poetry can be lifelines” (Kirkus Reviews), Poetry Will Save Your Life is an engaging and entirely original examination of a life while celebrating the enduring value of poetry, not as a purely cerebral activity, but as a means of conveying personal experience and as a source of comfort and intimacy. In doing so the book brilliantly illustrates the ways in which poetry can be an integral part of life itself and can, in fact, save your life.
