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Author: Kirsten Han
Publisher:
ISBN: 9789814845069
Category : Government and the press
Languages : en
Pages :
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Book Description
Author: Kirsten Han
Publisher:
ISBN: 9789814845069
Category : Government and the press
Languages : en
Pages :
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Book Description
Author: Lisa Saltzman
Publisher: University of Chicago Press
ISBN: 0226734080
Category : Art
Languages : en
Pages : 135
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Book Description
In an ancient account of painting’s origins, a woman traces the shadow of her departing lover on the wall in an act that anticipates future grief and commemoration. Lisa Saltzman shows here that nearly two thousand years after this story was first told, contemporary artists are returning to similar strategies of remembrance, ranging from vaudevillian silhouettes and sepulchral casts to incinerated architectures and ghostly processions. Exploring these artists’ work, Saltzman demonstrates that their methods have now eclipsed painting and traditional sculpture as preeminent forms of visual representation. She pays particular attention to the groundbreaking art of Krzysztof Wodiczko, who is known for his projections of historical subjects; Kara Walker, who creates powerful silhouetted images of racial violence in American history; and Rachel Whiteread, whose work centers on making casts of empty interior spaces. Each of the artists Saltzman discusses is struggling with the roles that history and memory have come to play in an age when any historical statement is subject to question and doubt. In identifying this new and powerful movement, she provides a framework for understanding the art of our time.
Author: Janet Braun-Reinitz
Publisher: Univ. Press of Mississippi
ISBN: 9781604731118
Category : Art
Languages : en
Pages : 272
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Book Description
A comprehensive survey of New York City's vibrant neighborhood art
Author: Maria I. Diedrich
Publisher: MSU Press
ISBN: 1628954876
Category : Social Science
Languages : en
Pages : 564
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Book Description
From Black to Schwarz explores the long and varied history of the exchanges between African America and Germany, with a particular focus on cultural interplay. Covering a wide range of media of expression—music, performance, film, scholarship, literature, visual arts, reviews—these essays trace and analyze a cultural interaction, collaboration, and mutual transformation that began in the eighteenth century, boomed during the Harlem Renaissance/Weimar Republic, survived the Third Reich’s “Degenerate Art” campaigns, and (with new media available to further exchanges), is still increasingly empowering and inspiring participants on both sides of the Atlantic.
Author: Marcia Hill
Publisher: Routledge
ISBN: 1317718488
Category : Family & Relationships
Languages : en
Pages : 246
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Book Description
Gain remarkable insight about practicing therapy in a rural community! In Diary of a Country Therapist, Dr. Marcia Hill chronicles more than a decade of her thoughts and feelings about practicing therapy in rural Vermont. The author reveals her empathy for her clients, her frustration in money matters, and her anger at the maltreatment of women. This book focuses not on the specifics of her clients' cases, but on the trials, successes, and fulfillment of working in this emotionally challenging profession. “What a strange line of work this is, where the ability to feel is such a primary tool. Who would think that one's heart could be harnessed and used intentionally as a resource? It's such a paradox. My feeling response is what it is; it cannot be commanded or faked. Yet it is not a matter of giving in to emotion, but one of using feeling purposefully, like a scalpel. It's an experience of simultaneous yielding and restraint. The job of the professional empath is like that of an artist or poet: to take raw experience, direct emotional response, and somehow make it a vehicle for change and enlightenment.” From liberating breakthroughs to personal anguish, Diary of a Country Therapist is witness to a decade of changes, both in Marcia Hill's practice and in her personal life. With the advent of managed health care, she struggles to give her clients the best care she can. She talks about many of the clients she met over the years—what therapies worked and which didn't, her discomfort when she interacted with her clients in and around her small country town, and the valuable lessons she learned about life from her sessions with them. “If therapists are exposed to what is most tragic in life, we are also privy to what is most inspiring. We have the benefit of experiencing many lives. If my work has offered me the opportunity to learn wisdom and compassion, my wish is that through these essays I may pass some of that gift along to you.” Diary of a Country Therapist is the honest scrutiny of a psychotherapist's life from her own heart and soul. While this text will be enlightening for mental health professionals of all kinds, its accessible, jargon-free style makes it an excellent selection for nonprofessionals who want insight into the mind of a practicing therapist.
Author: Luke Strongman
Publisher: BRILL
ISBN: 9004490574
Category : Literary Criticism
Languages : en
Pages : 301
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Book Description
This book is about the Booker Prize – the London-based literary award made annually to “the best novel written in English” by a writer from one of those countries belonging to, or formerly part of, the British Commonwealth. The approach to the Prize is thematically historical and spans the award period to 1999. The novels that have won or shared the Prize in this period are examined within a theoretical framework mapping the literary terrain of the fiction. Individual chapters explore themes that occur within the larger narrative formed by this body of novels - collectively invoked cultures, social trends and movements spanning the stages of imperial heyday and decline as perceived over the past three decades. Individually and collectively, the novels mirror, often in terms of more than a single static image, British imperial culture after empire, contesting and reinterpreting perceptions of the historical moment of the British Empire and its legacy in contemporary culture. The body of Booker novels narrates the demise of empire and the emergence of different cultural formations in its aftermath. The novels are grouped for discussion according to the way in which they deal with aspects of the transition from empire to a post-imperial culture - from early imperial expansion, through colonization, retrenchment, decolonization and postcolonial pessimism, to the emergence of tribal nationalisms and post-imperial nation-states. The focus throughout is primarily literary and contingently cultural.
Author: Victoria Carpenter
Publisher: Peter Lang
ISBN: 9783039113354
Category : History
Languages : en
Pages : 310
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Book Description
This collection of essays derives from a conference on Violence, Culture and Identity held in St Andrews in June 2003. It is a contribution to the understanding of representations of violence in Latin American narrative. The collected essays are dedicated to the study of the problematic history of violence as a means of 'civilizing' the region: violence used by dictatorial regimes to eradicate the collective memory of their actions; violence as a result of the history of marginalizing segments of the population; sexual violence as an attempt at complete control of the victim. The essays establish a clear link between historical, political and literary constructs spanning the past five hundred years of Latin American history. Close readings of political texts, historical documents, prose, poetry and films employ identity theories, postcolonial discourse, and the principles of mimetic and sacrificial violence. The volume adds to the ongoing critical investigation of the relationship between Latin American history and narrative, and to the key role of representations of violence within that narrative tradition.
Author: Meenakshi Gigi Durham
Publisher: John Wiley & Sons
ISBN: 0470658088
Category : Social Science
Languages : en
Pages : 656
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Book Description
Revised and updated with a special emphasis on innovations in social media, the second edition of Media and Cultural Studies: Keyworks stands as the most popular and highly acclaimed anthology in the dynamic and multidisciplinary field of cultural studies. Features several new readings with a special emphasis on topics relating to new media, social networking, feminist media theory, and globalization Includes updated introductory editorials and enhanced treatment of social media such as Twitter and YouTube New contributors include Janice Radway, Patricia Hill-Collins, Leah A. Lievrouw, Danah M. Boyd, Nicole B. Ellison, and Gloria Anzaldúa
Author: Janice A. Radway
Publisher: Univ of North Carolina Press
ISBN: 0807898856
Category : Social Science
Languages : en
Pages : 289
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Book Description
Originally published in 1984, Reading the Romance challenges popular (and often demeaning) myths about why romantic fiction, one of publishing's most lucrative categories, captivates millions of women readers. Among those who have disparaged romance reading are feminists, literary critics, and theorists of mass culture. They claim that romances enforce the woman reader's dependence on men and acceptance of the repressive ideology purveyed by popular culture. Radway questions such claims, arguing that critical attention "must shift from the text itself, taken in isolation, to the complex social event of reading." She examines that event, from the complicated business of publishing and distribution to the individual reader's engagement with the text. Radway's provocative approach combines reader-response criticism with anthropology and feminist psychology. Asking readers themselves to explore their reading motives, habits, and rewards, she conducted interviews in a midwestern town with forty-two romance readers whom she met through Dorothy Evans, a chain bookstore employee who has earned a reputation as an expert on romantic fiction. Evans defends her customers' choice of entertainment; reading romances, she tells Radway, is no more harmful than watching sports on television. "We read books so we won't cry" is the poignant explanation one woman offers for her reading habit. Indeed, Radway found that while the women she studied devote themselves to nurturing their families, these wives and mothers receive insufficient devotion or nurturance in return. In romances the women find not only escape from the demanding and often tiresome routines of their lives but also a hero who supplies the tenderness and admiring attention that they have learned not to expect. The heroines admired by Radway's group defy the expected stereotypes; they are strong, independent, and intelligent. That such characters often find themselves to be victims of male aggression and almost always resign themselves to accepting conventional roles in life has less to do, Radway argues, with the women readers' fantasies and choices than with their need to deal with a fear of masculine dominance. These romance readers resent not only the limited choices in their own lives but the patronizing atitude that men especially express toward their reading tastes. In fact, women read romances both to protest and to escape temporarily the narrowly defined role prescribed for them by a patriarchal culture. Paradoxically, the books that they read make conventional roles for women seem desirable. It is this complex relationship between culture, text, and woman reader that Radway urges feminists to address. Romance readers, she argues, should be encouraged to deliver their protests in the arena of actual social relations rather than to act them out in the solitude of the imagination. In a new introduction, Janice Radway places the book within the context of current scholarship and offers both an explanation and critique of the study's limitations.
Author: Diana Newall
Publisher: Routledge
ISBN: 1317541162
Category : Art
Languages : en
Pages : 250
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Book Description
Now in its second edition, this volume is an accessible introduction to the history of art. Using an international range of examples, it provides the reader with a toolkit of concepts, ideas and methods relevant to understanding art history. This new edition is fully updated with colour illustrations, increased coverage of non-western art and extended discussions of contemporary art theory. It introduces key ideas, issues and debates, exploring questions such as: What is art and what is meant by art history? What approaches and methodologies are used to interpret and evaluate art? How have ideas regarding medium, gender, identity and difference informed representation? What perspectives can psychoanalysis, semiotics and social art histories bring to the study of the discipline? How are the processes of postcolonialism, decolonisation and globalisation changing approaches to art history? Complete with helpful subject summaries, a glossary, suggestions for future reading and guidance on relevant image archives, this book is an ideal starting point for anyone studying art history as well as general readers with an interest in the subject.
