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Author: Edith Maude Hull
Publisher: Mint Editions
ISBN: 9781513277431
Category : Fiction
Languages : en
Pages : 202
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Book Description
The Sheik (1919) is a romance novel by English author E.M. Hull. Written while the author's husband was serving in the Great War, The Sheik launched Hull's career as a bestselling author of romance fiction, selling millions of copies following the release of a 1921 film of the same name. Part of a tradition of Orientalist fiction, The Sheik has proven as controversial as it has been popular, and serves now as a reminder of the ways in which British subjects imagined themselves in relation to the colonial world. In an Algerian city, the young Diana Mayo prepares for a month-long journey through the desert. Despite warnings from family and friends, she departs with her Arab guide. Surrounded by endless swaths of sand, Diana is soon kidnapped by Sheik Ahmed Ben Hassan, who has bribed her guide to abandon her. Taken to his camp, Diana is repeatedly raped over a period of weeks, and soon gives up hope of ever escaping. After a thwarted attempt at stealing one of the Sheik's horses, she slowly begins to fall in love with Ben Hassan, but realizes she must hide her feelings from a man who views her solely as an object of desire. As months go by, Diana learns the tragic truth behind the Sheik's hatred of the English, and the two begin to grow close. When she is kidnapped by a rival, however, Ben Hassan must risk his life in order to save her. The Sheik is a bestselling romance novel by a master of English popular fiction. With a beautifully designed cover and professionally typeset manuscript, this edition of E.M. Hull's The Sheik is a classic of English romance fiction reimagined for modern readers.
Author: Edith Maude Hull
Publisher: Lightyear Press
ISBN:
Category : Fiction
Languages : en
Pages : 312
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Book Description
Diana Mayo is young, beautiful, wealthy--and independent. Bored by the eligible bachelors and endless parties of the English aristocracy, she arranges for a horseback trek through the Algerian desert. Two days into her adventure, Diana is kidnapped by the
Author: Brian R. Solomon
Publisher:
ISBN: 9781770415805
Category : Biography & Autobiography
Languages : en
Pages : 400
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Book Description
For a half-century, the Sheik terrorized fans and foes, becoming wrestling's most feared villain. Yet away from the ring, Ed Farhat was a veteran, family-man and businessman whose real life was shrouded in mystery. For the first time, Blood and Fire tells the whole story.
Author: Connie Mason
Publisher:
ISBN: 9780786252497
Category : Fiction
Languages : en
Pages : 504
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Book Description
Princess Zara had been raised a warrior, always at her father's side in battle against the Arabs who had stolen their land. So when she's taken prisoner by Sheik Jamal Abd Thabbit during a raid, she was determined not to succumb to his wishes--a more difficult task than she would have ever believed. Copyright © Libri GmbH. All rights reserved.
Author: Edith Maude Hull
Publisher: Mint Editions
ISBN: 9781513277431
Category : Fiction
Languages : en
Pages : 202
Get Book Here
Book Description
The Sheik (1919) is a romance novel by English author E.M. Hull. Written while the author's husband was serving in the Great War, The Sheik launched Hull's career as a bestselling author of romance fiction, selling millions of copies following the release of a 1921 film of the same name. Part of a tradition of Orientalist fiction, The Sheik has proven as controversial as it has been popular, and serves now as a reminder of the ways in which British subjects imagined themselves in relation to the colonial world. In an Algerian city, the young Diana Mayo prepares for a month-long journey through the desert. Despite warnings from family and friends, she departs with her Arab guide. Surrounded by endless swaths of sand, Diana is soon kidnapped by Sheik Ahmed Ben Hassan, who has bribed her guide to abandon her. Taken to his camp, Diana is repeatedly raped over a period of weeks, and soon gives up hope of ever escaping. After a thwarted attempt at stealing one of the Sheik's horses, she slowly begins to fall in love with Ben Hassan, but realizes she must hide her feelings from a man who views her solely as an object of desire. As months go by, Diana learns the tragic truth behind the Sheik's hatred of the English, and the two begin to grow close. When she is kidnapped by a rival, however, Ben Hassan must risk his life in order to save her. The Sheik is a bestselling romance novel by a master of English popular fiction. With a beautifully designed cover and professionally typeset manuscript, this edition of E.M. Hull's The Sheik is a classic of English romance fiction reimagined for modern readers.
Author: Edith Maude Hull
Publisher: Lightyear Press
ISBN:
Category : Fiction
Languages : en
Pages : 326
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Book Description
Diana Mayo is young, beautiful, wealthy--and independent. Bored by the eligible bachelors and endless parties of the English aristocracy, she arranges for a horseback trek through the Algerian desert. Two days into her adventure, Diana is kidnapped by the
Author: Edith Maude Hull
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: Pamela Regis
Publisher: University of Pennsylvania Press
ISBN: 0812203100
Category : Literary Criticism
Languages : en
Pages : 241
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Book Description
The romance novel has the strange distinction of being the most popular but least respected of literary genres. While it remains consistently dominant in bookstores and on best-seller lists, it is also widely dismissed by the critical community. Scholars have alleged that romance novels help create subservient readers, who are largely women, by confining heroines to stories that ignore issues other than love and marriage. Pamela Regis argues that such critical studies fail to take into consideration the personal choice of readers, offer any true definition of the romance novel, or discuss the nature and scope of the genre. Presenting the counterclaim that the romance novel does not enslave women but, on the contrary, is about celebrating freedom and joy, Regis offers a definition that provides critics with an expanded vocabulary for discussing a genre that is both classic and contemporary, sexy and entertaining. Taking the stance that the popular romance novel is a work of literature with a brilliant pedigree, Regis asserts that it is also a very old, stable form. She traces the literary history of the romance novel from canonical works such as Richardson's Pamela through Austen's Pride and Prejudice, Brontë's Jane Eyre, and E. M. Hull's The Sheik, and then turns to more contemporary works such as the novels of Georgette Heyer, Mary Stewart, Janet Dailey, Jayne Ann Krentz, and Nora Roberts.
Author: William A. Gleason
Publisher: Routledge
ISBN: 1134806280
Category : Literary Criticism
Languages : en
Pages : 708
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Book Description
Since the 1970s, romance novels have surpassed all other genres in terms of popularity in the United States, accounting for half of all mass market paperbacks sold and driving the digital publishing revolution. Romance Fiction and American Culture brings together scholars from the humanities, social sciences, and publishing to explore American romance fiction from the late eighteenth to the early twenty-first century. Essays on interracial, inspirational, and LGBTQ romance attend to the diversity of the genre, while new areas of inquiry are suggested in contextual and interdisciplinary examinations of romance authorship, readership, and publishing history, of pleasure and respectability in African American romance fiction, and of the dynamic tension between the genre and second wave feminism. As it situates romance fiction among other instances of American love culture, from Civil War diaries to Bob Dylan’s Blood on the Tracks, Romance Fiction and American Culture confirms the complexity and enduring importance of this most contested of genres.
Author: Ken Gelder
Publisher: Springer
ISBN: 1137523468
Category : Fiction
Languages : en
Pages : 473
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Book Description
This book brings together new contributions in Popular Fiction Studies, giving us a vivid sense of new directions in analysis and focus. It looks into the histories of popular genres such as the amatory novel, imperial romance, the western, Australian detective fiction, Whitechapel Gothic novels, the British spy thriller, Japanese mysteries, the 'new weird', fantasy, girl hero action novels and Quebecois science fiction. It also examines the production, reproduction and distribution of popular fiction as it carves out space for itself in transnational marketplaces and across different media entertainment systems; and it discusses the careers of popular authors and the various investments in popular fiction by readers and fans. This book will be indispensable for anyone with a serious interest in this prolific but highly distinctive literary field.
Author: Hsu-Ming Teo
Publisher: University of Texas Press
ISBN: 0292739400
Category : Literary Criticism
Languages : en
Pages : 355
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Book Description
The Sheik—E. M. Hull’s best-selling novel that became a wildly popular film starring Rudolph Valentino—kindled “sheik fever” across the Western world in the 1920s. A craze for all things romantically “Oriental” swept through fashion, film, and literature, spawning imitations and parodies without number. While that fervor has largely subsided, tales of passion between Western women and Arab men continue to enthrall readers of today’s mass-market romance novels. In this groundbreaking cultural history, Hsu-Ming Teo traces the literary lineage of these desert romances and historical bodice rippers from the twelfth to the twenty-first century and explores the gendered cultural and political purposes that they have served at various historical moments. Drawing on “high” literature, erotica, and popular romance fiction and films, Teo examines the changing meanings of Orientalist tropes such as crusades and conversion, abduction by Barbary pirates, sexual slavery, the fear of renegades, the Oriental despot and his harem, the figure of the powerful Western concubine, and fantasies of escape from the harem. She analyzes the impact of imperialism, decolonization, sexual liberation, feminism, and American involvement in the Middle East on women’s Orientalist fiction. Teo suggests that the rise of female-authored romance novels dramatically transformed the nature of Orientalism because it feminized the discourse; made white women central as producers, consumers, and imagined actors; and revised, reversed, or collapsed the binaries inherent in traditional analyses of Orientalism.
