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Author: Sophie Berrebi
Publisher: Valiz/Vis-A-VIS
ISBN: 9789078088981
Category : Art
Languages : en
Pages : 0
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Book Description
The shape of evidence' examines the role and use of visual documents in contemporary art, looking at artworks in which the document is valued not only as a source of information but also as a distinctive visual and critical form. It contends that for artists who use film, photography or written sources, adopting formats derived from specific professional, industrial, scientific of or commercial contexts, the document offers a way to develop a critical reflection around issues of representation, knowledge production, art and its history. It addresses several issues that are key both in art and in general culture today: the role of the museum and the archive, the role of documents and the trust that is placed in them, the circulation of such images and the historical genealogies that can be drawn in relation to images. It is based on a close reading of a select number of works of art (e.g. Christopher Williams, Fiona Tan, Jean-Luc Moulène), which makes it approachable and engaging with the reader. The book investigates objects and ideas drawn from a wide spectrum of areas including literature, history, photography history, scientific representation, surrealism, conceptual art, commercial photography etc. Ultimately the book invites viewers to reflect upon the production and interpretation of seemingly straightforward images, and proposes that some artists can show us through their practice how to turn these deceptively simple images inside out.
Author: Sophie Berrebi
Publisher: Valiz/Vis-A-VIS
ISBN: 9789078088981
Category : Art
Languages : en
Pages : 0
Get Book Here
Book Description
The shape of evidence' examines the role and use of visual documents in contemporary art, looking at artworks in which the document is valued not only as a source of information but also as a distinctive visual and critical form. It contends that for artists who use film, photography or written sources, adopting formats derived from specific professional, industrial, scientific of or commercial contexts, the document offers a way to develop a critical reflection around issues of representation, knowledge production, art and its history. It addresses several issues that are key both in art and in general culture today: the role of the museum and the archive, the role of documents and the trust that is placed in them, the circulation of such images and the historical genealogies that can be drawn in relation to images. It is based on a close reading of a select number of works of art (e.g. Christopher Williams, Fiona Tan, Jean-Luc Moulène), which makes it approachable and engaging with the reader. The book investigates objects and ideas drawn from a wide spectrum of areas including literature, history, photography history, scientific representation, surrealism, conceptual art, commercial photography etc. Ultimately the book invites viewers to reflect upon the production and interpretation of seemingly straightforward images, and proposes that some artists can show us through their practice how to turn these deceptively simple images inside out.
Author: Great Britain. Parliament. House of Lords
Publisher:
ISBN:
Category :
Languages : en
Pages : 462
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Book Description
Author: Jeremy Bentham
Publisher:
ISBN:
Category :
Languages : en
Pages : 678
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Book Description
Author: Jeremy Bentham
Publisher:
ISBN:
Category :
Languages : en
Pages : 660
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Book Description
Author: Jeremy Bentham
Publisher:
ISBN:
Category :
Languages : en
Pages : 356
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Book Description
Author: Jeremy Bentham
Publisher:
ISBN:
Category :
Languages : en
Pages : 658
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Book Description
Author: Jeremy Bentham
Publisher:
ISBN:
Category :
Languages : en
Pages : 362
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Book Description
Author: Doris Schönefeld
Publisher: John Benjamins Publishing
ISBN: 9027223874
Category : Language Arts & Disciplines
Languages : en
Pages : 363
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Book Description
The volume argues for the use of multi-methodological strategies in linguistic research. In its lead chapter, in addition, the thorny issue of phenomenological pluralism is explored in detail. From a usage-based perspective, the individual chapters demonstrate methodological pluralism in the investigation of meaning, language acquisition, and discourse. The chapters report on studies in which the use of corpus data is combined with other methodological tools, e.g. experimentally elicited findings, showing how introspection and the analysis of performance data go hand in hand to provide empirical support for researchers hypotheses. Some of the authors inspire the discussion in usage-based linguistics, proposing innovative methods of analysis. Others adopt such methods and combine them in original ways. The cutting-edge studies presented in this volume should be of great interest to scholars and students of cognitive and corpus linguistics who want to familiarize themselves with recent methodological advances and their applications in the field."
Author: Peter Achinstein
Publisher: JHU Press
ISBN: 9780801881183
Category : Science
Languages : en
Pages : 316
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Book Description
Physicists think they have discovered the top quark. Biologists believe in evolution. But what precisely constitutes evidence for such claims, and why? Scientists often disagree with one another over whether or to what extent some evidence counts in favor of a theory because they are operating with different concepts of scientific evidence. These concepts need to be critically explored. Peter Achinstein has gathered some prominent philosophers and historians of science for critical and lively discussions of both general questions about the meaning of evidence and specific ones about evidence for particular scientific theories. Contributors: Peter Achinstein, The Johns Hopkins University; Steven Gimbel, Gettysburg College; Gary Hatfield, University of Pennsylvania; Frederick M. Kronz, University of Texas–Austin; Helen Longino, University of Minnesota; Deborah G. Mayo, Virginia Tech; Amy L. McLaughlin, Florida Atlantic University; John Norton, University of Pittsburgh; Lawrence M. Principe, The Johns Hopkins University; Richard Richards, University of Alabama; Alex Rosenberg, Duke University; Sherrilyn Roush, Rice University; Laura J. Snyder, St. Johns University; Kent Staley, St. Louis University.
Author: Michael Behe
Publisher: Ignatius Press
ISBN: 168149423X
Category : Religion
Languages : en
Pages : 244
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Book Description
Michael Behe, William Dembski, Stephen Meyer As progress in science continues to reveal unimagined complexities, three scientists revisit the difficult and compelling question of the origin of our universe. As mathematician, biochemist, and philosopher of science, they explore the possibility of developing a reliable method for detecting an intelligent cause and evidence for design at the origin of life. In the process, they present a strong case for opening and pursuing a fruitful exchange between science and theology. Mathematician William Dembski, author of The Design Inference, first argues that new developments in the information sciences make intelligent design objectively and scientifically detectable-he identifies the signs of design. Next, philosopher of science, Stephen Meyer, and biochemist Michael Behe, author of Darwin's Black Box, argue that these signs are now clearly evident in both the architecture of the universe and the features of living systems. Other essays by the authors defend the scientific status of the theory of intelligent design and show how that theory supports traditional religious belief without necessarily "proving" the existence of God. In a concluding essay, Michael Behe responds to critics of his best selling book, Darwin's Black Box, thus bringing readers up-to-date on the status of the contemporary design argument in biology.
