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Author: Albert J. Rivero
Publisher: Cambridge University Press
ISBN: 1108418929
Category : Literary Criticism
Languages : en
Pages : 259
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Book Description
Provides twenty-first century readers with a new, comprehensive and suggestive account of the sentimental novel in the eighteenth century.
Author: Albert J. Rivero
Publisher: Cambridge University Press
ISBN: 1108418929
Category : Literary Criticism
Languages : en
Pages : 259
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Book Description
Provides twenty-first century readers with a new, comprehensive and suggestive account of the sentimental novel in the eighteenth century.
Author: Lynn Festa
Publisher: JHU Press
ISBN: 9780801884306
Category : History
Languages : en
Pages : 326
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Book Description
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Author: John Richetti
Publisher: Cambridge University Press
ISBN: 1139825046
Category : Literary Criticism
Languages : en
Pages : 380
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Book Description
In the past twenty years our understanding of the novel's emergence in eighteenth-century Britain has drastically changed. Drawing on new research in social and political history, the twelve contributors to this Companion challenge and refine the traditional view of the novel's origins and purposes. In various ways each seeks to show that the novel is not defined primarily by its realism of representation, but by the new ideological and cultural functions it serves in the emerging modern world of print culture. Sentimental and Gothic fiction and fiction by women are discussed, alongside detailed readings of work by Defoe, Swift, Richardson, Henry Fielding, Sterne, Smollett, and Burney. This multifaceted picture of the novel in its formative decades provides a comprehensive and indispensable guide for students of the eighteenth-century British novel, and its place within the culture of its time.
Author: Charles Burnetts
Publisher: Edinburgh University Press
ISBN: 0748698205
Category : Reference
Languages : en
Pages : 192
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Book Description
Reveals a fascinating history of aesthetic debate concerning the emotional and moral functions of artWhen did the sentimental start to mean aawful? Why are so many popular mainstream films dismissed for their sentimentality, and are there any meaningful differences between the sentimental and the melodramatic? These are some of the questions addressed in Charles Burnetts illuminating genealogy of the concept as both a literary genre and an aesthetic philosophy, a tradition that prefigures the advent of film yet serves as a vital framework for understanding its emotional and ethical appeal. Examining eighteenth century amoral sense philosophy as a neglected but still important intellectual area for film theory, and drawing on case studies of film sentimentality during the early, classical and post-classical eras of US cinema, Improving Passions is an innovative exploration of the sentimental tradition as both theatrical genre and cultural logic.Key featuresExamines eighteenth century amoral sense philosophy and asensibility as neglected, but important, intellectual areas for film theoryProvides case studies of film sentimentality during early, classical and post-classical eras of US cinema, focusing specifically on issues of critical receptionEngages with speculation by classical and contemporary film theorists about the ethical and affective possibilities of filmExamines new approaches to aaffect in film and media philosophy that draw directly on, and reconfigure, a sentimental aesthetics
Author: Ann Jessie van Sant
Publisher: Cambridge University Press
ISBN: 9780521604581
Category : Literary Criticism
Languages : en
Pages : 168
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Book Description
This study of sensibility in the eighteenth-century English novel discusses literary representations of suffering and responses to it in the social and scientific context of the period. The reader of novels shares with more scientific observers the activity of gazing on suffering, leading Ann Van Sant to explore the coincidence between the rhetoric of pathos and scientific presentation as they were applied to repentant prostitutes and children of the vagrant and criminal poor. The book goes on to explore the novel's location of psychological responses to suffering in physical forms. Van Sant invokes eighteenth-century debates about the relative status of sight and touch in epistemology and psychology, as a context for discussing the 'man of feeling' (notably in Sterne's A Sentimental Journey) - a spectator who registers his sensibility by physical means.
Author: Markman Ellis
Publisher: Cambridge University Press
ISBN: 9780521604277
Category : Literary Criticism
Languages : en
Pages : 284
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Book Description
The sentimental novel has long been noted for its liberal and humanitarian interests, but also for its predilection for refined feeling, the privilege it accords emotion over reason, and its preference for the private over the public sphere. In The Politics of Sensibility, however, Markman Ellis argues that sentimental fiction also consciously participated in some of the most keenly contested public controversies of the late eighteenth century, including the emergence of anti-slavery opinion, discourse on the morality of commerce, and the movement for the reformation of prostitutes. By investigating the significance of political material in the fictional text, and by exploring the ways in which the novels themselves take part in historical disputes, Ellis shows that the sentimental novel was a political tool of considerable cultural significance.
Author: John Brewer
Publisher: Macmillan
ISBN: 0374529779
Category : History
Languages : en
Pages : 358
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Book Description
"One April evening in 1779, Martha Ray, the pretty mistress of a famous aristocrat, was shot dead at point-blank range by a young clergyman who then attempted to take his own life. Instead he was arrested, tried and hanged. In this fascinating new book, John Brewer, a leading historian of eighteenth-century England, asks what this peculiar little story was all about... Brewer, in tracing Ray's fate through these protean changes in journalism, memoir, and melodrama, offers an unforgettable account of the relationships among the three protagonists and their different places in English society--and assesses the shifting balance between storytelling and fact, past and present that inheres in all history." -- Amazon.com viewed December 7, 2020.
Author: J. A. Downie
Publisher: Oxford University Press
ISBN: 0199566747
Category : History
Languages : en
Pages : 625
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Book Description
The Oxford Handbook of the Eighteenth Century Novel is the first published book to cover the 'eighteenth-century English novel' in its entirety. It is an indispensible resource for those with an interest in the history of the novel.
Author: Valerie Purton
Publisher: Anthem Press
ISBN: 1783083093
Category : Literary Criticism
Languages : en
Pages : 218
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Book Description
‘Dickens and the Sentimental Tradition’ is a timely study of the ‘sentimental’ in Dickens’s novels, which places them in the context of the tradition of Fielding, Richardson, Sterne, Goldsmith, Sheridan and Lamb. This study re-evaluates Dickens’s presentation of emotion – first within the eighteenth-century tradition and then within the dissimilar nineteenth-century tradition – as part of a complex literary heritage that enables him to critique nineteenth-century society. The book sheds light on the construction of feelings and of the ‘good heart’, ideas which resonate with current critical debates about literary ‘affect’. Sentimentalism, as the text demonstrates, is crucial to understanding fully the achievement of Dickens and his contemporaries.
Author: Katherine Binhammer
Publisher: JHU Press
ISBN: 1421437627
Category : Literary Criticism
Languages : en
Pages : 255
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Book Description
How do the stories we tell about money shape our economies? Beginning in the late eighteenth century, as constant growth became the economic norm throughout Europe, fictional stories involving money were overwhelmingly about loss. Novel after novel tells the tale of bankruptcy and financial failure, of people losing everything and ending up in debtor's prison, of inheritances lost and daughters left orphaned and poor. In Downward Mobility, Katherine Binhammer argues that these stories of ruin are not simple tales about the losers of capitalism but narratives that help manage speculation of capital's inevitable collapse. Bringing together contemporary critical finance studies with eighteenth-century literary history, Binhammer demonstrates the centrality of the myth of downward mobility to the cultural history of capitalism—and to the emergence of the novel in Britain. Deftly weaving economic history and formal analysis, Binhammer reveals how capitalism requires the novel's complex techniques to render infinite economic growth imaginable. She also explains why the novel's signature formal developments owe their narrative dynamics to the contradictions within capital's form. Combining new archival research on the history of debt with original readings of sentimental novels, including Frances Burney's Cecilia and Camilla, Sarah Fielding's David Simple, and Oliver Goldsmith's The Vicar of Wakefield, Downward Mobility registers the value of literary narrative in interpreting the complex sequences behind financial capitalism, especially the belief in infinite growth that has led to current environmental crises. An audacious epilogue arms humanists with the argument that, in order to save the planet from unsustainable growth, we need to read more novels.
