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Author: Fulke Greville
Publisher: University of Chicago Press
ISBN: 0226308464
Category : English poetry
Languages : en
Pages : 183
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Book Description
Along with his childhood friend Sir Philip Sidney, Fulke Greville (1554–1628) was an important member of the court of Queen Elizabeth I. Although his poems, long out of print, are today less well known than those of Sidney, Spenser, or Shakespeare, Greville left an indelible mark on the world of Renaissance poetry, both in his love poems, which ably work within the English Petrarchan tradition, and in his religious meditations, which, along with the work of Donne and Herbert, stand as a highpoint of early Protestant poetics. Back in print for a new generation of scholars and readers, Thom Gunn’s selection of Greville’s short poems includes the whole of Greville’s lyric sequence, Caelica, along with choruses from some of Greville’s verse dramas. Gunn’s introduction places Greville’s thought in historical context and in relation to the existential anxieties that came to preoccupy writers in the twentieth century. It is as revealing about Gunn himself, and the reading of earlier English verse in the 1960s, as it is about Greville’s own poetic achievement. This reissue of Selected Poems of Fulke Greville is an event of the first order both for students of early British literature and for readers of Thom Gunn and English poetry generally.
Author: Fulke Greville
Publisher: University of Chicago Press
ISBN: 0226308464
Category : English poetry
Languages : en
Pages : 183
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Book Description
Along with his childhood friend Sir Philip Sidney, Fulke Greville (1554–1628) was an important member of the court of Queen Elizabeth I. Although his poems, long out of print, are today less well known than those of Sidney, Spenser, or Shakespeare, Greville left an indelible mark on the world of Renaissance poetry, both in his love poems, which ably work within the English Petrarchan tradition, and in his religious meditations, which, along with the work of Donne and Herbert, stand as a highpoint of early Protestant poetics. Back in print for a new generation of scholars and readers, Thom Gunn’s selection of Greville’s short poems includes the whole of Greville’s lyric sequence, Caelica, along with choruses from some of Greville’s verse dramas. Gunn’s introduction places Greville’s thought in historical context and in relation to the existential anxieties that came to preoccupy writers in the twentieth century. It is as revealing about Gunn himself, and the reading of earlier English verse in the 1960s, as it is about Greville’s own poetic achievement. This reissue of Selected Poems of Fulke Greville is an event of the first order both for students of early British literature and for readers of Thom Gunn and English poetry generally.
Author: Fulke Greville
Publisher:
ISBN: 9780226308456
Category :
Languages : en
Pages :
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Book Description
Author: Fulke Greville (Baron Brooke)
Publisher:
ISBN: 9780571087402
Category : English poetry
Languages : en
Pages : 159
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Book Description
Author: Fulke Greville
Publisher:
ISBN:
Category :
Languages : en
Pages : 159
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Book Description
Author: Fulke Greville 1st Baron Brooke
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 208
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Book Description
Author: Reginald Gibbons
Publisher: University of Chicago Press
ISBN: 022627800X
Category : Language Arts & Disciplines
Languages : en
Pages : 246
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Book Description
Reginald Gibbons collects here a lifetime s worth of thoughts on composing and translating poetry. Not a manifesto or a general theory of the lyric, rather, the book explores how a poem thinks: that is, what results from the circumstances of a poet s native language, choice of words and topics, the mentality that the poet shares with other writers, and the range of poetic possibilities (and limitations) in a given language. Through exemplary case studies taken from his own experience in writing poetry, as well as in translating poetry from languages ranging from Sophocles s and Pindar s ancient Greek to their contemporary French, Italian, Portuguese, Russian, and Spanish successors, Gibbons traces the curious persistence of classical modes and images into the twenty-first century. He shows how the very language used in composing a poem, be it ancient Greek, Renaissance English, or contemporary Russian, both limits and enables how a poet thinks and what the poet can say. Even in describing difficult poetic concepts and operations, Gibbons writes in a clear, companionable style, entirely accessible not just to practicing poets, but also to general readers interested in poetry, and to writers of various stripes interested in the way our native language can often circumscribe what and how we think poetically, and affect how we compose poetry and prose. This book joins other titles by this award-winning writer on the Press s list."
Author: Gary F. Waller
Publisher: Routledge
ISBN: 1317895584
Category : Literary Criticism
Languages : en
Pages : 334
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Book Description
Explores the poetry of the Renaissance, from Dunbar in the late 15th century to the Songs and Sonnets of John Donne in the early 17th. The book offers more than the wealth of literature discussed: it is a pioneering work in its own right, bringing the insights of contemporary literary and cultural theory to an overview of the period.
Author: Alan Hager
Publisher: Bloomsbury Publishing USA
ISBN: 1567507816
Category : Literary Criticism
Languages : en
Pages : 527
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Book Description
The Tudor era (1485-1603) was one of the most culturally significant periods in history. Under three generations of Tudor rulers, the era witnessed the advent of humanism, the birth of the Reformation, and the rise of the British Empire. The literature of the period is marked by complexity of thought and form and reflects the political, religious, and cultural changes of the era. This reference book surveys the literature of Tudor England. Included are alphabetically arranged entries for nearly 100 authors who wrote between 1485 and 1603. Some figures covered are widely taught, such as Shakespeare, Donne, and Spenser. Others are less well known, such as Edward Fairfax and Abraham Fraunce. The work includes entries for notable women writers of the period, many of whom have been neglected until recent years. Also included are entries for continental writers such as Ariosto, Tasso, Calvin, and Erasmus, whose writings were influential in England. Entries are written by expert contributors and contain valuable bibliographies of primary and secondary sources. Included are entries for nearly 100 people who wrote between 1485 and 1603. The entries are written by expert contributors and are arranged alphabetically to facilitate use. Some of the authors profiled are major canonical figures, such as Shakespeare, Spenser, and Donne. But the volume also includes a significant number of entries for women writers, whose work has been unjustly disregarded until recent years. While most of the authors were from England, the volume contains entries on figures such as Erasmus, who, though born in another country, wrote important works in England, and on writers such as Machiavelli, Calvin, Ariosto, and Tasso, whose works were almost immediately adopted, translated, or otherwise made part of Tudor culture. Each entry provides a brief biography, which is followed by a discussion of major works and themes, a review of the author's critical reception, and a bibliography of primary and secondary sources.
Author: Catherine Bates
Publisher: Oxford University Press
ISBN: 0198830696
Category : English poetry
Languages : en
Pages : 681
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Book Description
The Oxford History of Poetry in English is designed to offer a fresh, multi-voiced, and comprehensive analysis of 'poetry': from Anglo-Saxon culture through contemporary British, Irish, American, and Global culture, including English, Scottish, and Welsh poetry, Anglo-American colonial and post-colonial poetry, and poetry in Canada, Australia, New Zealand, the Caribbean, India, Africa, Asia, and other international locales. The series both synthesises existing scholarship and presents cutting-edge research, employing a global team of expert contributors for each of the volumes. Sixteenth-Century British Poetry features a history of the birth moment of modern 'English' poetry in greater detail than previous studies. It examines the literary transitions, institutional contexts, artistic practices, and literary genres within which poets compose their works. Each chapter combines an orientation to its topic and a contribution to the field. Specifically, the volume introduces a narrative about the advent of modern English poetry from Skelton to Spenser, attending to the events that underwrite the poets' achievements: Humanism; Reformation; monarchism and republicanism; colonization; print and manuscript; theatre; science; and companionate marriage. Featured are metre and form, figuration and allusiveness, and literary career, as well as a wide range of poets, from Wyatt, Surrey, and Isabella Whitney to Ralegh, Drayton, and Mary Herbert. Major works discussed include Sidney's Astrophil and Stella, Spenser's Faerie Queene, Marlowe's Hero and Leander, and Shakespeare's Sonnets.
Author: Paul Giles
Publisher: Oxford University Press
ISBN: 0192599518
Category : Literary Criticism
Languages : en
Pages : 590
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Book Description
The theme of The Planetary Clock is the representation of time in postmodern culture and the way temporality as a global phenomenon manifests itself differently across an antipodean axis. To trace postmodernism in an expansive spatial and temporal arc, from its formal experimentation in the 1960s to environmental concerns in the twenty-first century, is to describe a richer and more complex version of this cultural phenomenon. Exploring different scales of time from a Southern Hemisphere perspective, with a special emphasis on issues of Indigeneity and the Anthropocene, The Planetary Clock offers a wide-ranging, revisionist account of postmodernism, reinterpreting literature, film, music, and visual art of the post-1960 period within a planetary framework. By bringing the culture of Australia and New Zealand into dialogue with other Western narratives, it suggests how an antipodean impulse, involving the transposition of the world into different spatial and temporal dimensions, has long been an integral (if generally occluded) aspect of postmodernism. Taking its title from a Florentine clock designed in 1510 to measure worldly time alongside the rotation of the planets, The Planetary Clock ranges across well-known American postmodernists (John Barth, Toni Morrison) to more recent science fiction writers (Octavia Butler, Richard Powers), while bringing the US tradition into juxtaposition with both its English (Philip Larkin, Ian McEwan) and Australian (Les Murray, Alexis Wright) counterparts. By aligning cultural postmodernism with music (Messiaen, Ligeti, Birtwistle), the visual arts (Hockney, Blackman, Fiona Hall), and cinema (Rohmer, Haneke, Tarantino), this volume enlarges our understanding of global postmodernism for the twenty-first century.
