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Author: Timothy Materer
Publisher: Duke University Press
ISBN: 0822382903
Category : Literary Collections
Languages : en
Pages : 263
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Book Description
This volume provides a first-hand survey of the arts and literature during a crucial period in modern culture, 1915–1924. Pound was then associated with such germinal magazines as BLAST, The Little Review, The Egoist, and Poetry; he was discovering or publicizing writers such as Robert Frost, Hilda Doolittle, T. S. Eliot, and James Joyce; and he was championing the painters Wyndham Lewis and William Wadsworth as well as the sculptors Jacob Epstein, Henri Gaudier-Brzeska, and Constantin Brancusi. Pound wrote to John Quinn—a New York lawyer, an expert in business law, and a collector of unusual taste and discrimination—about these artists and many more, urging him to support their journals, collect their manuscripts, and buy and exhibit their paintings and sculptures. Quinn at one time owned manuscripts of Ulysses and The Waste Land, Brancusi’s sculpture Mlle. Pogany, and Picasso’s painting Three Musicians. Yet he was often skeptical about the value of new schools of art, such as Vorticism, and disturbed by the outspokenness of authors such as Joyce. Pound’s letters are unusually tactful when he counters Quinn’s doubts and explains the premises of experimental art. Pound’s letters to Quinn are touched with his characteristic humor and wordplay and are especially notable for their lucidity of expression, engendered by Pound’s deep respect for Quinn.
Author: Timothy Materer
Publisher: Duke University Press
ISBN: 0822382903
Category : Literary Collections
Languages : en
Pages : 263
Get Book Here
Book Description
This volume provides a first-hand survey of the arts and literature during a crucial period in modern culture, 1915–1924. Pound was then associated with such germinal magazines as BLAST, The Little Review, The Egoist, and Poetry; he was discovering or publicizing writers such as Robert Frost, Hilda Doolittle, T. S. Eliot, and James Joyce; and he was championing the painters Wyndham Lewis and William Wadsworth as well as the sculptors Jacob Epstein, Henri Gaudier-Brzeska, and Constantin Brancusi. Pound wrote to John Quinn—a New York lawyer, an expert in business law, and a collector of unusual taste and discrimination—about these artists and many more, urging him to support their journals, collect their manuscripts, and buy and exhibit their paintings and sculptures. Quinn at one time owned manuscripts of Ulysses and The Waste Land, Brancusi’s sculpture Mlle. Pogany, and Picasso’s painting Three Musicians. Yet he was often skeptical about the value of new schools of art, such as Vorticism, and disturbed by the outspokenness of authors such as Joyce. Pound’s letters are unusually tactful when he counters Quinn’s doubts and explains the premises of experimental art. Pound’s letters to Quinn are touched with his characteristic humor and wordplay and are especially notable for their lucidity of expression, engendered by Pound’s deep respect for Quinn.
Author: Ezra Pound
Publisher:
ISBN: 9786612919930
Category : Critics
Languages : en
Pages : 263
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Book Description
This volume provides a first-hand survey of the arts and literature during a crucial period in modern culture, 1915-1924. Pound was then associated with such germinal magazines as BLAST, The Little Review, The Egoist, and Poetry; he was discovering or publicizing writers such as Robert Frost, Hilda Doolittle, T.S. Eliot, and James Joyce; and he was championing the painters Wyndham Lewis and William Wadsworth as well as the sculptors Jacob Epstein, Henri Gaudier-Brzeska, and Constantin Brancusi. Pound wrote to John Quinn-a New York lawyer, an expert in business law, and a collector of unusual.
Author: Ezra Pound
Publisher: New Directions Publishing
ISBN: 9780811201612
Category : Literary Collections
Languages : en
Pages : 388
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Book Description
Originally published in 1950 under title: The letters of Ezra Pound, 1907-1941.
Author: Robert Spoo
Publisher: Oxford University Press
ISBN: 0190469161
Category : History
Languages : en
Pages : 374
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Book Description
"Tells the story of how the clashes between authors, publishers, and literary "pirates" influenced both American copyright law and literature itself."--Dust jacket flap
Author: White Eric White
Publisher: Edinburgh University Press
ISBN: 1474441513
Category : Literary Criticism
Languages : en
Pages : 288
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Book Description
A revisionist account of technology's role in the aesthetics, spaces and politics of transatlantic avant-gardesExplores of a range of key avant-garde formations in the modernist transatlantic period, from the Italian futurists and English Vorticists to the Dada-surrealist and post-Harlem Renaissance African American experimentalistsExplores writers' and artists' inventions as well as their texts, and involves them directly in the messy transductions of technology in cultureDraws on previously unknown photos, manuscripts and other evidence that reveals the untold story of Bob and Rose Brown's 'reading machine' - a cross-disciplinary, meta-formational, and transnational project that proposed to transform the everyday act of readingReading Machines in the Modernist Transatlantic provides a new account of aesthetic and technological innovation, from the Machine Age to the Information Age. Drawing on a wealth of archival discoveries, it argues that modernist avant-gardes used technology not only as a means of analysing culture, but as a way of feeding back into it. As well as uncovering a new invention by Mina Loy, the untold story of Bob Brown's 'reading machine' and the radical technicities of African American experimentalists including Gwendolyn Bennett and Ralph Ellison, the book places avant-gardes at the centre of innovation across a variety of fields. From dazzle camouflage to microfilm, and from rail networks to broadcast systems, White explores how vanguardists harnessed socio-technics to provoke social change.
Author: Demetres P. Tryphonopoulos
Publisher: Bloomsbury Publishing USA
ISBN: 0313061432
Category : Literary Criticism
Languages : en
Pages : 363
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Book Description
Ezra Pound forever changed the course of poetry. The author of a vast body of literature, his enormous range of references and use of multiple languages make him one of the most obscure authors and—because of his Fascism, anti-Semitism, and questionable sanity—one of the most controversial. This encyclopedia is a concise yet comprehensive guide to his life and writings. Included are more than 250 alphabetically arranged entries on such topics as Arabic history, Chinese translation, dance, Hilda Doolittle, Egyptian literature, Robert Frost, and Pound's publications. The entries are written by roughly 100 expert contributors and cite works for further reading. Ezra Pound forever changed the course of poetry. His vast body of poetry and critical works make him one of the 20th century's most prolific writers, and his influence has shaped later poets, great and small. His enormous range of references, deliberate obscurity, and use of multiple languages make him one of the most difficult authors and— because of his Fascism, anti-Semitism, and questionable sanity—one of the most controversial figures in American literary history. This encyclopedia is a concise yet comprehensive guide to his life and writings.
Author: Richard Parker
Publisher: Liverpool University Press
ISBN: 1949979032
Category : Literary Criticism
Languages : en
Pages : 400
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Book Description
The three volumes of Readings in the Cantos bring together, in a ground-breaking format, a number of critical readings by world-renowned scholars of the central modernist long poem, The Cantos of Ezra Pound. Each contributor approaches either a single Canto or a defined small group of Cantos in isolation, providing a clear, informative, and interpretive reading that includes an up-to-date assessment of sources and an idea of recent critical approaches. Together the contributors offer a remarkably diverse reading of The Cantos that at the same time demonstrates the coherence of Pound's text.
Author: Demetres P. Tryphonopoulos
Publisher: Modern Language Association
ISBN: 1603294503
Category : Language Arts & Disciplines
Languages : en
Pages : 171
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Book Description
Known for his maxim "Make it new," Ezra Pound played a principal role in shaping the modernist movement as a poet, translator, and literary critic. His works, with their complex structures and layered allusions, remain widely taught. Yet his known fascism, anti-Semitism, and misogyny raise issues about dangerous ideologies that influenced his work and that must be addressed in the classroom. The first section, "Materials," catalogs the print and digital editions of Pound's works, evaluates numerous secondary sources, and provides a history of Pound's critical contexts. The essays in the second section, "Approaches," offer strategies for guiding students toward a clearer understanding of Pound's difficult works and the context in which they were written.
Author: Martha Woodmansee
Publisher: Routledge
ISBN: 1134750447
Category : Business & Economics
Languages : en
Pages : 411
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Book Description
This is a pathbreaking work which develops a new form of economic analysis. This collection brings together 27 essays by influential literary and cultural historians as well as representatives of the vanguard of postmodernist economics.
Author: T. S. Eliot
Publisher: Yale University Press
ISBN: 0300178190
Category : Literary Criticism
Languages : en
Pages : 914
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Book Description
In two highly anticipated volumes, the correspondence of the twentieth century's eminent man of letters, from youth to early manhood Volume One: 1898–1922 presents some 1,400 letters encompassing the years of Eliot's childhood in St. Louis, Missouri, through 1922, by which time the poet had settled in England, married his first wife, and published The Waste Land. Since the first publication of this volume in 1988, many new materials from British and American sources have come to light. More than two hundred of these newly discovered letters are now included, filling crucial gaps in the record and shedding new light on Eliot's activities in London during and after the First World War.Volume Two: 1923–1925 covers the early years of Eliot's editorship of The Criterion, publication of The Hollow Men, and his developing thought about poetry and poetics. The volume offers 1,400 letters, charting Eliot's journey toward conversion to the Anglican faith, as well as his transformation from banker to publisher and his appointment as director of the new publishing house Faber & Gwyer. The prolific and various correspondence in this volume testifies to Eliot's growing influence as cultural commentator and editor.
