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Author: Jean Eugène Robert-Houdin
Publisher:
ISBN:
Category :
Languages : en
Pages : 268
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![The secrets of stage conjuring, tr. [from Magie et physique amusante] and ed., with notes by professor Hoffmann PDF](https://books.google.com/books/content/images/frontcover/qpMCAAAAQAAJ?fife=w80-h100)
Author: Jean Eugène Robert-Houdin
Publisher:
ISBN:
Category :
Languages : en
Pages : 268
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Author: New York Public Library. Research Libraries
Publisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 600
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Author:
Publisher: New York : R.R. Bowker Company
ISBN:
Category : Performing Arts
Languages : en
Pages : 1728
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Author: Charles F. Pidgeon
Publisher:
ISBN:
Category : Mediums
Languages : en
Pages : 404
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Author: Jean-Eugène Robert-Houdin
Publisher: Legare Street Press
ISBN: 9781017267877
Category : Games & Activities
Languages : en
Pages : 0
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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Amir Raz
Publisher: Frontiers Media SA
ISBN: 2889450082
Category :
Languages : en
Pages : 177
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Magicians have dazzled audiences for many centuries; however, few researchers have studied how, let alone why, most tricks work. The psychology of magic is a nascent field of research that examines the underlying mechanisms that conjurers use to achieve enchanting phenomena, including sensory illusions, misdirection of attention, and the appearance of mind-control and nuanced persuasion. Most studies to date have focused on either the psychological principles involved in watching and performing magic or “neuromagic” - the neural correlates of such phenomena. Whereas performers sometimes question the contributions that modern science may offer to the advancement of the magical arts, the history of magic reveals that scientific discovery often charts new territories for magicians. In this research topic we sketch out the symbiotic relationship between psychological science and the art of magic. On the one hand, magic can inform psychology, with particular benefits for the cognitive, social, developmental, and transcultural components of behavioural science. Magicians have a large and robust set of effects that most researchers rarely exploit. Incorporating these effects into existing experimental, even clinical, paradigms paves the road to innovative trajectories in the study of human behaviour. For example, magic provides an elegant way to study the behaviour of participants who may believe they had made choices that they actually did not make. Moreover, magic fosters a more ecological approach to experimentation whereby scientists can probe participants in more natural environments compared to the traditional lab-based settings. Examining how magicians consistently influence spectators, for example, can elucidate important aspects in the study of persuasion, trust, decision-making, and even processes spanning authorship and agency. Magic thus offers a largely underused armamentarium for the behavioural scientist and clinician. On the other hand, psychological science can advance the art of magic. The psychology of deception, a relatively understudied field, explores the intentional creation of false beliefs and how people often go wrong. Understanding how to methodically exploit the tenuous twilight zone of human vulnerabilities – perceptual, logical, emotional, and temporal – becomes all the more revealing when top-down influences, including expectation, symbolic thinking, and framing, join the fray. Over the years, science has permitted magicians to concoct increasingly effective routines and to elicit heightened feelings of wonder from audiences. Furthermore, on occasion science leads to the creation of novel effects, or the refinement of existing ones, based on systematic methods. For example, by simulating a specific card routine using a series of computer stimuli, researchers have decomposed the effect and reconstructed it into a more effective routine. Other magic effects depend on meaningful psychological knowledge, such as which type of information is difficult to retain or what changes capture attention. Behavioural scientists measure and study these factors. By combining analytical findings with performer intuitions, psychological science begets effective magic. Whereas science strives on parsimony and independent replication of results, magic thrives on reproducing the same effect with multiple methods to obscure parsimony and minimise detection. This Research Topic explores the seemingly orthogonal approaches of scientists and magicians by highlighting the crosstalk as well as rapprochement between psychological science and the art of deception.
Author: Jean Eugène Robert-Houdin
Publisher: Cambridge University Press
ISBN: 1108032400
Category : Games & Activities
Languages : en
Pages : 401
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This 1877 translation of Robert-Houdin's 1868 conjuring manual reveals the techniques used in popular stage performances during the Victorian period.
Author: Jean-Eugène Robert-Houdin
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Author: Christian Fechner
Publisher:
ISBN: 9782907584012
Category : Flip books
Languages : en
Pages : 430
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![Memoirs of Robert-Houdin, written by himself [tr. by sir F.C.L. Wraxall]. Copyright ed PDF](https://books.google.com/books/content/images/frontcover/_TgBAAAAQAAJ?fife=w80-h100)
Author: Jean Eugène Robert-Houdin
Publisher:
ISBN:
Category :
Languages : en
Pages : 322
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