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Author: Gavin Wallace
Publisher: Edinburgh : Edinburgh University Press
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 280
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Book Description
The last two decades have seen a new renaissance in Scottish literary culture in which the Scottish novel has attained new heights of maturity, confidence and challenge. The Scottish Novel since the Seventies is the first major critical reassessment of the developments in this period. Ranging from the work of longer-established authors such as Robin Jenkins, Muriel Spark and William McIlvanney to the more recent experiments of Alasdair Gray James Kelman and Janice Galloway, it provides a new critical focus on the intriguing relationship between continuity and innovation which characterises the novel's response to the complex changes in Scottish culture and society during the past twenty years. The contributors assess the work of an extensive number of writers in thecontext of a correspondingly wide range of issues: gender, postmodernism, political identity, archaism and myth, and the theme of disintegration.There are also chapters on the continuing growth of the 'Glasgow novel' and film adaptations of Scottish fiction. A bibliography of Scottish fiction since 1970 completes this critical account.
Author: Gavin Wallace
Publisher: Edinburgh : Edinburgh University Press
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 280
Get Book Here
Book Description
The last two decades have seen a new renaissance in Scottish literary culture in which the Scottish novel has attained new heights of maturity, confidence and challenge. The Scottish Novel since the Seventies is the first major critical reassessment of the developments in this period. Ranging from the work of longer-established authors such as Robin Jenkins, Muriel Spark and William McIlvanney to the more recent experiments of Alasdair Gray James Kelman and Janice Galloway, it provides a new critical focus on the intriguing relationship between continuity and innovation which characterises the novel's response to the complex changes in Scottish culture and society during the past twenty years. The contributors assess the work of an extensive number of writers in thecontext of a correspondingly wide range of issues: gender, postmodernism, political identity, archaism and myth, and the theme of disintegration.There are also chapters on the continuing growth of the 'Glasgow novel' and film adaptations of Scottish fiction. A bibliography of Scottish fiction since 1970 completes this critical account.
Author: Randall Stevenson
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 252
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Book Description
This is the first guide to the new Scottish theatre, its people, its politics, its companies and its audiences. Topical and often contentious, this book shows that drama deserves a central place in the current renaissance of Scottish literary culture.
Author: James Acheson
Publisher: Springer
ISBN: 1349737178
Category : Literary Criticism
Languages : en
Pages : 250
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Book Description
Written by some of the world's finest contemporary literature specialists, the specially commissioned essays in this volume examine the work of more than twenty major British novelists, including Peter Ackroyd, Martin Amis, Iain (M.) Banks, Pat Barker, Julian Barnes, A.S. Byatt, Angela Carter, Janice Galloway, Kazuo Ishiguro, Hanif Kureishi, Ian McEwan, Salman Rushdie, Zadie Smith, Graham Swift, Rose Tremain, Marina Warner, Irvine Welsh and Jeanette Winterson. Focusing mainly on authors whose first novels have appeared since 1980, the essays provide expert and original analysis of the most recent trends in the theory and practice of contemporary British fiction, and are organized by these 4 major approaches: realism, postcolonialism, feminism and postmodernism.
Author:
Publisher: BRILL
ISBN: 9004342494
Category : Literary Criticism
Languages : en
Pages : 273
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Book Description
The Fiction of Robin Jenkins is the first ever volume of essays dedicated to Robin Jenkins (1912-2005), hailed by Andrew Marr as ‘the best-kept secret in Modern British Literature’, and by the Scotsman in 2000 as ‘the greatest living fiction-writer in Scotland [...] the Scottish Thomas Hardy’. This new study of Jenkins includes essays across his entire, astonishingly varied body of work. It includes provocative new readings of a range of thematic issues by established experts on Jenkins and on Scottish Literature more broadly. This volume also includes chapters dedicated to individual novels in Jenkins’s corpus, including his best-known work, The Cone-Gatherers, as well as The Changeling, Fergus Lamont, and his posthumous novel, The Pearl Fishers. Contributors: Ingibjörg Ágústsdóttir, Timothy C. Baker, Linden Bicket, Gerard Carruthers, Cairns Craig, Douglas Gifford, Michael Lamont, Margery Palmer McCulloch, Isobel Murray, Glenda Norquay, Alan Riach, David Robb, Bernard Sellin, Gavin Wallace.
Author: Cristie L. March
Publisher: Manchester University Press
ISBN: 9780719060335
Category : History
Languages : en
Pages : 196
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Book Description
Rewriting Scotland examines six of the most influential and cutting-edge contemporary Scottish writers as they redefine outmoded notions of Scottish identity. From Irvine Welsh's windows into Scottish youth culture in Trainspotting to Janice Galloway's examinations of the duality of female isolation and empowerment, this unique work reveals new explorations of Scottish gender politics, sexuality, voice, and self-awareness.
Author: Mary J. MacLeod
Publisher: Simon and Schuster
ISBN: 1611459176
Category : Biography & Autobiography
Languages : en
Pages : 245
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Book Description
Tired of the pace and noise of life near London and longing for a better place to raise their young children, Mary J. MacLeod and her husband encountered their dream while vacationing on a remote island in the Scottish Hebrides. Enthralled by its windswept beauty, they soon were the proud owners of a near-derelict croft house—a farmer’s stone cottage—on “a small acre” of land. Mary assumed duties as the island’s district nurse. Call the Nurse is her account of the enchanted years she and her family spent there, coming to know its folk as both patients and friends. In anecdotes that are by turns funny, sad, moving, and tragic, she recalls them all, the crofters and their laird, the boatmen and tradesmen, young lovers and forbidding churchmen. Against the old-fashioned island culture and the grandeur of mountain and sea unfold indelible stories: a young woman carried through snow for airlift to the hospital; a rescue by boat; the marriage of a gentle giant and the island beauty; a ghostly encounter; the shocking discovery of a woman in chains; the flames of a heather fire at night; an unexploded bomb from World War II; and the joyful, tipsy celebration of a ceilidh. Gaelic fortitude meets a nurse’s compassion in these wonderful true stories from rural Scotland.
Author: Martyn Colebrook
Publisher: McFarland
ISBN: 1476602921
Category : Literary Criticism
Languages : en
Pages : 207
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Book Description
This collection of 12 new essays brings together prominent literary experts to explore the importance of Scottish writer Iain (M.) Banks, both his mainstream and science fiction work. It considers Banks as a habitual border crosser who makes things fresh and new by subversive and transgressive strategies. The essays are divided into four thematic areas--the Scottish context, the geographies of his writing, the impact of genre and a combined focus on gender, games and play--and will be of particular interest to scholars of contemporary literature, Scottish literature and science fiction.
Author: David Punter
Publisher: University of Wales Press
ISBN: 1783168226
Category : Literary Criticism
Languages : en
Pages : 280
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Book Description
breadth of range attention to the psychological meanings of various forms of the Gothic inclusion of material on some of the best-known Gothic texts, including Frankenstein and Dracula.
Author: Simon Kovesi
Publisher: Manchester University Press
ISBN: 1847794858
Category : Literary Criticism
Languages : en
Pages : 228
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Book Description
James Kelman is Scotland’s most influential contemporary prose artist. This is the first book-length study of his groundbreaking novels, and it analyses and contextualises each in detail. It argues that while Kelman offers a coherent and consistent vision of the world, each novel should be read as a distinct literary response to particular aspects of contemporary working-class language and culture. Richly historicised through diverse contexts such as Scottish socialism, public transport, emigration, ‘Booker Prize’ culture and Glasgow’s controversial ‘City of Culture’ status in 1990, Simon Kovesi offers readings of Kelman’s style, characterisation and linguistic innovations. This study resists the prevalent condemnations of Kelman as a miserable realist, and produces evidence that he is acutely aware of an unorthodox, politicised literary tradition which transgresses definitions of what literature can or should do. Kelman is cautious about the power relationship between the working-class worlds he represents in his fiction, and the latent preconceptions embedded in the language of academic and critical commentary. In response, this study is boldly self-critical, and questions the validity and values of its own methods. Kelman is shown to be deftly humorous, assiduously ethical, philosophically alert and politically necessary.
Author: Christine Amanda Müller
Publisher: Cambridge Scholars Publishing
ISBN: 1443831441
Category : Language Arts & Disciplines
Languages : en
Pages : 395
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Book Description
This book focuses on James Kelman, a leading Scottish author, and his use of language. It examines how Kelman presents a spoken Glasgow working-class voice in his stories while breaking down the traditional distinction made between speech and writing in literature. Three main themes are explored: the use of Glaswegian/Scots language, the inclusion of working-class discourse features, and an expressive preference for spoken over written forms. Kelman’s writing is approached through an examination of his use of punctuation, spelling, vocabulary, grammar, swearing, and body language. Throughout, examples from Kelman’s writing are analysed and statistical comparisons are made between his writing and the Scots Corpus of Texts and Speech. In summary, the reader will find a detailed and systematic analysis of Kelman’s use of language in literature, showing linguistic patterns, identifying key textual strategies and features, and comparing these to the standards that precede him and those that surround his work.
