Author: Allison M. Johnson
Publisher: LSU Press
ISBN: 0807170372
Category : Literary Criticism
Languages : en
Pages : 0
Book Description
In The Scars We Carve: Bodies and Wounds in Civil War Print Culture, Allison M. Johnson considers the ubiquitous images of bodies—white and black, male and female, soldier and civilian—that appear throughout newspapers, lithographs, poems, and other texts circulated during and in the decades immediately following the Civil War. Rather than dwelling on the work of well-known authors, The Scars We Carve uncovers a powerful archive of Civil War–era print culture in which the individual body and its component parts, marked by violence or imbued with rhetorical power, testify to the horrors of war and the lasting impact of the internecine conflict. The Civil War brought about vast changes to the nation’s political, social, racial, and gender identities, and Johnson argues that print culture conveyed these changes to readers through depictions of nonnormative bodies. She focuses on images portrayed in the pages of newspapers and journals, in the left-handed writing of recent amputees who participated in penmanship contests, and in the accounts of anonymous poets and storytellers. Johnson reveals how allegories of the feminine body as a representation of liberty and the nation carved out a place for women in public and political realms, while depictions of slaves and black soldiers justified black manhood and citizenship in the midst of sectional crisis. By highlighting the extent to which the violence of the conflict marked the physical experience of American citizens, as well as the geographic and symbolic bodies of the republic, The Scars We Carve diverges from narratives of the Civil War that stress ideological abstraction, showing instead that the era’s print culture contains a literary and visual record of the war that is embodied and individualized.
The Scars We Carve
Author: Allison M. Johnson
Publisher: LSU Press
ISBN: 0807170372
Category : Literary Criticism
Languages : en
Pages : 0
Book Description
In The Scars We Carve: Bodies and Wounds in Civil War Print Culture, Allison M. Johnson considers the ubiquitous images of bodies—white and black, male and female, soldier and civilian—that appear throughout newspapers, lithographs, poems, and other texts circulated during and in the decades immediately following the Civil War. Rather than dwelling on the work of well-known authors, The Scars We Carve uncovers a powerful archive of Civil War–era print culture in which the individual body and its component parts, marked by violence or imbued with rhetorical power, testify to the horrors of war and the lasting impact of the internecine conflict. The Civil War brought about vast changes to the nation’s political, social, racial, and gender identities, and Johnson argues that print culture conveyed these changes to readers through depictions of nonnormative bodies. She focuses on images portrayed in the pages of newspapers and journals, in the left-handed writing of recent amputees who participated in penmanship contests, and in the accounts of anonymous poets and storytellers. Johnson reveals how allegories of the feminine body as a representation of liberty and the nation carved out a place for women in public and political realms, while depictions of slaves and black soldiers justified black manhood and citizenship in the midst of sectional crisis. By highlighting the extent to which the violence of the conflict marked the physical experience of American citizens, as well as the geographic and symbolic bodies of the republic, The Scars We Carve diverges from narratives of the Civil War that stress ideological abstraction, showing instead that the era’s print culture contains a literary and visual record of the war that is embodied and individualized.
Publisher: LSU Press
ISBN: 0807170372
Category : Literary Criticism
Languages : en
Pages : 0
Book Description
In The Scars We Carve: Bodies and Wounds in Civil War Print Culture, Allison M. Johnson considers the ubiquitous images of bodies—white and black, male and female, soldier and civilian—that appear throughout newspapers, lithographs, poems, and other texts circulated during and in the decades immediately following the Civil War. Rather than dwelling on the work of well-known authors, The Scars We Carve uncovers a powerful archive of Civil War–era print culture in which the individual body and its component parts, marked by violence or imbued with rhetorical power, testify to the horrors of war and the lasting impact of the internecine conflict. The Civil War brought about vast changes to the nation’s political, social, racial, and gender identities, and Johnson argues that print culture conveyed these changes to readers through depictions of nonnormative bodies. She focuses on images portrayed in the pages of newspapers and journals, in the left-handed writing of recent amputees who participated in penmanship contests, and in the accounts of anonymous poets and storytellers. Johnson reveals how allegories of the feminine body as a representation of liberty and the nation carved out a place for women in public and political realms, while depictions of slaves and black soldiers justified black manhood and citizenship in the midst of sectional crisis. By highlighting the extent to which the violence of the conflict marked the physical experience of American citizens, as well as the geographic and symbolic bodies of the republic, The Scars We Carve diverges from narratives of the Civil War that stress ideological abstraction, showing instead that the era’s print culture contains a literary and visual record of the war that is embodied and individualized.
The Scars We Carve
Author: Allison M. Johnson
Publisher: LSU Press
ISBN: 0807171433
Category : Literary Criticism
Languages : en
Pages : 221
Book Description
In The Scars We Carve: Bodies and Wounds in Civil War Print Culture, Allison M. Johnson considers the ubiquitous images of bodies—white and black, male and female, soldier and civilian—that appear throughout newspapers, lithographs, poems, and other texts circulated during and in the decades immediately following the Civil War. Rather than dwelling on the work of well-known authors, The Scars We Carve uncovers a powerful archive of Civil War–era print culture in which the individual body and its component parts, marked by violence or imbued with rhetorical power, testify to the horrors of war and the lasting impact of the internecine conflict. The Civil War brought about vast changes to the nation’s political, social, racial, and gender identities, and Johnson argues that print culture conveyed these changes to readers through depictions of nonnormative bodies. She focuses on images portrayed in the pages of newspapers and journals, in the left-handed writing of recent amputees who participated in penmanship contests, and in the accounts of anonymous poets and storytellers. Johnson reveals how allegories of the feminine body as a representation of liberty and the nation carved out a place for women in public and political realms, while depictions of slaves and black soldiers justified black manhood and citizenship in the midst of sectional crisis. By highlighting the extent to which the violence of the conflict marked the physical experience of American citizens, as well as the geographic and symbolic bodies of the republic, The Scars We Carve diverges from narratives of the Civil War that stress ideological abstraction, showing instead that the era’s print culture contains a literary and visual record of the war that is embodied and individualized.
Publisher: LSU Press
ISBN: 0807171433
Category : Literary Criticism
Languages : en
Pages : 221
Book Description
In The Scars We Carve: Bodies and Wounds in Civil War Print Culture, Allison M. Johnson considers the ubiquitous images of bodies—white and black, male and female, soldier and civilian—that appear throughout newspapers, lithographs, poems, and other texts circulated during and in the decades immediately following the Civil War. Rather than dwelling on the work of well-known authors, The Scars We Carve uncovers a powerful archive of Civil War–era print culture in which the individual body and its component parts, marked by violence or imbued with rhetorical power, testify to the horrors of war and the lasting impact of the internecine conflict. The Civil War brought about vast changes to the nation’s political, social, racial, and gender identities, and Johnson argues that print culture conveyed these changes to readers through depictions of nonnormative bodies. She focuses on images portrayed in the pages of newspapers and journals, in the left-handed writing of recent amputees who participated in penmanship contests, and in the accounts of anonymous poets and storytellers. Johnson reveals how allegories of the feminine body as a representation of liberty and the nation carved out a place for women in public and political realms, while depictions of slaves and black soldiers justified black manhood and citizenship in the midst of sectional crisis. By highlighting the extent to which the violence of the conflict marked the physical experience of American citizens, as well as the geographic and symbolic bodies of the republic, The Scars We Carve diverges from narratives of the Civil War that stress ideological abstraction, showing instead that the era’s print culture contains a literary and visual record of the war that is embodied and individualized.
Bound by the Scars We Share
Author: Vivien Churney
Publisher: Troubador Publishing Ltd
ISBN: 1800469160
Category : Fiction
Languages : en
Pages : 176
Book Description
In 1930s Antwerp, having fled a pre war Poland with her family, Zoshia, a young Jewish girl, battles to survive intense persecution from the Nazis and bravely endangers her own life in order to help save others.
Publisher: Troubador Publishing Ltd
ISBN: 1800469160
Category : Fiction
Languages : en
Pages : 176
Book Description
In 1930s Antwerp, having fled a pre war Poland with her family, Zoshia, a young Jewish girl, battles to survive intense persecution from the Nazis and bravely endangers her own life in order to help save others.
The Families’ Civil War
Author: Holly A. Pinheiro Jr.
Publisher: University of Georgia Press
ISBN: 0820368695
Category : History
Languages : en
Pages : 243
Book Description
Publisher: University of Georgia Press
ISBN: 0820368695
Category : History
Languages : en
Pages : 243
Book Description
The Continental Monthly
Author:
Publisher:
ISBN:
Category : American periodicals
Languages : en
Pages : 762
Book Description
Publisher:
ISBN:
Category : American periodicals
Languages : en
Pages : 762
Book Description
I Remain Yours
Author: Christopher Hager
Publisher: Harvard University Press
ISBN: 0674981812
Category : History
Languages : en
Pages : 360
Book Description
For men in the Union and Confederate armies and their families at home, letter writing was the sole means to communicate. Taking pen to paper was a new and daunting task, but Christopher Hager shows how ordinary people made writing their own, and how they in turn transformed the culture of letters into a popular, democratic mode of communication.
Publisher: Harvard University Press
ISBN: 0674981812
Category : History
Languages : en
Pages : 360
Book Description
For men in the Union and Confederate armies and their families at home, letter writing was the sole means to communicate. Taking pen to paper was a new and daunting task, but Christopher Hager shows how ordinary people made writing their own, and how they in turn transformed the culture of letters into a popular, democratic mode of communication.
The Continental Monthly, Vol. 6, No 4, August, 1864
Author: Various
Publisher: Litres
ISBN: 5041728011
Category : Education
Languages : en
Pages : 294
Book Description
Publisher: Litres
ISBN: 5041728011
Category : Education
Languages : en
Pages : 294
Book Description
The Oxford Handbook of Walt Whitman
Author: Kenneth M. Price
Publisher: Oxford University Press
ISBN: 0192894846
Category : Literary Criticism
Languages : en
Pages : 721
Book Description
A Handbook on Walt Whitman that reflects the best new work in the field including chapters that set his work within the context of digital scholarship, discussion of new manuscript discoveries and transcriptions, exploration of environmental angles on Whitman, and a focus on disability studies.
Publisher: Oxford University Press
ISBN: 0192894846
Category : Literary Criticism
Languages : en
Pages : 721
Book Description
A Handbook on Walt Whitman that reflects the best new work in the field including chapters that set his work within the context of digital scholarship, discussion of new manuscript discoveries and transcriptions, exploration of environmental angles on Whitman, and a focus on disability studies.
Doctrine and Difference
Author: Michael J. Colacurcio
Publisher: Taylor & Francis
ISBN: 1003808719
Category : Literary Criticism
Languages : en
Pages : 267
Book Description
Doctrine and Difference: The Thematic Scale of Classic American Literature aims to expand and deepen our knowledge into the inquiry of “contextual historicism,” observing writers of the American nineteenth century, and their vastly differing approaches to perceptions such as race, gender, and national identity. Ranging from the religious acuities of the first American Puritans to the more secularized literary awakening of the American Renaissance and into late-century texts that deliberately resist the limits of received religious and political opinion, this volume seeks to uncover a history of human thought within classic American Literature. This volume critically observes these survivable works of literature, presenting insight into the “difference” made by conversation, dispute, and dramatized self-doubt within novels and poems of the historical past.
Publisher: Taylor & Francis
ISBN: 1003808719
Category : Literary Criticism
Languages : en
Pages : 267
Book Description
Doctrine and Difference: The Thematic Scale of Classic American Literature aims to expand and deepen our knowledge into the inquiry of “contextual historicism,” observing writers of the American nineteenth century, and their vastly differing approaches to perceptions such as race, gender, and national identity. Ranging from the religious acuities of the first American Puritans to the more secularized literary awakening of the American Renaissance and into late-century texts that deliberately resist the limits of received religious and political opinion, this volume seeks to uncover a history of human thought within classic American Literature. This volume critically observes these survivable works of literature, presenting insight into the “difference” made by conversation, dispute, and dramatized self-doubt within novels and poems of the historical past.
Disability, the Body, and Radical Intellectuals in the Literature of the Civil War and Reconstruction
Author: Sarah E. Chinn
Publisher: Cambridge University Press
ISBN: 1009442694
Category : Literary Criticism
Languages : en
Pages : 267
Book Description
The book is a study of the ways that white radicals deployed the physical and literary image of amputation during the Civil War and Reconstruction to argue for full Black citizenship and against a national reconciliation that reimposed white supremacy. It gives readers a new way to think about the Civil War and Reconstruction.
Publisher: Cambridge University Press
ISBN: 1009442694
Category : Literary Criticism
Languages : en
Pages : 267
Book Description
The book is a study of the ways that white radicals deployed the physical and literary image of amputation during the Civil War and Reconstruction to argue for full Black citizenship and against a national reconciliation that reimposed white supremacy. It gives readers a new way to think about the Civil War and Reconstruction.