Author: Petra Küppers
Publisher: U of Minnesota Press
ISBN: 9781452909158
Category : Art
Languages : en
Pages : 314
Book Description
In The Scar of Visibility, Petra Kuppers examines the use of medical imagery practices in contemporary art, as well as different arts of everyday life. Among the works she investigates are the controversial Body Worlds exhibition of plastinized corpses, films like David Cronenbergs Crash that fetishize body wounds, representations of the AIDS virus on CSI: Crime Scene Investigations, and the paintings of outsider artist Martin Ram'rez.
The Scar of Visibility
Eco Soma
Author: Petra Kuppers
Publisher: U of Minnesota Press
ISBN: 1452966877
Category : Social Science
Languages : en
Pages : 322
Book Description
Modeling a disability culture perspective on performance practice toward socially just futures In Eco Soma, Petra Kuppers asks readers to be alert to their own embodied responses to art practice and to pay attention to themselves as active participants in a shared sociocultural world. Reading contemporary performance encounters and artful engagements, this book models a disability culture sensitivity to living in a shared world, oriented toward more socially just futures. Eco soma methods mix and merge realities on the edges of lived experience and site-specific performance. Kuppers invites us to become moths, sprout gills, listen to our heart’s drum, and take starships into crip time. And fantasy is central to these engagements: feeling/sensing monsters, catastrophes, golden lines, heartbeats, injured sharks, dotted salamanders, kissing mammoths, and more. Kuppers illuminates ecopoetic disability culture perspectives, contending that disabled people and their co-conspirators make art to live in a changing world, in contact with feminist, queer, trans, racialized, and Indigenous art projects. By offering new ways to think, frame, and feel “environments,” Kuppers focuses on art-based methods of envisioning change and argues that disability can offer imaginative ways toward living well and with agency in change, unrest, and challenge. Traditional somatics teach us how to fine-tune our introspective senses and to open up the world of our own bodies, while eco soma methods extend that attention toward the creative possibilities of the reach between self, others, and the land. Eco Soma proposes an art/life method of sensory tuning to the inside and the outside simultaneously, a method that allows for a wider opening toward ethical cohabitation with human and more-than-human others.
Publisher: U of Minnesota Press
ISBN: 1452966877
Category : Social Science
Languages : en
Pages : 322
Book Description
Modeling a disability culture perspective on performance practice toward socially just futures In Eco Soma, Petra Kuppers asks readers to be alert to their own embodied responses to art practice and to pay attention to themselves as active participants in a shared sociocultural world. Reading contemporary performance encounters and artful engagements, this book models a disability culture sensitivity to living in a shared world, oriented toward more socially just futures. Eco soma methods mix and merge realities on the edges of lived experience and site-specific performance. Kuppers invites us to become moths, sprout gills, listen to our heart’s drum, and take starships into crip time. And fantasy is central to these engagements: feeling/sensing monsters, catastrophes, golden lines, heartbeats, injured sharks, dotted salamanders, kissing mammoths, and more. Kuppers illuminates ecopoetic disability culture perspectives, contending that disabled people and their co-conspirators make art to live in a changing world, in contact with feminist, queer, trans, racialized, and Indigenous art projects. By offering new ways to think, frame, and feel “environments,” Kuppers focuses on art-based methods of envisioning change and argues that disability can offer imaginative ways toward living well and with agency in change, unrest, and challenge. Traditional somatics teach us how to fine-tune our introspective senses and to open up the world of our own bodies, while eco soma methods extend that attention toward the creative possibilities of the reach between self, others, and the land. Eco Soma proposes an art/life method of sensory tuning to the inside and the outside simultaneously, a method that allows for a wider opening toward ethical cohabitation with human and more-than-human others.
The Scar Book
Author: Andrew C. Krakowski
Publisher: Lippincott Williams & Wilkins
ISBN: 1496384814
Category : Medical
Languages : en
Pages : 928
Book Description
Apply cutting-edge expertise to manage your patients’ scarring issues! Scarring and fibrosis affect millions of people worldwide, and can be devastating both physically and psychologically, whether they result from major trauma such as burns or common conditions such as acne. Put today’s most advanced clinical approaches to work for your patients with The Scar Book: Formation, Mitigation, Rehabilitation, and Prevention! A multidisciplinary team of leading world experts presents the state of the art in scar pathophysiology and treatment, breaking down the barriers between medical disciplines to provide unprecedented holistic guidance.
Publisher: Lippincott Williams & Wilkins
ISBN: 1496384814
Category : Medical
Languages : en
Pages : 928
Book Description
Apply cutting-edge expertise to manage your patients’ scarring issues! Scarring and fibrosis affect millions of people worldwide, and can be devastating both physically and psychologically, whether they result from major trauma such as burns or common conditions such as acne. Put today’s most advanced clinical approaches to work for your patients with The Scar Book: Formation, Mitigation, Rehabilitation, and Prevention! A multidisciplinary team of leading world experts presents the state of the art in scar pathophysiology and treatment, breaking down the barriers between medical disciplines to provide unprecedented holistic guidance.
The Disabled Body in Contemporary Art
Author: Ann Millett-Gallant
Publisher: Springer Nature
ISBN: 3031482514
Category :
Languages : en
Pages : 136
Book Description
Publisher: Springer Nature
ISBN: 3031482514
Category :
Languages : en
Pages : 136
Book Description
Screening the Body
Author: Lisa Cartwright
Publisher: U of Minnesota Press
ISBN: 9780816622900
Category : Medical
Languages : en
Pages : 228
Book Description
Traces the fascinating history of scientific film during the late nineteenth and early twentieth centuries and shows that early experiments with cinema are important precedents of contemporary medical techniques such as ultrasound.
Publisher: U of Minnesota Press
ISBN: 9780816622900
Category : Medical
Languages : en
Pages : 228
Book Description
Traces the fascinating history of scientific film during the late nineteenth and early twentieth centuries and shows that early experiments with cinema are important precedents of contemporary medical techniques such as ultrasound.
Facelift
Author: J. Regan Thomas
Publisher: PMPH-USA
ISBN: 9781607952299
Category : Facelift
Languages : en
Pages : 90
Book Description
Publisher: PMPH-USA
ISBN: 9781607952299
Category : Facelift
Languages : en
Pages : 90
Book Description
What the Body Cost
Author: Jane Blocker
Publisher: U of Minnesota Press
ISBN: 9780816643189
Category : Art
Languages : en
Pages : 334
Book Description
Because performance is by its very nature ephemeral, it elicits a desire for what is lost more than any other form of art making. But what is the nature of that desire, and on what models has it been structured? How has it affected the ways in which the history of performance art gets told? In What the Body Cost, Jane Blocker revisits key works in performance art by Carolee Schneemann, Vito Acconci, Hannah Wilke, Yves Klein, Ana Mendieta, and others to challenge earlier critiques that characterize performance, or body art, as a purely revolutionary art form and fail to recognize its reactionary-and sometimes damaging-effects. The scholarship to date on performance art has not, she finds, gone far enough in locating the body at the center of the performance, nor has it acknowledged the psychic, emotional, or social costs exacted on that body. Drawing on the work of critical theorists such as Roland Barthes and Catherine Belsey, as well as queer theory and feminism, What the Body Cost reads against patriarchal and heteronormative tendencies in art history while providing a corrective to the established view that performance art is necessarily transgressive. Instead, Blocker suggests that the historiography of performance art is a postmodern lovers' discourse in which practitioners, historians, and critics alike fervently seek the body while doubting it can ever be found. Jane Blocker is assistant professor of art history at the University of Minnesota and author of Where Is Ana Mendieta? Identity, Performativity, and Exile (1999).
Publisher: U of Minnesota Press
ISBN: 9780816643189
Category : Art
Languages : en
Pages : 334
Book Description
Because performance is by its very nature ephemeral, it elicits a desire for what is lost more than any other form of art making. But what is the nature of that desire, and on what models has it been structured? How has it affected the ways in which the history of performance art gets told? In What the Body Cost, Jane Blocker revisits key works in performance art by Carolee Schneemann, Vito Acconci, Hannah Wilke, Yves Klein, Ana Mendieta, and others to challenge earlier critiques that characterize performance, or body art, as a purely revolutionary art form and fail to recognize its reactionary-and sometimes damaging-effects. The scholarship to date on performance art has not, she finds, gone far enough in locating the body at the center of the performance, nor has it acknowledged the psychic, emotional, or social costs exacted on that body. Drawing on the work of critical theorists such as Roland Barthes and Catherine Belsey, as well as queer theory and feminism, What the Body Cost reads against patriarchal and heteronormative tendencies in art history while providing a corrective to the established view that performance art is necessarily transgressive. Instead, Blocker suggests that the historiography of performance art is a postmodern lovers' discourse in which practitioners, historians, and critics alike fervently seek the body while doubting it can ever be found. Jane Blocker is assistant professor of art history at the University of Minnesota and author of Where Is Ana Mendieta? Identity, Performativity, and Exile (1999).
Carnal Art
Author: C. Jill O'Bryan
Publisher: U of Minnesota Press
ISBN: 1452906769
Category :
Languages : en
Pages : 235
Book Description
The French artist Orlan is infamous for performances during which her body is surgically altered. In nine such performance surgeries, features from Greek goddesses painted by Botticelli, Gerard, Moreau, and an anonymous School of Fontainebleau artist, as well as from da Vinci's "Mona Lisa, were implanted into Orlan's face. During her surgical performances, viewers witness a material tampering with the relationship between the face and individual identity, the original and the constructed, a historical critique of the association of art with beauty and the female body. Responding to Orlan's definition of her performance surgeries as "carnal art," C. Jill O'Bryan considers how the artist's ever-fluctuating reconstructions of her face question idealized beauty and female identity, persuasively arguing that Orlan's surgically reinvented face succeeds in both reinforcing and breaking apart corporeal subjectivity and representation. O'Bryan contextualizes Orlan's operations within the centuries-long history of public dissections and surgeries, lavish anatomical illustrations created to draw the gaze into the opened anatomy, Artaud's "Theater of Cruelty" in the early twentieth century, and contemporary works and performances by Cindy Sherman, Hans Bellman, and Annie Sprinkle. A compelling blurring of the line between feminist theory and art criticism, O'Bryan's close examination of Orlan's performance surgeries complicates and reconfigures the notions of identity--and its relation to the body--at the very boundary dividing art from identity.
Publisher: U of Minnesota Press
ISBN: 1452906769
Category :
Languages : en
Pages : 235
Book Description
The French artist Orlan is infamous for performances during which her body is surgically altered. In nine such performance surgeries, features from Greek goddesses painted by Botticelli, Gerard, Moreau, and an anonymous School of Fontainebleau artist, as well as from da Vinci's "Mona Lisa, were implanted into Orlan's face. During her surgical performances, viewers witness a material tampering with the relationship between the face and individual identity, the original and the constructed, a historical critique of the association of art with beauty and the female body. Responding to Orlan's definition of her performance surgeries as "carnal art," C. Jill O'Bryan considers how the artist's ever-fluctuating reconstructions of her face question idealized beauty and female identity, persuasively arguing that Orlan's surgically reinvented face succeeds in both reinforcing and breaking apart corporeal subjectivity and representation. O'Bryan contextualizes Orlan's operations within the centuries-long history of public dissections and surgeries, lavish anatomical illustrations created to draw the gaze into the opened anatomy, Artaud's "Theater of Cruelty" in the early twentieth century, and contemporary works and performances by Cindy Sherman, Hans Bellman, and Annie Sprinkle. A compelling blurring of the line between feminist theory and art criticism, O'Bryan's close examination of Orlan's performance surgeries complicates and reconfigures the notions of identity--and its relation to the body--at the very boundary dividing art from identity.
Promoting Self-Management of Chronic Health Conditions
Author: Erin Martz
Publisher: Oxford University Press
ISBN: 0190606150
Category : Psychology
Languages : en
Pages : 561
Book Description
It is common for a doctor or healthcare professional to see an individual with a chronic health condition only a few times a year for a brief office appointment. Yet, the individual has to live with the health condition 24 hours a day, 7 days a week. So, who really is in charge of managing the health condition? The individual has to "micro-manage" their condition, while healthcare professionals can provide advice on treatment approaches or the "macro-management" of the chronic health condition. Promoting Self-Management of Chronic Health Conditions covers a range of topics related to self-management-theories and practice, interventions that have been scientifically tested, and information that individuals with specific conditions should know (or be taught by healthcare professionals). Data suggest that currently a majority of individuals in the U.S. has a chronic health condition, and as society ages and healthcare continues to improve individuals' life-spans, more people will experience a chronic health condition. Health systems need to shift from an acute care model of treatment to a chronic care treatment model, in view of this trend. The expanding need for the development and scientific analysis of formal self-management programs accompany this increase in chronic health conditions. This book serves the critical purpose of helping to increase understanding of self-management and how healthcare providers can empower individuals with chronic health conditions to self-manage.
Publisher: Oxford University Press
ISBN: 0190606150
Category : Psychology
Languages : en
Pages : 561
Book Description
It is common for a doctor or healthcare professional to see an individual with a chronic health condition only a few times a year for a brief office appointment. Yet, the individual has to live with the health condition 24 hours a day, 7 days a week. So, who really is in charge of managing the health condition? The individual has to "micro-manage" their condition, while healthcare professionals can provide advice on treatment approaches or the "macro-management" of the chronic health condition. Promoting Self-Management of Chronic Health Conditions covers a range of topics related to self-management-theories and practice, interventions that have been scientifically tested, and information that individuals with specific conditions should know (or be taught by healthcare professionals). Data suggest that currently a majority of individuals in the U.S. has a chronic health condition, and as society ages and healthcare continues to improve individuals' life-spans, more people will experience a chronic health condition. Health systems need to shift from an acute care model of treatment to a chronic care treatment model, in view of this trend. The expanding need for the development and scientific analysis of formal self-management programs accompany this increase in chronic health conditions. This book serves the critical purpose of helping to increase understanding of self-management and how healthcare providers can empower individuals with chronic health conditions to self-manage.
Facial Reconstruction Controversies, An Issue of Facial Plastic Surgery Clinics
Author: Mark Wax
Publisher: Elsevier Health Sciences
ISBN: 0323459641
Category : Medical
Languages : en
Pages : 201
Book Description
This issue of Facial Plastic Surgery Clinics, guest edited by Dr. Mark Wax, is devoted to Facial Reconstruction Controversies. Articles in this timely issue include: Management of the Nasal Valve; Reconstruction of the Parotid Defect; Pediatric Rhinoplasty; Cleft Lip and Cleft Palate; Evidence-Based Medicine; Facial Re-animation; Management of the Trauma Patient; Post-operative Management of Free Tissue Transfer; Measuring Nasal Obstruction; Primary Rhinoplasty; Revision Rhinoplasty; The Role of Antibiotic Prophylaxis in Facial Plastic Surgery; Aging Face; Facial Transplantation; and Fillers and Resurfacing.
Publisher: Elsevier Health Sciences
ISBN: 0323459641
Category : Medical
Languages : en
Pages : 201
Book Description
This issue of Facial Plastic Surgery Clinics, guest edited by Dr. Mark Wax, is devoted to Facial Reconstruction Controversies. Articles in this timely issue include: Management of the Nasal Valve; Reconstruction of the Parotid Defect; Pediatric Rhinoplasty; Cleft Lip and Cleft Palate; Evidence-Based Medicine; Facial Re-animation; Management of the Trauma Patient; Post-operative Management of Free Tissue Transfer; Measuring Nasal Obstruction; Primary Rhinoplasty; Revision Rhinoplasty; The Role of Antibiotic Prophylaxis in Facial Plastic Surgery; Aging Face; Facial Transplantation; and Fillers and Resurfacing.