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Author: Charles A. Riley
Publisher: UPNE
ISBN: 9780874517651
Category : Arts, Modern
Languages : en
Pages : 380
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Book Description
Asceticism seen as a powerful force in the art and thought of our time.
Author: Charles A. Riley
Publisher: UPNE
ISBN: 9780874517651
Category : Arts, Modern
Languages : en
Pages : 380
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Book Description
Asceticism seen as a powerful force in the art and thought of our time.
Author: Nicholas Fox Weber
Publisher: Knopf
ISBN: 0804154023
Category : Art
Languages : en
Pages : 550
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Book Description
This lively work of cultural history tells the stories of five young art patrons who, in the last 1920s and 1930s, were instrumental in bringing modern painting, sculpture, and dance to America. A combination of wealth, Harvard education privilege, and family connections enabled Lincoln Kirstein, Edward M. M. Warburg, Agnes Mongan, James Thrall Soby, and A. Everett (Chick) Austin, Jr., to introduce the work of Picasso, Balanchine, Calder, and other important artists to the United States.
Author: Rosa Giorgi
Publisher: Harry N. Abrams
ISBN: 9780810954991
Category : Art
Languages : en
Pages : 0
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Book Description
This richly illustrated text portrays more than 375 Catholic saints, arranged by the days of the year on which each beatified figure is honoured. Up to three saints have been chosen for each day of the year, with a brief accompanying description of each.
Author: Henry Glassie
Publisher: Indiana University Press
ISBN: 0253032067
Category : Social Science
Languages : en
Pages : 549
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Book Description
Sacred art flourishes today in northeastern Brazil, where European and African religious traditions have intersected for centuries. Professional artists create images of both the Catholic saints and the African gods of Candomblé to meet the needs of a vast market of believers and art collectors. Over the past decade, Henry Glassie and Pravina Shukla conducted intense research in the states of Bahia and Pernambuco, interviewing the artists at length, photographing their processes and products, attending Catholic and Candomblé services, and finally creating a comprehensive book, governed by a deep understanding of the artists themselves. Beginning with Edival Rosas, who carves monumental baroque statues for churches, and ending with Francisco Santos, who paints images of the gods for Candomblé terreiros, the book displays the diversity of Brazilian artistic techniques and religious interpretations. Glassie and Shukla enhance their findings with comparisons from art and religion in the United States, Nigeria, Portugal, Turkey, India, Bangladesh, and Japan and gesture toward an encompassing theology of power and beauty that brings unity into the spiritual art of the world.
Author: Rosa Giorgi
Publisher: Getty Publications
ISBN: 9780892367177
Category : Art
Languages : en
Pages : 384
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Book Description
"From Agatha to Zeno, this book presents the images and attributes of more than one hundred saints, those most frequently encountered in sacred art, history and legend, tradition and devotional literature. Lavishly illustrated, this book introduces the saints with their identifying attributes, notes on their lives and martyrdoms, and visual references that make it easy to identify their characters and legends and the forms of worship for each."--BOOK JACKET.
Author: Robert Storr
Publisher:
ISBN: 9780870700316
Category : Art
Languages : en
Pages : 247
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Book Description
Essay by Robert Storr. Foreword by Glenn D. Lowry.
Author: C. Spretnak
Publisher: Springer
ISBN: 1137342579
Category : Religion
Languages : en
Pages : 272
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Book Description
This book demonstrates that numerous prominent artists in every period of the modern era were expressing spiritual interests when they created celebrated works of art. This magisterial overview insightfully reveals the centrality of an often denied and misunderstood element in the cultural history of modern art.
Author: Kelly A. Wacker
Publisher: Cambridge Scholars Publishing
ISBN: 1527565661
Category : Art
Languages : en
Pages : 250
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Book Description
Baroque Tendencies in Contemporary Art is a collection of essays by an international cadre of scholars addressing current trends within the field of contemporary art and how artists and architects reflect upon past traditions and fold them into the present. Often referred to as the Neo-Baroque, scholarship on this topic first emerged in the 1980s with the publication of several notable studies in France (but not translated into English until the 1990s); in addition, a number of recent exhibitions have focused on contemporary responses to the Baroque. The Baroque and the Neo-Baroque are frequently defined as having a propensity for instability, seriality, reflexivity, fluidity, and spectacle. This is perhaps partly why, in the millennial period, there is so much interest in the Baroque—we are seeking ways to find parallels between the art of then and the art of our own diverse, pluralistic culture. This book provides context for how contemporary artists meet and deal with the Baroque both formally and conceptually. Among others, it provides discussions of the work of American artists John Currin, Jeff Koons, Frank Stella, Lisa Yuskavage; American architect, Frank Gehry; European artists Lucian Freud, Jenny Saville, Emilio Vedova; Latin American artists Monica Castillo, Raphael Cauduro, Yishai Judisman; and New Zealand artists, Richard Reddaway and Joanna Langford.
Author: Catherine of Bologna
Publisher: Wipf and Stock Publishers
ISBN: 1610974956
Category : Religion
Languages : en
Pages : 103
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Book Description
St. Catherine of Bologna, much venerated in her own city, has been little known outside of her native region but interest in her is now increasing. The outline of her life is clear and her own work, The Seven Spiritual Weapons, tells a good deal about her inner experiences and early years in the cloister. The introduction to this translation situates her life in the history of Ferrara and Bologna and studies how the external history of the community impinged on Catherine's own religious experience and how it was interwoven with her successful struggle against depression.
Author: Arthur C. Danto
Publisher: Princeton University Press
ISBN: 0691209308
Category : Art
Languages : en
Pages : 350
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Book Description
The classic and provocative account of how art changed irrevocably with pop art and why traditional aesthetics can’t make sense of contemporary art A classic of art criticism and philosophy, After the End of Art continues to generate heated debate for its radical and famous assertion that art ended in the 1960s. Arthur Danto, a philosopher who was also one of the leading art critics of his time, argues that traditional notions of aesthetics no longer apply to contemporary art and that we need a philosophy of art criticism that can deal with perhaps the most perplexing feature of current art: that everything is possible. An insightful and entertaining exploration of art’s most important aesthetic and philosophical issues conducted by an acute observer of contemporary art, After the End of Art argues that, with the eclipse of abstract expressionism, art deviated irrevocably from the narrative course that Vasari helped define for it in the Renaissance. Moreover, Danto makes the case for a new type of criticism that can help us understand art in a posthistorical age where, for example, an artist can produce a work in the style of Rembrandt to create a visual pun, and where traditional theories cannot explain the difference between Andy Warhol’s Brillo Box and the product found in the grocery store. After the End of Art addresses art history, pop art, “people’s art,” the future role of museums, and the critical contributions of Clement Greenberg, whose aesthetics-based criticism helped a previous generation make sense of modernism. Tracing art history from a mimetic tradition (the idea that art was a progressively more adequate representation of reality) through the modern era of manifestos (when art was defined by the artist’s philosophy), Danto shows that it wasn’t until the invention of pop art that the historical understanding of the means and ends of art was nullified. Even modernist art, which tried to break with the past by questioning the ways in which art was produced, hinged on a narrative.
