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Author: T. S. Eliot
Publisher: Courier Corporation
ISBN: 9780486299365
Category : Literary Collections
Languages : en
Pages : 146
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Book Description
One of poetry's great voices reviews the creations of his literary forebears with essays on the works of Dante, Shakespeare, Blake, the Metaphysical Poets, and other authors. Plus 4 essays from The Times Literary Supplement.
Author: T. S. Eliot
Publisher: Courier Corporation
ISBN: 9780486299365
Category : Literary Collections
Languages : en
Pages : 146
Get Book Here
Book Description
One of poetry's great voices reviews the creations of his literary forebears with essays on the works of Dante, Shakespeare, Blake, the Metaphysical Poets, and other authors. Plus 4 essays from The Times Literary Supplement.
Author: Thomas Stearns Eliot
Publisher:
ISBN:
Category : Criticism
Languages : en
Pages : 184
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Book Description
Author: Rachel Teubner
Publisher: CRC Press
ISBN: 1351351605
Category : Literary Criticism
Languages : en
Pages : 95
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Book Description
The essay for which The Sacred Wood is primarily remembered is one of the most famous pieces of criticism in English: “Tradition and the Individual Talent” helped to re-orientate arguments about the study of literature and its production by redefining the nature of tradition and the artist's relation to it.At a time when the word “traditional” had become a way of damning with faint praise by reference to the past, Eliot reinterpreted the term to mean something entirely different. It is not, he argues, something just “handed down,” but, instead, a prize to be obtained “by great labour,” not least in the making of a huge effort of understanding how the past fits together. Seen thus, Eliot suggests, a literary and artistic tradition “has a simultaneous existence and composes a simultaneous order” – and it is not just past, but present as well. For Eliot, “art never improves,” but only changes, and each part of the tradition is constantly being reinterpreted in light of what is added to the whole. The role of the poet, in Eliot's view, is to subjugate their own personality, and become “a receptacle,” in which “numberless feelings, phrases, images... can unite to form a new compound.” Redefining the issue of poets' relations to the past in this new way is a fine example of creative thinking, and Eliot’s ability to connect existing concepts in new ways was what gave weight to the argument that he advanced: that poets cannot succeed without understanding that they are taking their place on a continuum that stretches back to all their predecessors, and incorporate the ideas, strengths and failings of the entire body of work that those poets represented.
Author: T S Eliot
Publisher: Cosimo Classics
ISBN: 9781646792955
Category :
Languages : en
Pages : 178
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Book Description
" 'I am a poet, ' he said, and one, I hope, of no mean imagination, if one can reckon at all by crowns of honour, which gratitude can set even on unworthy heads. 'Why are you so badly dressed, then?' you ask. For that very reason. The worship of genius never made a man rich." -Petronius, Satyricon (54 AD) The Sacred Wood-Essays on Poetry and Criticism (1920) is T. S. Eliot's first book of criticism. It contains opinions of writers such as Shakespeare and Dante and some of Eliot's most influential essays, including Tradition and the Individual Talent and Philip Massinger.
Author: Thomas Stearns Eliot
Publisher: U of Nebraska Press
ISBN: 9780803267213
Category : Literary Collections
Languages : en
Pages : 196
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Book Description
These influential essay and lectures by T. S. Eliot span nearly a half century--from 1917, when he published The Love Song of J. Alfred Prufrock, to 1961, four years before his death. With the luminosity and clarity of a first-rate intellect, Eliot considers the uses of literary criticism, the writers who had the greatest influence on his own work, and the importance of being truly educated. Every thoughtful person who yearns to do more than simply get through the day will be reinforced by The Aims of Education. Other pieces include To Criticize the Critic, From Poe to Valäry, American Literature and the American Language, What Dante Means to Me, The Literature of Politics, The Classics and the Man of Letters, Ezra Pound: His Metric and Poetry, and Reflections on Vers Libre.
Author: T. S. Eliot
Publisher:
ISBN: 9781409961703
Category : Literary Criticism
Languages : en
Pages : 0
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Book Description
Thomas Stearns Eliot (1888-1965) was a poet, a dramatist and a literary critic. His works The Love Song of J. Alfred Prufrock (1917), The Waste Land (1922), The Hollow Men (1925), and Four Quartets (1945) were considered major achievements of twentieth century Modernist poetry. He won the Nobel Prize for Literature in 1948. Although he was born an American, he moved to the United Kingdom in 1914 (at age 25) and was naturalised as a British subject in 1927 at age 39. French poetry was a strong influence on Eliot's works, in particular that of Charles Baudelaire, whose clear-cut images of Paris city life provided a model for Eliot's own images of London. In his critical and theoretical writing, he was known for his advocacy of the "objective correlative, " the notion that art should not be a personal expression, but should work through objective universal symbols. He died of emphysema in London in 1965.
Author: James Wood
Publisher: Macmillan + ORM
ISBN: 1429923814
Category : Literary Collections
Languages : en
Pages : 341
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Book Description
"James Wood has been called our best young critic. This is not true. He is our best critic; he thinks with a sublime ferocity."--Cynthia Ozick Following the collection The Broken Estate--which established James Wood as the leading critic of his generation--The Irresponsible Self confirms Wood's preeminence, not only as a discerning judge but also as an appreciator of contemporary novels. In twenty-three passionate, sparkling dispatches, he effortlessly connects his encyclopedic, passionate understanding of the literary canon with an equally earnest and appreciative view of the most discussed authors writing today, including Franzen, Pynchon, Rushdie, DeLillo, Naipaul, David Foster Wallace, and Zadie Smith. This collection includes Wood's famous and controversial attack on "hysterical realism", and his sensitive but unsparing examinations of White Teeth and Brick Lane. The Irresponsible Self is indispensable reading for anyone who cares about modern fiction.
Author: T. S. Eliot
Publisher: Macmillan
ISBN: 0374531978
Category : Literary Criticism
Languages : en
Pages : 325
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Book Description
T. S. Eliot was not only one of the greatest poets of the twentieth century—he was also one of the most acute writers on his craft. In On Poetry and Poets, which was first published in 1957, Eliot explores the different forms and purposes of poetry in essays such as "The Three Voices of Poetry," "Poetry and Drama," and "What Is Minor Poetry?" as well as the works of individual poets, including Virgil, Milton, Byron, Goethe, and Yeats. As he writes in "The Music of Poetry," "We must expect a time to come when poetry will have again to be recalled to speech. The same problems arise, and always in new forms; and poetry has always before it . . . an ‘endless adventure.'"
Author: George Eliot
Publisher:
ISBN:
Category :
Languages : en
Pages : 302
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Book Description
Author: Rachel Teubner
Publisher: CRC Press
ISBN: 135135339X
Category : Literary Criticism
Languages : en
Pages : 76
Get Book Here
Book Description
The essay for which The Sacred Wood is primarily remembered is one of the most famous pieces of criticism in English: “Tradition and the Individual Talent” helped to re-orientate arguments about the study of literature and its production by redefining the nature of tradition and the artist's relation to it.At a time when the word “traditional” had become a way of damning with faint praise by reference to the past, Eliot reinterpreted the term to mean something entirely different. It is not, he argues, something just “handed down,” but, instead, a prize to be obtained “by great labour,” not least in the making of a huge effort of understanding how the past fits together. Seen thus, Eliot suggests, a literary and artistic tradition “has a simultaneous existence and composes a simultaneous order” – and it is not just past, but present as well. For Eliot, “art never improves,” but only changes, and each part of the tradition is constantly being reinterpreted in light of what is added to the whole. The role of the poet, in Eliot's view, is to subjugate their own personality, and become “a receptacle,” in which “numberless feelings, phrases, images... can unite to form a new compound.” Redefining the issue of poets' relations to the past in this new way is a fine example of creative thinking, and Eliot’s ability to connect existing concepts in new ways was what gave weight to the argument that he advanced: that poets cannot succeed without understanding that they are taking their place on a continuum that stretches back to all their predecessors, and incorporate the ideas, strengths and failings of the entire body of work that those poets represented.
