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Author: Michael Talbot
Publisher: Olschki
ISBN:
Category : Music
Languages : en
Pages : 598
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Book Description
Author: Michael Talbot
Publisher: Olschki
ISBN:
Category : Music
Languages : en
Pages : 598
Get Book Here
Book Description
Author: Michael Match
Publisher:
ISBN:
Category : Vocal music
Languages : en
Pages : 99
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Book Description
While the Nisi Dominus: Salmo 126 per contralto, due violini, viola, e basso, RV 608 is but one example of Vivaldi's contribution to many genres of music, vocal and instrumental, sacred and secular, it proves an excellent vehicle to study every aspect of the composer's life, environment and influences-- a window into the world of 18th-century Venice and all that shaped the man and his music. Searching for the origins and history of Vivaldi's manuscripts illustrates what a complete rebirth the composer has enjoyed in just the last century. Rescued from near oblivion, scholars and audiences alike are now coming to know the massive scope of his oeuvre and the multitude of genres to which he contributed. Although a sacred vocal work, Nisi Dominus identifies many traits and customs of Vivaldi's compositional techniques which transcend that singular genre and point to his characteristics of instrumental and operatic writing as well. Many of these techniques are represented in the movement-by-movement discussions as well as the section on the performer's perspective. Although addressed specifically towards examples in Nisi Dominus, the general themes and topics find application across much of the music of the baroque, again signifying Vivaldi's prominent place in that era of music. Furthermore, by examining the beguiling society of the glorious Republic of Venice in the 17th and 18th centuries, one is able to see what a profound influence religion and the peculiarities of Venetian culture had on the music of the era. These are the circumstances and environments which shaped Vivaldi as a priest, a man, and a composer. The significance of the institution for which he worked and composed is also revealed: these ospedali grandi not only shaped the music of the city of Venice and guided what compositions Vivaldi was required to produce, but also became part of the antecedents of the music conservatory system. Unique to this paper is the study of Vivaldi's Nisi Dominus score from a vocal performer's perspective. The peculiarities of learning/preparing this piece for performance, as well as application to the overall dimension of baroque music are examined through discussions on text-painting, learning tools and techniques, and opportunities for expression of style. The score commentary sections are also geared towards the vocalist's overall conception and history of the composer and the work. To consider all these aspects together provides the student of this score with a complete picture of context, form, history, culture, and technique across a broad spectrum of Vivaldi's works. In this way, Nisi Dominus proves itself to be an excellent window into the life of the brilliant baroque composer, many of his compositional techniques and devices, the curious and enchanting society of La Serenissima and its rich musical heritage, forms and history of western liturgy, and the refreshing and exciting challenges of bringing all of this to life in the performance of Antonio Vivaldi's music.
Author: Walter Kolneder
Publisher: Univ of California Press
ISBN: 9780520016293
Category : Music
Languages : en
Pages : 326
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Book Description
Author: Bella Brover-Lubovsky
Publisher: Indiana University Press
ISBN: 0253351294
Category : Music
Languages : en
Pages : 386
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Book Description
"The book combines theory and practice, discussing the theoretical aspects and practical realization of the arrangement of tonal space in terms of their contemporary reception. Brover-Lubovsky's approach is therefore directed toward a study of the musical repertory mapped onto the canvas of contemporary musical thought, including theory, pedagogy, reception, and aesthetics. Tonal Space in the Music of Antonio Vivaldi is a substantial contribution to a better understanding of Vivaldi's individual style, while illuminating wider processes of stylistic development and of the diffusion of artistic ideas in the eighteenth century."--BOOK JACKET.
Author: Michael Talbot
Publisher: Boydell Press
ISBN: 9781843832010
Category : Music
Languages : en
Pages : 256
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Book Description
Detailed survey of Vivaldi's unjustly neglected chamber cantatas, showing them to stand comparison with his more famous works. Vivaldi's chamber cantatas for solo voice, some forty in total, are steadily gaining in popularity: but because of their relatively small place in the oeuvre of a composer famed for his productivity, and also on account of the general scholarly neglect of their genre, they are little discussed in the literature. This book comprehensively explores their literary and musical background, their relation to the composer's biography, the chronology of their composition, and their musical qualities. Each cantata is discussed individually, but there is also a broader consideration of aspects concerning them collectively, such as performance practice, topical allusion, and the conventions of Italian verse. The author argues that while Vivalid's cantatas are not as innovative as his concertos and operas, he produced several masterpieces in the genre that rank with his best music. MICHAEL TALBOT is Emeritus Professor of Music at the University of Liverpool.
Author: Michael Talbot
Publisher: Boydell Press
ISBN: 184383670X
Category : Biography & Autobiography
Languages : en
Pages : 272
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Book Description
The Vivaldi Compendium represents the latest in Vivaldi research, drawing on the author's close involvement with Vivaldi and Venetian music over four decades.
Author: Keith David Graumann
Publisher:
ISBN:
Category :
Languages : en
Pages : 438
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Book Description
Author: Michael Talbot
Publisher: Routledge
ISBN: 135153730X
Category : Music
Languages : en
Pages : 553
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Book Description
Since 1978, the 300th anniversary of Vivaldi's death, there has been an explosion of serious writing about his music, life and times. Much of this has taken the form of articles published in academic journals or conference proceedings, some of which are not easy to obtain. The twenty-two articles selected by Michael Talbot for this volume form a representative selection of the best writing on Vivaldi from the last 30 years, featuring such major figures in Vivaldi research as Reinhard Strohm, Paul Everett, Gastone Vio and Federico Maria Sardelli. Aspects covered include biography, Venetian cultural history, manuscript studies, genre studies and musical analysis. The intention is to serve as a 'first port of call' for those wishing to learn more about Vivaldi or to refresh their existing knowledge. An introduction by Michael Talbot reviews the state of Vivaldi scholarship past and present and comments on the significance of the articles.
Author: Jim Whiting
Publisher: Mitchell Lane Publishers, Inc.
ISBN: 1612289258
Category : Juvenile Nonfiction
Languages : en
Pages : 52
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Book Description
Ordained as a priest, Antonio Lucio Vivaldi became one of Europe's most popular composers during the early part of the eighteenth century. He wrote hundreds of concertos, dozens of operas, and many sacred works before his music fell out of fashion during the latter part of his life. He died in obscurity and his work suffered a similar fate for almost two centuries. His music was rescued from oblivion in the 1930s. His most famous work, The Four Seasons, has since become one of the best-selling classical compositions of all time.
Author: Chester L. Alwes
Publisher: Oxford University Press
ISBN: 0199720975
Category : Music
Languages : en
Pages : 505
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Book Description
A History of Western Choral Music explores the various genres, key composers, and influential works essential to the development of the western choral tradition. Author Chester L. Alwes divides this exploration into two volumes which move from Medieval music and the Renaissance era up to the 21st century. Volume I surveys the choral music of composers including Josquin, Palestrina, Purcell, Handel, and J.S. Bach while detailing the stylistic, textual, and extramusical considerations unique to the topics covered. Consideration of Renaissance music includes both sacred and secular works, specifically addressing the growth of sacred music, the rise of secular music, and the proliferation of sacred polyphony from Josquin to Palestrina. Discussion of the Baroque era is organized by geographic location, exploring the spread of Baroque style from Italy to German, France, and England. Volume I concludes by examining the aesthetic underpinnings of the early Classical and Romantic eras. Framing discussion within the political, religious, cultural, philosophical, aesthetic, and technological contexts of each era, A History of Western Choral Music offers readers specialized insight into major composers and works while providing a cohesive understanding of choral music's place in Western history.
