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Author: Michael Green
Publisher: Abrams
ISBN: 1468308122
Category : Drama
Languages : en
Pages : 425
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Book Description
Although by writers better known for their verse and narrative prose, the plays of the Symbolists were not intended, like the dramatic poems of the Romantics, for the study rather than the stage. Instead, they are highly theatrical creations in a new style that demanded a new style of production. Meyerhold played a decisive role in the new Symbolist theatre and it was his production of Blok’s The Puppet Show in Komissarzhevskaya’s Theatre that launched the new direction in Russian drama. Among the works collected here are the plays The Puppet Show and The Rose and the Cross (Blok), The Triumph of Death (Sologub), The Comedy of Alexis and The Venetian Madcaps (Kuzmin), Thamyris Kitharodos (Annensky), and The Tragedy of Judas (Remizov) and essays by Briusov, Blok, Ivanov, Bely, Sologub, and Andreyev. Rounding out this essential anthology are Michael Green’s general introduction, as well as insightful prefaces for each writer, placing the plays and essays into their cultural and historical contexts.
Author: Michael Green
Publisher: Abrams
ISBN: 1468308122
Category : Drama
Languages : en
Pages : 425
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Book Description
Although by writers better known for their verse and narrative prose, the plays of the Symbolists were not intended, like the dramatic poems of the Romantics, for the study rather than the stage. Instead, they are highly theatrical creations in a new style that demanded a new style of production. Meyerhold played a decisive role in the new Symbolist theatre and it was his production of Blok’s The Puppet Show in Komissarzhevskaya’s Theatre that launched the new direction in Russian drama. Among the works collected here are the plays The Puppet Show and The Rose and the Cross (Blok), The Triumph of Death (Sologub), The Comedy of Alexis and The Venetian Madcaps (Kuzmin), Thamyris Kitharodos (Annensky), and The Tragedy of Judas (Remizov) and essays by Briusov, Blok, Ivanov, Bely, Sologub, and Andreyev. Rounding out this essential anthology are Michael Green’s general introduction, as well as insightful prefaces for each writer, placing the plays and essays into their cultural and historical contexts.
Author: Simon Morrison
Publisher: Univ of California Press
ISBN: 9780520927261
Category : Music
Languages : en
Pages : 384
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Book Description
An aesthetic, historical, and theoretical study of four scores, Russian Opera and the Symbolist Movement is a groundbreaking and imaginative treatment of the important yet neglected topic of Russian opera in the Silver Age. Spanning the gap between the supernatural Russian music of the nineteenth century and the compositions of Prokofiev and Stravinsky, this exceptionally insightful and well-researched book explores how Russian symbolist poets interpreted opera and prompted operatic innovation. Simon Morrison shows how these works, though stylistically and technically different, reveal the extent to which the operatic representation of the miraculous can be translated into its enactment. Morrison treats these largely unstudied pieces by canonical composers: Tchaikovsky's Queen of Spades, Rimsky-Korsakov's Legend of the Invisible City of Kitezh and the Maiden Fevroniya, Scriabin's unfinished Mysterium, and Prokofiev's Fiery Angel. The chapters, revisionist studies of these composers and scores, address separate aspects of Symbolist poetics, discussing such topics as literary and musical decadence, pagan-Christian syncretism, theurgy, and life creation, or the portrayal of art in life. The appendix offers the first complete English-language translation of Scriabin's libretto for the Preparatory Act. Providing valuable insight into both the Symbolist enterprise and Russian musicology, this book casts new light on opera's evolving, ambiguous place in fin de siècle culture.
Author: Frantisek Deak
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 328
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Book Description
"Frantisek Deak's Symbolist Theater is a welcome and fundamental contribution to the re-evaluation of European avant-garde theatre. Deak's analysis of symbolist theatre rebuts earlier approaches which concluded, as Haskell Block did in the 1969 Reader's Encyclopedia of World Drama, that attempts to stage symbolist plays were "doomed to failure," because of "an inherent opposition between symbolist premises and the demands of sustained theatrical elaboration." These earlier critiques analyzed symbolist theatre from the viewpoint of literary criticism, but Deak's book employs different methods by taking "as a premise that theater exists in performance" (7). Symbolist Theater leans conceptually on Czech structuralists and Russian formalists as it makes "theater criticism based on the reconstruction of the semantic gesture of the production;" criticism which "takes the text into consideration as one aspect of the structure" (10), and sees the symbolist theatre project as an effort to re-define the "signifying process" in general (132). Despite its title, however, Symbolist Theater is not an analysis of the whole symbolist theatre movement, but instead a focus on French symbolist theatre alone".
Author: Avril Pyman
Publisher: Cambridge University Press
ISBN: 9780521024303
Category : History
Languages : en
Pages : 504
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Book Description
This book is the first detailed history of the Russian Symbolist movement, from its initial hostile reception as a symptom of European decadence to its absorption into the mainstream of Russian literature, and eventual disintegration. It focuses on the two generations of writers whose work served as the seedbed of Existentialism in thought and of Modernism in prose and the performing arts, and reassesses their achievements in the light of modern research. At the centre of the study are the texts themselves, with prose quoted in English translation and poetry given in the original Russian with prose translations. There is a valuable bibliography of primary sources and an extensive chronological appendix. This book will fill a long-felt gap, and will be invaluable to students and teachers of Russian and comparative literature, Symbolism, modernism, and pre-revolutionary Russian culture.
Author: Michael Green
Publisher: Ann Arbor, Mich. : Ardis Publishers
ISBN: 9780882337982
Category : English drama
Languages : en
Pages : 371
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Book Description
Author: Robert Leach
Publisher: Cambridge University Press
ISBN: 9780521432207
Category : Drama
Languages : en
Pages : 468
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Book Description
A comprehensive history of Russian theatre, written by an international team of experts.
Author: E. Lingan
Publisher: Springer
ISBN: 113744861X
Category : Religion
Languages : en
Pages : 384
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Book Description
This book explores the religious foundations, political and social significance, and aesthetic aspects of the theatre created by the leaders of the Occult Revival. Lingan shows how theatre contributed to the fragmentation of Western religious culture and how contemporary theatre plays a part in the development of alternative, occult religions.
Author: Robert Knopf
Publisher: Yale University Press
ISBN: 030021054X
Category : Drama
Languages : en
Pages : 512
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Book Description
An essential volume for theater artists and students alike, this anthology includes the full texts of sixteen important examples of avant-garde drama from the most daring and influential artistic movements of the first half of the twentieth century, including Symbolism, Futurism, Expressionism, Dada, and Surrealism. Each play is accompanied by a bio-critical introduction by the editor, and a critical essay, frequently written by the playwright, which elaborates on the play’s dramatic and aesthetic concerns. A new introduction by Robert Knopf and Julia Listengarten contextualizes the plays in light of recent critical developments in avant-garde studies. By examining the groundbreaking theatrical experiments of Jarry, Maeterlinck, Strindberg, Artaud, and others, the book foregrounds the avant-garde’s enduring influence on the development of modern theater.
Author: Bert Cardullo
Publisher: Rowman & Littlefield
ISBN: 0810887045
Category : Performing Arts
Languages : en
Pages : 285
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Book Description
In this collection of essays by avant-garde theatre's most creative practitioners--directors, playwrights, performers, and designers--these writings provide direct access to the thinking behind much of the most stimulating playwriting and performance of the late nineteenth and twentieth centuries.
Author: Ronald E. Peterson
Publisher: John Benjamins Publishing
ISBN: 9027215340
Category : History
Languages : en
Pages : 269
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Book Description
The era of Russian Symbolism (1892-1917) has been called the Silver Age of Russian culture, and even the Second Golden Age. Symbolist authors are among the greatest Russian authors of this century, and their activities helped to foster one of the most significant advances in cultural life (in poetry, prose, music, theater, and painting) that has ever been seen there. This book is designed to serve as an introduction to Symbolism in Russia, as a movement, an artistic method, and a world view. The primary emphasis is on the history of the movement itself. Attention is devoted to what the Symbolists wrote, said, and thought, and on how they interacted. In this context, the main actors are the authors of poetry, prose, drama, and criticism, but space is also devoted to the important connections between literary figures and artists, philosophers, and the intelligentsia in general. This broad, detailed and balanced account of this period will serve as a standard reference work an encourage further research among scholars and students of literature.
