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Author: Ladislaus Andrew Mannheim
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 232
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Book Description
Author: Ladislaus Andrew Mannheim
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 232
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Book Description
Author: Ladislaus Andrew Mannheim
Publisher: Focal Press
ISBN: 9780240449111
Category : Photography
Languages : en
Pages : 357
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Book Description
Author: Ladislaus Andrew Mannheim
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 344
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Book Description
Author: Walther Heering
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 316
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 1950
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Book Description
Author: Heinrich Freytag
Publisher:
ISBN:
Category : Contarex camera
Languages : en
Pages : 364
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 228
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Book Description
Author: Sarah Hermanson Meister
Publisher: The Museum of Modern Art
ISBN: 0870708457
Category : Art
Languages : en
Pages : 209
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Book Description
Bill Brandt was the pre-eminent British photographer of the twentieth century and a founding father of photography's modernist tradition, whose half-century-long career defies neat categorization. This publication presents the photographer's entire oeuvre, with special emphasis on his investigation of English life in the 1930s and his innovative late nudes. The Museum of Modern Art has been exhibiting and collecting Brandt's photographs since the late 1940s, and recently has more than doubled its collection of vintage prints of his work, which form the core of this selection. An essay by Sarah Hermanson Meister sets his life and work in the context of twentieth century photographic history. Brandt's printing style changed dramatically over the course of his career, and this will be a secondary focus. With rich duotone illustrations that highlight the special characteristics of Brandt's prints, this volume will be an invaluable resource to students and scholars alike. Lee Ann Daffner contributes an illustrated glossary of Brandt's retouching techniques, enhancing the appreciation of Brandt's printing processes. The book also includes a generously illustrated appendix of Brandt's published photo-stories during the Second World War, which will clarify the trajectory of Brandt's career as never before.
Author: John R. Stilgoe
Publisher: University of Virginia Press
ISBN: 0813935164
Category : Social Science
Languages : en
Pages : 735
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Book Description
Glamour subverts convention. Models, images, and even landscapes can skew ordinary ways of seeing when viewed through the lens of photography, suggesting new worlds imbued with fantasy, mystery, sexuality, and tension. In Old Fields, John Stilgoe—one of the most original observers of his time—offers a poetic and controversial exploration of the generations-long effort to portray glamour. Fusing three forces in contemporary American culture—amateur photography after 1880; the rise of glamour and fantasy; and the often-mysterious quality of landscape photographs—Stilgoe provides a wide-ranging yet concentrated take on the cultural legacy of our photographic history. Through the medium of "shop theory"—the techniques, tools, and purpose-made equipment a maker uses to realize intent—Stilgoe looks at the role of Eastman Kodak in shaping the ways photographers purchased cameras and films, while also mapping the divisions that were created by European-made cameras. He then goes on to argue that with the proliferation of digital cameras, smart phones, and Instagram, young people’s lack of knowledge about photographic technique is in direct correlation to their lack of knowledge of the history of glamour photography. In his exploration of the rise of glamour and fantasy in contemporary American culture, Stilgoe offers a provocative and very personal look into his enduring fascination with, and the possibilities inherent in, creating one’s own images.
Author: Paul Delany
Publisher: Stanford University Press
ISBN: 9780804750035
Category : Biography & Autobiography
Languages : en
Pages : 348
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Book Description
Bill Brandt, the greatest of British photographers, who visually defined the English identity in the mid-twentieth century, was an enigma. Indeed, despite his assertions to the contrary, he was not in fact English at all. His life, like much of his work, was an elaborate construction. England was his adopted homeland and the English were his chosen subject. The England in which Brandt arrived in the Thirties was deeply polarized. He photographed both upstairs and downstairs, and recorded the industrial north as well as the society rounds of the affluent south. Although much of his work was for the new illustrated magazines, it was frequently influenced by surrealism and an eye for the slightly strange. The subjects of his portraits include the greatest creative figures of his age, and his English landscapes were sublime. His radical treatment of the female body forms a landmark in the history of the photography. Paul Delany ambitiously traces the details of Brandts life and reveals how the biographical facts and the fantasies that accompanied them deeply affected Brandts work. The biography is richly illustrated with duotone reproductions of his masterpieces and a number of unpublished private photographs.
