The rock paintings of the Upper Brandberg Part VI PDF Download
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Author: Harald Pager
Publisher: Heinrich-Barth-Institute
ISBN:
Category : History
Languages : en
Pages : 464
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Author: Harald Pager
Publisher: Heinrich-Barth-Institute
ISBN:
Category : History
Languages : en
Pages : 464
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Book Description
Author: Harald Pager
Publisher:
ISBN:
Category : Hungorob Gorge (Namibia)
Languages : en
Pages : 210
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Book Description
Author: Inés Domingo Sanz
Publisher: Routledge
ISBN: 1315434326
Category : Social Science
Languages : en
Pages : 280
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Book Description
This international volume draws together key research that examines visual arts of the past and contemporary indigenous societies. Placing each art style in its temporal and geographic context, the contributors show how depictions represent social mechanisms of identity construction, and how stylistic differences in product and process serve to reinforce cultural identity. Examples stretch from the Paleolithic to contemporary world and include rock art, body art, and portable arts. Ethnographic studies of contemporary art production and use, such as among contemporary Aboriginal groups, are included to help illuminate artistic practices and meanings in the past. The volume reflects the diversity of approaches used by archaeologists to incorporate visual arts into their analysis of past cultures and should be of great value to archaeologists, anthropologists, and art historians. Sponsored by the World Archaeological Congress.
Author: David Lewis-Williams
Publisher: Cambridge University Press
ISBN: 1108498213
Category : Art
Languages : en
Pages : 225
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Book Description
Providing insight into an image-making process that became extinct at the end of the nineteenth-century, this book shows that, far from being trivial, hunter-gatherer rock art was embedded in religion. It explores the complex social relations of those who made rock art and why they made it.
Author: Ralf Vogelsang
Publisher: Heinrich Barth Institut
ISBN: 3927688371
Category : Antiquities, Prehistoric
Languages : en
Pages : 224
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Book Description
The main research focus of the Collaborative Research Centre SFB 389 ACACIA (Arid Climate Adaptation and Cultural Innovation in Africa), established at the University of Cologne in 1995, was the interaction between man and arid environments in Africa (KUPER et al. 2007). An important part was played by the diachronic examination of these processes and their development during the Holocene period in Northeast and Southwest Af ri ca. A longterm aim of the interdisciplinary research projects was the comparison of the Holocene settlement history and palaeoecology and the identification of common and divergent developments in both hemispheres. The volume at hand describes some results of the project B4: “Palaeoecology and the Late Holocene Occupation of Northern Namibia”. Regional focus is the northern part of the Kunene Region, the Opuwo District (former Kaokoland), a region in the arid limits between the Namib Desert and the savanna of the interior highlands. Three different scientific fields – namely prehistoric archaeology, archaeobotany and archaeozoology – cooperated in the fieldwork and analysis to reconstruct the prehistoric cultures and environment in the research area during the Holocene time period. Unfortunately, the archaeozoological results are still missing and not included in this book.
Author: Renaud Ego
Publisher: NYU Press
ISBN: 1776142330
Category : Social Science
Languages : en
Pages : 371
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Book Description
An illustrated collection that takes stock of current knowledge and proposes a new way of reading indigenous art For thousands of years, nomadic hunter-gatherers assigned a fundamental role to the visualization of the animals who shared their lives. Some, such as the Cape eland, the largest of antelopes, were the object of a fascinated gaze, as though the graceful markings and shapes of their bodies were the key to secret knowledge safeguarded by the animals’ unsettling silence. Renaud Ego posits that the artists sought to steal the animals’ secret through an act of rendering visible a vitality that remained hidden beneath appearances. In this process, the San themselves became the visionary animal who, possessing the gift of making pictures, would acquire far-seeing powers. Thanks to the singular effectiveness of their visual art, they could make intellectual contact with the world in order better to think and,ultimately, to act. They gained access to the full dimension of their human condition through painting scenes that functioned like visual contracts with spiritual and ancestral powers. Their art is an act that seeks to preserve the wholeness of existence through a respect for the relationships linking all beings, both real and imaginary,who partake of it. The fundamentally ecological dimension of this message confers on San art its universality and contemporary relevance.Visionary Animal is a translation of L’Animal voyant, published in France in 2015. This rich collection of essays is beautifully illustrated with the author’s photographs of rock art from across southern Africa.
Author: Cornelia Limpricht
Publisher:
ISBN:
Category : Ethnology
Languages : en
Pages : 208
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Author: Olaf Bubenzer
Publisher: Henrich Barth Institut
ISBN:
Category : Science
Languages : en
Pages : 252
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Book Description
Author: Michael Bollig
Publisher:
ISBN:
Category : Arid regions
Languages : en
Pages : 478
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Book Description
Author: Jörg Linstädter
Publisher:
ISBN:
Category : Antiquities, Prehistoric
Languages : de
Pages : 384
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Book Description
