The Rhythmic Structure of Music

The Rhythmic Structure of Music PDF Author: Grosvenor W. Cooper
Publisher: University of Chicago Press
ISBN: 9780226115221
Category : Music
Languages : en
Pages : 232

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Book Description
In this book, the authors develop a theoretical framework based on a Gestalt approach, viewing rhythmic experience in terms of pattern perception or groupings. Musical examples of increasing complexity are used to provide training in the analysis, performance, and writing of rhythm.

The Rhythmic Structure of Music

The Rhythmic Structure of Music PDF Author: Grosvenor W. Cooper
Publisher: University of Chicago Press
ISBN: 9780226115221
Category : Music
Languages : en
Pages : 232

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Book Description
In this book, the authors develop a theoretical framework based on a Gestalt approach, viewing rhythmic experience in terms of pattern perception or groupings. Musical examples of increasing complexity are used to provide training in the analysis, performance, and writing of rhythm.

The Rhythmic Conception of Music

The Rhythmic Conception of Music PDF Author: M.H. Glyn
Publisher: Рипол Классик
ISBN: 117173171X
Category : History
Languages : en
Pages : 206

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Book Description


The Rhythmic Conception of Music

The Rhythmic Conception of Music PDF Author: Margaret Henrietta Glyn
Publisher: London : Longmans, Green
ISBN:
Category : Music
Languages : en
Pages : 216

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Book Description
THE writer of this book presents a view of music, which is as novel as it is interesting, and which throws a strong light on the fundamental principles underlying the art. She takes the rhythmic element in music as the formative principle of unity, and works out her conception both from the historical and psychological point of view. Rhythm is defined as "the periodic quality, undulating, circling or putative, of all movement"; and as, according to Herbert Spencer, rhythm is a necessary characteristic of all motion, it is obvious that here we can obtain a unifying principle. A study of history shows us that rhythmic feeling was the common origin of poetry, dancing and music; and that the basis of all folk-music, as far back as we can trace it, was rhythm pure and simple. The general law of musical evolution is laid down, and proved to exist in the actual development of art; and so modern music is shown to have had its origin in folk-song, and not in the Church art of the middle ages. The progress of all art is shown to be from the Strict to the Free (which is equivalent to passage from the homogeneous to the heterogeneous), and thus from the somewhat strict outline of ancient music we pass to the endless variety of modern music. A strict standard is necessary. But when once this standard is grasped, monotony must be avoided by the free utterance. Coming to the psychological part of the work, the authoress shows that what she terms the Rhythmitonal Idea is the result of the synthetic intuitive action of the imagination, and not the analytic reasoned processes of the intellect; it must be intelligible not to the intellect, but to the emotions, of the hearer. In her opinion the emotional element in music has actually assisted to develop a considerable part of musical technique, by creating the movement of absolute free form. She discusses the association of the poetic idea with music, coming to the conclusion that the evolution of music is not advanced by the influence of another art, but proceeds in its own natural and inevitable path of development. The book is one that merits deep and careful consideration. From all points of view it is a notable addition to works on musical aesthetics, and, whatever views may be taken of the questions at issue, it conveys a theory that cannot be overlooked or ignored. -Zeitschrift, Volume 9

The Cambridge Companion to Rhythm

The Cambridge Companion to Rhythm PDF Author: Russell Hartenberger
Publisher: Cambridge University Press
ISBN: 1108492924
Category : Music
Languages : en
Pages : 371

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Book Description
An exploration of rhythm and the richness of musical time from the perspective of performers, composers, analysts, and listeners.

Structural Functions in Music

Structural Functions in Music PDF Author: Wallace Berry
Publisher: Courier Corporation
ISBN: 9780486253848
Category : Music
Languages : en
Pages : 482

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Book Description
A brilliant investigation into musical structure through a systematic exploration of tonality, melody, harmony, texture, and rhythm. Discusses early madrigals and Gregorian chants through Bach, Beethoven, and Brahms to Ravel, Bartok, and Berg."

Rhythm Made Easy Vol. 1

Rhythm Made Easy Vol. 1 PDF Author: Ross Trottier
Publisher: Createspace Independent Publishing Platform
ISBN: 9781987475241
Category :
Languages : en
Pages : 32

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Book Description
Rhythm Made Easy takes rhythm and turns it into simple, digestible clapping exercises that can be executed by anyone looking to learn how to count rhythm. Each exercise builds on the last, and Ross the Music Teacher has a video example for each and every exercise, totaling 100! Isolate rhythm and master it, so that you can count flawlessly on your instrument.

Applying Karnatic Rhythmical Techniques to Western Music

Applying Karnatic Rhythmical Techniques to Western Music PDF Author: Rafael Reina
Publisher: Routledge
ISBN: 1317180135
Category : Music
Languages : en
Pages : 477

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Book Description
Most classical musicians, whether in orchestral or ensemble situations, will have to face a piece by composers such as Ligeti, Messiaen, Varèse or Xenakis, while improvisers face music influenced by Dave Holland, Steve Coleman, Aka Moon, Weather Report, Irakere or elements from the Balkans, India, Africa or Cuba. Rafael Reina argues that today’s music demands a new approach to rhythmical training, a training that will provide musicians with the necessary tools to face, with accuracy, more varied and complex rhythmical concepts, while keeping the emotional content. Reina uses the architecture of the South Indian Karnatic rhythmical system to enhance and radically change the teaching of rhythmical solfege at a higher education level and demonstrates how this learning can influence the creation and interpretation of complex contemporary classical and jazz music. The book is designed for classical and jazz performers as well as creators, be they composers or improvisers, and is a clear and complete guide that will enable future solfege teachers and students to use these techniques and their methodology to greatly improve their rhythmical skills. An accompanying website of audio examples helps to explain each technique. For examples of composed and improvised pieces by students who have studied this book, as well as concerts by highly acclaimed karnatic musicians, please copy this link to your browser: http://www.contemporary-music-through-non-western-techniques.com/pages/1587-video-recordings

The Schillinger System of Musical Composition

The Schillinger System of Musical Composition PDF Author: Joseph Schillinger
Publisher:
ISBN:
Category : Composition (Music)
Languages : en
Pages : 788

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Book Description


Time Awareness for All Musicians

Time Awareness for All Musicians PDF Author: Peter Erskine
Publisher: Alfred Music Publishing
ISBN: 9780739038543
Category : Music
Languages : en
Pages : 78

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Book Description
This book provides a handy study, practice and resource guide for all musicians who are seeking to improve their music-making abilities. Though written by a drummer, the text exercises and etudes in this book are not for drummers only! And while a good number of the exercises can be sung or played on any instrument, the reader is encouraged to tap these rhythms out: playing" your thighs with your hands, for example, will work just fine. The examples can be performed solo or in a small group. Includes: -Training for all musicians -Specific exercises for jazz phrasing, pop/funk and classical music -Solo and duet exercises, playable on any instrument -Rhythm etudes with 1 - 4 parts for solo and ensemble practice -A recording with 19 tracks of listening and reference materials"

Music Theory For Dummies

Music Theory For Dummies PDF Author: Michael Pilhofer
Publisher: John Wiley & Sons
ISBN: 1119575524
Category : Music
Languages : en
Pages : 343

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Book Description
Tune in to how music really works Whether you’re a student, a performer, or simply a fan, this book makes music theory easy, providing you with a friendly guide to the concepts, artistry, and technical mastery that underlie the production of great music. You’ll quickly become fluent in the fundamentals of knocking out beats, reading scores, and anticipating where a piece should go, giving you a deeper perspective on the works of others — and bringing an extra dimension to your own. Tracking to a typical college-level course, Music Theory For Dummies breaks difficult concepts down to manageable chunks and takes into account every aspect of musical production and appreciation — from the fundamentals of notes and scales to the complexities of expression and instrument tone color. It also examines the latest teaching techniques — all the more important as the study of music, now shown to provide cognitive and learning benefits for both children and adults, becomes more prevalent at all levels. Master major and minor scales, intervals, pitches, and clefs Understand basic notation, time signals, tempo, dynamics, and navigation Employ melodies, chords, progressions, and phrases to form music Compose harmonies and accompanying melodies for voice and instruments Wherever you want to go musically — as a writer or performer, or just as someone who wants to enjoy music to its fullest — this approachable guide gives you everything you need to hear!