Author: Laurent Le Sage
Publisher: University Park : Pennsylvania State University Press
ISBN:
Category : History
Languages : en
Pages : 312
Book Description
The self-styled Symbolist poets, this book holds, represent only an articulate phase of a steady course in French poetry from the Romantic period to the present. The direction taken by Romanticism, broadly defined, is that of the intuitive as against the rational, the subjective as against the objective-with a constant orientation toward individual liberty. Thus Symbolism can be properly placed in the line of all mystical, oracular, illuminist, or idealist traditions. In this broad view Symbolism includes both some of the greatest writers of 19th-century France and also many of the chief creative geniuses of the modern world. Viewed narrowly, the Symbolists are merely a swarm of pets grouping and regrouping themselves in the final fifteen years of the past century into ephemeral crews-Hydropaths, Hirsutes, Decadents, and other anti-Parnassians-with no poetic genius at the helm. The aim of this book is to reconcile the broad and narrow views of Symbolism. Its method is to give the ideas and experiences of twenty poets representative of the movement, together with a selection from their writings. Lying at the heart of Symbolist doctrine is the symbolic image. Since Symbolist poets have assumed phenomena to have symbolic value as indications of the world of ideas behind the world of appearances, they have deemed their role to be the revelation of this higher reality through symbolic imagery. First come three Romantic precursors: Sainte-Beuve, who exploited the vein of the humble and familiar; Bertrand, who used the quaint and the grotesque; and Nerval, who incorporated alchemy. Following the pantheistic Guérin come the three Symbolist wizards: Baudelaire, Mallarmé, and Verlaine. Next come the two savage poets, Rimbaud and Lautréamont, and eight of the poets prominent in the heyday of the movement. The line leads to Valéry and Claudel, 20th-century geniuses of symbolist heritage. In addition to the presentation and selected texts, all poems are annotated, and a reading list is given for each poet.
The Rhumb Line of Symbolism
Author: Laurent Le Sage
Publisher: University Park : Pennsylvania State University Press
ISBN:
Category : History
Languages : en
Pages : 312
Book Description
The self-styled Symbolist poets, this book holds, represent only an articulate phase of a steady course in French poetry from the Romantic period to the present. The direction taken by Romanticism, broadly defined, is that of the intuitive as against the rational, the subjective as against the objective-with a constant orientation toward individual liberty. Thus Symbolism can be properly placed in the line of all mystical, oracular, illuminist, or idealist traditions. In this broad view Symbolism includes both some of the greatest writers of 19th-century France and also many of the chief creative geniuses of the modern world. Viewed narrowly, the Symbolists are merely a swarm of pets grouping and regrouping themselves in the final fifteen years of the past century into ephemeral crews-Hydropaths, Hirsutes, Decadents, and other anti-Parnassians-with no poetic genius at the helm. The aim of this book is to reconcile the broad and narrow views of Symbolism. Its method is to give the ideas and experiences of twenty poets representative of the movement, together with a selection from their writings. Lying at the heart of Symbolist doctrine is the symbolic image. Since Symbolist poets have assumed phenomena to have symbolic value as indications of the world of ideas behind the world of appearances, they have deemed their role to be the revelation of this higher reality through symbolic imagery. First come three Romantic precursors: Sainte-Beuve, who exploited the vein of the humble and familiar; Bertrand, who used the quaint and the grotesque; and Nerval, who incorporated alchemy. Following the pantheistic Guérin come the three Symbolist wizards: Baudelaire, Mallarmé, and Verlaine. Next come the two savage poets, Rimbaud and Lautréamont, and eight of the poets prominent in the heyday of the movement. The line leads to Valéry and Claudel, 20th-century geniuses of symbolist heritage. In addition to the presentation and selected texts, all poems are annotated, and a reading list is given for each poet.
Publisher: University Park : Pennsylvania State University Press
ISBN:
Category : History
Languages : en
Pages : 312
Book Description
The self-styled Symbolist poets, this book holds, represent only an articulate phase of a steady course in French poetry from the Romantic period to the present. The direction taken by Romanticism, broadly defined, is that of the intuitive as against the rational, the subjective as against the objective-with a constant orientation toward individual liberty. Thus Symbolism can be properly placed in the line of all mystical, oracular, illuminist, or idealist traditions. In this broad view Symbolism includes both some of the greatest writers of 19th-century France and also many of the chief creative geniuses of the modern world. Viewed narrowly, the Symbolists are merely a swarm of pets grouping and regrouping themselves in the final fifteen years of the past century into ephemeral crews-Hydropaths, Hirsutes, Decadents, and other anti-Parnassians-with no poetic genius at the helm. The aim of this book is to reconcile the broad and narrow views of Symbolism. Its method is to give the ideas and experiences of twenty poets representative of the movement, together with a selection from their writings. Lying at the heart of Symbolist doctrine is the symbolic image. Since Symbolist poets have assumed phenomena to have symbolic value as indications of the world of ideas behind the world of appearances, they have deemed their role to be the revelation of this higher reality through symbolic imagery. First come three Romantic precursors: Sainte-Beuve, who exploited the vein of the humble and familiar; Bertrand, who used the quaint and the grotesque; and Nerval, who incorporated alchemy. Following the pantheistic Guérin come the three Symbolist wizards: Baudelaire, Mallarmé, and Verlaine. Next come the two savage poets, Rimbaud and Lautréamont, and eight of the poets prominent in the heyday of the movement. The line leads to Valéry and Claudel, 20th-century geniuses of symbolist heritage. In addition to the presentation and selected texts, all poems are annotated, and a reading list is given for each poet.
The Visible Word
Author: Johanna Drucker
Publisher: University of Chicago Press
ISBN: 9780226165011
Category : Art
Languages : en
Pages : 332
Book Description
Drucker skillfully traces the development of this critical position, suggesting a methodology closer to the actual practices of the early avant-garde artists based on a rereading of their critical and theoretical writings. After reviewing theories of signification, the production of meaning, and materiality, she analyzes the work of four poets active in the typographic experimentation of the 1910s and 1920s: Ilia Zdanevich, Filippo Marinetti, Guillaume Apollinaire, and Tristan Tzara. Drucker explores the context for experimental typography in terms of printing, handwriting, and other practices concerned with the visual representation of language. Her book concludes with a brief look at the ways in which experimental techniques of the early avant-garde were transformed in both literary work and in applications to commercial design throughout the 1920s and early 1930s.
Publisher: University of Chicago Press
ISBN: 9780226165011
Category : Art
Languages : en
Pages : 332
Book Description
Drucker skillfully traces the development of this critical position, suggesting a methodology closer to the actual practices of the early avant-garde artists based on a rereading of their critical and theoretical writings. After reviewing theories of signification, the production of meaning, and materiality, she analyzes the work of four poets active in the typographic experimentation of the 1910s and 1920s: Ilia Zdanevich, Filippo Marinetti, Guillaume Apollinaire, and Tristan Tzara. Drucker explores the context for experimental typography in terms of printing, handwriting, and other practices concerned with the visual representation of language. Her book concludes with a brief look at the ways in which experimental techniques of the early avant-garde were transformed in both literary work and in applications to commercial design throughout the 1920s and early 1930s.
Mallarmé and the Poetics of Everyday Life
Author: Hélène Stafford
Publisher: BRILL
ISBN: 9004456015
Category : Social Science
Languages : en
Pages : 244
Book Description
This book is concerned with the relocation of the concept of the ordinary within the works of Stéphane Mallarmé (1842-98). It engages with much of Mallarmé’s oeuvre, concentrating on the textual features which reveal that, even in his most difficult texts, the ordinary as conceptual tool, as textual matter and as contemporary environment is never dismissed, but re-invented and invested with new and lively meaning. The instability of the concept in the texts, its qualities which range from the threatening to the immensely fertile make it a particularly rewarding area of study, against the background of a critical corpus which has in the past seen Mallarmé’s work at best as unconcerned with ordinary life, at worst as irremediably removed from it. Here is presented for the first time a study of a metalanguage which appears surprisingly frequently in the Mallarmé corpus. The complex metaphorisation of the banal in Mallarmé’s oeuvre, as well as the ideological discourse of the journalistic writings in their engagement with contemporary life are analysed and contribute to the demonstration of the existence within the corpus of an idealised ordinary world re-invented by the poet.
Publisher: BRILL
ISBN: 9004456015
Category : Social Science
Languages : en
Pages : 244
Book Description
This book is concerned with the relocation of the concept of the ordinary within the works of Stéphane Mallarmé (1842-98). It engages with much of Mallarmé’s oeuvre, concentrating on the textual features which reveal that, even in his most difficult texts, the ordinary as conceptual tool, as textual matter and as contemporary environment is never dismissed, but re-invented and invested with new and lively meaning. The instability of the concept in the texts, its qualities which range from the threatening to the immensely fertile make it a particularly rewarding area of study, against the background of a critical corpus which has in the past seen Mallarmé’s work at best as unconcerned with ordinary life, at worst as irremediably removed from it. Here is presented for the first time a study of a metalanguage which appears surprisingly frequently in the Mallarmé corpus. The complex metaphorisation of the banal in Mallarmé’s oeuvre, as well as the ideological discourse of the journalistic writings in their engagement with contemporary life are analysed and contribute to the demonstration of the existence within the corpus of an idealised ordinary world re-invented by the poet.
Comparative Criticism: Volume 2, Text and Reader
Author: E. S. Shaffer
Publisher: Cambridge University Press
ISBN: 9780521227568
Category : Drama
Languages : en
Pages : 374
Book Description
A yearbook sponsored by the British Comparative Literature Association asserting that comparative literary studies represent a major direction forwards.
Publisher: Cambridge University Press
ISBN: 9780521227568
Category : Drama
Languages : en
Pages : 374
Book Description
A yearbook sponsored by the British Comparative Literature Association asserting that comparative literary studies represent a major direction forwards.
Collected Poems
Author: Stéphane Mallarmé
Publisher: Univ of California Press
ISBN: 0520268148
Category : Literary Criticism
Languages : en
Pages : 304
Book Description
In this classic tale, Richard Kim paints seven vivid scenes from a boyhood and early adolescence in Korea at the height of the Japanese occupation, 1932 to 1945. Taking its title from the grim fact that the occupiers forced the Koreans to renounce their own names and adopt Japanese names instead, the book follows one Korean family through the Japanese occupation to the surrender of the Japanese empire. Lost Names is at once a loving memory of family and a vivid portrayal of life in a time of anguish.
Publisher: Univ of California Press
ISBN: 0520268148
Category : Literary Criticism
Languages : en
Pages : 304
Book Description
In this classic tale, Richard Kim paints seven vivid scenes from a boyhood and early adolescence in Korea at the height of the Japanese occupation, 1932 to 1945. Taking its title from the grim fact that the occupiers forced the Koreans to renounce their own names and adopt Japanese names instead, the book follows one Korean family through the Japanese occupation to the surrender of the Japanese empire. Lost Names is at once a loving memory of family and a vivid portrayal of life in a time of anguish.
Nautical Charting with Remotely Sensed Imagery: Basic text
Author: Titan Systems Inc
Publisher:
ISBN:
Category : Coasts
Languages : en
Pages : 200
Book Description
Publisher:
ISBN:
Category : Coasts
Languages : en
Pages : 200
Book Description
Nautical Charting with Remotely Sensed Imagery
Author: Titan Systems Inc
Publisher:
ISBN:
Category : Coasts
Languages : en
Pages : 200
Book Description
Publisher:
ISBN:
Category : Coasts
Languages : en
Pages : 200
Book Description
An Experimental Technique for Producing Moisture Corrected Imagery from 1 Km Advanced Very High Resolution Radiometer (AVHRR) Data
Author: Eileen Maturi
Publisher:
ISBN:
Category : Imaging systems in meteorology
Languages : en
Pages : 40
Book Description
Publisher:
ISBN:
Category : Imaging systems in meteorology
Languages : en
Pages : 40
Book Description
Pushing the Pencil
Author: Donald Wilcox Thomas
Publisher: Xlibris Corporation
ISBN: 1469167913
Category : Reference
Languages : en
Pages : 139
Book Description
From the essays Teachers must learn how to push the pencil, effecting ease and simplicity out of hard learning that leaves a deep and permanent impression upon youthful thought. Having high expectations is laudable but woefully inadequate for overcoming the disparities that lurk in the deep recesses of our broad domain. More teaching, whether good or bad, is lost somewhere between class and lunch than could ever be recovered from one year to the next. The best lessons taught end up at the dinner table, not at the end of the period. That teaching is as much an addiction as it is a profession need not be elaborately urged. Teachers though born must nevertheless be made and remade. Schools do not improve teaching; teaching improves schools.
Publisher: Xlibris Corporation
ISBN: 1469167913
Category : Reference
Languages : en
Pages : 139
Book Description
From the essays Teachers must learn how to push the pencil, effecting ease and simplicity out of hard learning that leaves a deep and permanent impression upon youthful thought. Having high expectations is laudable but woefully inadequate for overcoming the disparities that lurk in the deep recesses of our broad domain. More teaching, whether good or bad, is lost somewhere between class and lunch than could ever be recovered from one year to the next. The best lessons taught end up at the dinner table, not at the end of the period. That teaching is as much an addiction as it is a profession need not be elaborately urged. Teachers though born must nevertheless be made and remade. Schools do not improve teaching; teaching improves schools.
Nineteenth-century French Studies
Author:
Publisher:
ISBN:
Category : French literature
Languages : en
Pages : 666
Book Description
Publisher:
ISBN:
Category : French literature
Languages : en
Pages : 666
Book Description