Author: Maike Oergel
Publisher: Walter de Gruyter
ISBN: 3110812541
Category : Literary Criticism
Languages : en
Pages : 337

Get Book Here

Book Description

Author: Elizabeth Archibald
Publisher: Cambridge University Press
ISBN: 0521860598
Category : Literary Criticism
Languages : en
Pages : 287

Get Book Here

Book Description
Covers the evolution of the legend over time and analyses the major themes that have emerged.

Author: Annegret Oehme
Publisher: BRILL
ISBN: 9004472037
Category : History
Languages : en
Pages : 199

Get Book Here

Book Description
This volume explores a core medieval myth, the tale of an Arthurian knight called Wigalois, and the ways it connects the Yiddish-speaking Jews and the German-speaking non-Jews of the Holy Roman Empire. The German Wigalois / Viduvilt adaptations grow from a multistage process: a German text adapted into Yiddish adapted into German, creating adaptations actively shaped by a minority culture within a majority culture. The Knight without Boundaries examines five key moments in the Wigalois / Viduvilt tradition that highlight transitions between narratological and meta-narratological patterns and audiences of different religious-cultural or lingual background.

Author: Richard H. Bell
Publisher: BoD – Books on Demand
ISBN: 0227177479
Category : Religion
Languages : en
Pages : 342

Get Book Here

Book Description
Wagner’s Ring is one of the greatest of all artworks of Western civilization, but what is it all about? The power and mystery of Wagner’s creation was such that even he felt he stood before his work ‘as though before some puzzle’. A clue to the Ring’s greatness lies in its multiple avenues of self-disclosure and the corresponding plethora of interpretations that over the years has granted ample scope for directors, and will no doubt do so well into the distant future. One possible interpretation, which Richard Bell argues should be taken seriously, is the Ring as Christian theology. In this first of two volumes, Bell considers, among other things, how the composer’s Christian interests may be detected in the ‘forging’ of his Ring, in his appropriation of sources (whether they be myths and sagas, writers, poets, or philosophers), and in works composed around the same time, especially his Jesus of Nazareth.

Author: Helen Fulton
Publisher: John Wiley & Sons
ISBN: 0470672374
Category : Literary Criticism
Languages : en
Pages : 594

Get Book Here

Book Description
This Companion offers a chronological sweep of the canon of Arthurian literature - from its earliest beginnings to the contemporary manifestations of Arthur found in film and electronic media. Part of the popular series, Blackwell Companions to Literature and Culture, this expansive volume enables a fundamental understanding of Arthurian literature and explores why it is still integral to contemporary culture. Offers a comprehensive survey from the earliest to the most recent works Features an impressive range of well-known international contributors Examines contemporary additions to the Arthurian canon, including film and computer games Underscores an understanding of Arthurian literature as fundamental to western literary tradition

Author: Michael Bell
Publisher: Rodopi
ISBN: 9789042005839
Category : History
Languages : en
Pages : 272

Get Book Here

Book Description
The contributors to this collection of essays on the literary use of myth in the early twentieth century and its literary and philosophical precedents from romanticism onwards draw on a range of disciplines, from anthropology, comparative literature, and literary criticism, to philosophy and religious studies. The underlying assumption is that modernist myth-making does not retreat from modernity, but projects a mode of being for the future which the past could serve to define. Modernist myth is not an attempted recovery of an archaic form of life so much as a sophisticated self-conscious equivalent. Far from seeking a return to an earlier romantic valorizing of myth, these essays show how the true interest of early twentieth-century myth-making lies in the consciousness, affirmative as well as tragic, of living in a human world which, in so far as it must embody value, can have no ultimate grounding. Although myth may initially appear to be the archaic counterterm to modernity, it is thus also the paradigm on which modernity has repeatedly reconstructed, or come to understand, its own life forms. The very term myth, by combining, in its modern usage, the rival meanings of a grounding narrative and a falsehood, encapsulates a central problem of modernity: how to live, given what we know.

Author: Andrea Grafetstätter
Publisher: Peter Lang
ISBN: 9783631611654
Category : Foreign Language Study
Languages : en
Pages : 196

Get Book Here

Book Description
"The studies presented in this book derive from a series of sessions held at the annual International Medieval Congress in Leeds, UK...Four sessions, held from 2004 to 2006, bore the title 'Islands of the World and the Seven Seas in Medieval Myth and History', and three in 2007 the title 'Cities, Myths and Literatures'...The stated objective of the island sessions was the location of a 'starting point for a new investigation into the possible impact that myths and other fictitious stories about insular wonderlands had on the reasons why medieval men and women undertook their various missions, searches and explorations that finally led to the discovery of the New World.' Similarly, the cities sessions 'intended to find new connections between ancient myths and medieval constructions of real or imagined cities in literature'."--editors' pref. p.7

Author:
Publisher: BRILL
ISBN: 9004458514
Category : Literary Criticism
Languages : en
Pages : 268

Get Book Here

Book Description
The contributors to this collection of essays on the literary use of myth in the early twentieth century and its literary and philosophical precedents from romanticism onwards draw on a range of disciplines, from anthropology, comparative literature, and literary criticism, to philosophy and religious studies. The underlying assumption is that modernist myth-making does not retreat from modernity, but projects a mode of being for the future which the past could serve to define. Modernist myth is not an attempted recovery of an archaic form of life so much as a sophisticated self-conscious equivalent. Far from seeking a return to an earlier romantic valorizing of myth, these essays show how the true interest of early twentieth-century myth-making lies in the consciousness, affirmative as well as tragic, of living in a human world which, in so far as it must embody value, can have no ultimate grounding. Although myth may initially appear to be the archaic counterterm to modernity, it is thus also the paradigm on which modernity has repeatedly reconstructed, or come to understand, its own life forms. The very term myth, by combining, in its modern usage, the rival meanings of a grounding narrative and a falsehood, encapsulates a central problem of modernity: how to live, given what we know.

Author: Paul Michael Kurtz
Publisher: BRILL
ISBN: 9004691782
Category : Science
Languages : en
Pages : 278

Get Book Here

Book Description
A historic lawgiver and founder of an ancient nation, Moses was powerful and pivotal in the imagination of modern Germany. The late eighteenth to early twentieth century was an intense period of religious controversy, especially on 'the Jewish question', with new models for understanding faith, science, and the past. This volume focuses on the identification of Jewish law, both Pentateuch and Talmud, with the figure of Moses to trace the fascinations and anxieties of the Bible in modern culture. Through diverse perspectives, it examines the representations and appropriations of Moses as a father of Judaism and framer of European civilization.

Author: Deirdre Loughridge
Publisher: University of Chicago Press
ISBN: 022633709X
Category : History
Languages : en
Pages : 302

Get Book Here

Book Description
Introduction : audiovisual histories -- From mimesis to prosthesis -- Opera as peepshow -- Shadow media -- Haydn's Creation as moving image -- Beethoven's phantasmagoria -- Conclusion : audiovisual returns