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Author: Sandra Kuberski
Publisher: GRIN Verlag
ISBN: 3656859892
Category : Art
Languages : en
Pages : 16
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Book Description
Essay from the year 2011 in the subject Art - History of Art, grade: 1,7, University of Essex (Art History), course: Art, Sex & Death in the 18th Century, language: English, abstract: François Boucher (1703-1770) has not been taken seriously by art historians for many years. It took them a while to discover his genius. Today he is one of the most important painters of the Rococo. In his paintings he covers themes like female grace and sexuality and transfers his protagonists into intimate and erotic settings. This essay is going to examine the ways in which Boucher does represent those themes of intimacy and sexuality in his paintings. To support the resulting arguments, specific examples of his works will be given. The essay concludes in a comparison to Boucher’s most talented pupil, Jean-Honoré Fragonard and his famous painting ‘The Swing’.
Author: Sandra Kuberski
Publisher: GRIN Verlag
ISBN: 3656859892
Category : Art
Languages : en
Pages : 16
Get Book Here
Book Description
Essay from the year 2011 in the subject Art - History of Art, grade: 1,7, University of Essex (Art History), course: Art, Sex & Death in the 18th Century, language: English, abstract: François Boucher (1703-1770) has not been taken seriously by art historians for many years. It took them a while to discover his genius. Today he is one of the most important painters of the Rococo. In his paintings he covers themes like female grace and sexuality and transfers his protagonists into intimate and erotic settings. This essay is going to examine the ways in which Boucher does represent those themes of intimacy and sexuality in his paintings. To support the resulting arguments, specific examples of his works will be given. The essay concludes in a comparison to Boucher’s most talented pupil, Jean-Honoré Fragonard and his famous painting ‘The Swing’.
Author: Jo Hedley
Publisher: University of Washington Press
ISBN:
Category : Art
Languages : en
Pages : 212
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Book Description
This first book in English to focus on Boucher for nearly twenty years is an invaluable contribution to the study of eighteenth-century art. Boucher has cried out for reassessment, and here, at last, his work is seen at its very best in numerous beautiful reproductions. Jo Hedley brings new insights into Boucher's art, explaining both his stylistic development and his cultural context; she also examines his legacy, both in a survey of the influence of his imagery in many media and in a deconstruction of the myth of his libidinous personality, based on his art, not his life. Boucher's artistic legacy is also analyzed, demonstrating how the mythology surrounding the painter's so-called libidinous private life have continued to undermine serious consideration of his ability. "Splendidly written and lavishly illustrated, Jo Hedley's book on Fran§ois Boucher is a pioneering publication . . . Hedley's book abounds in new information, fresh insights, and suggestive analysis."--Colin B. Bailey, The Burlington Magazine
Author: François Boucher
Publisher:
ISBN:
Category : Painting, French
Languages : en
Pages :
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Book Description
Author: Maria Peitcheva
Publisher:
ISBN: 9781522864202
Category :
Languages : en
Pages : 82
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Book Description
This Art Book with Foreword by Maria Peitcheva contains 272 selected color plates of drawings and paintings from François Boucher.François Boucher was French Rococo painter, engraver, and designer, who best represent the frivolity and elegant showiness of French court at the 18th century. Boucher the painter was no less prolific or varied as a draftsman. Drawings played a massive amount of roles in the preparation of paintings and as designs for printmakers, as well as being created as finished works of art for the growing market of collectors. For his major canvases, Boucher followed standard studio practices of the time, working out the overall composition and then making chalk studies for individual figures, or groups of figures.
Author: Alastair Laing
Publisher:
ISBN: 9781857592986
Category :
Languages : en
Pages : 0
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Book Description
Author: François Boucher
Publisher: Washington : National Gallery of Art
ISBN:
Category : Drawing
Languages : en
Pages : 172
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Book Description
Author: François Boucher
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 8
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Book Description
Author: François Boucher
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 8
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 12
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Book Description
Author: Blagoy Kiroff
Publisher:
ISBN: 9781515382126
Category :
Languages : en
Pages : 44
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Book Description
François Boucher (1703 - 1770) was a French painter, a proponent of Rococo taste, known for his idyllic and voluptuous paintings on classical themes, decorative allegories representing the arts or pastoral occupations, intended as a sort of two-dimensional furniture. He was perhaps the most celebrated decorative artist of the 18th century. He also painted several portraits of his illustrious patroness, Madame de Pompadour.He was born in Paris, the son of a lace designer Nicolas Boucher, who gave him his first artistic training. A painting Boucher exhibited at the age of 17 was admired by the painter François Lemoyne, whose apprentice Boucher became, but after only three months he went to work for the engraver Jean-François Cars. In 1723, Boucher won the elite Grand Prix de Rome, although he did not take up the consequential opportunity to study in Italy until five years later, due to financial problems at the Academie Royale. On his return from studying in Italy in 1731, he was admitted to the Académie de peinture et de sculpture as a historical painter, and became a faculty member in 1734. His career accelerated from this point, as he advanced from professor to Rector of the Academy, becoming head of the Royal Gobelins Manufactory in 1755 and finally First Painter of the King in 1765.Reflecting inspiration gained from the artists Watteau and Rubens, Boucher's early work celebrates the idyllic and tranquil, portraying nature and landscape. However, his art typically forgoes traditional rural innocence to portray scenes with a definitive style of eroticism, and his mythological scenes are passionate and intimately amorous rather than traditionally epic. Marquise de Pompadour (mistress of King Louis XV), whose name became synonymous with Rococo art, was a great fan of Boucher's, and had the painter under her protection: it is particularly in his portraits of her that this style is clearly exemplified.Paintings such as The Breakfast of 1739, a family scene, also show Boucher as a master of the genre scene, as he regularly used his own wife and family as models. These intimate family scenes are, however, in contrast to the 'licentious' style, as seen in his Odalisque portraits. Boucher gained lasting notoriety through such private commissions for wealthy collectors and, after the ever-moral Diderot expressed his disapproval, his reputation came under increasing critical attack during the last of his creative years.Along with his painting, Boucher also designed theatre costumes and sets, closely parallel his own style of painting. Tapestry design was also a concern. For the Beauvais tapestry workshops he first designed a series of "Italian festivals" in 1736, which proved to be very successful and often rewoven over the years, and then, commissioned in 1737, a suite of the story of Cupid and Psyche. During two decades' involvement with the Beauvais tapestry workshops Boucher produced designs for six series of hangings in all. Only his appointment in 1755 as director of the rival Gobelins terminated the association. He was also called upon for designs for court festivities organized by that section of the King's household called the Menus-Plaisirs du Roi and for the opera and for royal châteaux Versailles, Fontainebleau and Choisy. His designs for all of the aforementioned augmented his earlier reputation, resulting in many engravings from his work and even reproduction of his designs on porcelain and biscuit-ware at the Vincennes and Sèvres factories.Francois Boucher died on 30 May 1770 in Paris. His name, along with that of his patron Madame de Pompadour, had become synonymous with the French Rococo style.
