The Reminiscences of Thomas Dibdin, of the Theatres Royal, Covent-Garden, Drury-Lane, Haymarket, &c. and Author of the Cabinet, &c PDF Download
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Author: Thomas Dibdin
Publisher:
ISBN:
Category : Actors
Languages : en
Pages : 472
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Book Description
Author: Thomas Dibdin
Publisher:
ISBN:
Category : Actors
Languages : en
Pages : 472
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Book Description
Author: Thomas Dibdin
Publisher:
ISBN:
Category : Actors
Languages : en
Pages : 386
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Book Description
Author: Jane Moore
Publisher: Routledge
ISBN: 100074812X
Category : Literary Criticism
Languages : en
Pages : 627
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Book Description
This set offers a representitive collection of the verse satire of the Romantic period, published between the mid-1780s and the mid-1830s. As well as two single-author volumes, from William Gifford and Thomas Moore, there is also a wealth of rare, unedited material.
Author: Leslie Stephen
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 1388
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Book Description
Author: David Worrall
Publisher: Oxford University Press, USA
ISBN: 0199276757
Category : Drama
Languages : en
Pages : 416
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Book Description
This book uncovers the role of stage censorship during the Romantic period, an era otherwise associated with freedom of expression. Theatric Revolution examines this censorship and those who struggled against it.
Author: Dongshin Chang
Publisher: Routledge
ISBN: 1135007500
Category : Performing Arts
Languages : en
Pages : 348
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Book Description
This book provides a critical study of how China was represented on the historical London stage in selected examples from the late seventeenth century to the early twentieth century—which corresponds with the Qing Dynasty (1644-1911), China’s last monarchy. The examples show that during this historical period, the stage representations of the country were influenced in turn by Jesuit writings on China, Britain’s expanding material interest in China, the presence of British imperial power in Asia, and the establishment of diasporic Chinese communities abroad. While finding that many of these works may be read as gendered and feminized, Chang emphasizes that the Jesuits’ depiction of China as a country of high culture and in perennial conflict with the Tartars gradually lost prominence in dramatic imaginations to depictions of China’s material and visual attractions. Central to the book’s argument is that the stage representations of China were inherently intercultural and open to new influences, manifested by the evolving combinations of Chinese and English (British) traits. Through the dramatization of the Chinese Other, the representations questioned, satirized, and put in sharp relief the ontological and epistemological bases of the English (British) Self.
Author:
Publisher:
ISBN:
Category : Books
Languages : en
Pages : 638
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Book Description
Author:
Publisher:
ISBN:
Category : Books
Languages : en
Pages : 636
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Book Description
Author: Leslie Stephen
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 484
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Book Description
Author: Stephen (Sir Leslie)
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 1448
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Book Description
