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Author: Misha Aster
Publisher:
ISBN: 9780889629134
Category : Music
Languages : en
Pages : 0
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Book Description
This book represents the first comprehensive study of the relationship between Hitler s regime and its musical crown jewel, the Berlin Philharmonic. The Nazi s patronage afforded the Berlin Philharmonic innumerable privileges unique among German cultural institutions. The orchestra accepted these benefits with a combination of gratitude, apprehension and vindication. As the musicians attempted to balance their exceptional status with a degree of artistic and organizational autonomy, tensions between ideological principle, legal jurisdiction, personal taste, and pragmatic regulation revealed profound contradictions at the heart of the Nazi State. In terms of institutional development, the transformations of the Berlin Philharmonic between 1933 and 1945 remain the models for the orchestra s organization to the present day. Drawing together documents from orchestra, State and private archives, this book reflects the experience of a major cultural institution, at once distressingly typical of Germany s Nazi experience, and astonishingly distinct. Primary documents arranged as the book s skeletal structure open up original sources, in many cases for the first time, to further scholarly review, while offering casual readers a unique taste of the troubling, at times shocking, at others even humorous, state of normalcy in this milieu."
Author: Misha Aster
Publisher:
ISBN: 9780889629134
Category : Music
Languages : en
Pages : 0
Get Book Here
Book Description
This book represents the first comprehensive study of the relationship between Hitler s regime and its musical crown jewel, the Berlin Philharmonic. The Nazi s patronage afforded the Berlin Philharmonic innumerable privileges unique among German cultural institutions. The orchestra accepted these benefits with a combination of gratitude, apprehension and vindication. As the musicians attempted to balance their exceptional status with a degree of artistic and organizational autonomy, tensions between ideological principle, legal jurisdiction, personal taste, and pragmatic regulation revealed profound contradictions at the heart of the Nazi State. In terms of institutional development, the transformations of the Berlin Philharmonic between 1933 and 1945 remain the models for the orchestra s organization to the present day. Drawing together documents from orchestra, State and private archives, this book reflects the experience of a major cultural institution, at once distressingly typical of Germany s Nazi experience, and astonishingly distinct. Primary documents arranged as the book s skeletal structure open up original sources, in many cases for the first time, to further scholarly review, while offering casual readers a unique taste of the troubling, at times shocking, at others even humorous, state of normalcy in this milieu."
Author: Fritz Trümpi
Publisher: University of Chicago Press
ISBN: 022625142X
Category : History
Languages : en
Pages : 334
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Book Description
This is a groundbreaking study of the prestigious Berlin and Vienna Philharmonics during the Third Reich. Making extensive use of archival material, including some discussed here for the first time, Fritz Trümpi offers new insight into the orchestras’ place in the larger political constellation. Trümpi looks first at the decades preceding National Socialist rule, when the competing orchestras, whose rivalry mirrored a larger rivalry between Berlin and Vienna, were called on to represent “superior” Austro-German music and were integrated into the administrative and social structures of their respective cities—becoming vulnerable to political manipulation in the process. He then turns to the Nazi period, when the orchestras came to play a major role in cultural policies. As he shows, the philharmonics, in their own unique ways, strengthened National Socialist dominance through their showcasing of Germanic culture in the mass media, performances for troops and the general public, and fictional representations in literature and film. Accompanying these propaganda efforts was an increasing politicization of the orchestras, which ranged from the dismissal of Jewish members to the programming of ideologically appropriate repertory—all in the name of racial and cultural purity. Richly documented and refreshingly nuanced, The Political Orchestra is a bold exploration of the ties between music and politics under fascism.
Author: Lily E. Hirsch
Publisher: University of Michigan Press
ISBN: 0472025406
Category : History
Languages : en
Pages : 258
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Book Description
"Offers a clear introduction to a fascinating, yet little known, phenomenon in Nazi Germany, whose very existence will be a surprise to the general public and to historians. Easily blending general history with musicology, the book provides provocative yet compelling analysis of complex issues." ---Michael Meyer, author of The Politics of Music in the Third Reich "Hirsch poses complex questions about Jewish identity and Jewish music, and she situates these against a political background vexed by the impossibility of truly viable responses to such questions. Her thorough archival research is complemented by her extensive use of interviews, which gives voice to those swept up in the Holocaust. A Jewish Orchestra in Nazi Germany is a book filled with the stories of real lives, a collective biography in modern music history that must no longer remain in silence." ---Philip V. Bohlman, author of Jewish Music and Modernity "An engaging and downright gripping history. The project is original, the research is outstanding, and the presentation lucid." ---Karen Painter, author of Symphonic Aspirations: German Music and Politics, 1900-1945 The Jewish Culture League was created in Berlin in June 1933, the only organization in Nazi Germany in which Jews were not only allowed but encouraged to participate in music, both as performers and as audience members. Lily E. Hirsch's A Jewish Orchestra in Nazi Germany is the first book to seriously investigate and parse the complicated questions the existence of this unique organization raised, such as why the Nazis would promote Jewish music when, in the rest of Germany, it was banned. The government's insistence that the League perform only Jewish music also presented the organization's leaders and membership with perplexing conundrums: what exactly is Jewish music? Who qualifies as a Jewish composer? And, if it is true that the Nazis conceived of the League as a propaganda tool, did Jewish participation in its activities amount to collaboration? Lily E. Hirsch is Assistant Professor of Music at Cleveland State University.
Author: Misha Aster
Publisher:
ISBN: 9780889629882
Category :
Languages : en
Pages : 0
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Book Description
This book represents the first comprehensive study of the relationship between Hitler’s regime and its musical crown jewel, the Berlin Philharmonic. The Nazi’s patronage afforded the Berlin Philharmonic innumerable privileges unique among German cultural institutions. The orchestra accepted these benefits with a combination of gratitude, apprehension, and vindication. As the musicians attempted to balance their exceptional status with a degree of artistic and organizational autonomy, tensions between ideological principle, legal jurisdiction, personal taste, and pragmatic regulation revealed profound contradictions at the heart of the Nazi State. In terms of institutional development, the transformations of the Berlin Philharmonic between 1933 and 1945 remain the models for the orchestra’s organization to the present day. Drawing together documents from orchestra, state, and private archives, this book reflects the experience of a major cultural institution, at once distressingly typical of Germany’s Nazi experience, and astonishingly distinct.
Author: Shareen Blair Brysac
Publisher: Oxford University Press
ISBN: 0199923884
Category : Biography & Autobiography
Languages : en
Pages : 513
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Book Description
This gripping and heartbreaking narrative is the first full account of an American woman who gave her life in the struggle against the Nazi regime. As members of a key resistance group, Mildred Harnack and her husband, Arvid, assisted in the escape of German Jews and political dissidents, and for years provided vital economic and military intelligence to both Washington and Moscow. But in 1942, following a Soviet blunder, the Gestapo arrested, tortured, and tried some four score members of the Harnacks' group, which the Nazis dubbed the Red Orchestra. Mildred Fish-Harnack was guillotined in Berlin on February 16, 1943, on the personal instruction of Adolf Hitler--she was the only American woman to be executed as an underground conspirator during World War II. Yet as the war ended and the Cold War began, her courage, idealism, and self-sacrifice went largely unacknowledged in America and the democratic West, and were distorted and sanitized in the Communist East. Only now, with the opening of long-sealed archives from Germany, the KGB, the CIA, and the FBI, can the full story be told. In this superbly told life of an unjustly forgotten woman, Shareen Blair Brysac depicts the human side of a controversial resistance group that for too long has been portrayed as merely a Soviet espionage network.
Author: Erik Levi
Publisher: Springer
ISBN: 1349245828
Category : History
Languages : en
Pages : 316
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Book Description
In this authoritative study, one of the first to appear in English, Erik Levi explores the ambiguous relationship between music and politics during one of the darkest periods of recent cultural history. Utilising material drawn from contemporary documents, journals and newspapers, he traces the evolution of reactionary musical attitudes which were exploited by the Nazis in the final years of the Weimar Republic, chronicles the mechanisms that were established after 1933 to regiment musical life throughout Germany and the occupied territories, and examines the degree to which the climate of xenophobia, racism and anti-modernism affected the dissemination of music either in the opera house and concert hall, or on the radio and in the media.
Author: Tom Dunkel
Publisher:
ISBN: 9780306922183
Category : History
Languages : en
Pages : 288
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Book Description
The riveting and tension-filled story of a small group of conspirators who plotted relentlessly to obstruct and destroy the Third Reich from within. Behind the front lines of World War II, a clandestine war within a war was being waged in Nazi Germany. As the "Final Solution" unfolded and fascism swept across Europe, a network of German military officers, diplomats, politicians, and a smattering of civilians were doing everything in their power to undermine the Third Reich from the inside: reporting troop movements to the Allies, feeding disinformation to the Nazi high command, arranging risky evacuations of Jewish citizens, and hatching plots to assassinate Adolf Hitler (including the near-miss "Valkyrie" bombing). The Gestapo had a nickname for this loosely organized, shadowy confederation of traitors--the Black Orchestra. Among the key players in the Orchestra were Dietrich Bonhoeffer, an outspoken Lutheran pastor-turned-government agent, and his brother-in-law Hans von Dohnanyi, an attorney working under fellow conspirator Admiral Wilhelm Canaris at the Abwehr, the German military intelligence service. Motivated by moral and patriotic conviction, some with their own Nazi sins to atone for, these men faced constant danger of being exposed and executed. The book's tension, however, comes not just from watching these "white knights" attempt to derail the Third Reich (and sometimes succeeding), but also from what transpires when their treasonous activities are discovered--and their fates hang in the balance as the end of the war rapidly approaches.
Author: V. E. Tarrant
Publisher: Weidenfeld & Nicolson
ISBN: 9780304351299
Category : History
Languages : en
Pages : 224
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Book Description
It's a real-life spy story, straight from the heart of the Second World War. This triumph of espionage by the Soviet Military Intelligence took the Nazis over two years to crack. Made up of a diverse mixture of Russians, Jews, Poles, and other Europeans (including some Germans), the Red Orchestra played a vital role in the destruction of Nazism--despite the constant fear of discovery. Many were tortured. But, by the time the Germans finished their investigation, the Eastern front was already lost.
Author: Anne Nelson
Publisher: Bloomsbury Publishing
ISBN: 1350322415
Category : History
Languages : en
Pages : 463
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Book Description
For years, the history of the anti-Nazi resistance in Germany was hidden and distorted by Cold War politics. Providing a much-needed corrective, Red Orchestra presents the dramatic story of a circle of German citizens who opposed Hitler from the start, choosing to stay in Germany to resist Nazism and help its victims. The book shines a light on this critical movement which was made up of academics, theatre people, and factory workers; Protestants, Catholics and Jews; around 150 Germans all told and from all walks of life. Drawing on archives, memoirs, and interviews with survivors, award-winning scholar and journalist Anne Nelson presents a compelling portrait of the men and women involved, and the terrifying day-to-day decisions in their lives, from the Nazi takeover in 1933 to their Gestapo arrest in 1942. Nelson traces the story of the Red Orchestra (Rote Kapelle) resistance movement within the context of German history, showing the stages of the Nazi movement and regime from the 1920s to the end of the Second World War. She also constructs the narrative around the life of Greta Kuckhoff and other female figures whose role in the anti-Nazi resistance fight is too-often unrecognised or under appreciated. This revised edition includes: * A new introduction which explores elements of the Red Orchestra's experience that resonate with our times, including: the impact of new media technologies; the dangers of political polarization; and the way the judiciary can be shaped to further the ends of autocracy. The introduction will also address the long-standing misconception that the German Resistance only took action when it was clear that Germany was losing the war. * Historiographic updates throughout the book which take account of recent literature and additional archival sources
Author: Fred K. Prieberg
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 432
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Book Description
When the great conductor Wilhelm Furtwangler (1886-1954) decided to remain in Germany under the Third Reich, he was widely and bitterly condemned as a Nazi collaborator who gave cultural and moral credibility to Hitler's regime. Although Furtwangler was exonerated at a de-nazification trial in 1947, his reputation as a Nazi sympathizer continued to darken both his personal and professional life. In this meticulously researched book, Fred K. Prieberg thoroughly investigates the renowned musician's uneasy position in Nazi Germany. Prieberg reveals in fascinating detail that Furtwangler, by persisting with his direction of the Berlin Philharmonic Orchestra and the Berlin Staatsoper, waged a heroic struggle to preserve and nurture the masterpieces of German music. For Furtwangler, the sacred traditions of German art transcended politics. Prieberg argues that Furtwangler resisted efforts by the Third Reich to exploit him as a propaganda tool. As the preeminent conductor in Germany, he used his influence to protect Jewish musicians and staff in his orchestra. He never gave the obligatory Nazi salute at concerts, even when Hitler was present, and avoided performing in occupied countries or for grand Nazi Party occasions. Furtwangler's unquestioning belief in the higher ideals of German art gave him the strength and courage to sustain his quiet yet effective opposition to the Third Reich. Trial of Strength presents convincing evidence that Wilhelm Furtwangler was neither Nazi nor Nazi sympathizer. It also illuminates the perils of artistic collaboration with a totalitarian regime.
