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Author: Louis Peddicord
Publisher: Louis Peddicord
ISBN: 1105079511
Category :
Languages : en
Pages : 460
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Book Description
Author: Louis Peddicord
Publisher: Louis Peddicord
ISBN: 1105079511
Category :
Languages : en
Pages : 460
Get Book Here
Book Description
Author: Lou Peddicord
Publisher:
ISBN: 9780595005147
Category : Fiction
Languages : en
Pages : 560
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Book Description
Author: Alice Cooper
Publisher: Crown
ISBN: 0307382915
Category : Biography & Autobiography
Languages : en
Pages : 282
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Book Description
Wretched excess, rock stardom, and golf—from the man who invented shock rock In this tell-all memoir, Alice Cooper speaks candidly about his life and career, including all the years of rock ’n’ roll history he’s been a part of, the addictions he faced, and the surprising ways he found redemption. From a childhood spent as a minister’s son worshiping baseball and rock ’n’ roll; to days on the road with his band, working to make a name for themselves; to stardom and the insanity that came with it, including a quart-of-whiskey-a-day habit; to drying out at a sanitarium back in the late ’70s, Alice Cooper paints a rich and rockin’ portrait of his life and his battle against addiction—fought by getting up daily at 7 a.m. to play 36 holes of golf. Alice tells hilarious, touching, and sometimes astounding stories about Led Zeppelin and the Doors, George Burns and Groucho Marx, John Daly and Tiger Woods . . . everyone is here from Dalí to Elvis to Arnold Palmer. Alice Cooper, Golf Monster is the incredible story of someone who rose through the rock ’n’ roll ranks releasing platinum albums and selling out arenas with his legendary act—all while becoming one of the best celebrity golfers around.
Author: Michael Walker
Publisher: Random House
ISBN: 0679644156
Category : Biography & Autobiography
Languages : en
Pages : 266
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Book Description
An epic joyride through three history-making tours in 1973 that defined rock and roll superstardom—the money, the access, the excess—forevermore. The Who’s Quadrophenia. Led Zeppelin’s Houses of the Holy. Alice Cooper’s Billion Dollar Babies. These three unprecedented tours—and the albums that inspired them—were the most ambitious of these artists’ careers, and they forever changed the landscape of rock and roll: the economics, the privileges, and the very essence of the concert experience. On these juggernauts, rock gods—and their entourages—were born, along with unimaginable overindulgence and the legendary flameouts. Tour buses were traded for private jets, arenas replaced theaters, and performances transmogrified into over-the-top, operatic spectacles. As the sixties ended and the seventies began, an altogether more cynical era took hold: peace, love, and understanding gave way to sex, drugs, and rock and roll. But the decade didn’t become the seventies, acclaimed journalist Michael Walker writes, until 1973, a historic and mind-bogglingly prolific year for rock and roll that saw the release of countless classic albums, from The Dark Side of the Moon to Goat’s Head Soup; Goodbye Yellow Brick Road; Greetings from Asbury Park, N.J.; and The Wild, the Innocent & the E Street Shuffle. Aerosmith, Queen, and Lynyrd Skynyrd released their debut albums. The Roxy and CBGB opened their doors. Every major act of the era—from Fleetwood Mac to Black Sabbath—was on the road that summer, but of them all, Walker writes, it was The Who, Led Zeppelin, and Alice Cooper who emerged as the game changers. Walker revisits each of these three tours in memorable, all-access detail: he goes backstage, onto the jets, and into the limos, where every conceivable wish could be granted. He wedges himself into the sweaty throng of teenage fans (Walker himself was one of them) who suddenly were an economic force to be reckoned with, and he vividly describes how a decade’s worth of decadence was squeezed into twelve heart-pounding, backbreaking, and rule-defying months that redefined, for our modern times, the business of superstardom. Praise for What You Want Is in the Limo “Required reading . . . 1973 is a turning point in popular music — the border between hippie-ethos ’60s rock ’n’ roll and conspicuous-consumption excess ’70s rock.”—New York Post “Loud and boisterous . . . Like a good vinyl-era single, it’s over before it wears out its welcome. You may even want to flip it over and start again when you’re finished.”—Fort Worth Star-Telegram “You don’t have to love the music or personas of the three bands highlighted here . . . to appreciate the vital roles that all three played in creating the modern rock star. . . . [Walker] is convincing and entertaining in explaining why 1973 was a seminal year in rock.”—The Daily Beast “[There’s] so much rock n' roll history packed inside.”—GQ “Very well written . . . It gives an intellectual immersion into these bands’ lives.”—Led-Zeppelin.org “[Walker] argues for [1973] as a tipping point, when big tours—and bigger money—became a defining ethos in rock music.”—NPR
Author: Ben Fong-Torres
Publisher: Hal Leonard Corporation
ISBN: 9780879308803
Category : Music
Languages : en
Pages : 284
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Book Description
A collection of favorite articles by the Rolling Stone journalist includes his pieces on such performers as Paul McCartney, Frank Sinatra, and Steve Martin, in a volume that is complemented by personal essays on his Asian-American heritage and his interest in radio broadcasting. Original.
Author: Shep Gordon
Publisher: HarperCollins
ISBN: 006235597X
Category : Music
Languages : en
Pages : 230
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Book Description
In the course of his storied career as a manager, agent, and producer, Shep Gordon has worked with—and befriended—some of the biggest names in the entertainment industry, from Alice Cooper to Bette Davis, Raquel Welch to Groucho Marx, Blondie to Jimi Hendrix, Sylvester Stallone to Salvador Dalí, Luther Vandross to Teddy Pendergrass. He is also credited with inventing the “celebrity chef,” and has worked with Nobu Matsuhisa, Emeril Lagasse, Wolfgang Puck, Roger Vergé, and many others. In this wonderfully engaging memoir, the captivating entertainment legend recalls his life, from his humble beginnings as a shy, unambitious kid growing up on Long Island to his unexpected rise as one of the most influential and respected personalities in show business, revered for his kindness, charisma—and fondness for a good time. Gordon shares riotous anecdotes and outrageous accounts of his freewheeling, globe-trotting experiences with some of the biggest celebrities of the past five decades, including his first meeting with Janis Joplin in 1968, when the raspy singer punched him in the face. Told with incomparable humor and heart, They Call Me Supermensch is a sincere, hilarious, behind-the-scenes look at the worlds of music and entertainment from a consummate Hollywood insider.
Author: Dennis Dunaway
Publisher: Omnibus Press
ISBN: 1783236205
Category : Music
Languages : en
Pages : 361
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Book Description
When Alice Cooper became the stuff of legend in the early '70s, their shows were monuments of fun and invention. Riding on a string of hits like "I'm 18" and "School's Out," they became America's highest-grossing act, producing four platinum albums and hitting number one on the U.S. and U.K. charts with Billion Dollar Babies in 1973. As teenagers in Phoenix, Dennis Dunaway and lead singer Vince Furnier, who would later change his name to Alice Cooper, formed a hard-knuckles band that played prisons, cowboy bars and teen clubs. Their journey took them from Hollywood to the ferocious Detroit music scene. From struggling for recognition to topping the charts, the Alice Cooper group was entertaining, outrageous, and one-of-a-kind. Dennis Dunaway, the bassist and co-songwriter for the band, tells a story just as over-the-top crazy as their (in)famous shows. Snakes! Guillotines! Electric Chairs! is the riveting account of the band's creation in the '60s, strange glory in the '70s, and the legendary characters they met along the way.
Author: Matt Edwards
Publisher: Rowman & Littlefield
ISBN: 1538185725
Category : Music
Languages : en
Pages : 363
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Book Description
Matt Edwards, one of the leading voice teachers for commercial music styles, shares his approach to coordinating the voice so that singers can focus on performing. Fully updated and expanded, this new edition gives specific advice for beginner, intermediate, and advanced performers as well as those crossing over from classical or musical theatre. So You Want to Sing Rock provides a comprehensive guide and covers a wide variety of topics: rock history, voice science, vocal health, audio technology, technical approaches to singing rock, and stylistic parameters for various rock subgenres. The book is not only the ideal guide for singing professionals but the perfect reference work for voice teachers and their students, lead and back-up singers, record producers, and studio engineers. The So You Want to Sing series is produced in partnership with the National Association of Teachers of Singing. Please visit www.nats.org to access style-specific exercises, audio and video files, and additional resources.
Author: T.R. Richmond
Publisher: Simon and Schuster
ISBN: 1476773912
Category : Fiction
Languages : en
Pages : 336
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Book Description
In this brilliantly modern novel of love, obsession, and revenge, a professor pieces together the life and mysterious death of a former student—and unearths a shocking revelation about her final days. “A deliciously modern take on the psychological thriller” (Daily Telegraph). On a snowy February morning, the body of twenty-five-year-old journalist Alice Salmon washes up on a riverbank south of London. The sudden, shocking death of this beloved local girl becomes a media sensation, and those who knew her struggle to understand what happened to lively, smart, and savvy Alice Salmon. Was it suicide? A tragic accident? Or…murder? Professor Jeremy Cooke, known around campus as Old Cookie, is an anthropologist nearing the end of his unremarkable academic career. Alice is his former student, and the object of his unhealthy obsession. After her death, he embarks on a final project—a book documenting Alice’s life through the digital and paper trails that survive her: her diaries, letters, Facebook posts, Tweets, and text messages. He collects news articles by and about her; he transcribes old voicemails; he interviews her friends, family, and boyfriends. Bit by bit, the real Alice—a complicated and vulnerable young woman—springs fully formed from the pages of Cookie’s book…along with a labyrinth of misunderstandings, lies, and secrets that cast suspicion on everyone in her circle—including Jeremy himself.
Author: Ian Chapman
Publisher: Rowman & Littlefield
ISBN: 1442257717
Category : Music
Languages : en
Pages : 233
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Book Description
Experiencing Alice Cooper: A Listener’s Companion takes a long overdue look at the music and stage act of rock music’s self-styled arch-villain. A provocateur from the very start of his career in the mid-1960s, Alice Cooper, aka Vince Furnier, son of a lay preacher in the Church of Jesus Christ, carved a unique path through five decades of rock’n’roll. Despite a longevity that only a handful of other artists and acts can match, Alice Cooper remains a difficult act and artist to pin down and categorize. During the last years of the 1960s and the heydays of commercial success in the 1970s, Cooper's groundbreaking theatricality, calculated offensiveness, and evident disregard for the conventions of rock protocols sowed confusion among his critics and evoked outrage from the public. Society’s watchdogs demanded his head, and Cooper willingly obliged at the end of each performance with his on-stage self-guillotining. But as youth anthem after youth anthem - “I’m Eighteen,” “School’s Out,” “Elected,” “Department of Youth”—rang out in his arena concerts the world over and across airwaves, fans flocked to experience Cooper’s unique brand of rock. Critics searched for proper descriptions: “pantomime,” “vaudeville,” “retch-rock,” “Grand Guignol.” In 1973 Cooper headlined in Time magazine as “Schlock Rock’s Godzilla.” In Experiencing Alice Cooper: A Listener’s Companion, Ian Chapman surveys Cooper’s career through his twenty-seven studio albums (1969-2017). While those who have written about Cooper have traditionally kept their focus on the stage spectacle, too little attention has been paid to Cooper’s recordings. Throughout, Chapman argues that while Cooper may have been rock’s most accomplished showman, he is first and foremost a musician, with his share of gold and platinum albums to vouch for his qualifications as a musical artist.
