The Reading Figure in Irish Art in the Long Nineteenth Century PDF Download
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Author: Tricia Cusack
Publisher: Anthem Nineteenth-Century
ISBN: 9781839988707
Category : Art
Languages : en
Pages : 0
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Book Description
This book examines Irish portraits during the long nineteenth century in which figures read or hold a book. Reading fiction was cast as unmanly, while 'silent reading' allowed women of means to read widely and privately. Portraits of such women helped construct the idea of the 'New Woman' in Ireland.
Author: Tricia Cusack
Publisher: Anthem Nineteenth-Century
ISBN: 9781839988707
Category : Art
Languages : en
Pages : 0
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Book Description
This book examines Irish portraits during the long nineteenth century in which figures read or hold a book. Reading fiction was cast as unmanly, while 'silent reading' allowed women of means to read widely and privately. Portraits of such women helped construct the idea of the 'New Woman' in Ireland.
Author: Nicola Bown
Publisher: Cambridge University Press
ISBN: 9780521793155
Category : Art
Languages : en
Pages : 264
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Book Description
This book examines the fairy in the work of many Victorian painters, novelists and poets.
Author: Christina Fuhrmann
Publisher: Liverpool University Press
ISBN: 1638040435
Category : Music
Languages : en
Pages : 392
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Book Description
Recently, studies of opera, of print culture, and of music in Britain in the long nineteenth century have proliferated. This essay collection explores the multiple point of interaction among these fields. Past scholarship often used print as a simple conduit for information about opera in Britain, but these essays demonstrate that print and opera existed in a more complex symbiosis. This collection embeds opera within the culture of Britain in the long nineteenth century, a culture inundated by print. The essays explore: how print culture both disseminated and shaped operatic culture; how the businesses of opera production and publishing intertwined; how performers and impresarios used print culture to cultivate their public persona; how issues of nationalism, class, and gender impacted reception in the periodical press; and how opera intertwined with literature, not only drawing source material from novels and plays, but also as a plot element in literary works or as a point of friction in literary circles. As the growth of digital humanities increases access to print sources, and as opera scholars move away from a focus on operas as isolated works, this study points the way forward to a richer understanding of the intersections between opera and print culture.
Author: Adam Hanna
Publisher: Liverpool University Press
ISBN: 1802071202
Category : Literary Criticism
Languages : en
Pages : 312
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Book Description
Law and Literature: The Irish Case is a collection of fascinating essays by literary and legal scholars which explore the intersections between law and literature in Ireland from the eighteenth century to the present day. Sharing a concern for the cultural life of law and the legal life of culture, the contributors shine a light on the ways in which the legal and the literary have spoken to each other, of each other, and, at times, for each other, on the island of Ireland in the last three centuries. Several of the chapters discuss how texts and writers have found their ways into the law’s chambers and contributed to the development of jurisprudence. The essays in the collection also reveal the juridical and jurisprudential forces that have shaped the production and reception of Irish literary culture, revealing the law’s popular reception and its extra-legal afterlives. List of contributors: Rebecca Anne Barr, Max Barrett, Noreen Doody, Katherine Ebury, Adam Gearey, Tom Hickey, James Kelly, Colum Kenny, David Kenny, Heather Laird, Julie Morrissy, Gearóid O'Flaherty, Virginie Roche-Tiengo, Barry Sheils.
Author: Dana Arnold
Publisher: Manchester University Press
ISBN: 9780719067693
Category : History
Languages : en
Pages : 222
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Book Description
This book examines British imperial, colonial and postcolonial national identities within their political and social contexts. By considering the export, adoption and creation of such cultural identities, these essays show how nationhood and nationalism are self-consciously defined tools designed to focus and inspire loyalty. The contributors present these ideas with particular reference to English cultural identity and its interaction with the "Empire". They examine the national, imperial and colonial aesthetic--how architecture, landscape, painting, sculpture and literature were used, appropriated and re-appropriated in the furtherance of social and political agendas, and how this impacted on the making of "Britishness" in all its complexities. It is demonstrated that not only did the dominant aesthetic culture reinforce the dominant political and social ideology, it also re-presented and re-constructed the notion of British national identity.
Author: Phyllis Weliver
Publisher: Routledge
ISBN: 1351544543
Category : Music
Languages : en
Pages : 281
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Book Description
How was music depicted in and mediated through Romantic and Victorian poetry? This is the central question that this specially commissioned volume of essays sets out to explore in order to understand better music's place and its significance in nineteenth-century British culture. Analysing how music took part in and commented on a wide range of scientific, literary, and cultural discourses, the book expands our knowledge of how music was central to the nineteenth-century imagination. Like its companion volume, The Idea of Music in Victorian Fiction (Ashgate, 2004) edited by Sophie Fuller and Nicky Losseff, this book provides a meeting place for literary studies and musicology, with contributions by scholars situated in each field. Areas investigated in these essays include the Romantic interest in national musical traditions; the figure of the Eolian harp in the poetry of Coleridge and Shelley; the recurring theme of music in Blake's verse; settings of Tennyson by Parry and Elgar that demonstrate how literary representations of musical ideas are refigured in music; George Eliot's use of music in her poetry to explore literary and philosophical themes; music in the verse of Christina and Dante Gabriel Rossetti; the personification of lyric (Sappho) in a song cycle by Granville and Helen Bantock; and music and sexual identity in the poetry of Wilde, Symons, Michael Field, Beardsley, Gray and Davidson.
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 262
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Book Description
Author: Laurel Brake
Publisher: Academia Press
ISBN: 9038213409
Category : History
Languages : en
Pages : 1059
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Book Description
A large-scale reference work covering the journalism industry in 19th-Century Britain.
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 280
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Book Description
Author: Scott Molloy
Publisher: UPNE
ISBN: 9781584656906
Category : Biography & Autobiography
Languages : en
Pages : 332
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Book Description
In 1847 Joseph Banigan, an Irish Potato Famine refugee, established himself in Rhode Island as an entrepreneur. This was a time when "No Irish Need Apply" signs abounded and discrimination against the Irish and other immigrants--institutionalized in the constitution of his adopted state--hindered voting and other human rights. Bucking this trend and belying his humble origins, Banigan succeeded spectacularly in the emerging local rubber footwear industry, becoming the president of the United States Rubber Company--one of the nation's major cartels, and New England's first Irish-Catholic millionaire. Backed by primary and secondary research on two continents, Molloy's inquiry into Bannigan's notoriety and success singularly codifies and elucidates the Irish-American experience during this critical period in American labor history.
