Author: Michael E. Robinson
Publisher: Lexington Books
ISBN: 9781793607935
Category :
Languages : en
Pages : 258
Book Description
This book explores and theorizes Romantic bookishness, arguing that "bookish" names a queer practice and discourse at the margins of Romantic authorship and reading. Ornamental communities focused on books played an antithetical role to the twinned, spiritualizing ideologies of sexuality and authorship in Romanticism and its Victorian reception.
The Queer Bookishness of Romanticism
Author: Michael E. Robinson
Publisher: Lexington Books
ISBN: 9781793607935
Category :
Languages : en
Pages : 258
Book Description
This book explores and theorizes Romantic bookishness, arguing that "bookish" names a queer practice and discourse at the margins of Romantic authorship and reading. Ornamental communities focused on books played an antithetical role to the twinned, spiritualizing ideologies of sexuality and authorship in Romanticism and its Victorian reception.
Publisher: Lexington Books
ISBN: 9781793607935
Category :
Languages : en
Pages : 258
Book Description
This book explores and theorizes Romantic bookishness, arguing that "bookish" names a queer practice and discourse at the margins of Romantic authorship and reading. Ornamental communities focused on books played an antithetical role to the twinned, spiritualizing ideologies of sexuality and authorship in Romanticism and its Victorian reception.
The Queer Bookishness of Romanticism
Author: Michael E. Robinson
Publisher: Rowman & Littlefield
ISBN: 179360794X
Category : Literary Criticism
Languages : en
Pages : 245
Book Description
How did the buying and collecting of books figure in the lives and works of the Romantics, those supposed apostles of spiritualized poetic genius? Why was book collecting controversial during the Romantic period, and what role has book collecting played in the history of homophobia? The Queer Bookishness of Romanticism: Ornamental Community addresses these and more questions about the suppressed bookish dimension of Romanticism, as well as Romanticism’s historical forebears and Victorian inheritors. The analysis ranges widely, addressing the bookish proclivities of the "romantic friends" the Ladies of Llangollen, the camp works about book collecting produced by a subculture calling themselves “ornamental gentlemen,” narratives of prototypically punk collecting and flâneuring by the essayist and collector Charles Lamb, and rare-book forgeries by Thomas J. Wise and Harry Forman, queer bibliographer-scholars responsible for canonizing some of the Romantic poets during the Victorian period. In the process, this book uncovers surprising connections between conceptions of literature and sexuality; literary materiality and queerness; and forgery, sexuality, and authorship.
Publisher: Rowman & Littlefield
ISBN: 179360794X
Category : Literary Criticism
Languages : en
Pages : 245
Book Description
How did the buying and collecting of books figure in the lives and works of the Romantics, those supposed apostles of spiritualized poetic genius? Why was book collecting controversial during the Romantic period, and what role has book collecting played in the history of homophobia? The Queer Bookishness of Romanticism: Ornamental Community addresses these and more questions about the suppressed bookish dimension of Romanticism, as well as Romanticism’s historical forebears and Victorian inheritors. The analysis ranges widely, addressing the bookish proclivities of the "romantic friends" the Ladies of Llangollen, the camp works about book collecting produced by a subculture calling themselves “ornamental gentlemen,” narratives of prototypically punk collecting and flâneuring by the essayist and collector Charles Lamb, and rare-book forgeries by Thomas J. Wise and Harry Forman, queer bibliographer-scholars responsible for canonizing some of the Romantic poets during the Victorian period. In the process, this book uncovers surprising connections between conceptions of literature and sexuality; literary materiality and queerness; and forgery, sexuality, and authorship.
Global Romanticism
Author: Evan Gottlieb
Publisher: Bucknell University Press
ISBN: 1611486262
Category : Literary Criticism
Languages : en
Pages : 341
Book Description
For several decades, interest in the British Romantics’ theorizations and representations of the world beyond their national borders has been guided by postcolonial and, more recently, transatlantic paradigms. GlobalRomanticism: Origins, Orientations, andEngagements, 1760–1820 charts a new intellectual course by exploring the literature and culture of the Romantic era through the lens of long-durational globalization. In a series of wide-ranging but complementary chapters, this provocative collection of essays by established scholars makes the case that many British Romantics were committed to conceptualizing their world as an increasingly interconnected whole. In doing so, moreover, they were both responding to and shaping early modern versions of the transnational economic, political, sociocultural, and ecological forces known today as globalization.
Publisher: Bucknell University Press
ISBN: 1611486262
Category : Literary Criticism
Languages : en
Pages : 341
Book Description
For several decades, interest in the British Romantics’ theorizations and representations of the world beyond their national borders has been guided by postcolonial and, more recently, transatlantic paradigms. GlobalRomanticism: Origins, Orientations, andEngagements, 1760–1820 charts a new intellectual course by exploring the literature and culture of the Romantic era through the lens of long-durational globalization. In a series of wide-ranging but complementary chapters, this provocative collection of essays by established scholars makes the case that many British Romantics were committed to conceptualizing their world as an increasingly interconnected whole. In doing so, moreover, they were both responding to and shaping early modern versions of the transnational economic, political, sociocultural, and ecological forces known today as globalization.
Institutions of Literature, 1700–1900
Author: Jon Mee
Publisher: Cambridge University Press
ISBN: 1108905013
Category : Language Arts & Disciplines
Languages : en
Pages : 319
Book Description
This collection provides students and researchers with a new and lively understanding of the role of institutions in the production, reception, and meaning of literature in the period 1700–1900. The period saw a fundamental transition from a patronage system to a marketplace in which institutions played an important mediating role between writers and readers, a shift with consequences that continue to resonate today. Often producers themselves, institutions processed and claimed authority over a variety of cultural domains that never simply tessellated into any unified system. The collection's primary concerns are British and imperial environments, with a comparative German case study, but it offers encouragement for its approaches to be taken up in a variety of other cultural contexts. From the Post Office to museums, from bricks and mortar to less tangible institutions like authorship and genre, this collection opens up a new field for literary studies.
Publisher: Cambridge University Press
ISBN: 1108905013
Category : Language Arts & Disciplines
Languages : en
Pages : 319
Book Description
This collection provides students and researchers with a new and lively understanding of the role of institutions in the production, reception, and meaning of literature in the period 1700–1900. The period saw a fundamental transition from a patronage system to a marketplace in which institutions played an important mediating role between writers and readers, a shift with consequences that continue to resonate today. Often producers themselves, institutions processed and claimed authority over a variety of cultural domains that never simply tessellated into any unified system. The collection's primary concerns are British and imperial environments, with a comparative German case study, but it offers encouragement for its approaches to be taken up in a variety of other cultural contexts. From the Post Office to museums, from bricks and mortar to less tangible institutions like authorship and genre, this collection opens up a new field for literary studies.
Joyce, Medicine, and Modernity
Author: Vike Martina Plock
Publisher: University Press of Florida
ISBN: 0813042968
Category : Literary Criticism
Languages : en
Pages : 203
Book Description
James Joyce's interest in medicine has been well established--he attempted to embark on medical studies no fewer than three times--but a comprehensive assessment of the influence his interest in medicine had on his work has been lacking until now. Joyce, Medicine, and Modernity fills that gap as the first sustained study of Joyce's artistic uses of turn-of-the-century medical discourses. In this wide-ranging study, author Vike Plock balances close readings of Joyce's major texts with thorough archival research that retrieves principal late nineteenth- and early twentieth-century medical debates. The result is a fascinating book that details the ways in which Joyce reconciled, integrated, and blurred the paradigmatic boundaries between scientific and humanist learning.
Publisher: University Press of Florida
ISBN: 0813042968
Category : Literary Criticism
Languages : en
Pages : 203
Book Description
James Joyce's interest in medicine has been well established--he attempted to embark on medical studies no fewer than three times--but a comprehensive assessment of the influence his interest in medicine had on his work has been lacking until now. Joyce, Medicine, and Modernity fills that gap as the first sustained study of Joyce's artistic uses of turn-of-the-century medical discourses. In this wide-ranging study, author Vike Plock balances close readings of Joyce's major texts with thorough archival research that retrieves principal late nineteenth- and early twentieth-century medical debates. The result is a fascinating book that details the ways in which Joyce reconciled, integrated, and blurred the paradigmatic boundaries between scientific and humanist learning.
A Queer History of the United States
Author: Michael Bronski
Publisher: Beacon Press
ISBN: 0807044652
Category : History
Languages : en
Pages : 313
Book Description
Winner of the Stonewall Book Award in nonfiction The first comprehensive history of lesbian, gay, bisexual, and transgender America, from pre-1492 to the present "Readable, radical, and smart—a must read."—Alison Bechdel, author of Fun Home Intellectually dynamic and endlessly provocative, this is more than a “who’s who” of queer history: it is a narrative that radically challenges how we understand American history. Drawing upon primary documents, literature, and cultural histories, scholar and activist Michael Bronski charts the breadth of lesbian, gay, bisexual, and transgender history, from 1492 to the present, a testament to how the LGBTQ+ experience has profoundly shaped American culture and history. American history abounds with unknown or ignored examples of queer life, from the ineffectiveness of sodomy laws in the colonies to the prevalence of cross-dressing women soldiers in the Civil War and resistance to homophobic social purity movements. Bronski highlights such groundbreaking moments of queer history as: • In the 1620s, Thomas Morton broke from Plymouth Colony and founded Merrymount, which celebrated same-sex desire, atheism, and interracial marriage. •Transgender evangelist Jemima Wilkinson, in the early 1800s, changed her name to "Publick Universal Friend," refused to use pronouns, fought for gender equality, and led her own congregation in upstate New York. • In the mid-19th century, internationally famous Shakespearean actor Charlotte Cushman led an openly lesbian life, including a well-publicized “female marriage.” • in the late 1920s, Augustus Granville Dill was fired by W. E. B. Du Bois from the NAACP’s magazine the Crisis after being arrested for a homosexual encounter. Informative and empowering, this engrossing and revelatory treatise emphasizes that there is no American history without queer history.
Publisher: Beacon Press
ISBN: 0807044652
Category : History
Languages : en
Pages : 313
Book Description
Winner of the Stonewall Book Award in nonfiction The first comprehensive history of lesbian, gay, bisexual, and transgender America, from pre-1492 to the present "Readable, radical, and smart—a must read."—Alison Bechdel, author of Fun Home Intellectually dynamic and endlessly provocative, this is more than a “who’s who” of queer history: it is a narrative that radically challenges how we understand American history. Drawing upon primary documents, literature, and cultural histories, scholar and activist Michael Bronski charts the breadth of lesbian, gay, bisexual, and transgender history, from 1492 to the present, a testament to how the LGBTQ+ experience has profoundly shaped American culture and history. American history abounds with unknown or ignored examples of queer life, from the ineffectiveness of sodomy laws in the colonies to the prevalence of cross-dressing women soldiers in the Civil War and resistance to homophobic social purity movements. Bronski highlights such groundbreaking moments of queer history as: • In the 1620s, Thomas Morton broke from Plymouth Colony and founded Merrymount, which celebrated same-sex desire, atheism, and interracial marriage. •Transgender evangelist Jemima Wilkinson, in the early 1800s, changed her name to "Publick Universal Friend," refused to use pronouns, fought for gender equality, and led her own congregation in upstate New York. • In the mid-19th century, internationally famous Shakespearean actor Charlotte Cushman led an openly lesbian life, including a well-publicized “female marriage.” • in the late 1920s, Augustus Granville Dill was fired by W. E. B. Du Bois from the NAACP’s magazine the Crisis after being arrested for a homosexual encounter. Informative and empowering, this engrossing and revelatory treatise emphasizes that there is no American history without queer history.
Romantic Egypt
Author: Elizabeth A. Fay
Publisher: Rowman & Littlefield
ISBN: 1793635684
Category : Literary Criticism
Languages : en
Pages : 261
Book Description
Romantic Egypt: Abyssal Ground of British Romanticism traces the historical, cultural and intellectual affiliations between Ancient Egypt and Romantic-period Britain and Germany, including the influences contributed by European thought, politics, and interventions such as Napoleon’s 1799 Egyptian Campaign. Until the contributions of Napoleon’s expedition to scientific knowledge of Ancient Egyptian monuments and ruins, Egypt had been largely swathed in mystical explanations of its past, its achievements, its beliefs, and its cultural importance; however, the increased knowledge about Ancient Egypt competed with the allure of a more mythically imbued antiquity in the Romantic imagination. Romantic Egypt argues that this balance between knowing and not-knowing, between deciphering and imagining a golden-age Egypt, between enlightened thought and mysticism, was essential to the development of the Romantic imaginary because, for the Romantics, western philosophy and art had their birth in the all-but-lost wisdom of Ancient Egypt.
Publisher: Rowman & Littlefield
ISBN: 1793635684
Category : Literary Criticism
Languages : en
Pages : 261
Book Description
Romantic Egypt: Abyssal Ground of British Romanticism traces the historical, cultural and intellectual affiliations between Ancient Egypt and Romantic-period Britain and Germany, including the influences contributed by European thought, politics, and interventions such as Napoleon’s 1799 Egyptian Campaign. Until the contributions of Napoleon’s expedition to scientific knowledge of Ancient Egyptian monuments and ruins, Egypt had been largely swathed in mystical explanations of its past, its achievements, its beliefs, and its cultural importance; however, the increased knowledge about Ancient Egypt competed with the allure of a more mythically imbued antiquity in the Romantic imagination. Romantic Egypt argues that this balance between knowing and not-knowing, between deciphering and imagining a golden-age Egypt, between enlightened thought and mysticism, was essential to the development of the Romantic imaginary because, for the Romantics, western philosophy and art had their birth in the all-but-lost wisdom of Ancient Egypt.
Jane Austen and the Arts
Author: Natasha Duquette
Publisher: Rowman & Littlefield
ISBN: 1611461383
Category : Literary Criticism
Languages : en
Pages : 284
Book Description
The essays collected in Jane Austen and the Arts; Elegance, Propriety, and Harmony examine Austen’s understanding of the arts, her aesthetic philosophy, and her role as artist. Together, they explore Austen’s connections with Edmund Burke, Adam Smith, Johann Wolfgang von Goethe, Madame de Staël, Joanna Baillie, Jean Jacques Rousseau, Mary Anne Schimmelpenninck, and other writers engaged in debates on the sensuous experience and the intellectual judgment of art. Our contributors look at Austen’s engagement with diverse art forms, painting, ballet, drama, poetry, and music, investigating our topic within historically grounded and theoretically nuanced essays. They represent Austen as a writer-thinker reflecting on the nature and practice of artistic creation and considering the social, moral, psychological, and theological functions of art in her fiction. We suggest that Austen knew, modified, and transformed the dominant aesthetic discourses of her era, at times ironically, to her own artistic ends. As a result, a new, and compelling image of Austen emerges, a “portrait of a lady artist” confidently promoting her own distinctly post-enlightenment aesthetic system.
Publisher: Rowman & Littlefield
ISBN: 1611461383
Category : Literary Criticism
Languages : en
Pages : 284
Book Description
The essays collected in Jane Austen and the Arts; Elegance, Propriety, and Harmony examine Austen’s understanding of the arts, her aesthetic philosophy, and her role as artist. Together, they explore Austen’s connections with Edmund Burke, Adam Smith, Johann Wolfgang von Goethe, Madame de Staël, Joanna Baillie, Jean Jacques Rousseau, Mary Anne Schimmelpenninck, and other writers engaged in debates on the sensuous experience and the intellectual judgment of art. Our contributors look at Austen’s engagement with diverse art forms, painting, ballet, drama, poetry, and music, investigating our topic within historically grounded and theoretically nuanced essays. They represent Austen as a writer-thinker reflecting on the nature and practice of artistic creation and considering the social, moral, psychological, and theological functions of art in her fiction. We suggest that Austen knew, modified, and transformed the dominant aesthetic discourses of her era, at times ironically, to her own artistic ends. As a result, a new, and compelling image of Austen emerges, a “portrait of a lady artist” confidently promoting her own distinctly post-enlightenment aesthetic system.
Reading Literature and Theory at the Intersections of Queer and Class
Author: Maria Alexopoulos
Publisher: Taylor & Francis
ISBN: 1040229921
Category : Social Science
Languages : en
Pages : 130
Book Description
Reading Literature and Theory at the Intersections of Queer and Class focuses on the crossover of queer and class, examining a range of texts across languages and genres and spanning nearly a century. This collection of chapters considers the intersection of queer and class in relation to literary aesthetics, a locus in which the interaction between sexuality and class is rendered with lucidity. Each chapter puts forward class and its manifestations as central to queer analysis of literary and cultural texts in historical and contemporary contexts. The readings adopt Kimberlé Crenshaw’s intersectional paradigm by pointing to its activist as well as literary precedents and elaborations. These chapters emerged from a long-standing collaboration among three Central European universities whose faculty and graduate students established a joint queer literature and theory research seminar. They are supplemented by a roundtable discussion in which the contributing authors and their colleagues discuss how the concepts of queer and class in theory and (academic) practice have informed their current and previous work. Reading Literature and Theory at the Intersections of Queer and Class is intended for scholars in gender and queer studies.
Publisher: Taylor & Francis
ISBN: 1040229921
Category : Social Science
Languages : en
Pages : 130
Book Description
Reading Literature and Theory at the Intersections of Queer and Class focuses on the crossover of queer and class, examining a range of texts across languages and genres and spanning nearly a century. This collection of chapters considers the intersection of queer and class in relation to literary aesthetics, a locus in which the interaction between sexuality and class is rendered with lucidity. Each chapter puts forward class and its manifestations as central to queer analysis of literary and cultural texts in historical and contemporary contexts. The readings adopt Kimberlé Crenshaw’s intersectional paradigm by pointing to its activist as well as literary precedents and elaborations. These chapters emerged from a long-standing collaboration among three Central European universities whose faculty and graduate students established a joint queer literature and theory research seminar. They are supplemented by a roundtable discussion in which the contributing authors and their colleagues discuss how the concepts of queer and class in theory and (academic) practice have informed their current and previous work. Reading Literature and Theory at the Intersections of Queer and Class is intended for scholars in gender and queer studies.
Effeminate Years
Author: Declan Kavanagh
Publisher: Bucknell University Press
ISBN: 1611488257
Category : Literary Criticism
Languages : en
Pages : 269
Book Description
Effeminate Years: Literature, Politics, and Aesthetics in Mid-Eighteenth-Century Britain investigates the gendered, eroticized, and xenophobic ways in which the controversies in the 1760s surrounding the political figure John Wilkes (1725-97) legitimated some men as political subjects, while forcefully excluding others on the basis of their perceived effeminacy or foreignness. However, this book is not a literary analysis of the Wilkes affair in the 1760s, nor is it a linear account of Wilkes’s political career. Instead, Effeminate Years examines the cultural crisis of effeminacy that made Wilkes’s politicking so appealing. The central theoretical problem that this study addresses is the argument about what is and is not political: where does individual autonomy begin and end? Addressing this question, Kavanagh traces the shaping influence of the discourse of effeminacy in the literature that was generated by Wilkes’s legal and sexual scandals, while, at the same time, he also reads Wilkes’s spectacular drumming up of support as a timely exploitation of the broader cultural crisis of effeminacy during the mid century in Britain. The book begins with the scandals and agitations surrounding Wilkes, and ends with readings of Edmund Burke’s (1729-1797) earliest political writings, which envisage political community—a vision, that Kavanagh argues, is influenced by Wilkes and the effeminate years of the 1760s. Throughout, Kavanagh shows how interlocutors in the political and cultural debates of the mid-eighteenth-century period in Britain, such as Tobias Smollett (1721-1771) and Arthur Murphy (1727-1805), attempt to resolve the problem of effeminate excess. In part, the resolution for Wilkes and Charles Churchill (1731-1764) was to shunt effeminacy onto the sexually non-normative. On the other hand, Burke, in his aesthetic theorization of the beautiful privileges the socially constitutive affects of feeling effeminate. Through an analysis of poetry, fiction, social and economic pamphlets, aesthetic treatises, journalism and correspondences, placed within the latest queer historiography, Kavanagh demonstrates that the mid-century effeminacy crisis served to re-conceive male heterosexuality as the very mark of political legitimacy. Overall, Effeminate Years explores the development of modern ideas of masculinity and the political subject, which are still the basis of debate and argument in our own time.
Publisher: Bucknell University Press
ISBN: 1611488257
Category : Literary Criticism
Languages : en
Pages : 269
Book Description
Effeminate Years: Literature, Politics, and Aesthetics in Mid-Eighteenth-Century Britain investigates the gendered, eroticized, and xenophobic ways in which the controversies in the 1760s surrounding the political figure John Wilkes (1725-97) legitimated some men as political subjects, while forcefully excluding others on the basis of their perceived effeminacy or foreignness. However, this book is not a literary analysis of the Wilkes affair in the 1760s, nor is it a linear account of Wilkes’s political career. Instead, Effeminate Years examines the cultural crisis of effeminacy that made Wilkes’s politicking so appealing. The central theoretical problem that this study addresses is the argument about what is and is not political: where does individual autonomy begin and end? Addressing this question, Kavanagh traces the shaping influence of the discourse of effeminacy in the literature that was generated by Wilkes’s legal and sexual scandals, while, at the same time, he also reads Wilkes’s spectacular drumming up of support as a timely exploitation of the broader cultural crisis of effeminacy during the mid century in Britain. The book begins with the scandals and agitations surrounding Wilkes, and ends with readings of Edmund Burke’s (1729-1797) earliest political writings, which envisage political community—a vision, that Kavanagh argues, is influenced by Wilkes and the effeminate years of the 1760s. Throughout, Kavanagh shows how interlocutors in the political and cultural debates of the mid-eighteenth-century period in Britain, such as Tobias Smollett (1721-1771) and Arthur Murphy (1727-1805), attempt to resolve the problem of effeminate excess. In part, the resolution for Wilkes and Charles Churchill (1731-1764) was to shunt effeminacy onto the sexually non-normative. On the other hand, Burke, in his aesthetic theorization of the beautiful privileges the socially constitutive affects of feeling effeminate. Through an analysis of poetry, fiction, social and economic pamphlets, aesthetic treatises, journalism and correspondences, placed within the latest queer historiography, Kavanagh demonstrates that the mid-century effeminacy crisis served to re-conceive male heterosexuality as the very mark of political legitimacy. Overall, Effeminate Years explores the development of modern ideas of masculinity and the political subject, which are still the basis of debate and argument in our own time.