Author: Martinus Scriblerus (the Younger.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 28
Book Description
The Lyric in the Age of the Brain
Author: Nikki Skillman
Publisher: Harvard University Press
ISBN: 0674545125
Category : Literary Criticism
Languages : en
Pages : 353
Book Description
Science has transformed understandings of the mind, supplying physiological explanations for what once seemed transcendental. Nikki Skillman shows how lyric poets—caught between a reductive scientific view and naïve literary metaphors—struggled to articulate a vision of consciousness that was both scientifically informed and poetically truthful.
Publisher: Harvard University Press
ISBN: 0674545125
Category : Literary Criticism
Languages : en
Pages : 353
Book Description
Science has transformed understandings of the mind, supplying physiological explanations for what once seemed transcendental. Nikki Skillman shows how lyric poets—caught between a reductive scientific view and naïve literary metaphors—struggled to articulate a vision of consciousness that was both scientifically informed and poetically truthful.
The Complete Lyrics of Alan Jay Lerner
Author: Dominic McHugh
Publisher: Oxford University Press
ISBN: 0190646756
Category : Music
Languages : en
Pages : 633
Book Description
Alan Jay Lerner wrote the lyrics for some of the most beloved musicals in Broadway and Hollywood history. Most notably, with composer Frederick Loewe he created enduring hits such as My Fair Lady, Gigi, Camelot, and Brigadoon. In The Complete Lyrics of Alan Jay Lerner, editors and annotators Dominic McHugh and Amy Asch bring all of Lerner's lyrics together for the first time, including numerous draft or alternate versions and songs cut from the shows. Compiled from dozens of archival collections, this invaluable resource and authoritative reference includes both Lerner's classic works and numerous discoveries, including his unproduced MGM movie Huckleberry Finn, selections from his college musicals, and lyrics from three different versions of Paint Your Wagon. This collection also includes extensive material from Lerner's two most ambitious musicals: Love Life, to music by Kurt Weill, and 1600 Pennsylvania Avenue, which Lerner wrote with Leonard Bernstein.
Publisher: Oxford University Press
ISBN: 0190646756
Category : Music
Languages : en
Pages : 633
Book Description
Alan Jay Lerner wrote the lyrics for some of the most beloved musicals in Broadway and Hollywood history. Most notably, with composer Frederick Loewe he created enduring hits such as My Fair Lady, Gigi, Camelot, and Brigadoon. In The Complete Lyrics of Alan Jay Lerner, editors and annotators Dominic McHugh and Amy Asch bring all of Lerner's lyrics together for the first time, including numerous draft or alternate versions and songs cut from the shows. Compiled from dozens of archival collections, this invaluable resource and authoritative reference includes both Lerner's classic works and numerous discoveries, including his unproduced MGM movie Huckleberry Finn, selections from his college musicals, and lyrics from three different versions of Paint Your Wagon. This collection also includes extensive material from Lerner's two most ambitious musicals: Love Life, to music by Kurt Weill, and 1600 Pennsylvania Avenue, which Lerner wrote with Leonard Bernstein.
Staging the Lyric
Author: Sarah Berry
Publisher: Bloomsbury Publishing
ISBN: 1350420409
Category : Drama
Languages : en
Pages : 241
Book Description
Verse drama is not a dead form, but very much alive on the contemporary stage. Drawing on plays from throughout the English-speaking world, including the United States, United Kingdom, Ireland, and the Caribbean, Staging the Lyric seeks to explain the 21st-century resurgence of Anglophone verse drama, tracing it back to an experimental impulse that is present in the modernist verse drama of a century ago. Covering major writers including Derek Walcott, Seamus Heaney, Sylvia Plath, Samuel Beckett, Dorothy Sayers, Djuna Barnes, and Ntozake Shange, it also encompasses lesser known and more recent poets and playwrights. This modern verse drama differs from its ancient and Elizabethan antecedents as it is understood not as a genre in its own right, but as a hybrid of the lyric and the dramatic. Both modernist and contemporary writers take advantage of this hybridity as fertile ground for experimentation. While they differ in their ideology and form, this book contends that they are united by exploring the relationship between lyric and dramatic elements on stage and what these two different modes afford. To demonstrate this continuity, it traces a genealogy from contemporary plays by Joanna Laurens, Joyelle McSweeney, and David Grieg back to W.B. Yeats, Gertrude Stein, T.S. Eliot, and W.H. Auden, to reveal that the tensions that animate verse drama have stayed the same, even as the strategies for staging them have evolved. The book is divided into three sections-'Voice,' 'Words,' and 'Time'-each treating one feature that has been used to define the lyric. Within these sections, the chapters compare contemporary plays with modernist ones that experiment with the same point of tension between the lyric and the dramatic.
Publisher: Bloomsbury Publishing
ISBN: 1350420409
Category : Drama
Languages : en
Pages : 241
Book Description
Verse drama is not a dead form, but very much alive on the contemporary stage. Drawing on plays from throughout the English-speaking world, including the United States, United Kingdom, Ireland, and the Caribbean, Staging the Lyric seeks to explain the 21st-century resurgence of Anglophone verse drama, tracing it back to an experimental impulse that is present in the modernist verse drama of a century ago. Covering major writers including Derek Walcott, Seamus Heaney, Sylvia Plath, Samuel Beckett, Dorothy Sayers, Djuna Barnes, and Ntozake Shange, it also encompasses lesser known and more recent poets and playwrights. This modern verse drama differs from its ancient and Elizabethan antecedents as it is understood not as a genre in its own right, but as a hybrid of the lyric and the dramatic. Both modernist and contemporary writers take advantage of this hybridity as fertile ground for experimentation. While they differ in their ideology and form, this book contends that they are united by exploring the relationship between lyric and dramatic elements on stage and what these two different modes afford. To demonstrate this continuity, it traces a genealogy from contemporary plays by Joanna Laurens, Joyelle McSweeney, and David Grieg back to W.B. Yeats, Gertrude Stein, T.S. Eliot, and W.H. Auden, to reveal that the tensions that animate verse drama have stayed the same, even as the strategies for staging them have evolved. The book is divided into three sections-'Voice,' 'Words,' and 'Time'-each treating one feature that has been used to define the lyric. Within these sections, the chapters compare contemporary plays with modernist ones that experiment with the same point of tension between the lyric and the dramatic.
Lyrics
Author: Rikky Rooksby
Publisher: Hal Leonard Corporation
ISBN: 9780879308858
Category : Music
Languages : en
Pages : 190
Book Description
Råd og vejledning til at skrive sangtekster til rock og popmusik
Publisher: Hal Leonard Corporation
ISBN: 9780879308858
Category : Music
Languages : en
Pages : 190
Book Description
Råd og vejledning til at skrive sangtekster til rock og popmusik
James Joyce's Painful Case
Author: Cóilín Owens
Publisher: University Press of Florida
ISBN: 0813063167
Category : Literary Collections
Languages : en
Pages : 267
Book Description
"An eminently insightful and informative study of a single story, as well as a profound exploration of Joyce's position within his own historical moment and its most urgent philosophical and religious questions."--James Joyce Quarterly "One of the more intellectually capacious, wide-ranging studies on Joyce and his work to emerge in some time. . . . Owens's book is among the finest studies of Dubliners ever written as well as among the best--most provocative, revealing, and useful--critical works on Joyce to be published in some time."--Philological Quarterly "While Owens has captured the breadth of subjects that a casebook would offer, he balances his readings with a great deal of focused and specific close reading. . . . This book is an excellent companion for reading 'A Painful Case' and would be essential reading for anyone engaging in an in-depth study of Dubliners."--James Joyce Literary Supplement "Inspires awe, admiration, and wonder. . . . There is something new for every Joyce student and scholar to learn from Owens's thorough research."--English Literature in Transition, 1880-1920 In order to demonstrate that one story from the Dubliners is not only a turning point in that book but also a microcosm of a wide range of important Joycean influences and preoccupations, Cóilín Owens examines the dense intertextuality of "A Painful Case." Assuming the position of the ideal contemporary Irish reader that Joyce might have anticipated, Owens argues that the main character, James Duffy, is a "spoiled priest," emotionally arrested by his guilt at having rejected the call to the priesthood. Duffy's intellectual life thereafter progresses through German idealism to eventual nihilism. The contrast of nihilist thought and Christian belief is Owens's main focus, and he demonstrates how this dichotomy is evident at various points in the life of James Duffy. From this springboard, Owens constructs a larger discussion of Joyce's cultural influences, including Schopenhauer, Wagner, Tolstoy, and others. He considers many other complex interrelationships that inform Joyce's text--theology, philosophy, music, opera, literary history, Irish cultural history, and Joyce's own poetry--and offers detailed elucidations informed by historical, geographical, linguistic, and biographical information.
Publisher: University Press of Florida
ISBN: 0813063167
Category : Literary Collections
Languages : en
Pages : 267
Book Description
"An eminently insightful and informative study of a single story, as well as a profound exploration of Joyce's position within his own historical moment and its most urgent philosophical and religious questions."--James Joyce Quarterly "One of the more intellectually capacious, wide-ranging studies on Joyce and his work to emerge in some time. . . . Owens's book is among the finest studies of Dubliners ever written as well as among the best--most provocative, revealing, and useful--critical works on Joyce to be published in some time."--Philological Quarterly "While Owens has captured the breadth of subjects that a casebook would offer, he balances his readings with a great deal of focused and specific close reading. . . . This book is an excellent companion for reading 'A Painful Case' and would be essential reading for anyone engaging in an in-depth study of Dubliners."--James Joyce Literary Supplement "Inspires awe, admiration, and wonder. . . . There is something new for every Joyce student and scholar to learn from Owens's thorough research."--English Literature in Transition, 1880-1920 In order to demonstrate that one story from the Dubliners is not only a turning point in that book but also a microcosm of a wide range of important Joycean influences and preoccupations, Cóilín Owens examines the dense intertextuality of "A Painful Case." Assuming the position of the ideal contemporary Irish reader that Joyce might have anticipated, Owens argues that the main character, James Duffy, is a "spoiled priest," emotionally arrested by his guilt at having rejected the call to the priesthood. Duffy's intellectual life thereafter progresses through German idealism to eventual nihilism. The contrast of nihilist thought and Christian belief is Owens's main focus, and he demonstrates how this dichotomy is evident at various points in the life of James Duffy. From this springboard, Owens constructs a larger discussion of Joyce's cultural influences, including Schopenhauer, Wagner, Tolstoy, and others. He considers many other complex interrelationships that inform Joyce's text--theology, philosophy, music, opera, literary history, Irish cultural history, and Joyce's own poetry--and offers detailed elucidations informed by historical, geographical, linguistic, and biographical information.
Ezra Pound's Early Verse and Lyric Tradition
Author: Robert Stark
Publisher: Edinburgh University Press
ISBN: 0748646183
Category : Literary Criticism
Languages : en
Pages : 240
Book Description
Traces the lyricism and musicality in Pound's early verse through to his radical Modernist style. Robert Stark argues that Pound learned how to write poetry more or less as if it was a foreign tongue - or poetic 'jargon' - with a unique lexicon, grammar, and even morphology, and that his most innovative poetry is the result of his ambivalent orientation towards different European literary traditions.Stark contextualizes Pound's poetic craft by examining his relationship to the Mediaeval and Classical originators of the methods he employs and by considering the practice and criticism of his immediate Victorian and Romantic predecessors. He explores the influence of poets such as Francois Villon, Guido Cavalcanti, Robert Burns, Robert Browning, Algernon Charles Swinburne and Walt Whitman on Pound's lyrical style. For Stark, Pound's multi-vocalism arises out of his interest in dialect and the acoustic qualities of speech which leads to a 'modern' barbarous language marked by polysemy and heterogeneity.
Publisher: Edinburgh University Press
ISBN: 0748646183
Category : Literary Criticism
Languages : en
Pages : 240
Book Description
Traces the lyricism and musicality in Pound's early verse through to his radical Modernist style. Robert Stark argues that Pound learned how to write poetry more or less as if it was a foreign tongue - or poetic 'jargon' - with a unique lexicon, grammar, and even morphology, and that his most innovative poetry is the result of his ambivalent orientation towards different European literary traditions.Stark contextualizes Pound's poetic craft by examining his relationship to the Mediaeval and Classical originators of the methods he employs and by considering the practice and criticism of his immediate Victorian and Romantic predecessors. He explores the influence of poets such as Francois Villon, Guido Cavalcanti, Robert Burns, Robert Browning, Algernon Charles Swinburne and Walt Whitman on Pound's lyrical style. For Stark, Pound's multi-vocalism arises out of his interest in dialect and the acoustic qualities of speech which leads to a 'modern' barbarous language marked by polysemy and heterogeneity.
Virginia Woolf and Poetry
Author: Emily Kopley
Publisher: Oxford University Press
ISBN: 0198850867
Category : Literary Criticism
Languages : en
Pages : 416
Book Description
Virginia Woolf's career was shaped by her impression of the conflict between poetry and the novel, a conflict she often figured as one between masculine and feminine, old and new, bound and free. In large part for feminist reasons, Woolf promoted the triumph of the novel over poetry, even as she adapted some of poetry's techniques for the novel in order to portray the inner life. Woolf considered poetry the rival form to the novel. A monograph on Woolf's sense of genre rivalry thus offers a thorough reinterpretation of the motivations and aims of her canonical work. Drawing on unpublished archival material and little-known publications, the book combines biography, book history, formal analysis, genetic criticism, source study, and feminist literary history. Woolf's attitude towards poetry is framed within contexts of wide scholarly interest: the decline of the lyric poem, the rise of the novel, the gendered associations with these two genres, elegy in prose and verse, and the history of English Studies. Virginia Woolf and Poetry makes three important contributions. It clarifies a major prompt for Woolf's poetic prose. It exposes the genre rivalry that was creatively generative to many modernist writers. And it details how holding an ideology of a genre can shape literary debates and aesthetics.
Publisher: Oxford University Press
ISBN: 0198850867
Category : Literary Criticism
Languages : en
Pages : 416
Book Description
Virginia Woolf's career was shaped by her impression of the conflict between poetry and the novel, a conflict she often figured as one between masculine and feminine, old and new, bound and free. In large part for feminist reasons, Woolf promoted the triumph of the novel over poetry, even as she adapted some of poetry's techniques for the novel in order to portray the inner life. Woolf considered poetry the rival form to the novel. A monograph on Woolf's sense of genre rivalry thus offers a thorough reinterpretation of the motivations and aims of her canonical work. Drawing on unpublished archival material and little-known publications, the book combines biography, book history, formal analysis, genetic criticism, source study, and feminist literary history. Woolf's attitude towards poetry is framed within contexts of wide scholarly interest: the decline of the lyric poem, the rise of the novel, the gendered associations with these two genres, elegy in prose and verse, and the history of English Studies. Virginia Woolf and Poetry makes three important contributions. It clarifies a major prompt for Woolf's poetic prose. It exposes the genre rivalry that was creatively generative to many modernist writers. And it details how holding an ideology of a genre can shape literary debates and aesthetics.
Harley manuscript geographies
Author: Daniel Birkholz
Publisher: Manchester University Press
ISBN: 152614042X
Category : Literary Criticism
Languages : en
Pages : 275
Book Description
This study brings new methodologies of literary geography to bear upon the unique contents of a codex known as British Library MS Harley 2253. The Harley manuscript was produced upon England’s Welsh March, by a scribe whose generation died in the Black Death. It contains a diverse set of writings: love-lyrics and devotional literature, political songs and fabliaux, saints’ lives, courtesy texts, bible stories and travelogues. These works alternate between languages (Middle English, Anglo-Norman and Latin) but operate in conversation with one another. The introduction explores how this fragmentary miscellany keeps being sutured into 'whole'-ness by commentary upon it. Individual chapters examine different genres and social groupings and demonstrate that there are many Harley landscapes still waiting to be discovered. It will be of great value to those studying literary history, medieval studies, cultural geography, gender studies, Jewish studies and book history.
Publisher: Manchester University Press
ISBN: 152614042X
Category : Literary Criticism
Languages : en
Pages : 275
Book Description
This study brings new methodologies of literary geography to bear upon the unique contents of a codex known as British Library MS Harley 2253. The Harley manuscript was produced upon England’s Welsh March, by a scribe whose generation died in the Black Death. It contains a diverse set of writings: love-lyrics and devotional literature, political songs and fabliaux, saints’ lives, courtesy texts, bible stories and travelogues. These works alternate between languages (Middle English, Anglo-Norman and Latin) but operate in conversation with one another. The introduction explores how this fragmentary miscellany keeps being sutured into 'whole'-ness by commentary upon it. Individual chapters examine different genres and social groupings and demonstrate that there are many Harley landscapes still waiting to be discovered. It will be of great value to those studying literary history, medieval studies, cultural geography, gender studies, Jewish studies and book history.
English Lyrics from Dryden to Burns
Author: Morris William Croll
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 234
Book Description
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 234
Book Description
The Cambridge Companion to American Poetry Since 1945
Author: Jennifer Ashton
Publisher: Cambridge University Press
ISBN: 0521766958
Category : Literary Criticism
Languages : en
Pages : 273
Book Description
Explores the ways in which American poetry has documented and sometimes helped propel the literary and cultural revolutions of the past sixty-five years.
Publisher: Cambridge University Press
ISBN: 0521766958
Category : Literary Criticism
Languages : en
Pages : 273
Book Description
Explores the ways in which American poetry has documented and sometimes helped propel the literary and cultural revolutions of the past sixty-five years.