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Author: William Watkin
Publisher: Bucknell University Press
ISBN: 9780838754672
Category : Literary Collections
Languages : en
Pages : 332
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Book Description
"This is the first major theoretical study of the four main figures of the New York School: John Ashbery, Frank O'Hara, Kenneth Koch, and James Schuyler. Proposing a reinterpretation of the definition of the avant-garde, William Watkin describes it as a movement typified by its commitment to art in process, over the final art product. In a series of in-depth, and wide-reaching, readings, he then goes on to test this assertion in detailed relation to the poetry of the New York School, while also examining how the poets' own work further develops and analyses the concept of the avant-garde in contemporary culture."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: William Watkin
Publisher: Bucknell University Press
ISBN: 9780838754672
Category : Literary Collections
Languages : en
Pages : 332
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Book Description
"This is the first major theoretical study of the four main figures of the New York School: John Ashbery, Frank O'Hara, Kenneth Koch, and James Schuyler. Proposing a reinterpretation of the definition of the avant-garde, William Watkin describes it as a movement typified by its commitment to art in process, over the final art product. In a series of in-depth, and wide-reaching, readings, he then goes on to test this assertion in detailed relation to the poetry of the New York School, while also examining how the poets' own work further develops and analyses the concept of the avant-garde in contemporary culture."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Irene Latham
Publisher: Lerner Digital ™
ISBN: 1541589491
Category : Juvenile Nonfiction
Languages : en
Pages : 44
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Book Description
Audisee® eBooks with Audio combine professional narration and text highlighting for an engaging read aloud experience! Two poets, one white and one black, explore race and childhood in this must-have collection tailored to provoke thought and conversation. How can Irene and Charles work together on their fifth grade poetry project? They don't know each other . . . and they're not sure they want to. Irene Latham, who is white, and Charles Waters, who is Black, use this fictional setup to delve into different experiences of race in a relatable way, exploring such topics as hair, hobbies, and family dinners. Accompanied by artwork from acclaimed illustrators Sean Qualls and Selina Alko (of The Case for Loving: The Fight for Interracial Marriage), this remarkable collaboration invites readers of all ages to join the dialogue by putting their own words to their experiences.
Author: Kylie Gellatly
Publisher:
ISBN: 9781646625536
Category :
Languages : en
Pages : 64
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Book Description
"These poems know a great deal about beauty and violence: 'twenty years / was about as much good as / circling / a black eye'. Kylie Gellatly shows us what vividness is, how it lives in our shapes, our pain, our imaginary (and real) selves: 'man taken / to be a trench / that might have been a cannon ball'. This poetry composes musics with silences. It is both a song and whisper, an erasure and exhalation. It is both a journey across us, and inward: 'the ship was the rib of reason / [...] the ship was beginning to be an alarm / the ship was right there on the floor while this book was written.' Herein history is envious of a dreamscape. And yet: the dream aspires to be dailiness, and fears it. Which is to say: this is a book of fevers the likes of which you feel most familiar with, yet have not seen before. Recognize yourself in them." -Ilya Kaminsky, author of Deaf Republic "Musical and deeply felt, these poems-untitled and running wild-chase down the heart. No tangible space is without the immaterial here. The Elements are resilient, and I feel pushed and pulled by them. Gellatly's debut book is beautiful, haunted and mystical. Her poems are like 'the strange contrast between death and dawn, ' and 'the fool's divine spark / forever coming loose' in the reader's hands." -Bianca Stone, author of The Möbius Strip Club of Grief "In Kylie Gellatly's The Fever Poems, water is silk that rubs against the night. Events are figments of the speaker's imagination and graves shape time. Extremely contemporary in their fixation on illness, isolation, and anxiety, these poems spill down and across the page like slate off a cliffside. There is an unwavering generosity to the introspection of this speaker: through her eyes, floating ash becomes 'hundreds of baled papers, bent up like two bears dancing.' This is a collection that understands and beautifully, painfully relays that what we have-with each other, with the land-is 'the last of the last.'" -Taneum Bambrick, author of Vantage "'I was sore at heart, ' writes Kylie Gellatly in The Fever Poems, and the reader is invited into a sprawling, curious, visionary, deeply empathetic, epic debut. Her poems shine goldly in the space between elemental earth-salt, rock, wind, weather-and the human, conscious choice of living. With echoes of Jorie Graham and W. S. Merwin, Gellatly navigates the complexities of language, 'a pledge made / into paper / weathered / in our hands, ' 'choked with the monsters of parentheses'. This is a collection for our time of pandemic, uncertainty, and an urgent need for a revision of our relationship with the natural world-Gellatly recognizes the swinging pendulum of power between the earth's force and human interference, and, without castigation, illuminates us." -Jenny Molberg, author of Refusal "Kylie Gellatly's The Fever works like a ship, navigating the tempests of our fragile moment. The poems enact a wandering/wondering through fire and fog, investigating meaning through a naturalist's lens, balancing an elemental pull with the fierce heat of being human. This collection is an invitation to a sensorial meditation, one where fever is less a symptom of sickness than a door to discovery." -Erin Adair-Hodges, author of Let's All Die Happy
Author: Brandon Shimoda
Publisher: City Lights Books
ISBN: 0872867935
Category : Biography & Autobiography
Languages : en
Pages : 202
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Book Description
A memoir and book of mourning, a grandson’s attempt to reconcile his own uncontested citizenship with his grandfather’s lifelong struggle. A memoir and book of mourning, a grandson’s attempt to reconcile his own uncontested citizenship with his grandfather’s lifelong struggle. Award-winning poet Brandon Shimoda has crafted a lyrical portrait of his paternal grandfather, Midori Shimoda, whose life—child migrant, talented photographer, suspected enemy alien and spy, desert wanderer, American citizen—mirrors the arc of Japanese America in the twentieth century. In a series of pilgrimages, Shimoda records the search to find his grandfather, and unfolds, in the process, a moving elegy on memory and forgetting. Praise for The Grave on the Wall: "Shimoda brings his poetic lyricism to this moving and elegant memoir, the structure of which reflects the fragmentation of memories. … It is at once wistful and devastating to see Midori's life come full circle … In between is a life with tragedy, love, and the horrors unleashed by the atomic bomb."—Booklist, starred review "In a weaving meditation, Brandon Shimoda pens an elegant eulogy for his grandfather Midori, yet also for the living, we who survive on the margins of graveyards and rituals of our own making."—Karen Tei Yamashita, author of Letters to Memory "Sometimes a work of art functions as a dream. At other times, a work of art functions as a conscience. In the tradition of Juan Rulfo’s Pedro Páramo, Brandon Shimoda's The Grave on the Wall is both. It is also the type of fragmented reckoning only America could instigate."—Myriam Gurba, author of Mean “Within this haunted sepulcher built out of silence, loss, and grief—its walls shadowed by the traumas of racial oppression and violence—a green river lined with peach trees flows beneath a bridge that leads back to the grandson."—Jeffrey Yang, author of Hey, Marfa: Poems "It is part dream, part memory, part forgetting, part identity. It is a remarkable exploration of how citizenship is forged by the brutal US imperial forces—through slave labor, forced detention, indiscriminate bombing, historical amnesia and wall. If someone asked me, Where are you from? I would answer, From The Grave on the Wall."—Don Mee Choi, author of Hardly War "Shimoda intercedes into the absences, gaps and interstices of the present and delves the presence of mystery. This mystery is part of each of us. Shimoda outlines that mystery in silence and silhouette, in objects left behind at site-specific travels to Japan and in the disparate facts of his grandpa’s FBI file. Gratitude to Brandon Shimoda for taking on the mystery which only literature accepts as the basic challenge."—Sesshu Foster, author of City of the Future "Shimoda is a mystic writer … He puts what breaches itself (always) onto the page, so that the act of writing becomes akin to paper-making: an attention to fibers, coagulation, texture and the water-fire mixtures that signal irreversible alteration or change. … he has written a book that touches the bottom of my own soul."—Bhanu Kapil, author of Ban en Banlieue "The Grave on the Wall is a passage of aching nostalgia and relentless assembly out of which something more important than objective truth is conjured—a ritual frisson, a veracity of spirit. I am grateful to have traveled along.”—Trisha Low, The Believer
Author: Suzanne Slade
Publisher: Abrams
ISBN: 1683354729
Category : Juvenile Nonfiction
Languages : en
Pages : 48
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Book Description
A picture-book biography of celebrated poet Gwendolyn Brooks, the first Black person to win the Pulitzer Prize A 2021 Coretta Scott King Book Award Illustrator Honor Book A 2021 Robert F. Sibert Informational Honor Book A 2021 Association of Library Service to Children Notable Children's Book Gwendolyn Brooks (1917–2000) is known for her poems about “real life.” She wrote about love, loneliness, family, and poverty—showing readers how just about anything could become a beautiful poem. Exquisite follows Gwendolyn from early girlhood into her adult life, showcasing her desire to write poetry from a very young age. This picture-book biography explores the intersections of race, gender, and the ubiquitous poverty of the Great Depression—all with a lyrical touch worthy of the subject. Gwendolyn Brooks was the first Black person to win the Pulitzer Prize, receiving the award for poetry in 1950. And in 1958, she was named the poet laureate of Illinois. A bold artist who from a very young age dared to dream, Brooks will inspire young readers to create poetry from their own lives.
Author: David Ian Hanauer
Publisher: John Benjamins Publishing
ISBN: 9027233411
Category : Language Arts & Disciplines
Languages : en
Pages : 181
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Book Description
"Elegantly written, convincingly argued, and interspersed with hauntingly beautiful and poignant poems written by his ESL students, Hanauer's book draws attention to the unexplored potential of poetry writing in a second language classroom." Aneta Pavelenko, Temple University --
Author: Adam Nicolson
Publisher: Farrar, Straus and Giroux
ISBN: 0374721270
Category : Literary Criticism
Languages : en
Pages : 457
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Book Description
Brimming with poetry, art, and nature writing—Wordsworth and Coleridge as you've never seen them before June 1797 to September 1798 is the most famous year in English poetry. Out of it came Samuel Taylor Coleridge's The Rime of the Ancient Mariner and “Kubla Khan,” as well as his unmatched hymns to friendship and fatherhood, and William Wordsworth’s revolutionary songs in Lyrical Ballads along with “Tintern Abbey,” Wordsworth's paean to the unity of soul and cosmos, love and understanding. In The Making of Poetry, Adam Nicolson embeds himself in the reality of this unique moment, exploring the idea that these poems came from this particular place and time, and that only by experiencing the physical circumstances of the year, in all weathers and all seasons, at night and at dawn, in sunlit reverie and moonlit walks, can the genesis of the poetry start to be understood. The poetry Wordsworth and Coleridge made was not from settled conclusions but from the adventure on which they embarked, thinking of poetry as a challenge to all received ideas, stripping away the dead matter, looking to shed consciousness and so change the world. What emerges is a portrait of these great figures seen not as literary monuments but as young men, troubled, ambitious, dreaming of a vision of wholeness, knowing they had greatness in them but still in urgent search of the paths toward it. The artist Tom Hammick accompanied Nicolson for much of the year, making woodcuts from the fallen timber in the park at Alfoxden where the Wordsworths lived. Interspersed throughout the book, his images bridge the centuries, depicting lives at the source of our modern sensibility: a psychic landscape of doubt and possibility, full of beauty and thick with desire for a kind of connectedness that seems permanently at hand and yet always out of reach.
Author: Dot Devota
Publisher:
ISBN: 9781938247279
Category : Prose poems, American
Languages : en
Pages : 84
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Book Description
Poetry. Ephemera & Non-standard Formats. Hybrid Genre. Art. LBGTQIA Studies. Artwork by Brandon Shimoda. In DEPT. OF POSTHUMOUS LETTERS, Dot Devota and Caitie Moore conduct an epistolary exchange that subverts the logic of the dialogic. "In a letter you cannot listen. You must always be speaking," writes Devota, as her letters to Moore narrate anecdotes that read like overheard myths--webs of observation, reversal and misunderstanding that signal the presence of an attentive listener. Line drawings by Brandon Shimoda intensify the enchantment that unfolds out of Moore and Devota's voices. "Have you ever played this game: Horse/Muffin/Bird?" Moore asks Devota. Intelligently-framed questions ranging from philosophical to purely affectionate interlace these poems like veins of honey. "It's a proportion thing, an order thing. I am, certainly, no part Muffin."
Author: Annie Finch
Publisher:
ISBN: 9780472116935
Category : Poetry
Languages : en
Pages : 0
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Book Description
A major new guide to writing and understanding poetry
Author: Robert Lee Brewer
Publisher:
ISBN: 9781935708902
Category : Poetry
Languages : en
Pages : 92
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Book Description
The "World" in Robert Lee Brewer's Solving the World's Problems is a slippery world ... where chaos always hovers near, where we are (and should be) "splashing around in dark puddles." And one feels a bit dizzy reading these poems because (while always clear, always full of meaning) they come at reality slantwise so that nothing is quite the same and the reader comes away with a new way of looking at the ordinary objects and events of life. The poems are brim-full of surprises and delights, twists in the language, double-meanings of words, leaps of thought and imagination, interesting line-breaks. There are love and relationship poems, dream poems, poems of life in the modern world. And always the sense (as he writes) of "pulling the world closer to me/leaves falling to the ground/ birds flying south." I read these once, twice with great enjoyment. I will go back to them often. -Patricia Fargnoli, former Poet Laureate of New Hampshire and author of Then, Something
