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Author: Kaitlin Beck
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 57
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Book Description
This thesis examines the relationship between private collectors and nonprofit organizations to understand how private collectors impact museum collections. The paper includes a case study on The James A. Michener Art Museum, and specifically the groundbreaking 1999 bequest of 59 paintings to the museum, by Marguerite and Gerry Lenfest. The discussion concludes with recommendations based on the research findings including how museums, like the Michener Museum, can make efforts to maintain clear communication with donors as well as adapt to the ever evolving art world while following the standards and best practices of the field.
Author: Kaitlin Beck
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 57
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Book Description
This thesis examines the relationship between private collectors and nonprofit organizations to understand how private collectors impact museum collections. The paper includes a case study on The James A. Michener Art Museum, and specifically the groundbreaking 1999 bequest of 59 paintings to the museum, by Marguerite and Gerry Lenfest. The discussion concludes with recommendations based on the research findings including how museums, like the Michener Museum, can make efforts to maintain clear communication with donors as well as adapt to the ever evolving art world while following the standards and best practices of the field.
Author: Georgina S Walker
Publisher: Routledge
ISBN: 1351370510
Category : Business & Economics
Languages : en
Pages : 288
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Book Description
The Private Collector’s Museum connects the rising popularity of private museums with evolving models of collecting and philanthropy, and new inter-relationships between private and public space. It examines how contemporary collectors construct museums to frame themselves as cultural arbiters of global distinction. By exploring a range of in-depth contemporary case studies, the book aims for a more complex understanding of the private collector’s museum, assessing how it is realised, funded and understood in a broader cultural context. It examines the ways in which this particular museum model has evolved within a historical Western tradition of collecting and museum-building, and considers how private museums will endure alongside their public counterparts. It also sheds light on the shifting patterns of collecting, such as the transition of personal art collections into the public sphere. The developments are situated within the wider context of private–public engagement in general. Providing a new analysis of philanthropy, public access and the museum, The Private Collector’s Museum is essential reading for scholars and students interested in the private museum, and key reading for those interested in related issues.
Author: Jessie A. Crawford
Publisher:
ISBN:
Category :
Languages : en
Pages : 108
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Book Description
The trend towards establishing one's own private collection museum has been on the rise both in the United States and globally. Through research of publicly available data, this study analyzes two case museums: The Pizzuti Collection in Columbus, Ohio, and The Rubell Family Collection and the corresponding Contemporary Arts Foundation in Miami, Florida. Qualitative data was collected from the theme areas of the profiles of their founders, their management and governance strategies, the programs that they provide to their communities, their financial health and amount of public support, and their levels of community was used to situate each institution within Moore's strategic triangle used in nonprofit management analysis to determine the benefit of the existence of these new museums. Research indicated that the case study private museums do generate public value and private museum functionality makes the public museums' lives easier by providing artwork loans and allowing them to focus on their collections rather than making sure that a donor is satisfied with the display of their painstakingly assembled personal collection. The addition of the private collection museum is a positive evolution within the current museum ecosystem.
Author: Anne Higonnet
Publisher: Periscope
ISBN: 9781934772928
Category : Art
Languages : en
Pages : 0
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Book Description
By 1850 cash-flush Americans like J.P. Morgan, Henry Clay Frick, Isabella Stewart Gardner, Henry E. Huntington, Arabella Huntington, and Mildred and Robert Bliss went on collecting campaigns that netted masterpiece after masterpiece, along with the furniture and fittings of dozens of aristocratic residences. From the outset, these collectors planned to present their trophies to the public as museums in which they could dictate each and every detail of the arrangements. Drawing on a decade of research, Higonnet weaves letters, auction records and photographs into an engrossing account of the founding of both renowned and obscure collection museums. She also explores how these collectors stoked the tremendous values accorded paintings by Raphael, Titian, Rembrandt, Vermeer, Velazquez, Gainsborough and Reynolds. Also references the Hertford family, Sir Richard and Lady Amelie Wallace, Le duc d'Amale and others.
Author: Freda Matassa
Publisher: Facet Publishing
ISBN: 1783301872
Category : Art
Languages : en
Pages : 240
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Book Description
This book addresses the issue of valuing objects in cultural collections, ranging from high-value to low or no-value and featuring a range of collections including fine art, archives, science and photography. Practical advice is given on how to assign values and best practice examples are drawn from museums, libraries and archives. The subject of valuation has always been challenging for museums and public collections and is becoming more urgent as monetary values of many items continue to break records. There is an increase in lending, with more loans requiring a value for insurance. Cultural collections and exhibitions are expanding to all corners of the world, while, at the same time, lenders are becoming more risk-averse. Valuing Your Collection will address the issues and offer some solutions. Content covered includes: questions of valuing public and private cultural collectionsassigning values to individual objects or an entire collectionlegal and ethical considerationsdiscussion of authentication and attributionthe insurance business and valuationguides to valuing different types of collectionsa range of case studies showing valuation across multiple sectorssample templates with criteria for valuing different objects. This book will be useful for curators of cultural collections, professionals in museums, libraries and archives, cultural heritage students, private collectors, those involved with art insurance, art business and anyone requiring practical guidance on valuation.
Author: Steven Miller
Publisher: Rowman & Littlefield
ISBN: 1538135213
Category : Business & Economics
Languages : en
Pages : 223
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Book Description
Collection ethics – the third rail of the museum profession. What are the encompassing issues museum face regarding how they acquire, keep and work with their collections? Museum Collection Ethics discusses the complexities inherent in preserving and interpreting the extraordinary range of culturally significant objects entrusted to museums. The book presents an encompassing look at every aspect of the intellectual and stewardship duties museums by definition assume. The differences between ethics, laws, customs, and expectations are discussed. They are not synonymous. Ethics vary widely and are fluid. Essential factors include: Defining a museum as an ethical pursuit The role of museum governing authorities regarding ethics The ethics of collection authority: who is responsible for collection truths How museums collect and how ethics influences that activity The ethics of assuring collection authenticity The ethical access to collections, be it physical or digital Ethics and conservation Exhibition ethics The ethics of collection removals be they voluntary or involuntary This is the first book devoted solely to the ethical concerns museums face regarding their collections.
Author: Helen Jackson
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 74
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Book Description
Private art collection museums are not new, but what is different is the number opened over the past two decades. Using specific examples and case studies, this thesis examines private collectors who establish museums - the motivations, the long-term sustainability and legacy, and takes a brief look at whether these private museums are having an impact on traditional art museums. There is a paucity of scholarly published material on new private collection museums in the U.S. and through research and interviews with experts in the field, this thesis aims to throws light on the often contentious, but important new additions to the art museum canon.
Author: Steven Lubar
Publisher: Harvard University Press
ISBN: 0674983297
Category : Art
Languages : en
Pages : 417
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Book Description
Curators make many decisions when they build collections or design exhibitions, plotting a passage of discovery that also tells an essential story. Collecting captures the past in a way useful to the present and the future. Exhibits play to our senses and orchestrate our impressions, balancing presentation and preservation, information and emotion. Curators consider visitors’ interactions with objects and with one another, how our bodies move through displays, how our eyes grasp objects, how we learn and how we feel. Inside the Lost Museum documents the work museums do and suggests ways these institutions can enrich the educational and aesthetic experience of their visitors. Woven throughout Inside the Lost Museum is the story of the Jenks Museum at Brown University, a nineteenth-century display of natural history, anthropology, and curiosities that disappeared a century ago. The Jenks Museum’s past, and a recent effort by artist Mark Dion, Steven Lubar, and their students to reimagine it as art and history, serve as a framework for exploring the long record of museums’ usefulness and service. Museum lovers know that energy and mystery run through every collection and exhibition. Lubar explains work behind the scenes—collecting, preserving, displaying, and using art and artifacts in teaching, research, and community-building—through historical and contemporary examples. Inside the Lost Museum speaks to the hunt, the find, and the reveal that make curating and visiting exhibitions and using collections such a rewarding and vital pursuit.
Author: Mary Ellen Stanley
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 340
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Book Description
Throughout World War II, looting was an activity that was widely embraced by Nazi Germany, the Soviet Union, and the United States Armed Forces. Although the natures of looting varied among these specific entities, every theft left a mark on the history of art in both the private and public collections of Europe. The repercussions continue to affect the contemporary art world and museum collections practices. Owing to the lack of standards in the museum field, works with questionable provenance lie in museum's collections that detrimentally affect museums' public service missions and their accountability to the public. As a result an ethical quagmire is created in which museums must re-evaluate their collections management practices and acknowledge the realities of the art market in order to remain within ethical practices. This thesis investigates World War II looting, restitution efforts, cases, and the contemporary challenges museums are facing with Nazi looted art.
Author: Karl Ernest Meyer
Publisher: William Morrow
ISBN: 9780688033903
Category : Art
Languages : en
Pages : 356
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Book Description
