Author: Peter W. M. Blayney
Publisher: Cambridge University Press
ISBN: 1108945139
Category : Language Arts & Disciplines
Languages : en
Pages : 283
Book Description
Bibliographers have been notoriously 'hesitant to deal with liturgies', and this volume bridges an important gap with its authoritative examination of how the Book of Common Prayer came into being. The first edition of 1549, the first Grafton edition of 1552 and the first quarto edition of 1559 are now correctly identified, while Peter W. M. Blayney shows that the first two editions of 1559 were probably finished on the same day. Through relentless scrutiny of the evidence, he reveals that the contents of the 1549 version continued to evolve both during and after the printing of the first edition, and that changes were still being made to the Elizabethan revision weeks after the Act of Uniformity was passed. His bold reconstruction is transformative for the early Anglican liturgy, and thus for the wider history of the Church of England. This major, revisionist work is a remarkable book about a remarkable book.
The Printing and the Printers of The Book of Common Prayer, 1549–1561
Author: Peter W. M. Blayney
Publisher: Cambridge University Press
ISBN: 1108945139
Category : Language Arts & Disciplines
Languages : en
Pages : 283
Book Description
Bibliographers have been notoriously 'hesitant to deal with liturgies', and this volume bridges an important gap with its authoritative examination of how the Book of Common Prayer came into being. The first edition of 1549, the first Grafton edition of 1552 and the first quarto edition of 1559 are now correctly identified, while Peter W. M. Blayney shows that the first two editions of 1559 were probably finished on the same day. Through relentless scrutiny of the evidence, he reveals that the contents of the 1549 version continued to evolve both during and after the printing of the first edition, and that changes were still being made to the Elizabethan revision weeks after the Act of Uniformity was passed. His bold reconstruction is transformative for the early Anglican liturgy, and thus for the wider history of the Church of England. This major, revisionist work is a remarkable book about a remarkable book.
Publisher: Cambridge University Press
ISBN: 1108945139
Category : Language Arts & Disciplines
Languages : en
Pages : 283
Book Description
Bibliographers have been notoriously 'hesitant to deal with liturgies', and this volume bridges an important gap with its authoritative examination of how the Book of Common Prayer came into being. The first edition of 1549, the first Grafton edition of 1552 and the first quarto edition of 1559 are now correctly identified, while Peter W. M. Blayney shows that the first two editions of 1559 were probably finished on the same day. Through relentless scrutiny of the evidence, he reveals that the contents of the 1549 version continued to evolve both during and after the printing of the first edition, and that changes were still being made to the Elizabethan revision weeks after the Act of Uniformity was passed. His bold reconstruction is transformative for the early Anglican liturgy, and thus for the wider history of the Church of England. This major, revisionist work is a remarkable book about a remarkable book.
The Printing and the Printers of the Book of Common Prayer, 1549-1561
Author: Peter W. M. Blayney
Publisher:
ISBN: 9781108940597
Category : LANGUAGE ARTS & DISCIPLINES
Languages : en
Pages :
Book Description
"Bibliographers have been notoriously 'hesitant to deal with liturgies', and this volume bridges an important gap with its authoritative examination of how the Book of Common Prayer came into being. The first edition of 1549, the first Grafton edition of 1552 and the first quarto edition of 1559 are now correctly identified, while Peter Blayney shows that the first two editions of 1559 were probably finished on the same day. Through relentless scrutiny of the evidence, he reveals that the contents of the 1549 version continued to evolve both during and after the printing of the first edition, and that changes were still being made to the Elizabethan revision weeks after the Act of Uniformity was passed. His bold reconstruction is transformative for the early Anglican liturgy, and thus for the wider history of the Church of England. This major, revisionist work is a remarkable book about a remarkable book"--
Publisher:
ISBN: 9781108940597
Category : LANGUAGE ARTS & DISCIPLINES
Languages : en
Pages :
Book Description
"Bibliographers have been notoriously 'hesitant to deal with liturgies', and this volume bridges an important gap with its authoritative examination of how the Book of Common Prayer came into being. The first edition of 1549, the first Grafton edition of 1552 and the first quarto edition of 1559 are now correctly identified, while Peter Blayney shows that the first two editions of 1559 were probably finished on the same day. Through relentless scrutiny of the evidence, he reveals that the contents of the 1549 version continued to evolve both during and after the printing of the first edition, and that changes were still being made to the Elizabethan revision weeks after the Act of Uniformity was passed. His bold reconstruction is transformative for the early Anglican liturgy, and thus for the wider history of the Church of England. This major, revisionist work is a remarkable book about a remarkable book"--
The Oxford Dictionary of the Christian Church
Author: Andrew Louth
Publisher: Oxford University Press
ISBN: 0192638157
Category : Religion
Languages : en
Pages : 4474
Book Description
Uniquely authoritative and wide-ranging in its scope, The Oxford Dictionary of the Christian Church is the indispensable reference work on all aspects of the Christian Church. It contains over 6,500 cross-referenced A-Z entries, and offers unrivalled coverage of all aspects of this vast and often complex subject, from theology; churches and denominations; patristic scholarship; and the bible; to the church calendar and its organization; popes; archbishops; other church leaders; saints; and mystics. In this new edition, great efforts have been made to increase and strengthen coverage of non-Anglican denominations (for example non-Western European Christianity), as well as broadening the focus on Christianity and the history of churches in areas beyond Western Europe. In particular, there have been extensive additions with regards to the Christian Church in Asia, Africa, Latin America, North America, and Australasia. Significant updates have also been included on topics such as liturgy, Canon Law, recent international developments, non-Anglican missionary activity, and the increasingly important area of moral and pastoral theology, among many others. Since its first appearance in 1957, the ODCC has established itself as an essential resource for ordinands, clergy, and members of religious orders, and an invaluable tool for academics, teachers, and students of church history and theology, as well as for the general reader.
Publisher: Oxford University Press
ISBN: 0192638157
Category : Religion
Languages : en
Pages : 4474
Book Description
Uniquely authoritative and wide-ranging in its scope, The Oxford Dictionary of the Christian Church is the indispensable reference work on all aspects of the Christian Church. It contains over 6,500 cross-referenced A-Z entries, and offers unrivalled coverage of all aspects of this vast and often complex subject, from theology; churches and denominations; patristic scholarship; and the bible; to the church calendar and its organization; popes; archbishops; other church leaders; saints; and mystics. In this new edition, great efforts have been made to increase and strengthen coverage of non-Anglican denominations (for example non-Western European Christianity), as well as broadening the focus on Christianity and the history of churches in areas beyond Western Europe. In particular, there have been extensive additions with regards to the Christian Church in Asia, Africa, Latin America, North America, and Australasia. Significant updates have also been included on topics such as liturgy, Canon Law, recent international developments, non-Anglican missionary activity, and the increasingly important area of moral and pastoral theology, among many others. Since its first appearance in 1957, the ODCC has established itself as an essential resource for ordinands, clergy, and members of religious orders, and an invaluable tool for academics, teachers, and students of church history and theology, as well as for the general reader.
A Companion to the Book of Common Prayer
Author: Gerald Bray
Publisher: BoD – Books on Demand
ISBN: 0227179307
Category : Religion
Languages : en
Pages : 526
Book Description
The Book of Common Prayer stands as one of the greatest achievements of the English Reformation. Although increasingly replaced by more modern forms, it remains the foundation of Anglican worship and a succinct expression of Anglican doctrine as received by its sixteenth and seventeenth-century authors. It is therefore a text to be treasured and used, both for its historical insight into the Church of England’s theological origins, and for its continued value as an enriching liturgical resource. In this Companion, Gerald Bray provides a practical guide to the 1662 text and its underlying doctrinal basis. Outlining its development from the first version of the prayer book in 1549, through the Elizabethan settlement and the upheaval of the civil war and protectorate, he shows that many of the liturgical controversies and debates we see today are nothing new. With the inclusion of a summary of the history of the text, and an extensive bibliography for further reading, A Companion to the Book of Common Prayer will unlock this seminal text for a fresh generation of worshippers.
Publisher: BoD – Books on Demand
ISBN: 0227179307
Category : Religion
Languages : en
Pages : 526
Book Description
The Book of Common Prayer stands as one of the greatest achievements of the English Reformation. Although increasingly replaced by more modern forms, it remains the foundation of Anglican worship and a succinct expression of Anglican doctrine as received by its sixteenth and seventeenth-century authors. It is therefore a text to be treasured and used, both for its historical insight into the Church of England’s theological origins, and for its continued value as an enriching liturgical resource. In this Companion, Gerald Bray provides a practical guide to the 1662 text and its underlying doctrinal basis. Outlining its development from the first version of the prayer book in 1549, through the Elizabethan settlement and the upheaval of the civil war and protectorate, he shows that many of the liturgical controversies and debates we see today are nothing new. With the inclusion of a summary of the history of the text, and an extensive bibliography for further reading, A Companion to the Book of Common Prayer will unlock this seminal text for a fresh generation of worshippers.
The Oxford Handbook of the History of the Early Modern Book in England
Author: Adam Smyth
Publisher: Oxford University Press
ISBN: 0198846231
Category : History
Languages : en
Pages : 769
Book Description
"How were books in early modern England made, circulated, sold, stored, read, marked, altered, preserved, and destroyed? The Oxford Handbook to the History of the Book in Early Modern England provides a stimulating account of the very newest work in the field, and an exploration of how new thinking might develop. Written by scholars working at the cutting-edge of the subject, from the UK and North America, the volume combines lucidity, scholarly expertise, intellectual precision, and an imaginative structure that will enable contributors to show why the history of the book matters. This volume analyses in a lively manner the nature and role of the book in early modern England, and also considers critically how we can talk about the history of book"--
Publisher: Oxford University Press
ISBN: 0198846231
Category : History
Languages : en
Pages : 769
Book Description
"How were books in early modern England made, circulated, sold, stored, read, marked, altered, preserved, and destroyed? The Oxford Handbook to the History of the Book in Early Modern England provides a stimulating account of the very newest work in the field, and an exploration of how new thinking might develop. Written by scholars working at the cutting-edge of the subject, from the UK and North America, the volume combines lucidity, scholarly expertise, intellectual precision, and an imaginative structure that will enable contributors to show why the history of the book matters. This volume analyses in a lively manner the nature and role of the book in early modern England, and also considers critically how we can talk about the history of book"--
Syrene Soundes
Author: Eleanor Chan
Publisher: Oxford University Press
ISBN: 0197748198
Category : Music
Languages : en
Pages : 426
Book Description
False relations remain one of the great enigmas of English Renaissance musical culture. Contemporary theoretical treatises explicitly discouraged their use, and yet these deliberate dissonances are hallmarks of English Renaissance music. Over the centuries they have accumulated a surfeit of subsequent connotations that have obscured how they once functioned, yet they have never been fully critically explored or elucidated in an English context. In Syrene Soundes, author Eleanor Chan excavates beneath strata of accumulated meanings to uncover the way that false relations delighted and confounded their original listeners and performers. The book offers a holistic investigation of the false relations phenomenon, examining the cultural, literary, visual, and material understanding of such dissonances in relation to the broader culture of incongruity, surprise and error, and metaphors of harmony that captured the imagination of the English in the sixteenth and seventeenth centuries. Chan argues that interdisciplinary angles can galvanise understanding of technical musical theoretical tropes like the false relation. She demonstrates that the false relation and its graphic ephemerality can productively be explored through the lens of English Renaissance visual culture and its idiosyncratic representational strategies. By anchoring it within the milieu of the English Reformation, burgeoning aspirations towards empire, and the increasing need for a self-fashioned collective English identity, Chan reveals that the false relation was key to the mythology of an inherited English tradition of music-making. Syrene Soundes concerns itself not just with the notes on the page, but with the way that they influenced the broader culture of the time, both as the performable music they represented, as the idea of music, and as the visual, inky marks they are made of. It provides an accessible introduction to false relations which will be of use to musicologists and non-music specialists alike. Ultimately, Chan argues for the value of integrated interdisciplinary analysis in exploring the musical culture of the English Renaissance and embraces the blurring of musical, visual, material, and literary forms of expression that fed contemporary understanding of music, harmony, and falseness.
Publisher: Oxford University Press
ISBN: 0197748198
Category : Music
Languages : en
Pages : 426
Book Description
False relations remain one of the great enigmas of English Renaissance musical culture. Contemporary theoretical treatises explicitly discouraged their use, and yet these deliberate dissonances are hallmarks of English Renaissance music. Over the centuries they have accumulated a surfeit of subsequent connotations that have obscured how they once functioned, yet they have never been fully critically explored or elucidated in an English context. In Syrene Soundes, author Eleanor Chan excavates beneath strata of accumulated meanings to uncover the way that false relations delighted and confounded their original listeners and performers. The book offers a holistic investigation of the false relations phenomenon, examining the cultural, literary, visual, and material understanding of such dissonances in relation to the broader culture of incongruity, surprise and error, and metaphors of harmony that captured the imagination of the English in the sixteenth and seventeenth centuries. Chan argues that interdisciplinary angles can galvanise understanding of technical musical theoretical tropes like the false relation. She demonstrates that the false relation and its graphic ephemerality can productively be explored through the lens of English Renaissance visual culture and its idiosyncratic representational strategies. By anchoring it within the milieu of the English Reformation, burgeoning aspirations towards empire, and the increasing need for a self-fashioned collective English identity, Chan reveals that the false relation was key to the mythology of an inherited English tradition of music-making. Syrene Soundes concerns itself not just with the notes on the page, but with the way that they influenced the broader culture of the time, both as the performable music they represented, as the idea of music, and as the visual, inky marks they are made of. It provides an accessible introduction to false relations which will be of use to musicologists and non-music specialists alike. Ultimately, Chan argues for the value of integrated interdisciplinary analysis in exploring the musical culture of the English Renaissance and embraces the blurring of musical, visual, material, and literary forms of expression that fed contemporary understanding of music, harmony, and falseness.
Liturgiae Britannicae, Or The Several Editions of the Book of Common Prayer of the Church of England, from Its Compilation to the Last Revision; Together with the Liturgy Set Forth for the Use of the Church of Scotland: Arranged to Shew Their Respective Variations
Author: William Keeling (B.D.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 532
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 532
Book Description
Liturgiæ Britannicæ, or the several editions of the Book of Common Prayer ... arranged to shew their respective variations ... By W. Keeling ... Second edition
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 514
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 514
Book Description
A General Catalogue of Books Offered to the Public at the Affixed Prices by Bernard Quaritch ...
Author:
Publisher:
ISBN:
Category : Booksellers' catalogs
Languages : en
Pages : 498
Book Description
Publisher:
ISBN:
Category : Booksellers' catalogs
Languages : en
Pages : 498
Book Description
The New Cambridge Bibliography of English Literature: Volume 1, 600-1660
Author: George Watson
Publisher: Cambridge University Press
ISBN: 9780521200042
Category : Language Arts & Disciplines
Languages : en
Pages : 1322
Book Description
More than fifty specialists have contributed to this new edition of volume 1 of The Cambridge Bibliography of English Literature. The design of the original work has established itself so firmly as a workable solution to the immense problems of analysis, articulation and coordination that it has been retained in all its essentials for the new edition. The task of the new contributors has been to revise and integrate the lists of 1940 and 1957, to add materials of the following decade, to correct and refine the bibliographical details already available, and to re-shape the whole according to a new series of conventions devised to give greater clarity and consistency to the entries.
Publisher: Cambridge University Press
ISBN: 9780521200042
Category : Language Arts & Disciplines
Languages : en
Pages : 1322
Book Description
More than fifty specialists have contributed to this new edition of volume 1 of The Cambridge Bibliography of English Literature. The design of the original work has established itself so firmly as a workable solution to the immense problems of analysis, articulation and coordination that it has been retained in all its essentials for the new edition. The task of the new contributors has been to revise and integrate the lists of 1940 and 1957, to add materials of the following decade, to correct and refine the bibliographical details already available, and to re-shape the whole according to a new series of conventions devised to give greater clarity and consistency to the entries.