Author: Sparrow
Publisher:
ISBN: 9781734503609
Category :
Languages : en
Pages :
Book Description
An inconsequential author and adjunct professor at Princeton University struggles to come to terms with his resentment, admiration, love, and hate for the world-renowned iconic author who is the star of the English department.
The Princeton Diary
Author: Sparrow
Publisher:
ISBN: 9781734503609
Category :
Languages : en
Pages :
Book Description
An inconsequential author and adjunct professor at Princeton University struggles to come to terms with his resentment, admiration, love, and hate for the world-renowned iconic author who is the star of the English department.
Publisher:
ISBN: 9781734503609
Category :
Languages : en
Pages :
Book Description
An inconsequential author and adjunct professor at Princeton University struggles to come to terms with his resentment, admiration, love, and hate for the world-renowned iconic author who is the star of the English department.
The Travel Diaries of Albert Einstein
Author: Albert Einstein
Publisher: Princeton University Press
ISBN: 1400889952
Category : Science
Languages : en
Pages : 378
Book Description
The first publication of Albert Einstein’s travel diary to the Far East and Middle East In the fall of 1922, Albert Einstein, along with his then-wife, Elsa Einstein, embarked on a five-and-a-half-month voyage to the Far East and Middle East, regions that the renowned physicist had never visited before. Einstein's lengthy itinerary consisted of stops in Hong Kong and Singapore, two brief stays in China, a six-week whirlwind lecture tour of Japan, a twelve-day tour of Palestine, and a three-week visit to Spain. This handsome edition makes available, for the first time, the complete journal that Einstein kept on this momentous journey. The telegraphic-style diary entries--quirky, succinct, and at times irreverent—record Einstein's musings on science, philosophy, art, and politics, as well as his immediate impressions and broader thoughts on such events as his inaugural lecture at the future site of the Hebrew University in Jerusalem, a garden party hosted by the Japanese Empress, an audience with the King of Spain, and meetings with other prominent colleagues and statesmen. Entries also contain passages that reveal Einstein's stereotyping of members of various nations and raise questions about his attitudes on race. This beautiful edition features stunning facsimiles of the diary's pages, accompanied by an English translation, an extensive historical introduction, numerous illustrations, and annotations. Supplementary materials include letters, postcards, speeches, and articles, a map of the voyage, a chronology, a bibliography, and an index. Einstein would go on to keep a journal for all succeeding trips abroad, and this first volume of his travel diaries offers an initial, intimate glimpse into a brilliant mind encountering the great, wide world.
Publisher: Princeton University Press
ISBN: 1400889952
Category : Science
Languages : en
Pages : 378
Book Description
The first publication of Albert Einstein’s travel diary to the Far East and Middle East In the fall of 1922, Albert Einstein, along with his then-wife, Elsa Einstein, embarked on a five-and-a-half-month voyage to the Far East and Middle East, regions that the renowned physicist had never visited before. Einstein's lengthy itinerary consisted of stops in Hong Kong and Singapore, two brief stays in China, a six-week whirlwind lecture tour of Japan, a twelve-day tour of Palestine, and a three-week visit to Spain. This handsome edition makes available, for the first time, the complete journal that Einstein kept on this momentous journey. The telegraphic-style diary entries--quirky, succinct, and at times irreverent—record Einstein's musings on science, philosophy, art, and politics, as well as his immediate impressions and broader thoughts on such events as his inaugural lecture at the future site of the Hebrew University in Jerusalem, a garden party hosted by the Japanese Empress, an audience with the King of Spain, and meetings with other prominent colleagues and statesmen. Entries also contain passages that reveal Einstein's stereotyping of members of various nations and raise questions about his attitudes on race. This beautiful edition features stunning facsimiles of the diary's pages, accompanied by an English translation, an extensive historical introduction, numerous illustrations, and annotations. Supplementary materials include letters, postcards, speeches, and articles, a map of the voyage, a chronology, a bibliography, and an index. Einstein would go on to keep a journal for all succeeding trips abroad, and this first volume of his travel diaries offers an initial, intimate glimpse into a brilliant mind encountering the great, wide world.
The Financial Diaries
Author: Jonathan Morduch
Publisher: Princeton University Press
ISBN: 0691183147
Category : Business & Economics
Languages : en
Pages : 0
Book Description
Drawing on the groundbreaking U.S. Financial Diaries project (http://www.usfinancialdiaries.org/), which follows the lives of 235 low- and middle-income families as they navigate through a year, the authors challenge popular assumptions about how Americans earn, spend, borrow, and save-- and they identify the true causes of distress and inequality for many working Americans.
Publisher: Princeton University Press
ISBN: 0691183147
Category : Business & Economics
Languages : en
Pages : 0
Book Description
Drawing on the groundbreaking U.S. Financial Diaries project (http://www.usfinancialdiaries.org/), which follows the lives of 235 low- and middle-income families as they navigate through a year, the authors challenge popular assumptions about how Americans earn, spend, borrow, and save-- and they identify the true causes of distress and inequality for many working Americans.
Chains of Love and Beauty
Author: Carolyn Dever
Publisher: Princeton University Press
ISBN: 0691264775
Category : History
Languages : en
Pages : 280
Book Description
Why a monumental diary by an aunt and niece who published poetry together as “Michael Field”—and who were partners and lovers for decades—is one of the great unknown works of late-Victorian and early modernist literature Michael Field, the renowned late-Victorian poet, was well known to be the pseudonym of Katharine Bradley (1846–1914) and her niece, Edith Cooper (1862–1913). Less well known is that for three decades, the women privately maintained a romantic relationship and kept a double diary, sharing the page as they shared a bed and eventually producing a 9,500-page, twenty-nine-volume story of love, life, and art in the fin de siècle. In Chains of Love and Beauty, the first book about the diary, Carolyn Dever makes the case for this work as a great unknown “novel” of the nineteenth century and as a bridge between George Eliot and Virginia Woolf, Victorian marriage plot and modernist experimentation. While Bradley and Cooper remained committed to publishing poetry under a single, male pseudonym, the diary, which they entitled Works and Days and hoped would be published after their deaths, allowed them to realize literary ambitions that were unfulfilled during their lifetime. The women also used the diary, which remains largely unpublished, to negotiate their art, desires, and frustrations, as well as their relationships with contemporary literary celebrities, including Robert Browning, Oscar Wilde, William Butler Yeats, and Walter Pater. Showing for the first time why Works and Days is a great experimental work of late-Victorian and early modernist writing, one that sheds startling new light on gender, sexuality, and authorship, Dever reveals how Bradley and Cooper wrote their shared life as art, and their art as life, on pages of intimacy that they wanted to share with the world.
Publisher: Princeton University Press
ISBN: 0691264775
Category : History
Languages : en
Pages : 280
Book Description
Why a monumental diary by an aunt and niece who published poetry together as “Michael Field”—and who were partners and lovers for decades—is one of the great unknown works of late-Victorian and early modernist literature Michael Field, the renowned late-Victorian poet, was well known to be the pseudonym of Katharine Bradley (1846–1914) and her niece, Edith Cooper (1862–1913). Less well known is that for three decades, the women privately maintained a romantic relationship and kept a double diary, sharing the page as they shared a bed and eventually producing a 9,500-page, twenty-nine-volume story of love, life, and art in the fin de siècle. In Chains of Love and Beauty, the first book about the diary, Carolyn Dever makes the case for this work as a great unknown “novel” of the nineteenth century and as a bridge between George Eliot and Virginia Woolf, Victorian marriage plot and modernist experimentation. While Bradley and Cooper remained committed to publishing poetry under a single, male pseudonym, the diary, which they entitled Works and Days and hoped would be published after their deaths, allowed them to realize literary ambitions that were unfulfilled during their lifetime. The women also used the diary, which remains largely unpublished, to negotiate their art, desires, and frustrations, as well as their relationships with contemporary literary celebrities, including Robert Browning, Oscar Wilde, William Butler Yeats, and Walter Pater. Showing for the first time why Works and Days is a great experimental work of late-Victorian and early modernist writing, one that sheds startling new light on gender, sexuality, and authorship, Dever reveals how Bradley and Cooper wrote their shared life as art, and their art as life, on pages of intimacy that they wanted to share with the world.
A Diary of Darkness
Author: Kiyosawa Kiyoshi
Publisher: Princeton University Press
ISBN: 0691140308
Category : History
Languages : en
Pages : 411
Book Description
A Diary of Darkness is one of the most important and compelling documents of wartime Japan. Between 1942 and 1945, the liberal journalist Kiyosawa Kiyoshi (1890-1945) kept at great personal risk a diary of his often subversive social and political observations and his personal struggles. The diary caused a sensation when it was published in Japan in 1948 and is today regarded as a classic. This is the first time it has appeared in English. Kiyosawa was an American-educated commentator on politics and foreign affairs who became increasingly isolated in Japan as militant nationalists rose to power. He began the diary as notes for a history of the war, but it soon became an "inadvertent autobiography" and a refuge for the bitter criticism of Japanese authoritarianism that he had to repress publicly. It chronicles growing bureaucratic control over everything from the press to people's clothing. Kiyosawa pours scorn on such leaders as Premiers Tojo and Koiso. He laments the rise of hysterical propaganda and relates his own and his friends' struggles to avoid arrest. He writes in gripping detail about increasing poverty, crime, and disorder. He records the sentiments of the local barber as faithfully as those of senior politicians. And all the while he traces the gradual disintegration of Japan's war effort and the looming certainty of defeat. A Diary of Darkness is a perceptive and courageous account of wartime Japan and a revealing record of the devastation wrought by total war.
Publisher: Princeton University Press
ISBN: 0691140308
Category : History
Languages : en
Pages : 411
Book Description
A Diary of Darkness is one of the most important and compelling documents of wartime Japan. Between 1942 and 1945, the liberal journalist Kiyosawa Kiyoshi (1890-1945) kept at great personal risk a diary of his often subversive social and political observations and his personal struggles. The diary caused a sensation when it was published in Japan in 1948 and is today regarded as a classic. This is the first time it has appeared in English. Kiyosawa was an American-educated commentator on politics and foreign affairs who became increasingly isolated in Japan as militant nationalists rose to power. He began the diary as notes for a history of the war, but it soon became an "inadvertent autobiography" and a refuge for the bitter criticism of Japanese authoritarianism that he had to repress publicly. It chronicles growing bureaucratic control over everything from the press to people's clothing. Kiyosawa pours scorn on such leaders as Premiers Tojo and Koiso. He laments the rise of hysterical propaganda and relates his own and his friends' struggles to avoid arrest. He writes in gripping detail about increasing poverty, crime, and disorder. He records the sentiments of the local barber as faithfully as those of senior politicians. And all the while he traces the gradual disintegration of Japan's war effort and the looming certainty of defeat. A Diary of Darkness is a perceptive and courageous account of wartime Japan and a revealing record of the devastation wrought by total war.
Murasaki Shikibu Shū
Author: Murasaki Shikibu
Publisher:
ISBN: 9780691014166
Category : Authors, Japanese
Languages : en
Pages : 290
Book Description
The Description for this book, Murasaki Shikibu: Her Diary and Poetic Memoirs, will be forthcoming.
Publisher:
ISBN: 9780691014166
Category : Authors, Japanese
Languages : en
Pages : 290
Book Description
The Description for this book, Murasaki Shikibu: Her Diary and Poetic Memoirs, will be forthcoming.
The China Diary of George H. W. Bush
Author: Jeffrey A. Engel
Publisher: Princeton University Press
ISBN: 1400829615
Category : History
Languages : en
Pages : 593
Book Description
Available in print for the first time, this day-by-day diary of George H. W. Bush's life in China opens a fascinating window into one of the most formative periods of his career. As head of the United States Liaison Office in Beijing from 1974 to 1975, Bush witnessed high-level policy deliberations and daily social interactions between the two Cold War superpowers. The China Diary of George H. W. Bush offers an intimate look at this fundamental period of international history, marks a monumental contribution to our understanding of U.S.-China relations, and sheds light on the ideals of a global president in the making. In compelling words, Bush reveals a thoughtful and pragmatic realism that would guide him for decades to come. He considers the crisis of Vietnam, the difficulties of détente, and tensions in the Middle East, while lamenting the global decline in American power. He formulates views on the importance of international alliances and personal diplomacy, as he struggles to form meaningful relationships with China's top leaders. With a critical eye for detail, he depicts key political figures, including Gerald Ford, Donald Rumsfeld, Deng Xiaoping, and the ever-difficult Henry Kissinger. Throughout, Bush offers impressions of China and its people, describing his explorations of Beijing by bicycle, and his experiences with Chinese food, language lessons, and Ping-Pong. Complete with a preface by George H. W. Bush, and an introduction and essay by Jeffrey Engel that place Bush's China experience in the broad context of his public career, The China Diary of George H. W. Bush offers an unmediated perspective on American diplomatic history, and explores a crucial period's impact on a future commander in chief.
Publisher: Princeton University Press
ISBN: 1400829615
Category : History
Languages : en
Pages : 593
Book Description
Available in print for the first time, this day-by-day diary of George H. W. Bush's life in China opens a fascinating window into one of the most formative periods of his career. As head of the United States Liaison Office in Beijing from 1974 to 1975, Bush witnessed high-level policy deliberations and daily social interactions between the two Cold War superpowers. The China Diary of George H. W. Bush offers an intimate look at this fundamental period of international history, marks a monumental contribution to our understanding of U.S.-China relations, and sheds light on the ideals of a global president in the making. In compelling words, Bush reveals a thoughtful and pragmatic realism that would guide him for decades to come. He considers the crisis of Vietnam, the difficulties of détente, and tensions in the Middle East, while lamenting the global decline in American power. He formulates views on the importance of international alliances and personal diplomacy, as he struggles to form meaningful relationships with China's top leaders. With a critical eye for detail, he depicts key political figures, including Gerald Ford, Donald Rumsfeld, Deng Xiaoping, and the ever-difficult Henry Kissinger. Throughout, Bush offers impressions of China and its people, describing his explorations of Beijing by bicycle, and his experiences with Chinese food, language lessons, and Ping-Pong. Complete with a preface by George H. W. Bush, and an introduction and essay by Jeffrey Engel that place Bush's China experience in the broad context of his public career, The China Diary of George H. W. Bush offers an unmediated perspective on American diplomatic history, and explores a crucial period's impact on a future commander in chief.
The Seducer's Diary
Author: Soren Kierkegaard
Publisher: Penguin UK
ISBN: 0141032812
Category : Fiction
Languages : en
Pages : 148
Book Description
Johannes is an aesthete, dedicated to creating the possibility of seduction through the careful manipulation of young women. He stealthily pursues the innocent Cordelia until she becomes increasingly drawn to him. But when she is ready to give herself completely, she realizes she may have got everything wrong. United by the theme of love, the writings in the Great Loves series span over two thousand years and vastly different worlds. Readers will be introduced to love�s endlessly fascinating possibilities and extremities: romantic love, platonic love, erotic love, gay love, virginal love, adulterous love, parental love, filial love, nostalgic love, unrequited love, illicit love, not to mention lost love, twisted and obsessional love�.
Publisher: Penguin UK
ISBN: 0141032812
Category : Fiction
Languages : en
Pages : 148
Book Description
Johannes is an aesthete, dedicated to creating the possibility of seduction through the careful manipulation of young women. He stealthily pursues the innocent Cordelia until she becomes increasingly drawn to him. But when she is ready to give herself completely, she realizes she may have got everything wrong. United by the theme of love, the writings in the Great Loves series span over two thousand years and vastly different worlds. Readers will be introduced to love�s endlessly fascinating possibilities and extremities: romantic love, platonic love, erotic love, gay love, virginal love, adulterous love, parental love, filial love, nostalgic love, unrequited love, illicit love, not to mention lost love, twisted and obsessional love�.
The Private Science of Louis Pasteur
Author: Gerald L. Geison
Publisher: Princeton University Press
ISBN: 1400864089
Category : Science
Languages : en
Pages : 417
Book Description
In The Private Science of Louis Pasteur, Gerald Geison has written a controversial biography that finally penetrates the secrecy that has surrounded much of this legendary scientist's laboratory work. Geison uses Pasteur's laboratory notebooks, made available only recently, and his published papers to present a rich and full account of some of the most famous episodes in the history of science and their darker sides--for example, Pasteur's rush to develop the rabies vaccine and the human risks his haste entailed. The discrepancies between the public record and the "private science" of Louis Pasteur tell us as much about the man as they do about the highly competitive and political world he learned to master. Although experimental ingenuity served Pasteur well, he also owed much of his success to the polemical virtuosity and political savvy that won him unprecedented financial support from the French state during the late nineteenth century. But a close look at his greatest achievements raises ethical issues. In the case of Pasteur's widely publicized anthrax vaccine, Geison reveals its initial defects and how Pasteur, in order to avoid embarrassment, secretly incorporated a rival colleague's findings to make his version of the vaccine work. Pasteur's premature decision to apply his rabies treatment to his first animal-bite victims raises even deeper questions and must be understood not only in terms of the ethics of human experimentation and scientific method, but also in light of Pasteur's shift from a biological theory of immunity to a chemical theory--similar to ones he had often disparaged when advanced by his competitors. Through his vivid reconstruction of the professional rivalries as well as the national adulation that surrounded Pasteur, Geison places him in his wider cultural context. In giving Pasteur the close scrutiny his fame and achievements deserve, Geison's book offers compelling reading for anyone interested in the social and ethical dimensions of science. Originally published in 1995. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Publisher: Princeton University Press
ISBN: 1400864089
Category : Science
Languages : en
Pages : 417
Book Description
In The Private Science of Louis Pasteur, Gerald Geison has written a controversial biography that finally penetrates the secrecy that has surrounded much of this legendary scientist's laboratory work. Geison uses Pasteur's laboratory notebooks, made available only recently, and his published papers to present a rich and full account of some of the most famous episodes in the history of science and their darker sides--for example, Pasteur's rush to develop the rabies vaccine and the human risks his haste entailed. The discrepancies between the public record and the "private science" of Louis Pasteur tell us as much about the man as they do about the highly competitive and political world he learned to master. Although experimental ingenuity served Pasteur well, he also owed much of his success to the polemical virtuosity and political savvy that won him unprecedented financial support from the French state during the late nineteenth century. But a close look at his greatest achievements raises ethical issues. In the case of Pasteur's widely publicized anthrax vaccine, Geison reveals its initial defects and how Pasteur, in order to avoid embarrassment, secretly incorporated a rival colleague's findings to make his version of the vaccine work. Pasteur's premature decision to apply his rabies treatment to his first animal-bite victims raises even deeper questions and must be understood not only in terms of the ethics of human experimentation and scientific method, but also in light of Pasteur's shift from a biological theory of immunity to a chemical theory--similar to ones he had often disparaged when advanced by his competitors. Through his vivid reconstruction of the professional rivalries as well as the national adulation that surrounded Pasteur, Geison places him in his wider cultural context. In giving Pasteur the close scrutiny his fame and achievements deserve, Geison's book offers compelling reading for anyone interested in the social and ethical dimensions of science. Originally published in 1995. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
The Diaries of Emilio Renzi: A Day in the Life
Author: Ricardo Piglia
Publisher: Restless Books
ISBN: 1632060485
Category : Fiction
Languages : en
Pages : 449
Book Description
Sixty years in the making and the capstone of a monumental literary career, The Diaries of Emilio Renzi: A Day in the Life is the final volume of the autobiographical trilogy from the author who is considered Borges’ heir and the vanguard of the Post-Boom generation of Latin American literature. Emilio Renzi, Piglia’s literary alter ego, navigates the tumultuous ups and downs of a post-Peronist Argentina filled with political unrest, economic instability, and a burgeoning literary scene ready to make its mark on the rest of the world. How could we define a perfect day? Maybe it would be better to say: how could I narrate a perfect day? Is that why I write a diary? To capture—or reread—one of those days of unexpected happiness? The final installment of Ricardo Piglia’s lifelong compilation of journals completes the seemingly impossible project of documenting the entire life of a writer. A Day in the Life picks up the thread of Piglia’s life in the 1980s until his death from ALS in 2017. Emilio Renzi, Piglia’s literary alter ego, navigates the tumultuous ups and downs of a post-Peronist Argentina filled with political unrest, economic instability, and a burgeoning literary scene ready to make its mark on the rest of the world and escape the shadows of legendary authors Jorge Luis Borges and Roberto Arlt. Renzi’s peripatetic, drinking, philandering ways don’t abate as he grows older, and we’re exposed to the intrinsic insecurities that continually plague him even as fate tips in his favor and he goes on to win international literary prizes and becomes professor emeritus of Princeton University. His literary success is marred only by the disappointments and tragedies of his personal life as he deals with the death of friends and family, failed relationships, and the constant pecuniary struggles of a writer trying to live solely on his ability to produce art. The final sections of this ambitious project intimately trace the deterioration of Piglia’s body after his diagnosis: My right hand is heavy and uncooperative but I can still write. When I can no longer…. The crowning achievement of a prolific, internationally acclaimed author, this third volume cements Ricardo Piglia’s position as one of the most influential Latin American authors of the last century. Praise for The Diaries of Emilio Renzi: A Day in the Life: “[A] posthumous autobiographical masterpiece…. [P]rofoundly moving. A meditation on both the accumulation and ephemerality of time, Piglia’s final work is a brilliant addition to world literature.” —Publishers Weekly, Starred Review “Filled with literary aperçus and fragments of history: an elegant, affecting close to a masterwork.” —Kirkus Reviews, Starred Review Praise for The Diaries of Emilio Renzi: “Splendidly crafted and interspliced with essays and stories, this beguiling work is to a diary as Piglia is to ‘Emilio Renzi’: a lifelong alter ego, a highly self-conscious shadow volume that brings to bear all of Piglia’s prowess as it illuminates his process of critical reading and the inevitable tensions between art and life. Amid meeting redheads at bars, he dissects styles and structures with a surgeon’s precision, turning his gaze on a range of writers, from Plato to Dashiell Hammett, returning time and again to Pavese, Faulkner, Dostoyevsky, Arlt and Borges. Chock-full of lists of books and films he consumed in those voracious early years of call girls, carbon paper, amphetamines and Heidegger, this is an embarrassment of riches — by turns an inspiring master class in narrative analysis, an accounting of the pesos left in his pockets and a novel of Piglia’s grandfather (named Emilio, natch) with his archive of World War I materials pilfered from Italian corpses…. No previous familiarity with Piglia’s work is needed to appreciate these bibliophilic diaries, adroitly repurposed through a dexterous game of representation and masks that speaks volumes of the role of the artist in society, the artist in his time, the artist in his tradition.” —Mara Faye Lethem, The New York Times Book Review “For the past few years, every Latin American novelist I know has been telling me how lavish, how grand, how transformative was the Argentinian novelist Ricardo Piglia’s final project, a fictional journal in three volumes, Los diarios de Emilio Renzi—Renzi being Piglia’s fictional alter ego. And now here at last is the first volume in English, The Diaries of Emilio Renzi: Formative Years, translated by Robert Croll. It’s something to be celebrated… [It] offer[s] one form of resistance to encroaching fascism: style.” —Adam Thirlwell, BookForum, The Best Books of 2017 “[A] masterpiece…. everything written by Ricardo Piglia, which we read as intellectual fabrications and narrated theories, was partially or entirely lived by Emilio Renzi. The visible, cerebral chronicles hid a secret history that was flesh and bones.” —Jorge Carrión, The New York Times “A valediction from the noted Argentine writer, known for bringing the conventions of hard-boiled U.S. crime drama into Latin American literature...Fans of Cortázar, Donoso, and Gabriel García Márquez will find these to be eminently worthy last words from Piglia." —Kirkus Reviews, Starred Review “When young Ricardo Piglia wrote the first pages of his diaries, which he would work on until the last years of his life, did he have any inkling that they would become a lesson in literary genius and the culmination of one of the greatest works of Argentine literature?” —Samanta Schweblin, author of Fever Dream “Ricardo Piglia, who passed away earlier this year at age seventy-five, is celebrated as one of the giants of Argentine literature, a rightful heir to legends like Borges, Cortázar, Juan Jose Saer, and Roberto Arlt. The Diaries of Emilio Renzi is his life's work...An American equivalent might be if Philip Roth now began publishing a massive, multi-volume autobiography in the guise of Nathan Zuckerman…It is truly a great work...This is a fantastic, very rewarding read—it seems that Piglia has found a form that can admit everything he has to say about his life, and it is a true pleasure to take it in.” —Veronica Esposito, BOMB Magazine “In 1957, Argentinian writer Ricardo Piglia started to write what would become 327 notebooks filled with the thoughts of his alter ego, Emilio Renzi. Piglia’s final literary act before his death in January 2017 was to organize and publish these works as Renzi’s diaries. Formative Years, the first of three volumes, covers the years 1957 to 1967, detailing Renzi’s development into a central figure of Argentine literary culture. In epigrammatic diary entries filled with memorable observations, Piglia details Renzi’s political education, relationships, views on Argentinian politics, and experiences during this remarkably productive era of Latin American fiction. As a fictionalized autobiography, it is, like the work of Karl Ove Knausgaard, of My Struggle fame, part confession and part performance. Renzi meets and corresponds with literary luminaries like Borges, Cortázar, and Márquez, and offers insightful readings of Dostoevsky, Kafka, Faulkner, and Joyce. Ilan Stavans (Quixote: The Novel and the World, 2015) provides a wonderfully informative introduction. Fans of W.G. Sebald and Roberto Bolaño will find the first installment in Piglia’s trilogy to be a fascinating portrait of a writer’s life.” —Alexander Moran, Booklist "Here through the Boom and Bolaño breech storms Ricardo Piglia, not just a great Latin American writer but a great writer of the American continent. Composed across his entire career, The Diaries of Emilio Renzi is Piglia's secret story of his shadow self—a book of disquiet and love and literary obsession that blurs the distinctness of each and the other." —Hal Hlavinka, Community Bookstore (Brooklyn, NY) “In this fictionalized autobiography, Piglia’s ability to succinctly criticize and contextualize major writers from Kafka to Flannery O’Connor is astounding, and the scattering of those insights throughout this diary are a joy to read. This book is essential reading for writers.” —Publishers Weekly “The Diaries of Emilio Renzi is a rare glimpse into the heart of twentieth-century Latin American literature, with the inimitable Ricardo Piglia as tour guide. More than just a traditional diary, Renzi is an illuminating voyage into the hearts of books and writers and history. An inspiring work and an important achievement.” —Mark Haber, Brazos Bookstore (Houston, TX) “The great Argentine writer…. In a career that spanned four decades, during which he became one of Latin America’s most distinctive literary voices.” —Alejandro Chacoff, The New Yorker “The Diaries of Emilio Renzi continue to be a fascinating literary-autobiographical experiment ... and, especially, a wonderful immersion in literature itself. Of particular interest in showing the transition of Latin American (and specifically Argentine) literature—no longer: ‘out of sync, behind, out of place’—Piglia's range extends far beyond that too. Yes, most of this is presumably mainly of interest to the similarly literature-obsessed—but Piglia makes it hard to imagine who wouldn't be.” — M. A. Orthofer, The Complete Review
Publisher: Restless Books
ISBN: 1632060485
Category : Fiction
Languages : en
Pages : 449
Book Description
Sixty years in the making and the capstone of a monumental literary career, The Diaries of Emilio Renzi: A Day in the Life is the final volume of the autobiographical trilogy from the author who is considered Borges’ heir and the vanguard of the Post-Boom generation of Latin American literature. Emilio Renzi, Piglia’s literary alter ego, navigates the tumultuous ups and downs of a post-Peronist Argentina filled with political unrest, economic instability, and a burgeoning literary scene ready to make its mark on the rest of the world. How could we define a perfect day? Maybe it would be better to say: how could I narrate a perfect day? Is that why I write a diary? To capture—or reread—one of those days of unexpected happiness? The final installment of Ricardo Piglia’s lifelong compilation of journals completes the seemingly impossible project of documenting the entire life of a writer. A Day in the Life picks up the thread of Piglia’s life in the 1980s until his death from ALS in 2017. Emilio Renzi, Piglia’s literary alter ego, navigates the tumultuous ups and downs of a post-Peronist Argentina filled with political unrest, economic instability, and a burgeoning literary scene ready to make its mark on the rest of the world and escape the shadows of legendary authors Jorge Luis Borges and Roberto Arlt. Renzi’s peripatetic, drinking, philandering ways don’t abate as he grows older, and we’re exposed to the intrinsic insecurities that continually plague him even as fate tips in his favor and he goes on to win international literary prizes and becomes professor emeritus of Princeton University. His literary success is marred only by the disappointments and tragedies of his personal life as he deals with the death of friends and family, failed relationships, and the constant pecuniary struggles of a writer trying to live solely on his ability to produce art. The final sections of this ambitious project intimately trace the deterioration of Piglia’s body after his diagnosis: My right hand is heavy and uncooperative but I can still write. When I can no longer…. The crowning achievement of a prolific, internationally acclaimed author, this third volume cements Ricardo Piglia’s position as one of the most influential Latin American authors of the last century. Praise for The Diaries of Emilio Renzi: A Day in the Life: “[A] posthumous autobiographical masterpiece…. [P]rofoundly moving. A meditation on both the accumulation and ephemerality of time, Piglia’s final work is a brilliant addition to world literature.” —Publishers Weekly, Starred Review “Filled with literary aperçus and fragments of history: an elegant, affecting close to a masterwork.” —Kirkus Reviews, Starred Review Praise for The Diaries of Emilio Renzi: “Splendidly crafted and interspliced with essays and stories, this beguiling work is to a diary as Piglia is to ‘Emilio Renzi’: a lifelong alter ego, a highly self-conscious shadow volume that brings to bear all of Piglia’s prowess as it illuminates his process of critical reading and the inevitable tensions between art and life. Amid meeting redheads at bars, he dissects styles and structures with a surgeon’s precision, turning his gaze on a range of writers, from Plato to Dashiell Hammett, returning time and again to Pavese, Faulkner, Dostoyevsky, Arlt and Borges. Chock-full of lists of books and films he consumed in those voracious early years of call girls, carbon paper, amphetamines and Heidegger, this is an embarrassment of riches — by turns an inspiring master class in narrative analysis, an accounting of the pesos left in his pockets and a novel of Piglia’s grandfather (named Emilio, natch) with his archive of World War I materials pilfered from Italian corpses…. No previous familiarity with Piglia’s work is needed to appreciate these bibliophilic diaries, adroitly repurposed through a dexterous game of representation and masks that speaks volumes of the role of the artist in society, the artist in his time, the artist in his tradition.” —Mara Faye Lethem, The New York Times Book Review “For the past few years, every Latin American novelist I know has been telling me how lavish, how grand, how transformative was the Argentinian novelist Ricardo Piglia’s final project, a fictional journal in three volumes, Los diarios de Emilio Renzi—Renzi being Piglia’s fictional alter ego. And now here at last is the first volume in English, The Diaries of Emilio Renzi: Formative Years, translated by Robert Croll. It’s something to be celebrated… [It] offer[s] one form of resistance to encroaching fascism: style.” —Adam Thirlwell, BookForum, The Best Books of 2017 “[A] masterpiece…. everything written by Ricardo Piglia, which we read as intellectual fabrications and narrated theories, was partially or entirely lived by Emilio Renzi. The visible, cerebral chronicles hid a secret history that was flesh and bones.” —Jorge Carrión, The New York Times “A valediction from the noted Argentine writer, known for bringing the conventions of hard-boiled U.S. crime drama into Latin American literature...Fans of Cortázar, Donoso, and Gabriel García Márquez will find these to be eminently worthy last words from Piglia." —Kirkus Reviews, Starred Review “When young Ricardo Piglia wrote the first pages of his diaries, which he would work on until the last years of his life, did he have any inkling that they would become a lesson in literary genius and the culmination of one of the greatest works of Argentine literature?” —Samanta Schweblin, author of Fever Dream “Ricardo Piglia, who passed away earlier this year at age seventy-five, is celebrated as one of the giants of Argentine literature, a rightful heir to legends like Borges, Cortázar, Juan Jose Saer, and Roberto Arlt. The Diaries of Emilio Renzi is his life's work...An American equivalent might be if Philip Roth now began publishing a massive, multi-volume autobiography in the guise of Nathan Zuckerman…It is truly a great work...This is a fantastic, very rewarding read—it seems that Piglia has found a form that can admit everything he has to say about his life, and it is a true pleasure to take it in.” —Veronica Esposito, BOMB Magazine “In 1957, Argentinian writer Ricardo Piglia started to write what would become 327 notebooks filled with the thoughts of his alter ego, Emilio Renzi. Piglia’s final literary act before his death in January 2017 was to organize and publish these works as Renzi’s diaries. Formative Years, the first of three volumes, covers the years 1957 to 1967, detailing Renzi’s development into a central figure of Argentine literary culture. In epigrammatic diary entries filled with memorable observations, Piglia details Renzi’s political education, relationships, views on Argentinian politics, and experiences during this remarkably productive era of Latin American fiction. As a fictionalized autobiography, it is, like the work of Karl Ove Knausgaard, of My Struggle fame, part confession and part performance. Renzi meets and corresponds with literary luminaries like Borges, Cortázar, and Márquez, and offers insightful readings of Dostoevsky, Kafka, Faulkner, and Joyce. Ilan Stavans (Quixote: The Novel and the World, 2015) provides a wonderfully informative introduction. Fans of W.G. Sebald and Roberto Bolaño will find the first installment in Piglia’s trilogy to be a fascinating portrait of a writer’s life.” —Alexander Moran, Booklist "Here through the Boom and Bolaño breech storms Ricardo Piglia, not just a great Latin American writer but a great writer of the American continent. Composed across his entire career, The Diaries of Emilio Renzi is Piglia's secret story of his shadow self—a book of disquiet and love and literary obsession that blurs the distinctness of each and the other." —Hal Hlavinka, Community Bookstore (Brooklyn, NY) “In this fictionalized autobiography, Piglia’s ability to succinctly criticize and contextualize major writers from Kafka to Flannery O’Connor is astounding, and the scattering of those insights throughout this diary are a joy to read. This book is essential reading for writers.” —Publishers Weekly “The Diaries of Emilio Renzi is a rare glimpse into the heart of twentieth-century Latin American literature, with the inimitable Ricardo Piglia as tour guide. More than just a traditional diary, Renzi is an illuminating voyage into the hearts of books and writers and history. An inspiring work and an important achievement.” —Mark Haber, Brazos Bookstore (Houston, TX) “The great Argentine writer…. In a career that spanned four decades, during which he became one of Latin America’s most distinctive literary voices.” —Alejandro Chacoff, The New Yorker “The Diaries of Emilio Renzi continue to be a fascinating literary-autobiographical experiment ... and, especially, a wonderful immersion in literature itself. Of particular interest in showing the transition of Latin American (and specifically Argentine) literature—no longer: ‘out of sync, behind, out of place’—Piglia's range extends far beyond that too. Yes, most of this is presumably mainly of interest to the similarly literature-obsessed—but Piglia makes it hard to imagine who wouldn't be.” — M. A. Orthofer, The Complete Review