Author: Charles Runyon
Publisher: Simon and Schuster
ISBN: 1440539022
Category : Fiction
Languages : en
Pages : 261
Book Description
Accidents happen, but the town of Sherman seems to have more than its fair share of the fatal kind. Someone falls into a well, another drowns, another is killed by an exploding stove. Curt Friedland comes back to town to clear his brother of murder, convinced there is more to all these deaths than mere coincidence. Enlisting the aid of Velda, whose sister was supposedly murdered by Curt's brother, the two of them gradually begin to attract the attention of a very ingenious killer, a man well versed in the game of Death.
The Prettiest Girl I Ever Killed
Author: Charles Runyon
Publisher: Simon and Schuster
ISBN: 1440539022
Category : Fiction
Languages : en
Pages : 261
Book Description
Accidents happen, but the town of Sherman seems to have more than its fair share of the fatal kind. Someone falls into a well, another drowns, another is killed by an exploding stove. Curt Friedland comes back to town to clear his brother of murder, convinced there is more to all these deaths than mere coincidence. Enlisting the aid of Velda, whose sister was supposedly murdered by Curt's brother, the two of them gradually begin to attract the attention of a very ingenious killer, a man well versed in the game of Death.
Publisher: Simon and Schuster
ISBN: 1440539022
Category : Fiction
Languages : en
Pages : 261
Book Description
Accidents happen, but the town of Sherman seems to have more than its fair share of the fatal kind. Someone falls into a well, another drowns, another is killed by an exploding stove. Curt Friedland comes back to town to clear his brother of murder, convinced there is more to all these deaths than mere coincidence. Enlisting the aid of Velda, whose sister was supposedly murdered by Curt's brother, the two of them gradually begin to attract the attention of a very ingenious killer, a man well versed in the game of Death.
Pretty Girls
Author: Karin Slaughter
Publisher: HarperCollins
ISBN: 006242906X
Category : Fiction
Languages : en
Pages : 527
Book Description
Lee Child says it’s “stunning… certain to be a book of the year.” Kathy Reichs calls it “extraordinary… a major achievement.” Gillian Flynn says of Karin Slaughter: “I’d follow her anywhere.” Sisters. Strangers. Survivors. More than twenty years ago, Claire and Lydia’s teenaged sister Julia vanished without a trace. The two women have not spoken since, and now their lives could not be more different. Claire is the glamorous trophy wife of an Atlanta millionaire. Lydia, a single mother, dates an ex-con and struggles to make ends meet. But neither has recovered from the horror and heartbreak of their shared loss—a devastating wound that's cruelly ripped open when Claire's husband is killed. The disappearance of a teenage girl and the murder of a middle-aged man, almost a quarter-century apart: what could connect them? Forming a wary truce, the surviving sisters look to the past to find the truth, unearthing the secrets that destroyed their family all those years ago . . . and uncovering the possibility of redemption, and revenge, where they least expect it. Powerful, poignant, and utterly gripping, packed with indelible characters and unforgettable twists, Pretty Girls is a masterful novel from one of the finest writers working today.
Publisher: HarperCollins
ISBN: 006242906X
Category : Fiction
Languages : en
Pages : 527
Book Description
Lee Child says it’s “stunning… certain to be a book of the year.” Kathy Reichs calls it “extraordinary… a major achievement.” Gillian Flynn says of Karin Slaughter: “I’d follow her anywhere.” Sisters. Strangers. Survivors. More than twenty years ago, Claire and Lydia’s teenaged sister Julia vanished without a trace. The two women have not spoken since, and now their lives could not be more different. Claire is the glamorous trophy wife of an Atlanta millionaire. Lydia, a single mother, dates an ex-con and struggles to make ends meet. But neither has recovered from the horror and heartbreak of their shared loss—a devastating wound that's cruelly ripped open when Claire's husband is killed. The disappearance of a teenage girl and the murder of a middle-aged man, almost a quarter-century apart: what could connect them? Forming a wary truce, the surviving sisters look to the past to find the truth, unearthing the secrets that destroyed their family all those years ago . . . and uncovering the possibility of redemption, and revenge, where they least expect it. Powerful, poignant, and utterly gripping, packed with indelible characters and unforgettable twists, Pretty Girls is a masterful novel from one of the finest writers working today.
Everyone in This Room Will Someday Be Dead
Author: Emily Austin
Publisher: Simon and Schuster
ISBN: 1982167351
Category : FICTION
Languages : en
Pages : 256
Book Description
"Gilda, a twenty-something, atheist, animal-loving lesbian, cannot stop ruminating about death. Desperate for relief from her panicky mind and alienated from her repressive family, she responds to a flyer for free therapy at a local Catholic church, and finds herself being greeted by Father Jeff, who assumes she's there for a job interview. Too embarrassed to correct him, Gilda is abruptly hired to replace the recently deceased receptionist Grace. In between trying to memorize the lines to Catholic mass, hiding the fact that she has a new girlfriend, and erecting a dirty dish tower in her crumbling apartment, Gilda strikes up an email correspondence with Grace's old friend. She can't bear to ignore the kindly old woman, who has been trying to reach her friend through the church inbox, but she also can't bring herself to break the bad news. Desperate, she begins impersonating Grace via email. But when the police discover suspicious circumstances surrounding Grace's death, Gilda may have to finally reveal the truth of her mortifying existence."--Amazon.
Publisher: Simon and Schuster
ISBN: 1982167351
Category : FICTION
Languages : en
Pages : 256
Book Description
"Gilda, a twenty-something, atheist, animal-loving lesbian, cannot stop ruminating about death. Desperate for relief from her panicky mind and alienated from her repressive family, she responds to a flyer for free therapy at a local Catholic church, and finds herself being greeted by Father Jeff, who assumes she's there for a job interview. Too embarrassed to correct him, Gilda is abruptly hired to replace the recently deceased receptionist Grace. In between trying to memorize the lines to Catholic mass, hiding the fact that she has a new girlfriend, and erecting a dirty dish tower in her crumbling apartment, Gilda strikes up an email correspondence with Grace's old friend. She can't bear to ignore the kindly old woman, who has been trying to reach her friend through the church inbox, but she also can't bring herself to break the bad news. Desperate, she begins impersonating Grace via email. But when the police discover suspicious circumstances surrounding Grace's death, Gilda may have to finally reveal the truth of her mortifying existence."--Amazon.
The Little Friend
Author: Donna Tartt
Publisher: Vintage
ISBN: 030787348X
Category : Fiction
Languages : en
Pages : 642
Book Description
NATIONAL BESTSELLER • From the Pulitzer Prize-winning author of The Goldfinch comes an utterly riveting novel set in Mississippi of childhood, innocence, and evil. • “Destined to become a special kind of classic.” —The New York Times Book Review The setting is Alexandria, Mississippi, where one Mother’s Day a little boy named Robin Cleve Dufresnes was found hanging from a tree in his parents’ yard. Twelve years later Robin’s murder is still unsolved and his family remains devastated. So it is that Robin’s sister Harriet—unnervingly bright, insufferably determined, and unduly influenced by the fiction of Kipling and Robert Louis Stevenson--sets out to unmask his killer. Aided only by her worshipful friend Hely, Harriet crosses her town’s rigid lines of race and caste and burrows deep into her family’s history of loss. Filled with hairpin turns of plot and “a bustling, ridiculous humanity worthy of Dickens” (The New York Times Book Review), The Little Friend is a work of myriad enchantments by a writer of prodigious talent.
Publisher: Vintage
ISBN: 030787348X
Category : Fiction
Languages : en
Pages : 642
Book Description
NATIONAL BESTSELLER • From the Pulitzer Prize-winning author of The Goldfinch comes an utterly riveting novel set in Mississippi of childhood, innocence, and evil. • “Destined to become a special kind of classic.” —The New York Times Book Review The setting is Alexandria, Mississippi, where one Mother’s Day a little boy named Robin Cleve Dufresnes was found hanging from a tree in his parents’ yard. Twelve years later Robin’s murder is still unsolved and his family remains devastated. So it is that Robin’s sister Harriet—unnervingly bright, insufferably determined, and unduly influenced by the fiction of Kipling and Robert Louis Stevenson--sets out to unmask his killer. Aided only by her worshipful friend Hely, Harriet crosses her town’s rigid lines of race and caste and burrows deep into her family’s history of loss. Filled with hairpin turns of plot and “a bustling, ridiculous humanity worthy of Dickens” (The New York Times Book Review), The Little Friend is a work of myriad enchantments by a writer of prodigious talent.
The Story of the Lost Child
Author: Elena Ferrante
Publisher: Text Publishing
ISBN: 1922253278
Category : Fiction
Languages : en
Pages : 473
Book Description
The Story of the Lost Child is the long-awaited fourth volume in the Neapolitan novels (My Brilliant Friend, The Story of a New Name, Those Who Leave and Those Who Stay). The quartet traces the friendship between Elena and Lila, from their childhood in a poor neighbourhood in Naples, to their thirties, when both women are mothers but each has chosen a different path. Their lives are still inextricably linked, for better or worse, especially when it comes to the drama of a lost child. Elena Ferrante was born in Naples. She is the author of seven novels: The Days of Abandonment, Troubling Love, The Lost Daughter, and the quartet of Neapolitan novels: My Brilliant Friend, The Story of a New Name, Those Who Leave and Those Who Stay, and The Story of the Lost Child. Frantugmalia, a selection of interviews, letters and occasional writings by Ferrante, will be published in 2016. She is one of Italy’s most acclaimed authors. Ann Goldstein has translated all of Elena Ferrante’s work. She is an editor at the New Yorker and a recipient of the PEN Renato Poggioli Translation Prize. Praise for Ferrante and the Neapolitan novels ‘[Ferrante’s] charting of the rivalries and sheer inscrutability of female friendship is raw. This is high stakes, subversive literature.’ Sunday Telegraph ‘Ferrante is an expert above all at the rhythm of plotting...Whether it’s work, family, friends or sex–and Ferrante, perhaps thanks to her anonymity as an author, is blisteringly good on bad sex–our greatest mistakes in life aren’t isolated acts; we rehearse them over and over until we get them as badly wrong as we can.’ Independent ‘Great novels are intelligent far beyond the powers of any character or writer or individual reader, as are great friendships, in their way. These wonderful books sit at the heart of that mystery, with the warmth and power of both.’ Harper’s ‘Elena Ferrante is one of the great novelists of our time. Her voice is passionate, her view sweeping and her gaze basilisk...In these bold, gorgeous, relentless novels, Ferrante traces the deep connections between the political and the domestic. This is a new version of the way we live now—one we need, one told brilliantly, by a woman.’ New York Times Sunday Book Review ‘When I read [the Neapolitan novels] I find that I never want to stop. I feel vexed by the obstacles—my job, or acquaintances on the subway—that threaten to keep me apart from the books. I mourn separations (a year until the next one—how?). I am propelled by a ravenous will to keep going.’ New Yorker ‘The best thing I’ve read this year, far and away...She puts most other writing at the moment in the shade. She’s marvellous.’ Richard Flanagan ‘The Neapolitan series stands as a testament to the ability of great literature to challenge, flummox, enrage and excite as it entertains.’ Sydney Morning Herald ‘The depth of perception Ms. Ferrante shows about her character’s conflicts and psychological states is astonishing...Her novels ring so true and are written with such empathy that they sound confessional.’ Wall Street Journal ‘The older you get, the harder it is to recapture the intoxicating sense of discovery that comes when you first read George Eliot, Nabokov, Tolstoy or Colette. But this year it came again when I read Elena Ferrante’s remarkable Neapolitan novels.’ Jane Shilling, New Statesman ‘There is nothing remotely tiring or trying about the experience of reading the Neapolitan novels, which I, and a great many others, now rank among our greatest book-related pleasures...it is writing that holds honesty dear.’ Weekend Australian ‘Dickens gave working people a voice. Ferrante, whoever she might be, presents a new paradigm for being female in the world...Ferrante’s great literary creations, Lenu and Lila, have the same emotional weight as Anne in Persuasion, Jo in Little Women, Maggie in The Mill on the Floss, Jane in Jane Eyre.’ Helen Elliott in the Monthly ‘This stunning conclusion further solidifies the Neapolitan novels as Ferrante’s masterpiece and guarantees that this reclusive author will remain far from obscure for years to come.’ Publishers Weekly ‘The Neapolitan novels are smart, thoughtful, serious literature. At the same time, they are violent, suspenseful soap operas populated with a vivid cast of scheming characters...Ferrante’s novels are deeply personal and intimate, getting to the very heart of what it means to be a woman, a friend, a daughter, a mother.’ Debrief Daily ‘Shattering and enthralling, intimate and vicious...The Neapolitan Novels are the kind of books that swallow me whole. As soon as I pick one up, I don’t want to breathe or move lest I break the spell...The Neapolitan Novels are among the most important in my reading life. I can’t recommend them highly enough.’ Readings ‘Ferrante captures the complexities of women, friendship and motherhood in ways that make your heart soar and ache in equal measures. If you haven’t already, treat yourself to this series.’ ELLE Australia ‘[Ferrante’s] Neapolitan novels contain real life – recognisable anxiety, joy, love and heartbreak. This is an incredibly difficult feat to achieve in the first place, let alone sustain, over four books. We will be talking about Elena and Lila for years to come.’ Sydney Morning Herald ‘There's a bright, sinewy humanness to Ferrante’s writing that is so alive it's alarming...The Story of the Lost Child is a full emotional experience, and a fitting end to a huge, arresting series.’ New Zealand Listener ‘I was one of the many who wept and wondered over Elena Ferrante’s The Story of the Lost Child. I plan to re-read the entire series soon.’ Favourite Feminist Reads from 2016, Feminist Writers Festival
Publisher: Text Publishing
ISBN: 1922253278
Category : Fiction
Languages : en
Pages : 473
Book Description
The Story of the Lost Child is the long-awaited fourth volume in the Neapolitan novels (My Brilliant Friend, The Story of a New Name, Those Who Leave and Those Who Stay). The quartet traces the friendship between Elena and Lila, from their childhood in a poor neighbourhood in Naples, to their thirties, when both women are mothers but each has chosen a different path. Their lives are still inextricably linked, for better or worse, especially when it comes to the drama of a lost child. Elena Ferrante was born in Naples. She is the author of seven novels: The Days of Abandonment, Troubling Love, The Lost Daughter, and the quartet of Neapolitan novels: My Brilliant Friend, The Story of a New Name, Those Who Leave and Those Who Stay, and The Story of the Lost Child. Frantugmalia, a selection of interviews, letters and occasional writings by Ferrante, will be published in 2016. She is one of Italy’s most acclaimed authors. Ann Goldstein has translated all of Elena Ferrante’s work. She is an editor at the New Yorker and a recipient of the PEN Renato Poggioli Translation Prize. Praise for Ferrante and the Neapolitan novels ‘[Ferrante’s] charting of the rivalries and sheer inscrutability of female friendship is raw. This is high stakes, subversive literature.’ Sunday Telegraph ‘Ferrante is an expert above all at the rhythm of plotting...Whether it’s work, family, friends or sex–and Ferrante, perhaps thanks to her anonymity as an author, is blisteringly good on bad sex–our greatest mistakes in life aren’t isolated acts; we rehearse them over and over until we get them as badly wrong as we can.’ Independent ‘Great novels are intelligent far beyond the powers of any character or writer or individual reader, as are great friendships, in their way. These wonderful books sit at the heart of that mystery, with the warmth and power of both.’ Harper’s ‘Elena Ferrante is one of the great novelists of our time. Her voice is passionate, her view sweeping and her gaze basilisk...In these bold, gorgeous, relentless novels, Ferrante traces the deep connections between the political and the domestic. This is a new version of the way we live now—one we need, one told brilliantly, by a woman.’ New York Times Sunday Book Review ‘When I read [the Neapolitan novels] I find that I never want to stop. I feel vexed by the obstacles—my job, or acquaintances on the subway—that threaten to keep me apart from the books. I mourn separations (a year until the next one—how?). I am propelled by a ravenous will to keep going.’ New Yorker ‘The best thing I’ve read this year, far and away...She puts most other writing at the moment in the shade. She’s marvellous.’ Richard Flanagan ‘The Neapolitan series stands as a testament to the ability of great literature to challenge, flummox, enrage and excite as it entertains.’ Sydney Morning Herald ‘The depth of perception Ms. Ferrante shows about her character’s conflicts and psychological states is astonishing...Her novels ring so true and are written with such empathy that they sound confessional.’ Wall Street Journal ‘The older you get, the harder it is to recapture the intoxicating sense of discovery that comes when you first read George Eliot, Nabokov, Tolstoy or Colette. But this year it came again when I read Elena Ferrante’s remarkable Neapolitan novels.’ Jane Shilling, New Statesman ‘There is nothing remotely tiring or trying about the experience of reading the Neapolitan novels, which I, and a great many others, now rank among our greatest book-related pleasures...it is writing that holds honesty dear.’ Weekend Australian ‘Dickens gave working people a voice. Ferrante, whoever she might be, presents a new paradigm for being female in the world...Ferrante’s great literary creations, Lenu and Lila, have the same emotional weight as Anne in Persuasion, Jo in Little Women, Maggie in The Mill on the Floss, Jane in Jane Eyre.’ Helen Elliott in the Monthly ‘This stunning conclusion further solidifies the Neapolitan novels as Ferrante’s masterpiece and guarantees that this reclusive author will remain far from obscure for years to come.’ Publishers Weekly ‘The Neapolitan novels are smart, thoughtful, serious literature. At the same time, they are violent, suspenseful soap operas populated with a vivid cast of scheming characters...Ferrante’s novels are deeply personal and intimate, getting to the very heart of what it means to be a woman, a friend, a daughter, a mother.’ Debrief Daily ‘Shattering and enthralling, intimate and vicious...The Neapolitan Novels are the kind of books that swallow me whole. As soon as I pick one up, I don’t want to breathe or move lest I break the spell...The Neapolitan Novels are among the most important in my reading life. I can’t recommend them highly enough.’ Readings ‘Ferrante captures the complexities of women, friendship and motherhood in ways that make your heart soar and ache in equal measures. If you haven’t already, treat yourself to this series.’ ELLE Australia ‘[Ferrante’s] Neapolitan novels contain real life – recognisable anxiety, joy, love and heartbreak. This is an incredibly difficult feat to achieve in the first place, let alone sustain, over four books. We will be talking about Elena and Lila for years to come.’ Sydney Morning Herald ‘There's a bright, sinewy humanness to Ferrante’s writing that is so alive it's alarming...The Story of the Lost Child is a full emotional experience, and a fitting end to a huge, arresting series.’ New Zealand Listener ‘I was one of the many who wept and wondered over Elena Ferrante’s The Story of the Lost Child. I plan to re-read the entire series soon.’ Favourite Feminist Reads from 2016, Feminist Writers Festival
Son of Gun in Cheek
Author: Bill Pronzini
Publisher: Courier Dover Publications
ISBN: 0486817989
Category : Literary Criticism
Languages : en
Pages : 241
Book Description
Follow-up to the Edgar Award-nominated Gun in Cheek further celebrates neglected classics of substandard mystery writing, uncovering even more twisted treasures for connoisseurs of hideous prose.
Publisher: Courier Dover Publications
ISBN: 0486817989
Category : Literary Criticism
Languages : en
Pages : 241
Book Description
Follow-up to the Edgar Award-nominated Gun in Cheek further celebrates neglected classics of substandard mystery writing, uncovering even more twisted treasures for connoisseurs of hideous prose.
The Grace Year
Author: Kim Liggett
Publisher: Wednesday Books
ISBN: 1250145465
Category : Young Adult Fiction
Languages : en
Pages : 362
Book Description
The Instant New York Times Bestseller! Kim Liggett's The Grace Year is a speculative thriller in the vein of The Handmaid’s Tale and The Power. Survive the year. No one speaks of the grace year. It’s forbidden. In Garner County, girls are told they have the power to lure grown men from their beds, to drive women mad with jealousy. They believe their very skin emits a powerful aphrodisiac, the potent essence of youth, of a girl on the edge of womanhood. That’s why they’re banished for their sixteenth year, to release their magic into the wild so they can return purified and ready for marriage. But not all of them will make it home alive. Sixteen-year-old Tierney James dreams of a better life—a society that doesn’t pit friend against friend or woman against woman, but as her own grace year draws near, she quickly realizes that it’s not just the brutal elements they must fear. It’s not even the poachers in the woods, men who are waiting for a chance to grab one of the girls in order to make a fortune on the black market. Their greatest threat may very well be each other. With sharp prose and gritty realism, The Grace Year examines the complex and sometimes twisted relationships between girls, the women they eventually become, and the difficult decisions they make in-between. “A visceral, darkly haunting fever dream of a novel and an absolute page-turner.” – Libba Bray, New York Times bestselling author
Publisher: Wednesday Books
ISBN: 1250145465
Category : Young Adult Fiction
Languages : en
Pages : 362
Book Description
The Instant New York Times Bestseller! Kim Liggett's The Grace Year is a speculative thriller in the vein of The Handmaid’s Tale and The Power. Survive the year. No one speaks of the grace year. It’s forbidden. In Garner County, girls are told they have the power to lure grown men from their beds, to drive women mad with jealousy. They believe their very skin emits a powerful aphrodisiac, the potent essence of youth, of a girl on the edge of womanhood. That’s why they’re banished for their sixteenth year, to release their magic into the wild so they can return purified and ready for marriage. But not all of them will make it home alive. Sixteen-year-old Tierney James dreams of a better life—a society that doesn’t pit friend against friend or woman against woman, but as her own grace year draws near, she quickly realizes that it’s not just the brutal elements they must fear. It’s not even the poachers in the woods, men who are waiting for a chance to grab one of the girls in order to make a fortune on the black market. Their greatest threat may very well be each other. With sharp prose and gritty realism, The Grace Year examines the complex and sometimes twisted relationships between girls, the women they eventually become, and the difficult decisions they make in-between. “A visceral, darkly haunting fever dream of a novel and an absolute page-turner.” – Libba Bray, New York Times bestselling author
Death and the Girl Next Door
Author: Darynda Jones
Publisher: St. Martin's Griffin
ISBN: 125001722X
Category : Young Adult Fiction
Languages : en
Pages : 306
Book Description
Darynda Jones, author of The New York Times bestselling series that began with First Grave on the Right, brings us Death and the Girl Next Door, a thrilling Young Adult novel garnering high praise and early buzz from major authors Ten years ago, Lorelei's parents disappeared without a trace. Raised by her grandparents and leaning on the support of her best friends, Lorelei is finally beginning to accept the fact that her parents are never coming home. For Lorelei, life goes on. High school is not quite as painful as she thinks it will be, and things are as normal as they can be. Until the day the school's designated loner, Cameron Lusk, begins to stalk her, turning up where she least expects it, standing outside her house in the dark, night after night. Things get even more complicated when a new guy—terrifying, tough, sexy Jared Kovach—comes to school. Cameron and Jared instantly despise each other and Lorelei seems to be the reason for their animosity. What does Jared know about her parents? Why does Cameron tell Jared he can't have Lorelei? And what will any of them do when Death comes knocking for real? Thrilling, sassy, sexy, and inventive, Darynda Jones's first foray into the world of teens will leave readers eager for the next installment. "Unique, witty, and touching—I LOVED THIS BOOK!" —P.C. Cast, New York Times bestselling author of The House of Night Series
Publisher: St. Martin's Griffin
ISBN: 125001722X
Category : Young Adult Fiction
Languages : en
Pages : 306
Book Description
Darynda Jones, author of The New York Times bestselling series that began with First Grave on the Right, brings us Death and the Girl Next Door, a thrilling Young Adult novel garnering high praise and early buzz from major authors Ten years ago, Lorelei's parents disappeared without a trace. Raised by her grandparents and leaning on the support of her best friends, Lorelei is finally beginning to accept the fact that her parents are never coming home. For Lorelei, life goes on. High school is not quite as painful as she thinks it will be, and things are as normal as they can be. Until the day the school's designated loner, Cameron Lusk, begins to stalk her, turning up where she least expects it, standing outside her house in the dark, night after night. Things get even more complicated when a new guy—terrifying, tough, sexy Jared Kovach—comes to school. Cameron and Jared instantly despise each other and Lorelei seems to be the reason for their animosity. What does Jared know about her parents? Why does Cameron tell Jared he can't have Lorelei? And what will any of them do when Death comes knocking for real? Thrilling, sassy, sexy, and inventive, Darynda Jones's first foray into the world of teens will leave readers eager for the next installment. "Unique, witty, and touching—I LOVED THIS BOOK!" —P.C. Cast, New York Times bestselling author of The House of Night Series
Nothing Can Hurt You
Author: Nicola Maye Goldberg
Publisher: Bloomsbury Publishing USA
ISBN: 1635574897
Category : Fiction
Languages : en
Pages : 246
Book Description
BEST BOOKS OF SUMMER 2020 - PEOPLE MAGAZINE, VOGUE, CNN, REFINERY29, CRIMEREADS, and more “Captivating, serpentine, and affecting.” -Megan Abbott “A gothic Olive Kitteridge mixed with Gillian Flynn . . . Masterful.” -Vogue “Fascinating.” -Sarah Lyall, New York Times Book Review “Gripping and tremendously searing.” -Leslie Jamison “Reinvents the thriller for a new generation.” -Rebecca Godfrey “Gone Girl for the new decade.” -Vogue.com “A beautifully crafted novel with a terrifying story to tell. I couldn't put it down.” -Paul La Farge Inspired by a true story, this haunting debut novel pieces together a chorus of voices to explore the aftermath of a college student's death. On a cold day in 1997, student Sara Morgan was killed in the woods surrounding her liberal arts college in upstate New York. Her boyfriend, Blake Campbell, confessed, his plea of temporary insanity raising more questions than it answered. In the wake of his acquittal, the case comes to haunt a strange and surprising network of community members, from the young woman who discovers Sara's body to the junior reporter who senses its connection to convicted local serial killer John Logan. Others are looking for retribution or explanation: Sara's half sister, stifled by her family's bereft silence about Blake, poses as a babysitter and seeks out her own form of justice, while the teenager Sara used to babysit starts writing to Logan in prison. A propulsive, taut tale of voyeurism and obsession, Nothing Can Hurt You dares to examine gendered violence not as an anomaly, but as the very core of everyday life. Tracing the concentric circles of violence rippling out from Sara's murder, Nicola Maye Goldberg masterfully conducts an unforgettable chorus of disparate voices.
Publisher: Bloomsbury Publishing USA
ISBN: 1635574897
Category : Fiction
Languages : en
Pages : 246
Book Description
BEST BOOKS OF SUMMER 2020 - PEOPLE MAGAZINE, VOGUE, CNN, REFINERY29, CRIMEREADS, and more “Captivating, serpentine, and affecting.” -Megan Abbott “A gothic Olive Kitteridge mixed with Gillian Flynn . . . Masterful.” -Vogue “Fascinating.” -Sarah Lyall, New York Times Book Review “Gripping and tremendously searing.” -Leslie Jamison “Reinvents the thriller for a new generation.” -Rebecca Godfrey “Gone Girl for the new decade.” -Vogue.com “A beautifully crafted novel with a terrifying story to tell. I couldn't put it down.” -Paul La Farge Inspired by a true story, this haunting debut novel pieces together a chorus of voices to explore the aftermath of a college student's death. On a cold day in 1997, student Sara Morgan was killed in the woods surrounding her liberal arts college in upstate New York. Her boyfriend, Blake Campbell, confessed, his plea of temporary insanity raising more questions than it answered. In the wake of his acquittal, the case comes to haunt a strange and surprising network of community members, from the young woman who discovers Sara's body to the junior reporter who senses its connection to convicted local serial killer John Logan. Others are looking for retribution or explanation: Sara's half sister, stifled by her family's bereft silence about Blake, poses as a babysitter and seeks out her own form of justice, while the teenager Sara used to babysit starts writing to Logan in prison. A propulsive, taut tale of voyeurism and obsession, Nothing Can Hurt You dares to examine gendered violence not as an anomaly, but as the very core of everyday life. Tracing the concentric circles of violence rippling out from Sara's murder, Nicola Maye Goldberg masterfully conducts an unforgettable chorus of disparate voices.
The Anatomy of Violence
Author: Charles Runyon
Publisher: Simon and Schuster
ISBN: 1440540268
Category : Fiction
Languages : en
Pages : 275
Book Description
The day Laura Crewes was named the town’s Beauty Queen was also the day she was seized, blindfolded and cruelly violated. Only the fact that she never saw her violator’s face saved her life. But the fiend didn’t know that the attack would arouse the tigress in Laura, and that she would throw all caution aside to identify and prosecute him. As a consequence, her impassioned manhunt only aroused him to further heights of criminal desire. On the hour that the two finally met face to face, the town awoke to a shocking new lesson in the anatomy of violence.
Publisher: Simon and Schuster
ISBN: 1440540268
Category : Fiction
Languages : en
Pages : 275
Book Description
The day Laura Crewes was named the town’s Beauty Queen was also the day she was seized, blindfolded and cruelly violated. Only the fact that she never saw her violator’s face saved her life. But the fiend didn’t know that the attack would arouse the tigress in Laura, and that she would throw all caution aside to identify and prosecute him. As a consequence, her impassioned manhunt only aroused him to further heights of criminal desire. On the hour that the two finally met face to face, the town awoke to a shocking new lesson in the anatomy of violence.