Author: Sally Bachner
Publisher: University of Georgia Press
ISBN: 0820338893
Category : Literary Criticism
Languages : en
Pages : 184
Book Description
In The Prestige of Violence Sally Bachner argues that, starting in the 1960s, American fiction laid claim to the status of serious literature by placing violence at the heart of its mission and then insisting that this violence could not be represented. Bachner demonstrates how many of the most influential novels of this period are united by the dramatic opposition they draw between a debased and untrustworthy conventional language, on the one hand, and a violence that appears to be prelinguistic and unquestionable, on the other. Genocide, terrorism, war, torture, slavery, rape, and murder are major themes, yet the writers insist that such events are unspeakable. Bachner takes issue with the claim made within trauma studies that history is the site of violent trauma inaccessible to ordinary representation. Instead, she argues, both trauma studies and the fiction to which it responds institutionalize an inability to address violence. Examining such works as Vladimir Nabokov's Pale Fire, Thomas Pynchon's The Crying of Lot 49, Norman Mailer's Armies of the Night, Margaret Atwood's Surfacing, and Philip Roth's The Plot Against America, Bachner locates the postwar prestige of violence in the disjunction between the privileged security of wealthier Americans and the violence perpetrated by the United States abroad. The literary investment in unspeakable and often immaterial violence emerges in Bachner's readings as a complex and ideologically varied literary solution to the political geography of violence in our time.
The Prestige of Violence
Author: Sally Bachner
Publisher: University of Georgia Press
ISBN: 0820338893
Category : Literary Criticism
Languages : en
Pages : 184
Book Description
In The Prestige of Violence Sally Bachner argues that, starting in the 1960s, American fiction laid claim to the status of serious literature by placing violence at the heart of its mission and then insisting that this violence could not be represented. Bachner demonstrates how many of the most influential novels of this period are united by the dramatic opposition they draw between a debased and untrustworthy conventional language, on the one hand, and a violence that appears to be prelinguistic and unquestionable, on the other. Genocide, terrorism, war, torture, slavery, rape, and murder are major themes, yet the writers insist that such events are unspeakable. Bachner takes issue with the claim made within trauma studies that history is the site of violent trauma inaccessible to ordinary representation. Instead, she argues, both trauma studies and the fiction to which it responds institutionalize an inability to address violence. Examining such works as Vladimir Nabokov's Pale Fire, Thomas Pynchon's The Crying of Lot 49, Norman Mailer's Armies of the Night, Margaret Atwood's Surfacing, and Philip Roth's The Plot Against America, Bachner locates the postwar prestige of violence in the disjunction between the privileged security of wealthier Americans and the violence perpetrated by the United States abroad. The literary investment in unspeakable and often immaterial violence emerges in Bachner's readings as a complex and ideologically varied literary solution to the political geography of violence in our time.
Publisher: University of Georgia Press
ISBN: 0820338893
Category : Literary Criticism
Languages : en
Pages : 184
Book Description
In The Prestige of Violence Sally Bachner argues that, starting in the 1960s, American fiction laid claim to the status of serious literature by placing violence at the heart of its mission and then insisting that this violence could not be represented. Bachner demonstrates how many of the most influential novels of this period are united by the dramatic opposition they draw between a debased and untrustworthy conventional language, on the one hand, and a violence that appears to be prelinguistic and unquestionable, on the other. Genocide, terrorism, war, torture, slavery, rape, and murder are major themes, yet the writers insist that such events are unspeakable. Bachner takes issue with the claim made within trauma studies that history is the site of violent trauma inaccessible to ordinary representation. Instead, she argues, both trauma studies and the fiction to which it responds institutionalize an inability to address violence. Examining such works as Vladimir Nabokov's Pale Fire, Thomas Pynchon's The Crying of Lot 49, Norman Mailer's Armies of the Night, Margaret Atwood's Surfacing, and Philip Roth's The Plot Against America, Bachner locates the postwar prestige of violence in the disjunction between the privileged security of wealthier Americans and the violence perpetrated by the United States abroad. The literary investment in unspeakable and often immaterial violence emerges in Bachner's readings as a complex and ideologically varied literary solution to the political geography of violence in our time.
Potentials of disorder
Author: Jan Koehler
Publisher: Manchester University Press
ISBN: 1526137585
Category : Political Science
Languages : en
Pages : 288
Book Description
This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. This book deals with the institutional framework in post-socialist, after-empire spaces. It consists of nine case studies and two contributions of a more theoretical nature. Each of these analytical narratives sheds some light on the micro-politics of organised violence. After 1990, Serbs and Croats were competing over access to the resources needed for institution building and state building. Fear in turn triggered ethnic mobilisation. An 'unprofessional' riot of Serbs in the Krajina region developed into a professional war between Serbs and Croats in Croatia, in which several thousand died and several hundred thousand people were forcefully expelled from their homes. The Herceg-Bosnian style of resistance can be surprisingly effective. It is known that most of the heroin transported along the Balkans route passes through the hands of Albanian mafia groups; that this traffic has taken off since summer 1999. The concept of Staatnation is based on the doctrine according to which each 'nation' must have its own territorial State and each State must consist of one 'nation' only. The slow decline and eventual collapse of the Soviet and the Yugoslav empires was partly triggered, partly accompanied by the quest for national sovereignty. Dagestan is notable for its ethnic diversity and, even by post-Soviet standards, its dramatic economic deprivation. The integrative potential of cooperative movements at the republican, the regional and the inter-state level for the Caucasus is analyzed. The book also offers insights into the economics of ending violence. Finally, it addresses the question of reconciliation after ethnic cleansing.
Publisher: Manchester University Press
ISBN: 1526137585
Category : Political Science
Languages : en
Pages : 288
Book Description
This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. This book deals with the institutional framework in post-socialist, after-empire spaces. It consists of nine case studies and two contributions of a more theoretical nature. Each of these analytical narratives sheds some light on the micro-politics of organised violence. After 1990, Serbs and Croats were competing over access to the resources needed for institution building and state building. Fear in turn triggered ethnic mobilisation. An 'unprofessional' riot of Serbs in the Krajina region developed into a professional war between Serbs and Croats in Croatia, in which several thousand died and several hundred thousand people were forcefully expelled from their homes. The Herceg-Bosnian style of resistance can be surprisingly effective. It is known that most of the heroin transported along the Balkans route passes through the hands of Albanian mafia groups; that this traffic has taken off since summer 1999. The concept of Staatnation is based on the doctrine according to which each 'nation' must have its own territorial State and each State must consist of one 'nation' only. The slow decline and eventual collapse of the Soviet and the Yugoslav empires was partly triggered, partly accompanied by the quest for national sovereignty. Dagestan is notable for its ethnic diversity and, even by post-Soviet standards, its dramatic economic deprivation. The integrative potential of cooperative movements at the republican, the regional and the inter-state level for the Caucasus is analyzed. The book also offers insights into the economics of ending violence. Finally, it addresses the question of reconciliation after ethnic cleansing.
Pale Fire
Author: Vladimir Nabokov
Publisher: ببلومانيا للنشر والتوزيع
ISBN:
Category : Fiction
Languages : en
Pages : 282
Book Description
The American poet John Shade is dead. His last poem, 'Pale Fire', is put into a book, together with a preface, a lengthy commentary and notes by Shade's editor, Charles Kinbote. Known on campus as the 'Great Beaver', Kinbote is haughty, inquisitive, intolerant, but is he also mad, bad - and even dangerous? As his wildly eccentric annotations slide into the personal and the fantastical, Kinbote reveals perhaps more than he should be. Nabokov's darkly witty, richly inventive masterpiece is a suspenseful whodunit, a story of one-upmanship and dubious penmanship, and a glorious literary conundrum.
Publisher: ببلومانيا للنشر والتوزيع
ISBN:
Category : Fiction
Languages : en
Pages : 282
Book Description
The American poet John Shade is dead. His last poem, 'Pale Fire', is put into a book, together with a preface, a lengthy commentary and notes by Shade's editor, Charles Kinbote. Known on campus as the 'Great Beaver', Kinbote is haughty, inquisitive, intolerant, but is he also mad, bad - and even dangerous? As his wildly eccentric annotations slide into the personal and the fantastical, Kinbote reveals perhaps more than he should be. Nabokov's darkly witty, richly inventive masterpiece is a suspenseful whodunit, a story of one-upmanship and dubious penmanship, and a glorious literary conundrum.
The Poetics of Insecurity
Author: Johannes Voelz
Publisher: Cambridge University Press
ISBN: 1108418767
Category : Literary Collections
Languages : en
Pages : 261
Book Description
The Poetics of Insecurity explores how American literary writers forged a cultural imaginary in which insecurity acts as an enlivening force.
Publisher: Cambridge University Press
ISBN: 1108418767
Category : Literary Collections
Languages : en
Pages : 261
Book Description
The Poetics of Insecurity explores how American literary writers forged a cultural imaginary in which insecurity acts as an enlivening force.
David Foster Wallace's Toxic Sexuality
Author: Edward Jackson
Publisher: Bloomsbury Publishing
ISBN: 1350117773
Category : Literary Criticism
Languages : en
Pages : 229
Book Description
David Foster Wallace's Toxic Sexuality: Hideousness, Neoliberalism, Spermatics is the first full-length study of perhaps the most controversial aspect of Wallace's work – male sexuality. Departing from biographical accounts of Wallace's troubled relationship to sex, the book offers new and engaging close readings of this vexed topic in both his fiction and non-fiction. Wallace consistently returns to images of sexual toxicity across his career to argue that, when it comes to sex, men are immutably hideous. He makes this argument by drawing on a variety of neoliberal logics and spermatic metaphors, which in their appeal to apparently neutral economic processes and natural bodily facts, forestall the possibility that men can change. The book therefore provides a revisionist account of Wallace's attitudes towards capitalism, as well as a critical dissection of his approach to masculinity and sexuality. In doing so, David Foster Wallace's Toxic Sexuality shows how Wallace can be considered a neoliberal writer, whose commitment to furthering male sexual toxicity is a disturbing but undeniable part of his literary project.
Publisher: Bloomsbury Publishing
ISBN: 1350117773
Category : Literary Criticism
Languages : en
Pages : 229
Book Description
David Foster Wallace's Toxic Sexuality: Hideousness, Neoliberalism, Spermatics is the first full-length study of perhaps the most controversial aspect of Wallace's work – male sexuality. Departing from biographical accounts of Wallace's troubled relationship to sex, the book offers new and engaging close readings of this vexed topic in both his fiction and non-fiction. Wallace consistently returns to images of sexual toxicity across his career to argue that, when it comes to sex, men are immutably hideous. He makes this argument by drawing on a variety of neoliberal logics and spermatic metaphors, which in their appeal to apparently neutral economic processes and natural bodily facts, forestall the possibility that men can change. The book therefore provides a revisionist account of Wallace's attitudes towards capitalism, as well as a critical dissection of his approach to masculinity and sexuality. In doing so, David Foster Wallace's Toxic Sexuality shows how Wallace can be considered a neoliberal writer, whose commitment to furthering male sexual toxicity is a disturbing but undeniable part of his literary project.
The Philosophy of Christopher Nolan
Author: Jason T. Eberl
Publisher: Lexington Books
ISBN: 1498513530
Category : Philosophy
Languages : en
Pages : 244
Book Description
As a director, writer, and producer, Christopher Nolan has substantially impacted contemporary cinema through avant garde films, such as Following and Memento, and his contribution to wider pop culture with his Dark Knight trilogy. His latest film, Interstellar, delivered the same visual qualities and complex, thought-provoking plotlines his audience anticipates. The Philosophy of Christopher Nolan collects sixteen essays, written by professional philosophers and film theorists, discussing themes such as self-identity and self-destruction, moral choice and moral doubt, the nature of truth and its value, whether we can trust our perceptions of what’s “real,” the political psychology of heroes and villains, and what it means to be a “viewer” of Nolan’s films. Whether his protagonists are squashing themselves like a bug, struggling to create an identity and moral purpose for themselves, suffering from their own duplicitous plots, donning a mask that both strikes fear and reveals their true nature, or having to weigh the lives of those they love against the greater good, there are no simple solutions to the questions Nolan’s films provoke; exploring these questions yields its own reward.
Publisher: Lexington Books
ISBN: 1498513530
Category : Philosophy
Languages : en
Pages : 244
Book Description
As a director, writer, and producer, Christopher Nolan has substantially impacted contemporary cinema through avant garde films, such as Following and Memento, and his contribution to wider pop culture with his Dark Knight trilogy. His latest film, Interstellar, delivered the same visual qualities and complex, thought-provoking plotlines his audience anticipates. The Philosophy of Christopher Nolan collects sixteen essays, written by professional philosophers and film theorists, discussing themes such as self-identity and self-destruction, moral choice and moral doubt, the nature of truth and its value, whether we can trust our perceptions of what’s “real,” the political psychology of heroes and villains, and what it means to be a “viewer” of Nolan’s films. Whether his protagonists are squashing themselves like a bug, struggling to create an identity and moral purpose for themselves, suffering from their own duplicitous plots, donning a mask that both strikes fear and reveals their true nature, or having to weigh the lives of those they love against the greater good, there are no simple solutions to the questions Nolan’s films provoke; exploring these questions yields its own reward.
The Fictional Christopher Nolan
Author: Todd McGowan
Publisher: University of Texas Press
ISBN: 0292742789
Category : Performing Arts
Languages : en
Pages : 233
Book Description
This analysis of the role of fiction in the films of Christopher Nolan is “unassumingly brilliant and surgically incisive” (Psychoanalysis, Culture, and Society). From Memento and Insomnia to the Batman films, The Prestige, and Inception, lies play a central role in every Christopher Nolan film. Characters in the films constantly find themselves deceived by others and are often caught up in a vast web of deceit that transcends any individual lies. The formal structure of a typical Nolan film deceives spectators about the events that occur and the motivations of the characters. While Nolan’s films do not abandon the idea of truth altogether, they show us how truth must emerge out of the lie if it is not to lead us entirely astray. The Fictional Christopher Nolan discovers in Nolan’s films an exploration of the role that fiction plays in leading to truth. Through close readings of all the films through Inception, Todd McGowan demonstrates that the fiction or the lie comes before the truth, and this priority forces us to reassess our ways of thinking about the nature of truth. Indeed, McGowan argues that Nolan’s films reveal the ethical and political importance of creating fictions and even of lying. Nolan is the first filmmaker to devote himself entirely to the fictionality of the medium, and McGowan discloses how Nolan uses its tendency to deceive as the basis for a new kind of philosophical filmmaking, aligning Nolan’s films with Hegel’s philosophy. “The most important work to date on Christopher Nolan. . . . [A] thrill to read.” —Hugh S. Manon, Associate Professor and Director of Screen Studies, Clark University
Publisher: University of Texas Press
ISBN: 0292742789
Category : Performing Arts
Languages : en
Pages : 233
Book Description
This analysis of the role of fiction in the films of Christopher Nolan is “unassumingly brilliant and surgically incisive” (Psychoanalysis, Culture, and Society). From Memento and Insomnia to the Batman films, The Prestige, and Inception, lies play a central role in every Christopher Nolan film. Characters in the films constantly find themselves deceived by others and are often caught up in a vast web of deceit that transcends any individual lies. The formal structure of a typical Nolan film deceives spectators about the events that occur and the motivations of the characters. While Nolan’s films do not abandon the idea of truth altogether, they show us how truth must emerge out of the lie if it is not to lead us entirely astray. The Fictional Christopher Nolan discovers in Nolan’s films an exploration of the role that fiction plays in leading to truth. Through close readings of all the films through Inception, Todd McGowan demonstrates that the fiction or the lie comes before the truth, and this priority forces us to reassess our ways of thinking about the nature of truth. Indeed, McGowan argues that Nolan’s films reveal the ethical and political importance of creating fictions and even of lying. Nolan is the first filmmaker to devote himself entirely to the fictionality of the medium, and McGowan discloses how Nolan uses its tendency to deceive as the basis for a new kind of philosophical filmmaking, aligning Nolan’s films with Hegel’s philosophy. “The most important work to date on Christopher Nolan. . . . [A] thrill to read.” —Hugh S. Manon, Associate Professor and Director of Screen Studies, Clark University
Strategic Criminal Justice Planning
Author: Daniel Glaser
Publisher:
ISBN:
Category : Criminal justice, Administration of
Languages : en
Pages : 248
Book Description
Publisher:
ISBN:
Category : Criminal justice, Administration of
Languages : en
Pages : 248
Book Description
Fascism: The social dynamics of fascism
Author: Roger Griffin
Publisher: Taylor & Francis
ISBN: 9780415290173
Category : Political Science
Languages : en
Pages : 384
Book Description
The nature of 'fascism' has been hotly contested by scholars since the term was first coined by Mussolini in 1919. However, for the first time since Italian fascism appeared there is now a significant degree of consensus amongst scholars about how to approach the generic term, namely as a revolutionary form of ultra-nationalism. Seen from this perspective, all forms of fascism have three common features: anticonservatism, a myth of ethnic or national renewal and a conception of a nation in crisis. This collection includes articles that show this new consensus, which is inevitably contested, as well as making available material which relates to aspects of fascism independently of any sort of consensus and also covering fascism of the inter and post-war periods.This is a comprehensive selection of texts, reflecting both the extreme multi-faceted nature of fascism as a phenomenon and the extraordinary divergence of interpretations of fascism.
Publisher: Taylor & Francis
ISBN: 9780415290173
Category : Political Science
Languages : en
Pages : 384
Book Description
The nature of 'fascism' has been hotly contested by scholars since the term was first coined by Mussolini in 1919. However, for the first time since Italian fascism appeared there is now a significant degree of consensus amongst scholars about how to approach the generic term, namely as a revolutionary form of ultra-nationalism. Seen from this perspective, all forms of fascism have three common features: anticonservatism, a myth of ethnic or national renewal and a conception of a nation in crisis. This collection includes articles that show this new consensus, which is inevitably contested, as well as making available material which relates to aspects of fascism independently of any sort of consensus and also covering fascism of the inter and post-war periods.This is a comprehensive selection of texts, reflecting both the extreme multi-faceted nature of fascism as a phenomenon and the extraordinary divergence of interpretations of fascism.
Hearings
Author: United States. Congress. House. Committee on Education
Publisher:
ISBN:
Category :
Languages : en
Pages : 1344
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 1344
Book Description