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Author: Sondra J. Stang
Publisher: University of Pennsylvania Press
ISBN: 1512818844
Category : Literary Criticism
Languages : en
Pages : 280
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Book Description
To provide a fresh perspective—from new and unexpected points of view—Sondra Stang gathers together a number of distinguished writers and critics to prove Ford and his works. Among the many contributors commenting on Ford for the first time are C. H. Sisson, William H. Pritchard, Alison Lurie, Denis Donoghue, and William Gass. Included too are new poems by Richard Howard and Howard Nemerov and memoirs by friends, lovers, and family. Contributors: William Trevor, Sondra J. Stang, Richard Howard, Graham Greene, Allen Tate, David Dow Harvey, William Gass, Denis Donoghue, Roger Sale, Andrew Lytle, Howard Nemerov, Edward Krickel, C. H. Sisson, William H. Pritchard, Alison Lurie.
Author: Sondra J. Stang
Publisher: University of Pennsylvania Press
ISBN: 1512818844
Category : Literary Criticism
Languages : en
Pages : 280
Get Book Here
Book Description
To provide a fresh perspective—from new and unexpected points of view—Sondra Stang gathers together a number of distinguished writers and critics to prove Ford and his works. Among the many contributors commenting on Ford for the first time are C. H. Sisson, William H. Pritchard, Alison Lurie, Denis Donoghue, and William Gass. Included too are new poems by Richard Howard and Howard Nemerov and memoirs by friends, lovers, and family. Contributors: William Trevor, Sondra J. Stang, Richard Howard, Graham Greene, Allen Tate, David Dow Harvey, William Gass, Denis Donoghue, Roger Sale, Andrew Lytle, Howard Nemerov, Edward Krickel, C. H. Sisson, William H. Pritchard, Alison Lurie.
Author: Max Saunders
Publisher: Oxford University Press
ISBN: 0199668353
Category : Biography & Autobiography
Languages : en
Pages : 722
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Book Description
The second volume of Max Saunders's magisterial biography sees the publication of Ford's post-war masterpiece, Parade's End, and the founding of the Transatlantic Review, the influential literary magazine that published Hemingway, Ezra Pound, and Picasso. It also documents Ford's marriage to Janice Biala, with whom he lived until his death in 1939.
Author:
Publisher: Brill
ISBN: 9401208417
Category : Literary Criticism
Languages : en
Pages : 285
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Book Description
The controversial British writer Ford Madox Ford (1873-1939) is increasingly recognized as a major presence in early twentieth-century literature. This series of International Ford Madox Ford Studies was founded to reflect the recent resurgence of interest in him. Each volume is based upon a particular theme or issue; and relates aspects of Ford’s work, life, and contacts, to broader concerns of his time. Ford is best-known for his fiction, especially The Good Soldier, long considered a modernist masterpiece; and Parade’s End, which Anthony Burgess described as ‘the finest novel about the First World War’, Samuel Hynes has called ‘the greatest war novel ever written by an Englishman’, and which has been adapted by Tom Stoppard for the BBC and HBO. Ford’s America, like the other places he wrote about extensively such as England or France, is a place of the imagination as much as the real place in which he lived and travelled. This volume is the first extended treatment of Ford’s lifelong contacts with American literature and culture. It combines contributions from British and American experts on Ford and Modernism. It has five closely inter-connected sections which display, between them, the range of Ford’s creative relationships with American writers and American territory. The first explores the transatlantic dimension of Ford’s modernism, from his involvement with Americans like James and Pound in Britain before the war, through the Paris days among the Americans in the transatlantic review circle such as Hemingway and Stein, to his time in America in the 20s and 30s, and the American care for his reputation after his death. The second section focuses on New York, and the publishing world portrayed in Ford’s only novel set mainly in the US, When the Wicked Man. A third section, discussing culture, politics, and journalism in his writing of the 1930s, is followed by two examples of his commentary on contemporary American culture, both published here for the first time. The final section juxtaposes two examples of the many American writers who have paid tribute to Ford: an essay tracking Robert Lowell’s regular recollections of his encounters with him; and Mary Gordon’s celebration of his life with the Polish-American painter Janice Biala. The volume also contains fourteen illustrations, including artwork by Biala and photographs of Ford.
Author: Laura Colombino
Publisher: Rodopi
ISBN: 9042026367
Category : Art
Languages : en
Pages : 306
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Book Description
Preliminary Material -- LIST OF ILLUSTRATIONS -- GENERAL EDITOR'S PREFACE /Max Saunders -- INTRODUCTION /Laura Colombino -- FROM PAINT TO PRINT - GRANDFATHER'S LEGACY /Angela Thirlwell -- FORD MADOX FORD'S ART CRITICISM AS A RESERVOIR FOR HIS NARRATIVE POETICS /Vita Fortunati -- FROM PRE-RAPHAELISM TO IMPRESSIONISM /Max Saunders -- IMAGE-MUSIC-TEXT: FORD AND THE IMPRESSIONIST LYRIC /Ashley Chantler -- TO COOK, OR TO PAINT, IN PARIS?: FORD IN COLOUR /Sara Haslam -- VISUALITY VS. TEMPORALITY: PLOTTING AND DEPICTION IN THE FIFTH QUEEN AND LADIES WHOSE BRIGHT EYES /Rob Hawkes -- THE PORTRAIT: FORD'S CHEF-D'ɶUVRE INCONNU /Gene M. Moore -- FORD MADOX FORD'S LITERARY PORTRAITS /Anna Viola Sborgi -- FORDING HOLBEIN /Martin Stannard -- SKULL/BRAIN DRAIN STAIN (THE AMBASSADORS) /guy mannes-abbott -- 'IF WE SHADOWS HAVE OFFENDED': THE METAPHOR OF SHADOW IN THE MARSDEN CASE /Jenny Plastow -- A MAP OF TORY MISREADING IN PARADE'S END /Mark Conroy -- MODERNITY, SHOCK AND CINEMA: THE VISUAL AESTHETICS OF FORD MADOX FORD'S PARADE'S END /Alexandra Becquet -- FORD, BOWEN, AND ITALIAN ART /Joseph Wiesenfarth -- FORD + BIALA: A LONG AND PASSIONATE DIALOGUE /Jason Andrew -- FORD, MATISSE AND THE BOOK OF THE DEAD: THE (IN)VISIBLE OBJECTS OF THE RASH ACT AND HENRY FOR HUGH /Laura Colombino -- CONTRIBUTORS -- ABSTRACTS -- ABBREVIATIONS.
Author: Max Saunders
Publisher: Reaktion Books
ISBN: 1789147336
Category : Biography & Autobiography
Languages : en
Pages : 214
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Book Description
A critical biography of the great modernist editor and novelist. Ford Madox Ford (1873–1939) lived among several of the most important artists and writers of his time. Raised by Pre-Raphaelites and friends with Henry James, H. G. Wells, and Joseph Conrad, Ford was a leading figure of the avant-garde in pre-WWI London, responsible for publishing Ezra Pound, Wyndham Lewis, and D. H. Lawrence. After the war, he moved to Paris, published Gertrude Stein, and discovered Ernest Hemingway. A prolific writer in his own right, Ford wrote the modernist triumph The Good Soldier (1915) as well as one of the finest war stories in English, the Parade’s End tetralogy (1924–1928). Drawing on newly discovered letters and photographs, this critical biography further demonstrates Ford’s vital contribution to modern fiction, poetry, and criticism.
Author: R. Hawkes
Publisher: Springer
ISBN: 1137283432
Category : Literary Criticism
Languages : en
Pages : 208
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Book Description
Ford Madox Ford is a major modernist writer, yet many of his works do not conform to our assumptions about modernism. Examining ways in which he, alongside other 'misfit moderns', undermines 'stabilities' we expect from novels and memoirs, this book poses questions about the nature of narrative and the distinction between modernism and modernity.
Author:
Publisher: BRILL
ISBN: 9401204764
Category : Social Science
Languages : en
Pages : 275
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Book Description
The controversial British writer Ford Madox Ford (1873-1939) is increasingly recognized as a major presence in early twentieth-century literature. This series of International Ford Madox Ford Studies was founded to reflect the recent resurgence of interest in him. Each volume is based upon a particular theme or issue; and relates aspects of Ford’s work, life, and contacts, to broader concerns of his time. The present book is part of a large-scale reassessment of his roles in literary history. Ford is best-known for his fiction, especially The Good Soldier, long considered a modernist masterpiece; and Parade’s End, which Anthony Burgess described as ‘the finest novel about the First World War’; and Samuel Hynes has called ‘the greatest war novel ever written by an Englishman’. But he was a prolific writer in many different modes, which include criticism of others’ writing, and reminiscences of the many writers he had known. One of the most striking features of his career is his close involvement with so many of the major international literary groupings of his time. In the South-East of England at the fin-de-siècle, he collaborated for a decade with Joseph Conrad, and befriended Henry James, and H. G. Wells. In Edwardian London he founded the English Review, publishing these writers alongside his new discoveries, Ezra Pound, D. H. Lawrence, and Wyndham Lewis. After the war he moved to France, founding the transatlantic review in Paris, taking on Hemingway as a sub-editor, discovering another generation of Modernists such as Jean Rhys and Basil Bunting, and publishing them alongside Joyce and Gertrude Stein. He spent more time in America from the later 1920s, spending time with Southern Agrarians, and poets such as William Carlos Williams, Charles Olson, and Robert Lowell. He was always a tireless promoter of younger writers, reading manuscripts and recommending them to publishers. This book takes Ford’s ‘literary contacts’ to include such creative friendships, editorial involvements, and influential biographical encounters; and they form the most substantial, central section on ‘Contemporaries and Confrères’, covering figures like Proust, Carlos Williams, Rebecca West, Herbert Read, and Hemingway. But it also explores contacts with literary texts. The first section on ‘Predecessors’ considers the impact of Ford’s reading of Trollope, George Eliot, and Turgenev. The final section discusses ‘Successors’: writers such as Graham Greene, Burgess, and A. S. Byatt, whose literary contacts with Ford have been as his admiring readers and eloquent critics. Ford has been described as ‘a writer’s writer’. This volume reveals how true that has been, and in how many ways, as it sheds new light on his relationships with other writers, both familiar and surprising. It includes two pieces published here for the first time: one by Ford himself, on Turgenev; the other a memoir about Ford by his contemporary, Marie Belloc Lowndes (the sister of Hilaire Belloc).
Author: Sara Haslam
Publisher: Manchester University Press
ISBN: 9780719060557
Category : Literary Criticism & Collections
Languages : en
Pages : 262
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Book Description
As a hero of the modernist literary revolution, Ford Madox Ford is a fascinating figure of the early 20th century. Haslam explores continuity and crisis in artistic life during the early 20th century through a study of Ford's work and life.
Author: Ford Madox Ford
Publisher: Indiana University Press
ISBN: 9780253354945
Category : Art
Languages : en
Pages : 506
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Book Description
Ford Madox Ford - novelist, poet, critic, champion of young authors, travel writer, chronicler of his own times - was a man "mad about writing." As Ezra Pound observed, Ford "actually lived the heroic artistic life that Yeats talked about." An incorrigible bohemian who passed as "a nice old gentleman at a tea party," Ford devoted himself to literature and the arts, founding two important literary magazines, The English Review and the transatlantic review, and writing over eighty books, including The Good Soldier and Parade's End.
Author: Sara Haslam
Publisher: Routledge
ISBN: 1317043383
Category : Literary Collections
Languages : en
Pages : 928
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Book Description
Taking account of Ford Madox Ford’s entire literary output, this companion brings together prominent Ford specialists to offer an overview of existing Ford scholarship and to suggest new directions in Ford studies. The Routledge Research Companion to Ford Madox Ford is split into five parts, exploring the scholarly foundations of Ford Madox Ford studies, Ford's literary identity, Ford and place, specific case studies and themes and critical approaches. Within these five parts, the contributors cover areas relevant to Ford’s fiction, nonfiction and poetry, including reception history, life-writing, literary histories, gender and comedy. The Routledge Research Companion to Ford Madox Ford is an invaluable resource for students and scholars in Ford Studies, in modernism, and in the literary world that Ford helped shape in the early years of the twentieth century.
