Author: Lucinda Bray
Publisher: Cambridge Scholars Publishing
ISBN: 1527540375
Category : Music
Languages : en
Pages : 227
Book Description
In 1854, the originator of Viennese Operetta, Franz von Suppé created the music for a new play by Leonhart Wohlmuth. It is part of a forgotten art form where the music underlines and accompanies the action on stage in a similar way to a soundtrack for a film. While the music works very well in the present day, the real challenge is to modernise the script to make it relevant and interesting for a modern audience. Originally written in early 19th century German, the script sounds outdated and received a less than positive reception at its original outing. Its dialogue is more in keeping with Opera and required significant work to make it palatable to a contemporary audience. The project on which this book is based maintained the music by Suppé as indicated in the manuscript score, while translating and adapting the German script by Wohlmuth into a version more interesting in the present day.
The Practicalities of Producing the Play Mozart, with Music by Franz von Suppé
Author: Lucinda Bray
Publisher: Cambridge Scholars Publishing
ISBN: 1527540375
Category : Music
Languages : en
Pages : 227
Book Description
In 1854, the originator of Viennese Operetta, Franz von Suppé created the music for a new play by Leonhart Wohlmuth. It is part of a forgotten art form where the music underlines and accompanies the action on stage in a similar way to a soundtrack for a film. While the music works very well in the present day, the real challenge is to modernise the script to make it relevant and interesting for a modern audience. Originally written in early 19th century German, the script sounds outdated and received a less than positive reception at its original outing. Its dialogue is more in keeping with Opera and required significant work to make it palatable to a contemporary audience. The project on which this book is based maintained the music by Suppé as indicated in the manuscript score, while translating and adapting the German script by Wohlmuth into a version more interesting in the present day.
Publisher: Cambridge Scholars Publishing
ISBN: 1527540375
Category : Music
Languages : en
Pages : 227
Book Description
In 1854, the originator of Viennese Operetta, Franz von Suppé created the music for a new play by Leonhart Wohlmuth. It is part of a forgotten art form where the music underlines and accompanies the action on stage in a similar way to a soundtrack for a film. While the music works very well in the present day, the real challenge is to modernise the script to make it relevant and interesting for a modern audience. Originally written in early 19th century German, the script sounds outdated and received a less than positive reception at its original outing. Its dialogue is more in keeping with Opera and required significant work to make it palatable to a contemporary audience. The project on which this book is based maintained the music by Suppé as indicated in the manuscript score, while translating and adapting the German script by Wohlmuth into a version more interesting in the present day.
The Cleveland Orchestra Story
Author: Donald Rosenberg
Publisher: Gray & Company, Publishers
ISBN: 1886228248
Category : Biography & Autobiography
Languages : en
Pages : 754
Book Description
How did a late-blooming midwestern orchestra rise amid gritty Big Industry to become a titan in the world of Big Art? This groundbreaking book tells the complete story of the people and events that shaped the Cleveland Orchestra into a classical music legend. It taps the most authoritative sources to show how decisions were made along the often bumpy road to artistic and financial success. Told with plenty of anecdotes and intriguing behind-the-scenes details.
Publisher: Gray & Company, Publishers
ISBN: 1886228248
Category : Biography & Autobiography
Languages : en
Pages : 754
Book Description
How did a late-blooming midwestern orchestra rise amid gritty Big Industry to become a titan in the world of Big Art? This groundbreaking book tells the complete story of the people and events that shaped the Cleveland Orchestra into a classical music legend. It taps the most authoritative sources to show how decisions were made along the often bumpy road to artistic and financial success. Told with plenty of anecdotes and intriguing behind-the-scenes details.
The Belle Of New York
Author: Gustave Kerker
Publisher: Wentworth Press
ISBN: 9781011096305
Category :
Languages : en
Pages : 220
Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Publisher: Wentworth Press
ISBN: 9781011096305
Category :
Languages : en
Pages : 220
Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Film Music: A History
Author: James Wierzbicki
Publisher: Routledge
ISBN: 1135851425
Category : Music
Languages : en
Pages : 688
Book Description
Film Music: A History explains the development of film music by considering large-scale aesthetic trends and structural developments alongside socioeconomic, technological, cultural, and philosophical circumstances. The book’s four large parts are given over to Music and the "Silent" Film (1894--1927), Music and the Early Sound Film (1895--1933), Music in the "Classical-Style" Hollywood Film (1933--1960), and Film Music in the Post-Classic Period (1958--2008). Whereas most treatments of the subject are simply chronicles of "great film scores" and their composers, this book offers a genuine history of film music in terms of societal changes and technological and economic developments within the film industry. Instead of celebrating film-music masterpieces, it deals—logically and thoroughly—with the complex ‘machine’ whose smooth running allowed those occasional masterpieces to happen and whose periodic adjustments prompted the large-scale twists and turns in film music’s path.
Publisher: Routledge
ISBN: 1135851425
Category : Music
Languages : en
Pages : 688
Book Description
Film Music: A History explains the development of film music by considering large-scale aesthetic trends and structural developments alongside socioeconomic, technological, cultural, and philosophical circumstances. The book’s four large parts are given over to Music and the "Silent" Film (1894--1927), Music and the Early Sound Film (1895--1933), Music in the "Classical-Style" Hollywood Film (1933--1960), and Film Music in the Post-Classic Period (1958--2008). Whereas most treatments of the subject are simply chronicles of "great film scores" and their composers, this book offers a genuine history of film music in terms of societal changes and technological and economic developments within the film industry. Instead of celebrating film-music masterpieces, it deals—logically and thoroughly—with the complex ‘machine’ whose smooth running allowed those occasional masterpieces to happen and whose periodic adjustments prompted the large-scale twists and turns in film music’s path.
A Trip to Africa
Author: Franz von Suppé
Publisher:
ISBN:
Category : Operas
Languages : en
Pages : 38
Book Description
Publisher:
ISBN:
Category : Operas
Languages : en
Pages : 38
Book Description
Return to Reason
Author: Stephen Edelston Toulmin
Publisher: Harvard University Press
ISBN: 0674044428
Category : Philosophy
Languages : en
Pages : 256
Book Description
Stephen Toulmin argues that the potential for reason to improve our lives has been hampered by a serious imbalance in our pursuit of knowledge. The centuries-old dominance of rationality has diminished the value of reasonableness. Toulmin issues a powerful call to redress the balance between rationality and reasonableness.
Publisher: Harvard University Press
ISBN: 0674044428
Category : Philosophy
Languages : en
Pages : 256
Book Description
Stephen Toulmin argues that the potential for reason to improve our lives has been hampered by a serious imbalance in our pursuit of knowledge. The centuries-old dominance of rationality has diminished the value of reasonableness. Toulmin issues a powerful call to redress the balance between rationality and reasonableness.
The Mahler Family
Author: Robin O'Neil
Publisher: Memoirs
ISBN: 9781909874732
Category : Biography & Autobiography
Languages : en
Pages : 830
Book Description
A biography of Gustav Mahler and his family. Describes his youth, his musical career, and his circle of Jewish friends. Pp. 212-558 relate the fate of members of his family and of his friends in the Holocaust.
Publisher: Memoirs
ISBN: 9781909874732
Category : Biography & Autobiography
Languages : en
Pages : 830
Book Description
A biography of Gustav Mahler and his family. Describes his youth, his musical career, and his circle of Jewish friends. Pp. 212-558 relate the fate of members of his family and of his friends in the Holocaust.
Music and/as Process
Author: Vanessa Hawes
Publisher: Cambridge Scholars Publishing
ISBN: 1443898392
Category : Music
Languages : en
Pages : 265
Book Description
Music and/as Process brings together ideas about music and the notion of process from different sub-fields within musicology and from related fields in the creative arts as a whole. These can be loosely categorised into three broad areas – composition, performance and analysis – but work in all three of these groups in the volume overlaps into the others, covers a broad range of other musicological sub-fields, and draws inspiration from, non-musicological fields. Music and/as Process comprises chapters written by a mix of scholars; some are leaders in their field and some are newer researchers, but all share an innovative and forward-thinking attitude to music research, often not well represented within ‘traditional’ musicology. Much of the work represented here started as papers or discussions at one of the Royal Musical Association (RMA) Music and/as Process Study Group Annual Conferences. The first section of the book deals with the analysis of performance and the performance of analysis. The historical nature of music and the recognition of pieces as musical ‘works’ in the traditional sense is questioned by the authors, and is a factor in the analyses which address processes in composing, performing, and listening, and the links between these, in three very different but interlinking ways. These three approaches posit new directions and territory for musical analysis. The second section builds on the first, framing performance and/as process from the individual perspectives of the authors and their experiences as practitioners. Music by Berio, de Falla, music by the authors and their collaborators, and music composed for the authors are explored through looking at processes of interpretation and risk; processes which further undermine the ontology of the musical ‘work’ as traditionally understood, and bring the practitioner as active agent to the foreground of an examination of musical discourse. The third section encounters and questions the musical ‘work’ at its inception, exploring composition and/as process through its encounters with performance, analysis, collaboration, improvisation, translation, experimentation and cross-disciplinarity. Through explorations of new music, the way in which practitioners relate to music frame a personal and reflective account of the creative process, finally looking beyond music to musicology.
Publisher: Cambridge Scholars Publishing
ISBN: 1443898392
Category : Music
Languages : en
Pages : 265
Book Description
Music and/as Process brings together ideas about music and the notion of process from different sub-fields within musicology and from related fields in the creative arts as a whole. These can be loosely categorised into three broad areas – composition, performance and analysis – but work in all three of these groups in the volume overlaps into the others, covers a broad range of other musicological sub-fields, and draws inspiration from, non-musicological fields. Music and/as Process comprises chapters written by a mix of scholars; some are leaders in their field and some are newer researchers, but all share an innovative and forward-thinking attitude to music research, often not well represented within ‘traditional’ musicology. Much of the work represented here started as papers or discussions at one of the Royal Musical Association (RMA) Music and/as Process Study Group Annual Conferences. The first section of the book deals with the analysis of performance and the performance of analysis. The historical nature of music and the recognition of pieces as musical ‘works’ in the traditional sense is questioned by the authors, and is a factor in the analyses which address processes in composing, performing, and listening, and the links between these, in three very different but interlinking ways. These three approaches posit new directions and territory for musical analysis. The second section builds on the first, framing performance and/as process from the individual perspectives of the authors and their experiences as practitioners. Music by Berio, de Falla, music by the authors and their collaborators, and music composed for the authors are explored through looking at processes of interpretation and risk; processes which further undermine the ontology of the musical ‘work’ as traditionally understood, and bring the practitioner as active agent to the foreground of an examination of musical discourse. The third section encounters and questions the musical ‘work’ at its inception, exploring composition and/as process through its encounters with performance, analysis, collaboration, improvisation, translation, experimentation and cross-disciplinarity. Through explorations of new music, the way in which practitioners relate to music frame a personal and reflective account of the creative process, finally looking beyond music to musicology.
Bugler's Holiday
Author: Leroy Anderson
Publisher:
ISBN:
Category : Quartets (piano, trumpts (3))
Languages : en
Pages : 10
Book Description
Publisher:
ISBN:
Category : Quartets (piano, trumpts (3))
Languages : en
Pages : 10
Book Description
Soupy Sales and the Detroit Experience
Author: Francis Shor
Publisher: Cambridge Scholars Publishing
ISBN: 9781527575530
Category :
Languages : en
Pages :
Book Description
When Soupy Sales left Detroit in 1960 after seven years on WXYZ TV, he was the highest-paid local television personality and one of the most well-known and loved celebrities in town. His daytime television programs in the early morning and noontime had an enormous and devoted following. The latter, Lunch with Soupy Sales, was nationally syndicated on ABC on Saturday, starting in the fall of 1959. His late evening program, Soupyâ (TM)s On, featured everything from renowned jazz artists to pop singers to satirical skits. While he would achieve more celebrity status in Los Angeles and New York during the 1960s, the template for the puppet characters, comedy routines, and zany sketches had been set in Detroit. This study of the content and context of Soupyâ (TM)s time on WXYZ TV provides important insights into key threads of popular culture in the 1950s, including the role of television and its impact on the family and children, the influence of Cold War and consumerist ideology, Jewish-inflected humor, and jazz, especially as a component of the Detroit socio-cultural history in this period. All of these seemingly disparate topics, however, lead back to identifying the manufacturing of a television personality at a particular moment in time and in a specific location. Beyond the network of Soupy fans, anyone interested in how a television personality achieves local and national prominence should consider reading this book. Also, those who want to understand the role of the media and popular culture in the 1950s will be enlightened, and even entertained, by this exploration of Soupy Salesâ (TM) Detroit experience.
Publisher: Cambridge Scholars Publishing
ISBN: 9781527575530
Category :
Languages : en
Pages :
Book Description
When Soupy Sales left Detroit in 1960 after seven years on WXYZ TV, he was the highest-paid local television personality and one of the most well-known and loved celebrities in town. His daytime television programs in the early morning and noontime had an enormous and devoted following. The latter, Lunch with Soupy Sales, was nationally syndicated on ABC on Saturday, starting in the fall of 1959. His late evening program, Soupyâ (TM)s On, featured everything from renowned jazz artists to pop singers to satirical skits. While he would achieve more celebrity status in Los Angeles and New York during the 1960s, the template for the puppet characters, comedy routines, and zany sketches had been set in Detroit. This study of the content and context of Soupyâ (TM)s time on WXYZ TV provides important insights into key threads of popular culture in the 1950s, including the role of television and its impact on the family and children, the influence of Cold War and consumerist ideology, Jewish-inflected humor, and jazz, especially as a component of the Detroit socio-cultural history in this period. All of these seemingly disparate topics, however, lead back to identifying the manufacturing of a television personality at a particular moment in time and in a specific location. Beyond the network of Soupy fans, anyone interested in how a television personality achieves local and national prominence should consider reading this book. Also, those who want to understand the role of the media and popular culture in the 1950s will be enlightened, and even entertained, by this exploration of Soupy Salesâ (TM) Detroit experience.