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Author: Ana Fernandes
Publisher: Cambridge Scholars Publishing
ISBN: 1443875945
Category : Fiction
Languages : en
Pages : 250
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Book Description
Although positivism dismissed myths as childish fancy, bound to be superseded by reason, there has been a continuous reappraisal of the power of myths since the 19th century. Once viewed as primitive and unreliable accounts and an inadequate and distorted form of knowledge, myths came to be perceived as exemplary narratives, consisting of rich and complex symbolic constructs that carry meaning and a connection to reality. Myths then came to be regarded as a privileged expression of the human soul and of its possibly submerged and unconscious abysses and dramas. Rather than inherently obscure and elusive to a rational grasp, mythical narratives would therefore be driven by logical reasoning, giving shape to a particular worldview of life and humankind. The enduring power of mythical narrative is attested to by its very plasticity, subject to multiple recreations informed by changing concerns and insights. Mythical narratives have thus attracted the interest of various disciplines, from ethnology and history to philosophy, literature, sociology, politics, the history of religions and art history. This interdisciplinary volume studies how myths are inscribed and recycled within both individual and collective heritage, and examines the personal and political implications of multifaceted engagement with myths as one of the forms through which societies try to make sense of their perplexities.
Author: Ana Fernandes
Publisher: Cambridge Scholars Publishing
ISBN: 1443875945
Category : Fiction
Languages : en
Pages : 250
Get Book Here
Book Description
Although positivism dismissed myths as childish fancy, bound to be superseded by reason, there has been a continuous reappraisal of the power of myths since the 19th century. Once viewed as primitive and unreliable accounts and an inadequate and distorted form of knowledge, myths came to be perceived as exemplary narratives, consisting of rich and complex symbolic constructs that carry meaning and a connection to reality. Myths then came to be regarded as a privileged expression of the human soul and of its possibly submerged and unconscious abysses and dramas. Rather than inherently obscure and elusive to a rational grasp, mythical narratives would therefore be driven by logical reasoning, giving shape to a particular worldview of life and humankind. The enduring power of mythical narrative is attested to by its very plasticity, subject to multiple recreations informed by changing concerns and insights. Mythical narratives have thus attracted the interest of various disciplines, from ethnology and history to philosophy, literature, sociology, politics, the history of religions and art history. This interdisciplinary volume studies how myths are inscribed and recycled within both individual and collective heritage, and examines the personal and political implications of multifaceted engagement with myths as one of the forms through which societies try to make sense of their perplexities.
Author: Robert William Billings
Publisher:
ISBN:
Category : Decoration and ornament
Languages : en
Pages : 138
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Book Description
Author: Robert William Billings
Publisher:
ISBN:
Category : Architecture, Gothic
Languages : en
Pages : 138
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Book Description
Author: Robert William Billings
Publisher:
ISBN:
Category : Design
Languages : en
Pages : 136
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Book Description
Author: Laura Bartels Felleman
Publisher: Wipf and Stock Publishers
ISBN: 1621899276
Category : Religion
Languages : en
Pages : 116
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Book Description
In "Thoughts Upon Methodism," John Wesley shared his hopes and fears for the future of his religious movement. The article contains this well-known passage: "I am not afraid that the people called Methodists should ever cease to exist either in Europe or America. But I am afraid, lest they should only exist as a dead sect, having the form of religion without the power. And this undoubtedly will be the case, unless they hold fast both the doctrine, spirit, and discipline with which they first set out." The Form and Power of Religion unpacks this statement by explaining what Wesley meant by the form and power of religion, identifying what Methodist Doctrine, Spirit, and Discipline were according to Wesley, and discussing how these aspects of Methodism worked together to maintain the vitality of the Revival. The book concludes with an evaluation of Wesley's theory of Methodist Vitality, and discusses its viability as a basis for contemporary Church Vitality programs.
Author: David P. Billington
Publisher: Princeton University Press
ISBN: 0691242402
Category : Technology & Engineering
Languages : en
Pages : 304
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Book Description
Power, Speed, and Form is the first accessible account of the engineering behind eight breakthrough innovations that transformed American life from 1876 to 1939—the telephone, electric power, oil refining, the automobile, the airplane, radio, the long-span steel bridge, and building with reinforced concrete. Beginning with Thomas Edison's system to generate and distribute electric power, the authors explain the Bell telephone, the oil refining processes of William Burton and Eugene Houdry, Henry Ford's Model T car and the response by General Motors, the Wright brothers' airplane, radio innovations from Marconi to Armstrong, Othmar Ammann's George Washington Bridge, the reinforced concrete structures of John Eastwood and Anton Tedesko, and in the 1930s, the Chrysler Airflow car and the Douglas DC-3 airplane. These innovations used simple numerical ideas, which the Billingtons integrate with short narrative accounts of each breakthrough—a unique and effective way to introduce engineering and how engineers think. The book shows how the best engineering exemplifies efficiency, economy and, where possible, elegance. With Power, Speed, and Form, educators, first-year engineering students, liberal arts students, and general readers now have, for the first time in one volume, an accessible and readable history of engineering achievements that were vital to America's development and that are still the foundations of modern life.
Author: Randy Duncan
Publisher: A&C Black
ISBN: 082642936X
Category : Literary Criticism
Languages : en
Pages : 714
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Book Description
Offers undergraduate students with an understanding of the comics medium and its communication potential. This book deals with comic books and graphic novels. It focuses on comic books because in their longer form they have the potential for complexity of expression.
Author: Sean McMorrow
Publisher: Rowman & Littlefield
ISBN: 1666918059
Category : Political Science
Languages : en
Pages : 239
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Book Description
This book examines the major contribution of Cornelius Castoriadis’s work, which elucidated the role of the social imaginary within human societies. What is significant, the author argues, is that Castoriadis’s work presents a unique perspective on the regimes of historicity; modes of instituting power that establish the legitimacy of institutional order in relation to the extensive social imaginary articulations of the world. The author assesses Castoriadis’s theorisation of the radically creative capacity of the social imaginary and suggests that there remains a tendency to present an overly dichotomous view of autonomous and heteronomous modes of institution. The author assesses how adherence to this tendency hinders the development of further insights into the creative capacities of social imaginary, while also imposing limits on Castoriadis’s own assessment of the ‘partially’ autonomous situation of modern societies. The author suggests that one way forward is to consider the role of an implicit dimension of instituting power, involved in the reproduction of dominant social imaginary articulations of the world, and which also shape the regulation of historicity more generally. The main purpose of this book is to develop the critical depth of Castoriadis’s work, showing how it remains an insightful framework to analyse the significance of the deepening depoliticisation of contemporary ‘liberal-democratic’ regimes and the ‘partially’ autonomous dynamics that underlie their shift toward increasingly authoritarian modes of governance.
Author: Eric v.d. Luft
Publisher: Gegensatz Press
ISBN: 1621307069
Category : Philosophy
Languages : en
Pages : 342
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Book Description
This book is meant to be disconcerting. It asks many more questions than it answers, but perhaps that is how philosophy should be, especially if the questions posed are capable of rousing interest in a topic and stimulating individual thought. It challenges, sometimes attacks, and even ridicules, various traditions and theoretical positions in the history of the philosophy of art, not for merely destructive or polemical purposes, but rather to encourage insightful readers to proceed beyond these positions in their own minds. Its arguments are not didactic and its conclusions are not dogmatic, but evocative and provisional, in the hope that its readers will confront them with a vigor at least equal to that with which these arguments and conclusions have already confronted the traditional opinions. Its general aims are (1) to try to answer the basic questions: "What is art?" and "What is good art?" and (2) to try to develop a unified theory of art, i.e., a theory which would embrace and be equally applicable to all types and media of art, from architecture to rock songs, from symphonies to sculpture, from Shakespeare to street graffiti. Toward this second aim, it examines the traditional concept of beauty and finds it incoherent, undefinable, philosophically unsatisfactory, and incapable of serving as the ground of any rigorous unified theory of art, because it cannot, without equivocation, be made equally applicable to all sorts of art. Thus, instead of beauty, it proposes the concept of power, which can be clearly and precisely defined and which is not only universally and univocally applicable, but also rich enough as a concept to be able to shed light on the whole idea of art. It is not a difficult book. It is written for people at all levels of erudition from college frosh to tenured professors. It does not aim primarily toward any level, and tries not to pander, but presents interpretations within the philosophy of art which should be both sufficiently original to provide grist for the professors' speculative mills and at the same time sufficiently lucid for beginning students to be able to grasp the main ideas. In short, the book aims to become both a course textbook and a work which will be discussed at scholarly conferences and written about in journal articles. At least with regard to this twofold aim, to be simultaneously intelligible to tyros and interesting to experts, and its consequent claim to a broad audience, it is akin to such works as John Dewey's Art as Experience, Robin Collingwood's The Principles of Art, or Susanne Langer's Philosophy in a New Key.
Author: Arthur Berndtson
Publisher: Bucknell University Press
ISBN: 9780838750100
Category : Philosophy
Languages : en
Pages : 312
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Book Description
A study in "intermediate" metaphysics combining elements of empiricism, analysis, and partial skepticism with a systematic account of nature, man, and God. The book concludes with a conative interpretation of mysticism.
