Author: Felix Gilbert
Publisher: Harvard University Press
ISBN: 9780674689763
Category : History
Languages : en
Pages : 180
Book Description
This is a story of how men worked, intrigued, and made business deals in an Italy invaded by continental countries and England. It brings together diplomacy, war, business, and politics, juxtaposing differing institutional structures and political ways among Italy's city states, and bringing into focus the new men of the Renaissance.
The Pope, His Banker, and Venice
Author: Felix Gilbert
Publisher: Harvard University Press
ISBN: 9780674689763
Category : History
Languages : en
Pages : 180
Book Description
This is a story of how men worked, intrigued, and made business deals in an Italy invaded by continental countries and England. It brings together diplomacy, war, business, and politics, juxtaposing differing institutional structures and political ways among Italy's city states, and bringing into focus the new men of the Renaissance.
Publisher: Harvard University Press
ISBN: 9780674689763
Category : History
Languages : en
Pages : 180
Book Description
This is a story of how men worked, intrigued, and made business deals in an Italy invaded by continental countries and England. It brings together diplomacy, war, business, and politics, juxtaposing differing institutional structures and political ways among Italy's city states, and bringing into focus the new men of the Renaissance.
Popes and Bankers
Author: Jack Cashill
Publisher: Thomas Nelson
ISBN: 1418555304
Category : History
Languages : en
Pages : 270
Book Description
AMIDST THE WRECKAGE OF FINANCIAL RUIN, PEOPLE ARE LEFT PUZZLING ABOUT HOW IT HAPPENED. WHERE DID ALL THE PROBLEMS BEGIN? For the answer, Jack Cashill, a journalist as shrewd as he is seasoned, looks past the headlines and deep into pages of history and comes back with the goods. From Plato to payday loans, from Aristotle to AIG, from Shakespeare to the Salomon Brothers, from the Medici to Bernie Madoff—in Popes and Bankers Jack Cashill unfurls a fascinating story of credit and debt, usury and “the sordid love of gain.” With a dizzying cast of characters, including church officials, gutter loan sharks, and even the Knights Templar, Cashill traces the creative tension between “pious restraint” and “economic ambition” through the annals of human history and illuminates both the dark corners of our past and the dusty corners of our billfolds.
Publisher: Thomas Nelson
ISBN: 1418555304
Category : History
Languages : en
Pages : 270
Book Description
AMIDST THE WRECKAGE OF FINANCIAL RUIN, PEOPLE ARE LEFT PUZZLING ABOUT HOW IT HAPPENED. WHERE DID ALL THE PROBLEMS BEGIN? For the answer, Jack Cashill, a journalist as shrewd as he is seasoned, looks past the headlines and deep into pages of history and comes back with the goods. From Plato to payday loans, from Aristotle to AIG, from Shakespeare to the Salomon Brothers, from the Medici to Bernie Madoff—in Popes and Bankers Jack Cashill unfurls a fascinating story of credit and debt, usury and “the sordid love of gain.” With a dizzying cast of characters, including church officials, gutter loan sharks, and even the Knights Templar, Cashill traces the creative tension between “pious restraint” and “economic ambition” through the annals of human history and illuminates both the dark corners of our past and the dusty corners of our billfolds.
The Papacy and the Levant, 1204-1571
Author: Kenneth Meyer Setton
Publisher: American Philosophical Society
ISBN: 9780871691613
Category : Crusades
Languages : en
Pages : 580
Book Description
Annotation This is the third of four volumes which trace the history of the later Crusades and papal relations with the Levant from the accession of Innocent III (in 1198) to the reign of Pius V and the battle of Lepanto (1566-1571). From the mid-fourteenth century to the conclusion of his work, the author has drawn heavily upon unpublished materials, collected in the course of more than twenty "palaeographical journeys" to the Archivio Segreto Vaticano and the Archivi di Stato in Venice, Mantua, Modena, Milan, Siena, Florence, and the Archives of the Order of the Hospitallers at Malta. Volumes 1, II, and IV are available at www.amphilsoc.org.
Publisher: American Philosophical Society
ISBN: 9780871691613
Category : Crusades
Languages : en
Pages : 580
Book Description
Annotation This is the third of four volumes which trace the history of the later Crusades and papal relations with the Levant from the accession of Innocent III (in 1198) to the reign of Pius V and the battle of Lepanto (1566-1571). From the mid-fourteenth century to the conclusion of his work, the author has drawn heavily upon unpublished materials, collected in the course of more than twenty "palaeographical journeys" to the Archivio Segreto Vaticano and the Archivi di Stato in Venice, Mantua, Modena, Milan, Siena, Florence, and the Archives of the Order of the Hospitallers at Malta. Volumes 1, II, and IV are available at www.amphilsoc.org.
Remembering the Renaissance
Author: Kenneth Gouwens
Publisher: BRILL
ISBN: 9789004109698
Category : History
Languages : en
Pages : 266
Book Description
This study, drawing extensively upon manuscript sources, provides the first comprehensive account of how Rome's humanist community coped with the 1527 sack of the city, an event traditionally viewed as signaling the transition from the Renaissance to the Catholic Reformation.
Publisher: BRILL
ISBN: 9789004109698
Category : History
Languages : en
Pages : 266
Book Description
This study, drawing extensively upon manuscript sources, provides the first comprehensive account of how Rome's humanist community coped with the 1527 sack of the city, an event traditionally viewed as signaling the transition from the Renaissance to the Catholic Reformation.
Venetians in Constantinople
Author: Eric Dursteler
Publisher: JHU Press
ISBN: 9780801883248
Category : Business & Economics
Languages : en
Pages : 324
Book Description
Historian Eric R Dursteler reconsiders identity in the early modern world to illuminate Veneto-Ottoman cultural interaction and coexistence, challenging the model of hostile relations and suggesting instead a more complex understanding of the intersection of cultures. Although dissonance and strife were certainly part of this relationship, he argues, coexistence and cooperation were more common. Moving beyond the "clash of civilizations" model that surveys the relationship between Islam and Christianity from a geopolitical perch, Dursteler analyzes the lived reality by focusing on a localized microcosm: the Venetian merchant and diplomatic community in Muslim Constantinople. While factors such as religion, culture, and political status could be integral elements in constructions of self and community, Dursteler finds early modern identity to be more than the sum total of its constitutent parts and reveals how the fluidity and malleability of identity in this time and place made coexistence among disparate cultures possible.
Publisher: JHU Press
ISBN: 9780801883248
Category : Business & Economics
Languages : en
Pages : 324
Book Description
Historian Eric R Dursteler reconsiders identity in the early modern world to illuminate Veneto-Ottoman cultural interaction and coexistence, challenging the model of hostile relations and suggesting instead a more complex understanding of the intersection of cultures. Although dissonance and strife were certainly part of this relationship, he argues, coexistence and cooperation were more common. Moving beyond the "clash of civilizations" model that surveys the relationship between Islam and Christianity from a geopolitical perch, Dursteler analyzes the lived reality by focusing on a localized microcosm: the Venetian merchant and diplomatic community in Muslim Constantinople. While factors such as religion, culture, and political status could be integral elements in constructions of self and community, Dursteler finds early modern identity to be more than the sum total of its constitutent parts and reveals how the fluidity and malleability of identity in this time and place made coexistence among disparate cultures possible.
Angelo Beolco (Il Ruzante)
Author: Ruzzante
Publisher: MHRA
ISBN: 0947623795
Category : Drama
Languages : en
Pages : 158
Book Description
Perhaps the most extreme oration ever delivered to a bishop, the Prima oratione is presented here in a first complete transcription of all three surviving manuscript versions, and for the first time with an English translation. Through extensive original research of manuscript sources, the editor posits new dates, places, and audiences for multiple performances of the oration.
Publisher: MHRA
ISBN: 0947623795
Category : Drama
Languages : en
Pages : 158
Book Description
Perhaps the most extreme oration ever delivered to a bishop, the Prima oratione is presented here in a first complete transcription of all three surviving manuscript versions, and for the first time with an English translation. Through extensive original research of manuscript sources, the editor posits new dates, places, and audiences for multiple performances of the oration.
Sebastiano del Piombo and the World of Spanish Rome
Author: Piers Baker-Bates
Publisher: Routledge
ISBN: 1351549391
Category : Art
Languages : en
Pages : 569
Book Description
Sebastiano del Piombo (c.1485-1547) was a close associate and rival of the central artistic figures of the High Renaissance, notably Michelangelo and Raphael. After the death of Raphael and the departure of Michelangelo from Rome, Sebastiano became the dominant artistic personality in the city. Despite being one of most significant artistic figures of the period, he remains the last artist of major importance in the western canon about whom no recent work has been published in English. In this study, Piers Baker-Bates approaches Sebastiano?s career through analysis of the patrons he attracted following his arrival at Rome. The first half of the book concentrates on Sebastiano?s network of patrons, predominantly Italian, who had strong factional ties to the Imperial camp; the second half discusses Sebastiano?s relationship with his principal Spanish patrons. Sebastiano is a leading example of a transcultural artist in the sixteenth century and his relationship with Spain was fundamental to the development of his careerThe author investigates the domination of Sebastiano?s career by patrons who had geographically different origins, but who were all were members of a wider network of Imperial loyalties. Thus Baker-Bates removes Sebastiano from the shadow of his contemporaries, bringing him to life for the reader as an artistic personality in his own right. Baker-Bates? characterization of the Rome in which Sebastiano made his career differs from previous scholarly accounts, and he describes how Sebastiano was ideally suited to flourish in the environment he depicts.Sebastiano del Piombo and the World of Spanish Rome thus re-appraises not only Sebastiano?s place in the canon of Renaissance art but, using him as a lens, also the cultural worlds of Early Modern Italy and Spain in which he operated.
Publisher: Routledge
ISBN: 1351549391
Category : Art
Languages : en
Pages : 569
Book Description
Sebastiano del Piombo (c.1485-1547) was a close associate and rival of the central artistic figures of the High Renaissance, notably Michelangelo and Raphael. After the death of Raphael and the departure of Michelangelo from Rome, Sebastiano became the dominant artistic personality in the city. Despite being one of most significant artistic figures of the period, he remains the last artist of major importance in the western canon about whom no recent work has been published in English. In this study, Piers Baker-Bates approaches Sebastiano?s career through analysis of the patrons he attracted following his arrival at Rome. The first half of the book concentrates on Sebastiano?s network of patrons, predominantly Italian, who had strong factional ties to the Imperial camp; the second half discusses Sebastiano?s relationship with his principal Spanish patrons. Sebastiano is a leading example of a transcultural artist in the sixteenth century and his relationship with Spain was fundamental to the development of his careerThe author investigates the domination of Sebastiano?s career by patrons who had geographically different origins, but who were all were members of a wider network of Imperial loyalties. Thus Baker-Bates removes Sebastiano from the shadow of his contemporaries, bringing him to life for the reader as an artistic personality in his own right. Baker-Bates? characterization of the Rome in which Sebastiano made his career differs from previous scholarly accounts, and he describes how Sebastiano was ideally suited to flourish in the environment he depicts.Sebastiano del Piombo and the World of Spanish Rome thus re-appraises not only Sebastiano?s place in the canon of Renaissance art but, using him as a lens, also the cultural worlds of Early Modern Italy and Spain in which he operated.
Viewing Renaissance Art
Author: The Open University
Publisher: Yale University Press
ISBN: 9780300123432
Category : Art
Languages : en
Pages : 342
Book Description
This book focuses on the values, priorities, and motives of patrons and the purposes and functions of art works produced north and south of the Alps and in post-Byzantine Crete. It begins by considering the social range and character of Renaissance patronage and ends with a study of Hans Holbein the Younger and the reform of religious images in Basle and England. Viewing Renaissance Art considers a wide range of audiences and patrons from the rulers of France to the poorest confraternities in Florence. The overriding premise is that art was not a neutral matter of stylistic taste but an aspect of material production in which values were invested--whether religious, cultural, social, or political.
Publisher: Yale University Press
ISBN: 9780300123432
Category : Art
Languages : en
Pages : 342
Book Description
This book focuses on the values, priorities, and motives of patrons and the purposes and functions of art works produced north and south of the Alps and in post-Byzantine Crete. It begins by considering the social range and character of Renaissance patronage and ends with a study of Hans Holbein the Younger and the reform of religious images in Basle and England. Viewing Renaissance Art considers a wide range of audiences and patrons from the rulers of France to the poorest confraternities in Florence. The overriding premise is that art was not a neutral matter of stylistic taste but an aspect of material production in which values were invested--whether religious, cultural, social, or political.
Reform before the Reformation: Vincenzo Querini and the Religious Renaissance in Italy
Author: Stephen David Bowd
Publisher: BRILL
ISBN: 9004475729
Category : History
Languages : en
Pages : 289
Book Description
An important aspect of the Italian Renaissance was church reform. This book examines the nature of that reform - especially in Venice, Florence and Rome - as viewed through the unpublished manuscripts of a Venetian nobleman who became a Camaldolese hermit: Vincenzo Querini (1478-1514). This book sets Querini's personal journey to reform in the context of Venetian society, as well as against the backdrop of political crisis, cultural revival, and monastic renaissance in Italy generally. Querini's attempt to reform himself, the Roman Catholic Church, and the whole of Christendom are of interest to historians seeking to revise the chronology of early modern church reform since he employed a range of scriptural, humanist, conciliar, monastic, and mystical methods that had medieval antecedents but were also imitated by reformers after the Reformation.
Publisher: BRILL
ISBN: 9004475729
Category : History
Languages : en
Pages : 289
Book Description
An important aspect of the Italian Renaissance was church reform. This book examines the nature of that reform - especially in Venice, Florence and Rome - as viewed through the unpublished manuscripts of a Venetian nobleman who became a Camaldolese hermit: Vincenzo Querini (1478-1514). This book sets Querini's personal journey to reform in the context of Venetian society, as well as against the backdrop of political crisis, cultural revival, and monastic renaissance in Italy generally. Querini's attempt to reform himself, the Roman Catholic Church, and the whole of Christendom are of interest to historians seeking to revise the chronology of early modern church reform since he employed a range of scriptural, humanist, conciliar, monastic, and mystical methods that had medieval antecedents but were also imitated by reformers after the Reformation.
Space, Image, and Reform in Early Modern Art
Author: Arthur J. DiFuria
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 1501513486
Category : Art
Languages : en
Pages : 374
Book Description
The essays in Space, Image, and Reform in Early Modern Art build on Marcia Hall’s seminal contributions in several categories crucial for Renaissance studies, especially the spatiality of the church interior, the altarpiece’s facture and affectivity, the notion of artistic style, and the controversy over images in the era of Counter Reform. Accruing the advantage of critical engagement with a single paradigm, this volume better assesses its applicability and range. The book works cumulatively to provide blocks of theoretical and empirical research on issues spanning the function and role of images in their contexts over two centuries. Relating Hall’s investigations of Renaissance art to new fields, Space, Image, and Reform expands the ideas at the center of her work further back in time, further afield, and deeper into familiar topics, thus achieving a cohesion not usually seen in edited volumes honoring a single scholar.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 1501513486
Category : Art
Languages : en
Pages : 374
Book Description
The essays in Space, Image, and Reform in Early Modern Art build on Marcia Hall’s seminal contributions in several categories crucial for Renaissance studies, especially the spatiality of the church interior, the altarpiece’s facture and affectivity, the notion of artistic style, and the controversy over images in the era of Counter Reform. Accruing the advantage of critical engagement with a single paradigm, this volume better assesses its applicability and range. The book works cumulatively to provide blocks of theoretical and empirical research on issues spanning the function and role of images in their contexts over two centuries. Relating Hall’s investigations of Renaissance art to new fields, Space, Image, and Reform expands the ideas at the center of her work further back in time, further afield, and deeper into familiar topics, thus achieving a cohesion not usually seen in edited volumes honoring a single scholar.