Author: David Bevington
Publisher: Cambridge University Press
ISBN: 9780521594363
Category : Drama
Languages : en
Pages : 358
Book Description
A 1998 collection which takes an alternative look at the courtly masque in early seventeenth-century England.
The Politics of the Stuart Court Masque
Author: David Bevington
Publisher: Cambridge University Press
ISBN: 9780521594363
Category : Drama
Languages : en
Pages : 358
Book Description
A 1998 collection which takes an alternative look at the courtly masque in early seventeenth-century England.
Publisher: Cambridge University Press
ISBN: 9780521594363
Category : Drama
Languages : en
Pages : 358
Book Description
A 1998 collection which takes an alternative look at the courtly masque in early seventeenth-century England.
The Stuart Court Masque and Political Culture
Author: Martin Butler
Publisher: Cambridge University Press
ISBN: 0521883547
Category : Drama
Languages : en
Pages : 0
Book Description
Examines the masques and court festivals staged between 1603 and 1640, demonstrating how they reflected and influenced the Stuart kingship.
Publisher: Cambridge University Press
ISBN: 0521883547
Category : Drama
Languages : en
Pages : 0
Book Description
Examines the masques and court festivals staged between 1603 and 1640, demonstrating how they reflected and influenced the Stuart kingship.
The Early Stuart Masque
Author: Barbara Ravelhofer
Publisher: OUP Oxford
ISBN: 0191515981
Category : Literary Criticism
Languages : en
Pages : 336
Book Description
The Early Stuart Masque: Dance, Costume, and Music studies the complex impact of movements, costumes, words, scenes, music, and special effects in English illusionistic theatre of the Renaissance. Drawing on a massive amount of documentary evidence relating to English productions as well as spectacle in France, Italy, Germany, and the Ottoman Empire, the book elucidates professional ballet, theatre management, and dramatic performance at the early Stuart court. Individual studies take a fresh look at works by Ben Jonson, Samuel Daniel, Thomas Carew, John Milton, William Davenant, and others, showing how court poets collaborated with tailors, designers, technicians, choreographers, and aristocratic as well as professional performers to create a dazzling event. Based on extensive archival research on the households of Queen Anne and Queen Henrietta Maria, special chapters highlight the artistic and financial control of Stuart queens over their masques and pastorals. Many plates and figures from German, Austrian, French, and English archives illustrate accessibly-written introductions to costume conventions, early dance styles, male and female performers, the dramatic symbolism of colours, and stage design in performance. With splendid costumes and choreographies, masques once appealed to the five senses. A tribute to their colourful brilliance, this book seeks to recover a lost dimension of performance culture in early modern England.
Publisher: OUP Oxford
ISBN: 0191515981
Category : Literary Criticism
Languages : en
Pages : 336
Book Description
The Early Stuart Masque: Dance, Costume, and Music studies the complex impact of movements, costumes, words, scenes, music, and special effects in English illusionistic theatre of the Renaissance. Drawing on a massive amount of documentary evidence relating to English productions as well as spectacle in France, Italy, Germany, and the Ottoman Empire, the book elucidates professional ballet, theatre management, and dramatic performance at the early Stuart court. Individual studies take a fresh look at works by Ben Jonson, Samuel Daniel, Thomas Carew, John Milton, William Davenant, and others, showing how court poets collaborated with tailors, designers, technicians, choreographers, and aristocratic as well as professional performers to create a dazzling event. Based on extensive archival research on the households of Queen Anne and Queen Henrietta Maria, special chapters highlight the artistic and financial control of Stuart queens over their masques and pastorals. Many plates and figures from German, Austrian, French, and English archives illustrate accessibly-written introductions to costume conventions, early dance styles, male and female performers, the dramatic symbolism of colours, and stage design in performance. With splendid costumes and choreographies, masques once appealed to the five senses. A tribute to their colourful brilliance, this book seeks to recover a lost dimension of performance culture in early modern England.
The Court Masque
Author: Enid Welsford
Publisher: Cambridge, [Eng.] : University Press
ISBN:
Category : English drama
Languages : en
Pages : 486
Book Description
Publisher: Cambridge, [Eng.] : University Press
ISBN:
Category : English drama
Languages : en
Pages : 486
Book Description
Politics, Transgression, and Representation at the Court of Charles II
Author: Julia Marciari Alexander
Publisher: Studies in British Art
ISBN:
Category : Art
Languages : en
Pages : 296
Book Description
This volume brings together ten distinguished scholars of history, literature, music, theatre, and art to explore the political and cultural implications of the court's transgressive new character.
Publisher: Studies in British Art
ISBN:
Category : Art
Languages : en
Pages : 296
Book Description
This volume brings together ten distinguished scholars of history, literature, music, theatre, and art to explore the political and cultural implications of the court's transgressive new character.
Women on the Renaissance Stage
Author: Clare McManus
Publisher: Manchester University Press
ISBN: 9780719062506
Category : Biography & Autobiography
Languages : en
Pages : 292
Book Description
Through detailed historicized and interdisciplinary readings of the performances of Anna Denmark in the Scottish and English Jacobean Courts, Women on the Renaissance Stage fundamentally reassesses women's relationship to early modern performance. It investigates the staging conditions, practices, and gendering of Denmark's performances, and brings current critical theorizations of race, class, gender, space, and performance to bear on the female court of the early 17th century.
Publisher: Manchester University Press
ISBN: 9780719062506
Category : Biography & Autobiography
Languages : en
Pages : 292
Book Description
Through detailed historicized and interdisciplinary readings of the performances of Anna Denmark in the Scottish and English Jacobean Courts, Women on the Renaissance Stage fundamentally reassesses women's relationship to early modern performance. It investigates the staging conditions, practices, and gendering of Denmark's performances, and brings current critical theorizations of race, class, gender, space, and performance to bear on the female court of the early 17th century.
Marriage, Performance, and Politics at the Jacobean Court
Author: Kevin Curran
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754663515
Category : Literary Criticism
Languages : en
Pages : 202
Book Description
Marriage, Performance, and Politics at the Jacobean Court constitutes the first full-length study of Jacobean nuptial performance. Scripted for high-profile weddings by such writers as Jonson, Campion, Chapman, and Beaumont, these entertainments were mounted for some of the most significant political events of King James's English reign and played a key role in the development of a specifically Jacobean form of national identity.
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754663515
Category : Literary Criticism
Languages : en
Pages : 202
Book Description
Marriage, Performance, and Politics at the Jacobean Court constitutes the first full-length study of Jacobean nuptial performance. Scripted for high-profile weddings by such writers as Jonson, Campion, Chapman, and Beaumont, these entertainments were mounted for some of the most significant political events of King James's English reign and played a key role in the development of a specifically Jacobean form of national identity.
The Cambridge History of British Theatre
Author: Jane Milling
Publisher: Cambridge University Press
ISBN: 0521650682
Category : English drama
Languages : en
Pages : 574
Book Description
Publisher Description
Publisher: Cambridge University Press
ISBN: 0521650682
Category : English drama
Languages : en
Pages : 574
Book Description
Publisher Description
The Illusion of Power
Author: Stephen Orgel
Publisher: Univ of California Press
ISBN: 9780520025059
Category : Art
Languages : en
Pages : 116
Book Description
Presents a study of political theater in the English Renaissance, discussing the differences between a public playhouse and a private, or court theater, and looking at masques and the role of king in the Renaissance court.
Publisher: Univ of California Press
ISBN: 9780520025059
Category : Art
Languages : en
Pages : 116
Book Description
Presents a study of political theater in the English Renaissance, discussing the differences between a public playhouse and a private, or court theater, and looking at masques and the role of king in the Renaissance court.
Blackness in Opera
Author: Naomi Andre
Publisher: University of Illinois Press
ISBN: 0252093895
Category : Music
Languages : en
Pages : 306
Book Description
Blackness in Opera critically examines the intersections of race and music in the multifaceted genre of opera. A diverse cross-section of scholars places well-known operas (Porgy and Bess, Aida, Treemonisha) alongside lesser-known works such as Frederick Delius's Koanga, William Grant Still's Blue Steel, and Clarence Cameron White's Ouanga! to reveal a new historical context for re-imagining race and blackness in opera. The volume brings a wide-ranging, theoretically informed, interdisciplinary approach to questions about how blackness has been represented in these operas, issues surrounding characterization of blacks, interpretation of racialized roles by blacks and whites, controversies over race in the theatre and the use of blackface, and extensions of blackness along the spectrum from grand opera to musical theatre and film. In addition to essays by scholars, the book also features reflections by renowned American tenor George Shirley. Contributors are Naomi André, Melinda Boyd, Gwynne Kuhner Brown, Karen M. Bryan, Melissa J. de Graaf, Christopher R. Gauthier, Jennifer McFarlane-Harris, Gayle Murchison, Guthrie P. Ramsey Jr., Eric Saylor, Sarah Schmalenberger, Ann Sears, George Shirley, and Jonathan O. Wipplinger.
Publisher: University of Illinois Press
ISBN: 0252093895
Category : Music
Languages : en
Pages : 306
Book Description
Blackness in Opera critically examines the intersections of race and music in the multifaceted genre of opera. A diverse cross-section of scholars places well-known operas (Porgy and Bess, Aida, Treemonisha) alongside lesser-known works such as Frederick Delius's Koanga, William Grant Still's Blue Steel, and Clarence Cameron White's Ouanga! to reveal a new historical context for re-imagining race and blackness in opera. The volume brings a wide-ranging, theoretically informed, interdisciplinary approach to questions about how blackness has been represented in these operas, issues surrounding characterization of blacks, interpretation of racialized roles by blacks and whites, controversies over race in the theatre and the use of blackface, and extensions of blackness along the spectrum from grand opera to musical theatre and film. In addition to essays by scholars, the book also features reflections by renowned American tenor George Shirley. Contributors are Naomi André, Melinda Boyd, Gwynne Kuhner Brown, Karen M. Bryan, Melissa J. de Graaf, Christopher R. Gauthier, Jennifer McFarlane-Harris, Gayle Murchison, Guthrie P. Ramsey Jr., Eric Saylor, Sarah Schmalenberger, Ann Sears, George Shirley, and Jonathan O. Wipplinger.