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Author: Jan-Pieter Barbian
Publisher: A&C Black
ISBN: 1441168141
Category : History
Languages : en
Pages : 468
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Book Description
This is the most comprehensive account to date of literary politics in Nazi Germany and of the institutions, organizations and people who controlled German literature during the Third Reich. Barbian details a media dictatorship-involving the persecution and control of writers, publishers and libraries, but also voluntary assimilation and pre-emptive self-censorship-that began almost immediately under the National Socialists, leading to authors' forced declarations of loyalty, literary propaganda, censorship, and book burnings. Special attention is given to Nazi regulation of the publishing industry and command over all forms of publication and dissemination, from the most presitigious publishing houses to the smallest municipal and school libraries. Barbian also shows that, although the Nazis censored books not in line with Party aims, many publishers and writers took advantage of loopholes in their system of control. Supporting his work with exhaustive research of original sources, Barbian describes a society in which everybody who was not openly opposed to it, participated in the system, whether as a writer, an editor, or even as an ordinary visitor to a library.
Author: Jan-Pieter Barbian
Publisher: A&C Black
ISBN: 1441168141
Category : History
Languages : en
Pages : 468
Get Book Here
Book Description
This is the most comprehensive account to date of literary politics in Nazi Germany and of the institutions, organizations and people who controlled German literature during the Third Reich. Barbian details a media dictatorship-involving the persecution and control of writers, publishers and libraries, but also voluntary assimilation and pre-emptive self-censorship-that began almost immediately under the National Socialists, leading to authors' forced declarations of loyalty, literary propaganda, censorship, and book burnings. Special attention is given to Nazi regulation of the publishing industry and command over all forms of publication and dissemination, from the most presitigious publishing houses to the smallest municipal and school libraries. Barbian also shows that, although the Nazis censored books not in line with Party aims, many publishers and writers took advantage of loopholes in their system of control. Supporting his work with exhaustive research of original sources, Barbian describes a society in which everybody who was not openly opposed to it, participated in the system, whether as a writer, an editor, or even as an ordinary visitor to a library.
Author: Hans D. Sluga
Publisher: Harvard University Press
ISBN: 0674387120
Category : Science
Languages : en
Pages : 298
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Book Description
Philosophy and politics make uneasy bedfellows. Nowhere has this been more true than in Nazi Germany, where the pursuit of truth and the will to power became fatally entangled. Though Martin Heidegger's Nazi past is well known and much debated, less is understood about the role of philosophy - and other philosophers - in the rise and development of National Socialism.
Author: Christian Adam
Publisher: Berghahn Books
ISBN: 1800730403
Category : History
Languages : en
Pages : 309
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Book Description
Despite the displacement of countless authors, frequent bans of specific titles, and high-profile book burnings, the German book industry boomed during the Nazi period. Notwithstanding the millions of copies of Mein Kampf that were sold, the era’s most popular books were diverse and often surprising in retrospect, despite an oppressive ideological and cultural climate: Huxley’s Brave New World was widely read in the 1930s, while Saint-Exupéry’s Wind, Sand and Stars was a great success during the war years. Bestsellers of the Third Reich surveys this motley collection of books, along with the circumstances of their publication, to provide an innovative new window into the history of Nazi Germany.
Author: Mervyn O'Driscoll
Publisher:
ISBN:
Category : History
Languages : en
Pages : 310
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Book Description
In the 1920s Germany and Ireland were new European democracies operating in adverse international, political and economic conditions. This book places the bilateral Irish-German relationship in the context of the professionalization of the Irish Foreign Service and the Irish Free State's progressive carving out of an independent foreign policy. It assesses the key Irish personalities involved in Irish-German relations. These include the successive Irish representatives in Berlin, the eminent scholar Dr Daniel A. Binchy, Leo T. McCauley, and the contentious Charles Bewley. Eamon de Valera and Joseph Walshe (Secretary of the Department of Foreign Affairs) also played a crucial role. Irish responses to the Wall Street Crash, the rise of the Nazis, and Hitler's policies (domestic and foreign) are all analysed. Did Irish officials foresee the fall of Weimar and the rise of Nazism? How did they view the unfolding nature of the Nazi regime? The clashes between Bewley's apologetic justifications of Nazism after 1935 and de Valera's critical attitudes towards domestic Nazi policies are examined. The ineffective efforts to expand Irish-German trade during the Anglo-Irish Economic War shed light on Irish attempts at export market diversification in the emerging protectionist world economic environment. The analysis places Irish-German relations within the maturation of events in Europe in the 1930s, taking account of the League of Nations' failure, the popularity of Fascism, the Blueshirts, the fraught international atmosphere, and Hitler's revisionist foreign policy. De Valera's support of Chamberlain's 'appeasement' of Hitler before March 1939 is located in the framework of de Valera's attitudes towards collective security, neutrality and Hibernia Irredenta.
Author: Michael H. Kater
Publisher: Yale University Press
ISBN: 0300245114
Category : History
Languages : en
Pages : 388
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Book Description
“A much-needed study of the aesthetics and cultural mores of the Third Reich . . . rich in detail and documentation.” (Kirkus Reviews) Culture was integral to the smooth running of the Third Reich. In the years preceding WWII, a wide variety of artistic forms were used to instill a Nazi ideology in the German people and to manipulate the public perception of Hitler’s enemies. During the war, the arts were closely tied to the propaganda machine that promoted the cause of Germany’s military campaigns. Michael H. Kater’s engaging and deeply researched account of artistic culture within Nazi Germany considers how the German arts-and-letters scene was transformed when the Nazis came to power. With a broad purview that ranges widely across music, literature, film, theater, the press, and visual arts, Kater details the struggle between creative autonomy and political control as he looks at what became of German artists and their work both during and subsequent to Nazi rule. “Absorbing, chilling study of German artistic life under Hitler” —The Sunday Times “There is no greater authority on the culture of the Nazi period than Michael Kater, and his latest, most ambitious work gives a comprehensive overview of a dismally complex history, astonishing in its breadth of knowledge and acute in its critical perceptions.” —Alex Ross, music critic at The New Yorker and author of The Rest is Noise Listed on Choice's Outstanding Academic Titles List for 2019 Winner of the Jewish Literary Award in Scholarship
Author: John J. Michalczyk
Publisher: Peter Lang
ISBN: 9780820463179
Category : History
Languages : en
Pages : 270
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Book Description
Many critics and some historians consider resistance in Nazi Germany as too little and too late. Few Germans were willing to take risks, and others began to oppose the Third Reich only when the end was in sight. However, despite the threat of prison, concentration camp, or death, there were many diverse groups from the academic, military, and spiritual sectors of society that challenged the Reich's harsh, unjust policies. This book represents the spectrum of these forms of resistance and illustrates the courage of those who dared to confront the Nazi government.
Author: Tobias Boes
Publisher: Cornell University Press
ISBN: 150174500X
Category : Literary Criticism
Languages : en
Pages : 375
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Book Description
In Thomas Mann's War, Tobias Boes traces how the acclaimed and bestselling author became one of America's most prominent anti-fascists and the spokesperson for a German cultural ideal that Nazism had perverted. Thomas Mann, winner of the 1929 Nobel Prize in literature and author of such world-renowned novels as Buddenbrooks and The Magic Mountain, began his self-imposed exile in the United States in 1938, having fled his native Germany in the wake of Nazi persecution and public burnings of his books. Mann embraced his role as a public intellectual, deftly using his literary reputation and his connections in an increasingly global publishing industry to refute Nazi propaganda. As Boes shows, Mann undertook successful lecture tours of the country and penned widely-read articles that alerted US audiences and readers to the dangers of complacency in the face of Nazism's existential threat. Spanning four decades, from the eve of World War I, when Mann was first translated into English, to 1952, the year in which he left an America increasingly disfigured by McCarthyism, Boes establishes Mann as a significant figure in the wartime global republic of letters. Open access edition funded by the National Endowment for the Humanities.
Author: George Lachmann Mosse
Publisher: Univ of Wisconsin Press
ISBN: 9780299193041
Category : Art
Languages : en
Pages : 460
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Book Description
George L. Mosse's extensive analysis of Nazi culture - ground-breaking upon its original publication in 1966 - is now offered to readers of a new generation. Selections from newspapers, novellas, plays, and diaries as well as the public pronouncements of Nazi leaders, churchmen, and professors describe National Socialism in practice and explore what it meant for the average German.
Author: Anson Rabinbach
Publisher: Simon and Schuster
ISBN: 1780746164
Category : History
Languages : en
Pages : 414
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Book Description
MERGEFIELD AI_Copy In 1933, Jews and, to a lesser extent, political opponents of the Nazis, suffered an unprecedented loss of positions and livelihood at Germany’s universities. With few exceptions, the academic elite welcomed and justified the acts of the Nazi regime, uttered no word of protest when their Jewish and liberal colleagues were dismissed, and did not stir when Jewish students were barred admission. The subject of how German scholars responded to the Nazi regime continues to be a fascinating area of scholarship. In this collection, Rabinbach and Bialas bring some of the best scholarly contributions together in one cohesive volume, to deliver a shocking conclusion: whatever diverse motives German intellectuals may have had in 1933, the image of Nazism as an alien power imposed on German universities from without was a convenient fiction.
Author: Nathan Stoltzfus
Publisher: Yale University Press
ISBN: 0300220995
Category : History
Languages : en
Pages : 430
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Book Description
History has focused on Hitler’s use of charisma and terror, asserting that the dictator made few concessions to maintain power. Nathan Stoltzfus, the award-winning author of Resistance of Heart: Intermarriage and the Rosenstrasse Protest in Germany, challenges this notion, assessing the surprisingly frequent tactical compromises Hitler made in order to preempt hostility and win the German people’s complete fealty. As part of his strategy to secure a “1,000-year Reich,” Hitler sought to convince the German people to believe in Nazism so they would perpetuate it permanently and actively shun those who were out of step with society. When widespread public dissent occurred at home—which most often happened when policies conflicted with popular traditions or encroached on private life—Hitler made careful calculations and acted strategically to maintain his popular image. Extending from the 1920s to the regime’s collapse, this revealing history makes a powerful and original argument that will inspire a major rethinking of Hitler’s rule.
