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Author: Mark Perrino
Publisher: MHRA
ISBN: 9780901286529
Category : Foreign Language Study
Languages : en
Pages : 184
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Book Description
This study reconsiders Wyndham Lewis's adversarial role in the modernist movement through a close reading of his prodigious satire of 1920s cultural politics. It presents a new interpretation of The Apes of God as a Menippean satire, with attention to its style, characterization, allegory, and historiography, and to Lewis's polemics of the period. Previous studies have emphasised Lewis's external method of visual narration and the personal attacks on the London art world. This one also treats the rhetorical and parodic elements in his mechanistic caricatures of literary impressionism and its proponents, besides the theory of participation and the player behind his schizoid image of the modern subject. The study reinterprets the apprenticeship plot as a carnivalesque discrowning based on the primitive themes of the shaman and the scapegoat. It explores the ways in which the discursive broadcasts - on the social exploitation of a subjectivist aesthetic, publicity as imposture, cultural levelling - are dramatized in the sado-masochistic bond between impresario and naif and in the contradiction of carnival institutionalized. Lewis is shown using his rivals' mythic method to implicate the avant-garde itself in nascent mass culture. The study includes an analysis of the scandal surrounding Lewis's private edition of The Apes and the defence of non-moral satire presented in his subsequent pamphlet Satire and Fiction. Drawing upon unpublished manuscripts and correspondence, it demonstrates how Lewis's own devious publicity campaign re-enacted the crux of the novel and epitomized his conflicts with his contemporaries.
Author: Mark Perrino
Publisher: MHRA
ISBN: 9780901286529
Category : Foreign Language Study
Languages : en
Pages : 184
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Book Description
This study reconsiders Wyndham Lewis's adversarial role in the modernist movement through a close reading of his prodigious satire of 1920s cultural politics. It presents a new interpretation of The Apes of God as a Menippean satire, with attention to its style, characterization, allegory, and historiography, and to Lewis's polemics of the period. Previous studies have emphasised Lewis's external method of visual narration and the personal attacks on the London art world. This one also treats the rhetorical and parodic elements in his mechanistic caricatures of literary impressionism and its proponents, besides the theory of participation and the player behind his schizoid image of the modern subject. The study reinterprets the apprenticeship plot as a carnivalesque discrowning based on the primitive themes of the shaman and the scapegoat. It explores the ways in which the discursive broadcasts - on the social exploitation of a subjectivist aesthetic, publicity as imposture, cultural levelling - are dramatized in the sado-masochistic bond between impresario and naif and in the contradiction of carnival institutionalized. Lewis is shown using his rivals' mythic method to implicate the avant-garde itself in nascent mass culture. The study includes an analysis of the scandal surrounding Lewis's private edition of The Apes and the defence of non-moral satire presented in his subsequent pamphlet Satire and Fiction. Drawing upon unpublished manuscripts and correspondence, it demonstrates how Lewis's own devious publicity campaign re-enacted the crux of the novel and epitomized his conflicts with his contemporaries.
Author: Ralph Rosen
Publisher: Oxford University Press
ISBN: 0198042345
Category : Literary Criticism
Languages : en
Pages : 311
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Book Description
Making Mockery explores the dynamics of comic mockery and satire in Greek and Roman poetry, and argues that poets working with such material composed in accordance with shared generic principles and literary protocols. It encourages a synoptic, synchronic view of such poetry, from archaic iambus through Roman satire, and argues that if we can appreciate the abstract poetics of mockery that governs individual poets in such genres, we can we better understand how such poetry functioned in its own historical moment. Rosen examines in particular the various strategies deployed by ancient satirical poets to enlist the sympathies of a putative audience, convince them of the justice of their indignation and the legitimacy of their personal attacks. The mocking satirist at the height of his power remains elusive and paradoxical--a figure of self-constructed abjection, yet arrogant and sarcastic at the same time; a figure whose speech can be self-righteous one moment, but scandalous the next; who will insist on the "reality" of his poetry, but make it clear that this reality is always mediated by an inescapable movement towards fictionality. While scholars have often, in principle, acknowledged the force of irony, persona-construction and other such devices by which satirists destabilize their claims, very often in practice--especially when considering individual satirists in isolation from others--they too succumb to the satirist's invitation to take what he says at face value. Despite the sophisticated critical tools they may bring to bear on satirical texts, therefore, classicists still tend to treat such poets ultimately as monochromatically indignant, vindictive individuals on a genuine self-righteous mission. This study, however, argues that that a far subtler analysis of the aggressive, poeticized subject in Classical antiquity--its target, and its audience--is called for.
Author: Ralph Rosen
Publisher: OUP USA
ISBN: 0195309960
Category : Literary Criticism
Languages : en
Pages : 311
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Book Description
Ralph Rosen explores the dynamics of comic mockery and satire in Greek and Roman poetry, encouraging a synoptic, synchronic view of such poetry, from archaic iambus through Roman satire.
Author: Richard Terry
Publisher: Routledge
ISBN: 1351917110
Category : Literary Criticism
Languages : en
Pages : 330
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Book Description
Mock-heroic is the exemplary genre of the English Augustan era: it is one of the few genres that the Augustans invented themselves, and it stands in a symbolic relation to a culture still reverential of the grandeurs of the classical past and uneasy about its ability to emulate them. Mock-Heroic from Butler to Cowper shows the protean nature of mock-epic at this time. It recounts the rise of mock-heroic, discusses the properties of the form, and explores its relation both to classical epic and to contemporary genres such as the poetic travesty and the novel. It also tracks the relation of mock-heroic to the concept to the sublime, especially to the low sublime unwittingly perfected by Richard Blackmore. Terry goes beyond previous commentators in arguing that mock-heroic was not merely a conventional genre, but also provided a supple discourse through which writers could represent a range of personal and social issues. He identifies mock-heroic properties in the Mandevillian discourse of economics and in the rhetoric of male gallantry towards women, in which women were simultaneously elevated and put down. He also sees mock-heroic as informing the idea of divine grace in the poetry and letters of William Cowper. Mixing a historical approach with incisive close readings, Terry provides a powerful re-evaluation of the form.
Author: Christine Gerrard
Publisher: John Wiley & Sons
ISBN: 1118702298
Category : Literary Criticism
Languages : en
Pages : 624
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Book Description
A COMPANION TO & EIGHTEENTH-CENTURY POETRY A COMPANION TO & EIGHTEENTH-CENTURY POETRY Edited by Christine Gerrard This wide-ranging Companion reflects the dramatic transformation that has taken place in the study of eighteenth-century poetry over the past two decades. New essays by leading scholars in the field address an expanded poetic canon that now incorporates verse by many women poets and other formerly marginalized poetic voices. The volume engages with topical critical debates such as the production and consumption of literary texts, the constructions of femininity, sentiment and sensibility, enthusiasm, politics and aesthetics, and the growth of imperialism. The Companion opens with a section on contexts, considering eighteenth-century poetry’s relationships with such topics as party politics, religion, science, the visual arts, and the literary marketplace. A series of close readings of specific poems follows, ranging from familiar texts such as Pope’s The Rape of the Lock to slightly less well-known works such as Swift’s “Stella” poems and Lady Mary Wortley Montagu’s Town Eclogues. Essays on forms and genres, and a series of more provocative contributions on significant themes and debates, complete the volume. The Companion gives readers a thorough grounding in both the background and the substance of eighteenth-century poetry, and is designed to be used alongside David Fairer and Christine Gerrard’s Eighteenth-Century Poetry: An Annotated Anthology (3rd edition, 2014).
Author: Roland Greene
Publisher: Princeton University Press
ISBN: 1400880645
Category : Literary Criticism
Languages : en
Pages : 455
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Book Description
An essential handbook for literary studies The Princeton Handbook of Poetic Terms—drawn from the latest edition of the acclaimed Princeton Encyclopedia of Poetry and Poetics—provides an authoritative guide to the most important terms in the study of poetry and literature. Featuring 226 fully revised and updated entries, including 100 that are new to this edition, the book offers clear and insightful definitions and discussions of critical concepts, genres, forms, movements, and poetic elements, followed by invaluable, up-to-date bibliographies that guide users to further reading and research. Because the entries are carefully selected and adapted from the Princeton Encyclopedia, the Handbook has unrivalled breadth and depth for a book of its kind, in a convenient, portable size. Fully indexed for the first time and complete with an introduction by the editors, this is an essential volume for all literature students, teachers, and researchers, as well as other readers and writers. Drawn from the latest edition of the acclaimed Princeton Encyclopedia of Poetry and Poetics Provides 226 fully updated and authoritative entries, including 100 new to this edition, written by an international team of leading scholars Features entries on critical concepts (canon, mimesis, prosody, syntax); genres, forms, and movements (ballad, blank verse, confessional poetry, ode); and terms (apostrophe, hypotaxis and parataxis, meter, tone) Includes an introduction, bibliographies, cross-references, and a full index
Author: Gregory G. Colomb
Publisher: Penn State Press
ISBN: 0271039647
Category : Literary Criticism
Languages : en
Pages : 257
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Book Description
Designs on Truth provides a reinterpretation of Augustan poetry, not as works to be defended before the court of Matthew Arnold and the Romantic tradition but as works that examine the rich relationships among text, culture, and world. In Designs on Truth, Gregory Colomb identifies the characteristics of the mock-epic and argues that the form had developed formal expectations. In making this argument, he explains the intentions of the writers of mock-epics, and expands our conception of the interest and significance of such poems. By demonstrating how these poems are supported by the genre's poetics, he brings out ways these poems differ from other &"Augustan&" poems such as the Horatian epistles that are often discussed with them. Designs on Truth puts into question the distinction between history and poetry in the mock-epic, examining it at three levels of poetic structure: fable (global narrative structure), and portraits (characterological narrative structure). Focusing chiefly on the mock-epic's representations in terms of class and &"kind,&" this study returns historical particulars to the central role that the poets had always given them and seeks to understand how they are made poetic. Designs on Truth shows how the poems themselves subvert any easy distinction between historical and poetic particulars. This often philosophical genre is itself a reconsideration of the role of reference (fact) and judgment (value) in representation. This study shows how representation and judgment work in the mock-epic, and how together they stand at the heart of the dominant Augustan poetic. Colomb also provides new readings of the mock-epic, including the first comprehensive reading of The Dispensary since the eighteenth century.
Author: Stephen Cushman
Publisher: Princeton University Press
ISBN: 1400841429
Category : Literary Criticism
Languages : en
Pages : 1678
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Book Description
The most important poetry reference for more than four decades—now fully updated for the twenty-first century Through three editions over more than four decades, The Princeton Encyclopedia of Poetry and Poetics has built an unrivaled reputation as the most comprehensive and authoritative reference for students, scholars, and poets on all aspects of its subject: history, movements, genres, prosody, rhetorical devices, critical terms, and more. Now this landmark work has been thoroughly revised and updated for the twenty-first century. Compiled by an entirely new team of editors, the fourth edition—the first new edition in almost twenty years—reflects recent changes in literary and cultural studies, providing up-to-date coverage and giving greater attention to the international aspects of poetry, all while preserving the best of the previous volumes. At well over a million words and more than 1,000 entries, the Encyclopedia has unparalleled breadth and depth. Entries range in length from brief paragraphs to major essays of 15,000 words, offering a more thorough treatment—including expert synthesis and indispensable bibliographies—than conventional handbooks or dictionaries. This is a book that no reader or writer of poetry will want to be without. Thoroughly revised and updated by a new editorial team for twenty-first-century students, scholars, and poets More than 250 new entries cover recent terms, movements, and related topics Broader international coverage includes articles on the poetries of more than 110 nations, regions, and languages Expanded coverage of poetries of the non-Western and developing worlds Updated bibliographies and cross-references New, easier-to-use page design Fully indexed for the first time
Author: Ritchie Robertson
Publisher: Oxford University Press
ISBN: 0199571589
Category : Literary Criticism
Languages : en
Pages : 465
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Book Description
A study of eighteenth- and early nineteeenth-century poetry in English, French and German, focusing on the mock epic (from Pope's Dunciad to Byron's Don Juan) as a critique of serious epic poetry and also as a literary means of exploring a wide range of sexual and religious issues in a humorous style.
Author: Margaret A. Rose
Publisher: Cambridge University Press
ISBN: 9780521429245
Category : Humor
Languages : en
Pages : 332
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Book Description
In this definitive work Margaret Rose presents an analysis and history of theories and uses of parody from ancient to contemporary times and offers a new approach to the analysis and classification of modern, late-modern, and post-modern theories of the subject. The author's Parody/Meta-Fiction (1979) was influential in broadening awareness of parody as a 'double-coded' device which could be used for more than mere ridicule. In the present study she both expands and revises the introductory section of her 1979 text and adds substantial new sections on modern and post-modern theories and uses of parody and pastiche which also discuss the work of theorists and writers including the Russian formalists, Mikhail Bakhtin, Hans Robert Jauss, Wolfgang Iser, Julia Kristeva, Roland Barthes, Michel Foucault, Jacques Derrida, Ihab Hassan, Jean Baudrillard, Fredric Jameson, A. S. Byatt, Martin Amis, Charles Jencks, Umberto Eco, David Lodge, Malcolm Bradbury and others.
