The Plays of Philip Massinger, in Four Volumes: Introduction; Essay on the writings of Massinger, by John Ferriar, &c. The virgin-martyr. The unnatural combat. The Duke of Milan PDF Download
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Author: Philip Massinger
Publisher:
ISBN:
Category :
Languages : en
Pages : 524
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Book Description
Author: Philip Massinger
Publisher:
ISBN:
Category :
Languages : en
Pages : 524
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Book Description
Author: Philip Massinger
Publisher:
ISBN:
Category :
Languages : en
Pages : 440
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Book Description
Author: Philip Massinger
Publisher:
ISBN:
Category :
Languages : en
Pages : 352
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Book Description
Author: Philip Massinger
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 594
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Book Description
Author: Philip Massinger
Publisher:
ISBN:
Category :
Languages : en
Pages : 588
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Book Description
Author: Library Company of Philadelphia
Publisher:
ISBN:
Category :
Languages : en
Pages : 1106
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Book Description
Author: Library. Library Company
Publisher:
ISBN:
Category : Catalogs
Languages : en
Pages : 1144
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Book Description
Author: Library Company of Philadelphia
Publisher:
ISBN:
Category : Proprietary libraries
Languages : en
Pages : 658
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Book Description
Author: Joanne Rochester
Publisher: Routledge
ISBN: 1351898183
Category : Literary Criticism
Languages : en
Pages : 270
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Book Description
The playwrights composing for the London stage between 1580 and 1642 repeatedly staged plays-within and other metatheatrical inserts. Such works present fictionalized spectators as well as performers, providing images of the audience-stage interaction within the theatre. They are as much enactments of the interpretive work of a spectator as of acting, and as such they are a potential source of information about early modern conceptions of audiences, spectatorship and perception. This study examines on-stage spectatorship in three plays by Philip Massinger, head playwright for the King's Men from 1625 to 1640. Each play presents a different form of metatheatrical inset, from the plays-within of The Roman Actor (1626), to the masques-within of The City Madam (1632) to the titular miniature portrait of The Picture (1629), moving thematically from spectator interpretations of dramatic performance, the visual spectacle of the masque to staged 'readings' of static visual art. All three forms present a dramatization of the process of examination, and allow an analysis of Massinger's assumptions about interpretation, perception and spectator response.
Author: Jan Frans van Dijkhuizen
Publisher: DS Brewer
ISBN: 9781843841142
Category : Literary Criticism
Languages : en
Pages : 238
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Book Description
The so-called "Devil Theatre" is here set against its context of non-dramatic texts on possession and exorcism, providing many new insights. Representations of demonic possession and exorcism rituals abound in English Renaissance drama, an area which this book seeks to illuminate by comparison with non-dramatic works. The author investigates stage images of possessionin relation to a range of early modern demonological, theological and medical prose texts on the subject, looking specifically at how the theatre responded to these texts. He argues that the stage appropriated debates over demonicpossession to explore the competing roles of the inner life and the body in early modern definitions of selfhood. The theatre also employed the contemporary controversy over possession and exorcism to investigate the politics ofreligion, and to consider the nature of monarchic power. Moreover, because demonic possession cases and exorcism rituals were frequently dismissed by conformist writers as a piece of theatre, they offered an opportunity to reflecton the nature of drama and role-playing. JAN FRANS VAN DIJKHUIZEN is lecturer and research fellow at the University of Leiden.
