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Author: Frances Chamberlaine Sheridan
Publisher: University of Delaware Press
ISBN: 9780874132434
Category : Drama
Languages : en
Pages : 228
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Book Description
Frances Sheridan is now remembered, if at all, as the mother of the playwright Richard Brinsley Sheridan. Yet, in her own day, she was a novelist and playwright whose work was admired by her contemporaries, David Garrick, Samuel Johnson. James Boswell, and Samuel Richardson. The appearance of all of this dramatist's long-out-of-print work reveals her to be an authoress worth studying, not only as an important influence on her son, but in her own right.
Author: Frances Chamberlaine Sheridan
Publisher: University of Delaware Press
ISBN: 9780874132434
Category : Drama
Languages : en
Pages : 228
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Book Description
Frances Sheridan is now remembered, if at all, as the mother of the playwright Richard Brinsley Sheridan. Yet, in her own day, she was a novelist and playwright whose work was admired by her contemporaries, David Garrick, Samuel Johnson. James Boswell, and Samuel Richardson. The appearance of all of this dramatist's long-out-of-print work reveals her to be an authoress worth studying, not only as an important influence on her son, but in her own right.
Author: Peter Sabor
Publisher: Routledge
ISBN: 1315477912
Category : Drama
Languages : en
Pages : 777
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Book Description
The complete plays of Fanny Burney, taken from the original manuscripts of her work. The work includes a general introduction, headnotes to each play, explanatory notes and variant readings.
Author: Mary Sheridan
Publisher: Routledge
ISBN: 1136837493
Category : Education
Languages : en
Pages : 105
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Book Description
Based on the pioneering work of Mary D. Sheridan, Play in Early Childhood is a classic introductory text to play and development – key topics for all those who work with young children. Updated for a contemporary audience and fully evidence-based, it explains how children’s play develops and how they develop as they play. With over eighty illustrations and observations of play from birth to six years, this new edition presents classical and contemporary literature, making clear links between play and all areas of children’s development. It includes activities to consolidate thinking and suggestions for further reading throughout. Play in Early Childhood considers: the development, value and characteristics of play issues relating to culture, adversity and gender play from recreational, therapeutic and educational perspectives the role of parents/caregivers and professionals in supporting play Suitable for those new to the area or for more experienced workers wanting a quick reference guide, this easy-to-follow book meets the needs of students and professionals from a wide range of health, education and social care backgrounds, including early years professionals, playworkers, children’s nurses, speech and language therapists and social workers.
Author: Felicity Nussbaum
Publisher: University of Pennsylvania Press
ISBN: 0812206894
Category : Drama
Languages : en
Pages : 392
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Book Description
In eighteenth-century England, actresses were frequently dismissed as mere prostitutes trading on their sexual power rather than their talents. Yet they were, Felicity Nussbaum argues, central to the success of a newly commercial theater. Urban, recently moneyed, and thoroughly engaged with their audiences, celebrated actresses were among the first women to achieve social mobility, cultural authority, and financial independence. In fact, Nussbaum contends, the eighteenth century might well be called the "age of the actress" in the British theater, given women's influence on the dramatic repertory and, through it, on the definition of femininity. Treating individual star actresses who helped spark a cult of celebrity—especially Anne Oldfield, Susannah Cibber, Catherine Clive, Margaret Woffington, Frances Abington, and George Anne Bellamy—Rival Queens reveals the way these women animated issues of national identity, property, patronage, and fashion in the context of their dramatic performances. Actresses intentionally heightened their commercial appeal by catapulting the rivalries among themselves to center stage. They also boldly challenged in importance the actor-managers who have long dominated eighteenth-century theater history and criticism. Felicity Nussbaum combines an emphasis on the actresses themselves with close analysis of their diverse roles in works by major playwrights, including George Farquhar, Nicholas Rowe, Colley Cibber, Arthur Murphy, David Garrick, Isaac Bickerstaff, and Richard Sheridan. Hers is a comprehensive and original argument about the importance of actresses as the first modern subjects, actively shaping their public identities to make themselves into celebrated properties.
Author: David Clare
Publisher: Oxford University Press
ISBN: 1800859465
Category : History
Languages : en
Pages : 344
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Book Description
This two-volume edited collection covers three hundred years of Irish women's playwriting with forty-two essays written by leading and emerging Irish theatre scholars and practitioners. Volume One looks at the period from 1716 to 1992, exploring such varied themes as the impact of space and place on identity, women's strategic use of genre, and theatrical responses to shifts in Irish politics and culture.
Author: Gary Day
Publisher: John Wiley & Sons
ISBN: 1444330209
Category : Literary Criticism
Languages : en
Pages : 1524
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Book Description
Provides a comprehensive overview of all aspects of the poetry, drama, fiction, and literary and cultural criticism produced from the Restoration of the English monarchy to the onset of the French Revolution Comprises over 340 entries arranged in A-Z format across three fully indexed and cross-referenced volumes Written by an international team of leading and emerging scholars Features an impressive scope and range of subjects: from courtship and circulating libraries, to the works of Samuel Johnson and Sarah Scott Includes coverage of both canonical and lesser-known authors, as well as entries addressing gender, sexuality, and other topics that have previously been underrepresented in traditional scholarship Represents the most comprehensive resource available on this period, and an indispensable guide to the rich diversity of British writing that ushered in the modern literary era 3 Volumes www.literatureencyclopedia.com
Author: Katherine Binhammer
Publisher: Cambridge University Press
ISBN: 113948172X
Category : Literary Criticism
Languages : en
Pages : 255
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Book Description
Eighteenth-century literature displays a fascination with the seduction of a virtuous young heroine, most famously illustrated by Samuel Richardson's Clarissa and repeated in 1790s radical women's novels, in the many memoirs by fictional or real penitent prostitutes, and in street print. Across fiction, ballads, essays and miscellanies, stories were told of women's mistaken belief in their lovers' vows. In this book Katherine Binhammer surveys seduction narratives from the late eighteenth century within the context of the new ideal of marriage-for-love and shows how these tales tell varying stories of women's emotional and sexual lives. Drawing on new historicism, feminism, and narrative theory, Binhammer argues that the seduction narrative allowed writers to explore different fates for the heroine than the domesticity that became the dominant form in later literature. This study will appeal to scholars of eighteenth-century literature, social and cultural history, and women's and gender studies.
Author: Silvia Bigliazzi
Publisher: Routledge
ISBN: 1351161466
Category : Literary Criticism
Languages : en
Pages : 356
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Book Description
'Collaboration' is a complex cultural and political phenomenon: the combined practice of two or more artists, simultaneously or across time, or the willing (and therefore publicly reprehensible) collusion implied by the term's specifically historical meaning. These interdisciplinary essays propose collaboration as a strategy for ensuring creativity within a dynamic tradition, and as a means of mutual enrichment both between individuals and between disciplines. Writers from Chaucer to Wilde and Conrad are considered in this context, together with medieval iconography and German Romanticism. Yet collaboration as collusion and coercion are also implicated in diverse political and cultural agendas informed by xenophobic and exclusive, rather than inclusive, ideologies. Their impact spreads beyond the lives and minds of individual artists and individual texts to touch on the relationship between the citizen and the state, whether writers from the 'losing' side, the immigrant in Italy, writers who supported Fascisim, or the Roma in Britain.
Author: Laura Engel
Publisher: Bucknell University Press
ISBN: 1611486041
Category : Literary Criticism
Languages : en
Pages : 291
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Book Description
Stage Mothers explores the connections between motherhood and the theater both on and off stage throughout the long eighteenth century. Although the realities of eighteenth-century motherhood and representations of maternity have recently been investigated in relation to the novel, social history, and political economy, the idea of motherhood and its connection to the theatre as a professional, material, literary, and cultural site has received little critical attention. The essays in this volume, spanning the period from the Restoration to Regency, address these forgotten maternal narratives, focusing on: the representation of motherhood as the defining female role; the interplay between an actress’s celebrity persona and her chosen roles; the performative balance between the cults of maternity and that of the “passionate” actress; and tensions between sex and maternity and/or maternity and public authority. In examining the overlaps and disconnections between representations and realities of maternity in the long eighteenth century, and by looking at written, received, visual, and performed records of motherhood, Stage Mothers makes an important contribution to debates central to eighteenth-century cultural history.
Author: Harry William Pedicord
Publisher: SIU Press
ISBN: 9780809309948
Category : Drama
Languages : en
Pages : 468
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Book Description
David Garrick's accomplishments as an actor, manager, and theatrical innovator brought him great fame and fortune, and his ideas influenced not only his own age but succeeding ages as well. Yet as a playwright, a part of the elegant combination of talents that was David Garrick, he has never achieved the critical reputation he richly deserves, in main because of the unavailability of texts and the lack of proper assessment of the historic importance of his plays in the English theatre. This first complete edition makes available to scholars and students all the plays of Garrick in well edited texts, with commentary and notes. Contents: Alfred. A Masque (James Thomson and David Mallet), 1751; Every Man in His Humour. A Comedy (Ben Jonson), 1751; Zara. A Tragedy (Aaron Hill), 1754; The Chances. A Comedy (John Fletcher and George Villiers), 1754; and Rule a Wife and Have a Wife. A Comedy (Francis Beaumont and John Fletcher), 1756.
