The Plays and Poems of Philip Massinger: Volume IV PDF Download
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Author: Philip Massinger
Publisher: Oxford University Press
ISBN: 0199696918
Category : Drama
Languages : en
Pages : 431
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Book Description
A scholarly edition of plays and poems by Philip Massinger. The edition presents an authoritative text, together with an introduction, commentary notes, and scholarly apparatus.
Author: Philip Massinger
Publisher: Oxford University Press
ISBN: 0199696918
Category : Drama
Languages : en
Pages : 431
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Book Description
A scholarly edition of plays and poems by Philip Massinger. The edition presents an authoritative text, together with an introduction, commentary notes, and scholarly apparatus.
Author: Philip Massinger
Publisher: Oxford University Press, USA
ISBN:
Category : Drama
Languages : en
Pages : 524
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Book Description
Volume 1: 478 p., plate, facsimiles, music example. Volume 2: 386 p., facsimiles. Volume 3: 494 p., plates, facsimiles, music example. Volume 4: 430 p., facsimiles. Volume 5: 374 p.
Author: David Gunby
Publisher: Cambridge University Press
ISBN: 1108764355
Category : Literary Collections
Languages : en
Pages : 674
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Book Description
This is the fourth and final volume of the Cambridge edition of the works of John Webster. It contains four plays Webster wrote in collaboration, one - Sir Thomas Wyatt, a historical tragedy based around Lady Jane Grey - as part of a team of five led by Thomas Dekker, two - Westward Ho and Northward Ho, city comedies that prompted Chapman, Jonson, and Marston's Eastward Ho - with Thomas Dekker alone, and one - The Fair Maid of the Inn, an Italianate tragicomedy of which Webster wrote the largest share - with John Fletcher, Philip Massinger and John Ford. With the inclusion of these four plays, this Cambridge edition becomes the first complete works of John Webster. The edition preserves the original spelling of the plays, poetry, and prose, and incorporates the most recent editorial scholarship, including information on Webster's share in the collaborative plays, and new critical methods, textual theory, and theatrical analysis.
Author: Duncan Wu
Publisher: Routledge
ISBN: 1000749150
Category : Education
Languages : en
Pages : 456
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Book Description
William Hazlitt is viewed by many as one of the most distinguished of the non-fiction prose writers to emerge from the Romantic period. This nine-volume edition collects all his major works in complete form.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 558
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Book Description
Author: Sir Adolphus William Ward
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 558
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Book Description
Author: Sir Adolphus William Ward
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 562
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Book Description
Author: Alfred Rayney Waller
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 560
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Book Description
Author: Edgar Charles Sumner Gibson
Publisher:
ISBN:
Category :
Languages : en
Pages : 862
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Book Description
Author: Leslie Thomson
Publisher: Taylor & Francis
ISBN: 1000615650
Category : Performing Arts
Languages : en
Pages : 248
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Book Description
This book reconsiders the evidence for what we know (or think we know) about early modern performance conditions. This study encourages a new recognition and treatment of certain aspects of the plays as evidence – and demonstrates the significance of the implications of that new information. This book is also an assessment of the competing narratives about the processes involved in early modern performance: about the status of manuscript playbooks, about the parts that players memorized, about the functions of the bookkeeper, about casting, about prompting, and about rehearsal practices. Leslie Thomson investigates the bases for the interdependent beliefs that an early modern player relied only on his part to prepare for a performance, that rehearsal was minimal, and that a bookkeeper compensated for these circumstances by prompting any player who was "out of his part." By focusing on often ignored (or downplayed) requirements and challenges of early modern play texts, Thomson provides evidence for answers that will foster a more nuanced and thorough understanding of original performance practices. That will, in turn, influence how we read, study, and edit the plays. This exploration will be of great interest to theatre and performance researchers, graduate students, teachers of early modern drama at the undergraduate and graduate levels, performers, directors, editors.
