Author: Sydney L. Mayer
Publisher: Bison Books
ISBN: 9780600500612
Category : World War, 1939-1945
Languages : en
Pages : 302
Book Description
The Best of Signal
Author: Sydney L. Mayer
Publisher: Bison Books
ISBN: 9780600500612
Category : World War, 1939-1945
Languages : en
Pages : 302
Book Description
Publisher: Bison Books
ISBN: 9780600500612
Category : World War, 1939-1945
Languages : en
Pages : 302
Book Description
The New York Times Magazine Photographs
Author: Kathy Ryan
Publisher: Aperture
ISBN: 9781597111461
Category : Commercial photography
Languages : en
Pages : 0
Book Description
For over thirty years, the New York Times Magazine has presented the myriad possibilities and applications of photography. Aperture is pleased to present the upcoming publication and exhibition The New York Times Magazine Photographs, which reflects upon and interrogates the very nature of both photography and print magazines at this pivotal moment in their history and evolution. Edited by Kathy Ryan, long-time photo editor of the magazine, and with a preface by former editorial director Gerald Marzorati, this volume presents some of the finest commissioned photographs worldwide in four sections: reportage, portraiture, style, and conceptual photography, including photo illustration. Diverse in content and sensibility, and consistent in virtuosity, the photographs are accompanied by reproduced tear sheets to allow for the examination of sequencing and the interplay between text and image, simultaneously presenting the work while illuminating its distillation to magazine form. This process is explored further through texts offering behind-the-scenes perspective and anecdotes by the many photographers, writers, editors, and other collaborators whose voices have been a part of the magazine over the years. David Campany contributes a critical essay that provides an in-depth history of the magazines relationship to photography, contextualizing its contributions within the larger world of magazine work. Also addressed are issues of documentary photography in relation to more conceptual photography; the efficacy of story-telling; and what makes an image evidentiary, objective, subjective, truthful, or a tool for advocacy; as well as thoughts on whether these matters are currently moot, or more critical than ever. As such, The New York Times Magazine Photographs aims to serve as a springboard for a rigorous, necessary, and revitalized examination of photography as presented within a modern journalistic context.
Publisher: Aperture
ISBN: 9781597111461
Category : Commercial photography
Languages : en
Pages : 0
Book Description
For over thirty years, the New York Times Magazine has presented the myriad possibilities and applications of photography. Aperture is pleased to present the upcoming publication and exhibition The New York Times Magazine Photographs, which reflects upon and interrogates the very nature of both photography and print magazines at this pivotal moment in their history and evolution. Edited by Kathy Ryan, long-time photo editor of the magazine, and with a preface by former editorial director Gerald Marzorati, this volume presents some of the finest commissioned photographs worldwide in four sections: reportage, portraiture, style, and conceptual photography, including photo illustration. Diverse in content and sensibility, and consistent in virtuosity, the photographs are accompanied by reproduced tear sheets to allow for the examination of sequencing and the interplay between text and image, simultaneously presenting the work while illuminating its distillation to magazine form. This process is explored further through texts offering behind-the-scenes perspective and anecdotes by the many photographers, writers, editors, and other collaborators whose voices have been a part of the magazine over the years. David Campany contributes a critical essay that provides an in-depth history of the magazines relationship to photography, contextualizing its contributions within the larger world of magazine work. Also addressed are issues of documentary photography in relation to more conceptual photography; the efficacy of story-telling; and what makes an image evidentiary, objective, subjective, truthful, or a tool for advocacy; as well as thoughts on whether these matters are currently moot, or more critical than ever. As such, The New York Times Magazine Photographs aims to serve as a springboard for a rigorous, necessary, and revitalized examination of photography as presented within a modern journalistic context.
Kierkegaard and Spirituality
Author: C. Stephen Evans
Publisher: Wm. B. Eerdmans Publishing
ISBN: 1467456640
Category : Religion
Languages : en
Pages : 321
Book Description
We live spiritually when we live in the presence of God. The Danish philosopher Søren Kierkegaard is often read for his contributions to Christian theology, but he also has much to offer about spirituality—both Christian and more generally human. C. Stephen Evans assesses Kierkegaard’s belief that true spirituality should be seen as accountability: the grateful recognition of our existence as gift. Spirituality takes on a Christian flavor when one recognizes in Jesus Christ the human incarnation of the God who gives us being. In this clearly written and substantive book a leading scholar on Kierkegaard’s thought makes Kierkegaard’s contributions to spirituality accessible not only to philosophers and theologians but to pastors, spiritual directors, and lay Christians. The Kierkegaard and Christian Thought series, coedited by C. Stephen Evans and Paul Martens, aims to promote an enriched understanding of nineteenth-century philosopher-theologian Søren Kierkegaard in relation to other key figures in theology and key theological concepts.
Publisher: Wm. B. Eerdmans Publishing
ISBN: 1467456640
Category : Religion
Languages : en
Pages : 321
Book Description
We live spiritually when we live in the presence of God. The Danish philosopher Søren Kierkegaard is often read for his contributions to Christian theology, but he also has much to offer about spirituality—both Christian and more generally human. C. Stephen Evans assesses Kierkegaard’s belief that true spirituality should be seen as accountability: the grateful recognition of our existence as gift. Spirituality takes on a Christian flavor when one recognizes in Jesus Christ the human incarnation of the God who gives us being. In this clearly written and substantive book a leading scholar on Kierkegaard’s thought makes Kierkegaard’s contributions to spirituality accessible not only to philosophers and theologians but to pastors, spiritual directors, and lay Christians. The Kierkegaard and Christian Thought series, coedited by C. Stephen Evans and Paul Martens, aims to promote an enriched understanding of nineteenth-century philosopher-theologian Søren Kierkegaard in relation to other key figures in theology and key theological concepts.
The Photographer's Story
Author: Michael Freeman
Publisher: Ilex Press
ISBN: 1781570469
Category : Photography
Languages : en
Pages : 540
Book Description
Having already taught you how to compose and interpret great photos, Michael Freeman now continues his best-selling series by exploring the most successful methods for presenting photography meaningfully and in an engaging format. This is the critical "next step" that separates adequate image galleries from captivating collections - and disinterested viewers from enthralled audiences. Tapping into his decades of experience shooting for such publications as Smithsonian, GEO, and Condé Nast Traveller (among many others), Michael Freeman studies the photo-essay phenomenon that took the world by storm and gave storytellers a completely new set of tools to construct their narratives. Having established how rhythm, pacing, and careful organisation build tension and cultivate interest, Freeman goes on to explain what this means for presenting your own photos, particularly in the new digital formats of online galleries, slideshows, and tablets. The Photographer's Story will enliven your images, refresh your perspective, and elevate your understanding of how photographs work together to tell a story. Your audiences will thank you for it.
Publisher: Ilex Press
ISBN: 1781570469
Category : Photography
Languages : en
Pages : 540
Book Description
Having already taught you how to compose and interpret great photos, Michael Freeman now continues his best-selling series by exploring the most successful methods for presenting photography meaningfully and in an engaging format. This is the critical "next step" that separates adequate image galleries from captivating collections - and disinterested viewers from enthralled audiences. Tapping into his decades of experience shooting for such publications as Smithsonian, GEO, and Condé Nast Traveller (among many others), Michael Freeman studies the photo-essay phenomenon that took the world by storm and gave storytellers a completely new set of tools to construct their narratives. Having established how rhythm, pacing, and careful organisation build tension and cultivate interest, Freeman goes on to explain what this means for presenting your own photos, particularly in the new digital formats of online galleries, slideshows, and tablets. The Photographer's Story will enliven your images, refresh your perspective, and elevate your understanding of how photographs work together to tell a story. Your audiences will thank you for it.
Signal: Years of Triumph, 1940-42 Hitler's Wartime Picture Magazine
Author: Sydney Louis Mayer
Publisher:
ISBN: 9789170039720
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN: 9789170039720
Category :
Languages : en
Pages :
Book Description
Getting the Picture
Author: Jason E. Hill
Publisher: Routledge
ISBN: 100021298X
Category : Photography
Languages : en
Pages : 425
Book Description
Powerful and often controversial, news pictures promise to make the world at once immediate and knowable. Yet while many great writers and thinkers have evaluated photographs of atrocity and crisis, few have sought to set these images in a broader context by defining the rich and diverse history of news pictures in their many forms. For the first time, this volume defines what counts as a news picture, how pictures are selected and distributed, where they are seen and how we critique and value them. Presenting the best new thinking on this fascinating topic, this book considers the news picture over time, from the dawn of the illustrated press in the nineteenth century, through photojournalism’s heyday and the rise of broadcast news and newsreels in the twentieth century and into today’s digital platforms. It examines the many kinds of images: sport, fashion, society, celebrity, war, catastrophe and exoticism; and many mediums, including photography, painting, wood engraving, film and video. Packed with the best research and full colour-illustrations throughout, this book will appeal to students and readers interested in how news and history are key sources of our rich visual culture.
Publisher: Routledge
ISBN: 100021298X
Category : Photography
Languages : en
Pages : 425
Book Description
Powerful and often controversial, news pictures promise to make the world at once immediate and knowable. Yet while many great writers and thinkers have evaluated photographs of atrocity and crisis, few have sought to set these images in a broader context by defining the rich and diverse history of news pictures in their many forms. For the first time, this volume defines what counts as a news picture, how pictures are selected and distributed, where they are seen and how we critique and value them. Presenting the best new thinking on this fascinating topic, this book considers the news picture over time, from the dawn of the illustrated press in the nineteenth century, through photojournalism’s heyday and the rise of broadcast news and newsreels in the twentieth century and into today’s digital platforms. It examines the many kinds of images: sport, fashion, society, celebrity, war, catastrophe and exoticism; and many mediums, including photography, painting, wood engraving, film and video. Packed with the best research and full colour-illustrations throughout, this book will appeal to students and readers interested in how news and history are key sources of our rich visual culture.
The Official Picture
Author: Carol Payne
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773588949
Category : Photography
Languages : en
Pages : 265
Book Description
Mandated to foster a sense of national cohesion The National Film Board of Canada's Still Photography Division was the country's official photographer during the mid-twentieth century. Like the Farm Security Administration and other agencies in the US, the NFB used photographs to serve the nation. Division photographers shot everything from official state functions to images of the routine events of daily life, producing some of the most dynamic photographs of the time, seen by millions of Canadians - and international audiences - in newspapers, magazines, exhibitions, and filmstrips. In The Official Picture, Carol Payne argues that the Still Photography Division played a significant role in Canadian nation-building during WWII and the two decades that followed. Payne examines key images, themes, and periods in the Division's history - including the depiction of women munitions workers, landscape photography in the 1950s and 60s, and portraits of Canadians during the Centennial in 1967 - to demonstrate how abstract concepts of nationhood and citizenship, as well as attitudes toward gender, class, linguistic identity, and conceptions of race were reproduced in photographs. The Official Picture looks closely at the work of many Division photographers from staff members Chris Lund and Gar Lunney during the 1940s and 1950s to the expressive documentary photography of Michel Lambeth, Michael Semak, and Pierre Gaudard, in the 1960s and after. The Division also produced a substantial body of Northern imagery documenting Inuit and Native peoples. Payne details how Inuit groups have turned to the archive in recent years in an effort to reaffirm their own cultural identity. For decades, the Still Photography Division served as the country's image bank, producing a government-endorsed "official picture" of Canada. A rich archival study, The Official Picture brings the hisotry of the Division, long overshadowed by the Board's cinematic divisions, to light.
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773588949
Category : Photography
Languages : en
Pages : 265
Book Description
Mandated to foster a sense of national cohesion The National Film Board of Canada's Still Photography Division was the country's official photographer during the mid-twentieth century. Like the Farm Security Administration and other agencies in the US, the NFB used photographs to serve the nation. Division photographers shot everything from official state functions to images of the routine events of daily life, producing some of the most dynamic photographs of the time, seen by millions of Canadians - and international audiences - in newspapers, magazines, exhibitions, and filmstrips. In The Official Picture, Carol Payne argues that the Still Photography Division played a significant role in Canadian nation-building during WWII and the two decades that followed. Payne examines key images, themes, and periods in the Division's history - including the depiction of women munitions workers, landscape photography in the 1950s and 60s, and portraits of Canadians during the Centennial in 1967 - to demonstrate how abstract concepts of nationhood and citizenship, as well as attitudes toward gender, class, linguistic identity, and conceptions of race were reproduced in photographs. The Official Picture looks closely at the work of many Division photographers from staff members Chris Lund and Gar Lunney during the 1940s and 1950s to the expressive documentary photography of Michel Lambeth, Michael Semak, and Pierre Gaudard, in the 1960s and after. The Division also produced a substantial body of Northern imagery documenting Inuit and Native peoples. Payne details how Inuit groups have turned to the archive in recent years in an effort to reaffirm their own cultural identity. For decades, the Still Photography Division served as the country's image bank, producing a government-endorsed "official picture" of Canada. A rich archival study, The Official Picture brings the hisotry of the Division, long overshadowed by the Board's cinematic divisions, to light.
Life Magazine and the Power of Photography
Author: Katherine A. Bussard
Publisher:
ISBN: 9780300250886
Category : Documentary photography
Languages : en
Pages : 0
Book Description
The first comprehensive consideration of Life magazine's groundbreaking and influential contribution to the history of photography From the Great Depression to the Vietnam War, the vast majority of the photographs printed and consumed in the United States appeared on the pages of illustrated magazines. Offering an in-depth look at the photography featured in Life magazine throughout its weekly run from 1936 to 1972, this volume examines how the magazine's use of images fundamentally shaped the modern idea of photography in the United States. The work of photographers both celebrated and overlooked--including Margaret Bourke-White, Larry Burrows, Henri Cartier-Bresson, Frank Dandridge, Alfred Eisenstaedt, Fritz Goro, Gordon Parks, and W. Eugene Smith--is explored in the context of the creative and editorial structures at Life. Contributions from 25 scholars in a range of fields, from art history to American studies, provide insights into how the photographs published in Life--used to promote a predominately white, middle-class perspective--came to play a role in cultural dialogues in the United States around war, race, technology, art, and national identity. Drawing on unprecedented access to Life magazine's picture and paper archives, as well as photographers' archives, this generously illustrated volume presents previously unpublished materials, such as caption files, contact sheets, and shooting scripts, that shed new light on the collaborative process behind many now-iconic images and photo-essays.
Publisher:
ISBN: 9780300250886
Category : Documentary photography
Languages : en
Pages : 0
Book Description
The first comprehensive consideration of Life magazine's groundbreaking and influential contribution to the history of photography From the Great Depression to the Vietnam War, the vast majority of the photographs printed and consumed in the United States appeared on the pages of illustrated magazines. Offering an in-depth look at the photography featured in Life magazine throughout its weekly run from 1936 to 1972, this volume examines how the magazine's use of images fundamentally shaped the modern idea of photography in the United States. The work of photographers both celebrated and overlooked--including Margaret Bourke-White, Larry Burrows, Henri Cartier-Bresson, Frank Dandridge, Alfred Eisenstaedt, Fritz Goro, Gordon Parks, and W. Eugene Smith--is explored in the context of the creative and editorial structures at Life. Contributions from 25 scholars in a range of fields, from art history to American studies, provide insights into how the photographs published in Life--used to promote a predominately white, middle-class perspective--came to play a role in cultural dialogues in the United States around war, race, technology, art, and national identity. Drawing on unprecedented access to Life magazine's picture and paper archives, as well as photographers' archives, this generously illustrated volume presents previously unpublished materials, such as caption files, contact sheets, and shooting scripts, that shed new light on the collaborative process behind many now-iconic images and photo-essays.
Donahoe's Magazine
Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 698
Book Description
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 698
Book Description
Pola Negri
Author: Sergio Delgado
Publisher: McFarland
ISBN: 1476664307
Category : Performing Arts
Languages : en
Pages : 196
Book Description
Femme fatale Pola Negri (1897-1987) was one of the great stars of the silent film era, an actress whose personal story of hardships and successes, loves and tragedies is more compelling than most Hollywood dramas. Yet today she is largely overlooked, her name tarnished by myths and scandals. Taking a fresh look at her life and career, this book debunks the myths and gossip, presenting a candid portrait of one of the silent screen's most sensational leading ladies. Rare photographs are included, along with in-depth discussions of her films.
Publisher: McFarland
ISBN: 1476664307
Category : Performing Arts
Languages : en
Pages : 196
Book Description
Femme fatale Pola Negri (1897-1987) was one of the great stars of the silent film era, an actress whose personal story of hardships and successes, loves and tragedies is more compelling than most Hollywood dramas. Yet today she is largely overlooked, her name tarnished by myths and scandals. Taking a fresh look at her life and career, this book debunks the myths and gossip, presenting a candid portrait of one of the silent screen's most sensational leading ladies. Rare photographs are included, along with in-depth discussions of her films.