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Author: Daniel H. Magilow
Publisher: Penn State Press
ISBN: 0271054220
Category : Photography
Languages : en
Pages : 202
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Book Description
"Examines photo essays from Weimar Germany's many social crises. Traces photography's emergence as a new language that German photographers used to intervene in modernity's key political and philosophical debates: changing notions of nature and culture, national and personal identity, and the viability of parliamentary democracy"--
Author: Daniel H. Magilow
Publisher: Penn State Press
ISBN: 0271054220
Category : Photography
Languages : en
Pages : 202
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Book Description
"Examines photo essays from Weimar Germany's many social crises. Traces photography's emergence as a new language that German photographers used to intervene in modernity's key political and philosophical debates: changing notions of nature and culture, national and personal identity, and the viability of parliamentary democracy"--
Author: Geoffrey Batchen
Publisher:
ISBN:
Category : History
Languages : en
Pages : 324
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Book Description
This title taps into the widespread interest in, and concern about, photographs of atrocity. The book contains a broad range of atrocity photographs from throughout history and around the world, as well as essays by well-known artists and photographers.
Author: Andy Grundberg
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 280
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Book Description
... His interpretations and critical views have helped shpae a broad understanding of photography's complex roles in art and in the media. This volume is the first compilation of his work.
Author: David Campany
Publisher: G Editions LLC
ISBN: 9781943876228
Category : Photography
Languages : en
Pages : 320
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Book Description
On March 13, 2020 when the global coronavirus pandemic brought life as we know it to an abrupt halt, the International Center of Photography, just weeks after opening in a brand-new building on Manhattan'ss Lower East Side that was buzzing with visitors, was forced to close its doors. Wanting to do more than virtual exhibition tours, ICP announced the #ICPConcerned open call on March 20th, an invitation for people to make, upload, and tag images on Instagram of whatever was going on in their lives wherever they were. What resulted was more than sixty thousand submissions from countries as far flung as France, Singapore, Argentina, Nigeria, Canada, and Iran. From the halls of medical facilities to eerily empty streets and domestic settings converted into home offices and classrooms, the more than 800 photographs collected here are organized chronologically and accompanied by headlines gathered from various global news entities. Taken together, these words and pictures represent the pain, heartbreak, hope, and occasional humor we've all experienced this past year against the backdrop of COVID-19, unrelenting racial injustice, and a divisive political climate. Exhibition: ICP International Center for Photography, New York, USA (01.10.2020 - 03.01.2021).
Author:
Publisher:
ISBN: 9780863561795
Category : SOCIAL SCIENCE
Languages : en
Pages : 0
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Book Description
With over 150 photographs, this powerful collection reveals the stories and humanity of those caught up in the refugee crisis.
Author: Chris Townsend
Publisher: Prestel Publishing
ISBN:
Category : Photography
Languages : en
Pages : 172
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Book Description
Published to coincide with a touring exhibition in the UK and North America in 1998-99, and to accompany C4 series.
Author: Joan Fontcuberta
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 264
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Book Description
Featuring such established and emerging photographers as Joan Fontcuberta, Hubertus von Ameluxen, Daniel Girardin, Andr Gunthert, Ian Jeffrey, Mounira Khemir, Boris Kossoy, Andrea Kunnard, Vincent Lavoie, Joan Warnaco, Jos Antonio Navarrete, Bernardo Riego, Teresa Siza, Marie Loup Sougez, Johan Swinnen, Carmelo Vega, and Henning Steen Wettendorff, Photography: Crisis in History showcases work that challenges the way in which we have normally understood the medium of photography. At a time when the photographic image is omnipresent--in our daily environment as it is in art--the historical and aesthetic models used to interpret photography are in a state of crisis. Here an international group of historians and critics--as well as the artists mentioned above--revise the dominant assumptions on which our knowledge and appreciation of the history of photography have been based, and set out a number of possible alternatives. Featuring a selection of the best in contemporary international photography, as well as sixteen revealing and concise essays exploring the state of the historical question in photography, Photography: Crisis in History is an exhilarating artistic and art-historical document.
Author: Donatien Grau
Publisher: Diaphanes
ISBN: 9783035802023
Category : Photography
Languages : en
Pages : 0
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Book Description
After the Crisis offers a platform for discussions between some of today's leading artists, writers, theorists, curators, and historians aimed at questioning the very status of photography today. Contributors come from the realms of critical theory, fiction, performance art, fashion photography, and museums, as well as film and design, and their conversations bring together history and the contemporary. Comparing the current situation of photographic images with the crisis experienced by representation at the time of the birth of photography, they set our relationship with photographic images in the digital era in perspective. Through these discussions, we come to sense the existential burden of being surrounded by images, while also beginning to grasp the historical depth of a questioning of images that started long before the current generation and engages with crucial political and cultural issues of our time.
Author: Shigetaka Komori
Publisher: Stone Bridge Press
ISBN: 1611729157
Category : Business & Economics
Languages : en
Pages : 226
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Book Description
In 2000, photographic film products made up 60% of Fujifilm’s sales and up to 70% of its profit. Within ten years, digital cameras had destroyed that business. In 2012, Kodak filed for bankruptcy. Yet Fujifilm has boasted record profits and continues strong. What happened? What did Fujifilm do? What do businesses today need from their leaders? What kinds of employees can help businesses thrive in the future? Here, the CEO who brought Fujifilm back from the brink explains how he engineered transformative organizational innovation and product diversification, with observations on his management philosophy. Shigetaka Komori is Chairman and CEO of Fujifilm Holdings Corporation. Mr. Komori was appointed CEO in 2003 and chairman in 2012.
Author: Anna Carastathis
Publisher: Rowman & Littlefield
ISBN: 1786610248
Category : Social Science
Languages : en
Pages : 237
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Book Description
Since 2015, the ‘refugee crisis’ is possibly the most photographed humanitarian crises in history. Photographs taken, for instance, in Lesvos, Greece, and Bodrum, Turkey, were instrumental in generating waves of public support for, and populist opposition to “welcoming refugees” in Europe. But photographs do not circulate in a vacuum; this book explores the visual economy of the ‘refugee crisis,’ showing how the reproduction of images is structured by, and secures hierarchies of gender, sexuality, and ‘race,’ essential to the functioning of bordered nation-states. Taking photography not only as the object of research, but innovating the method of photographìa— the material trace of writing/grafì with light/phos— this book urges us to view images and their reproduction critically. Part theoretical text, part visual essay, Reproducing Refugees vividly shows how institutional violence underpins both the spectacularity and the banality of ‘crisis.’ This book goes about synthesising visual studies with queer, feminist, postcolonial, post-structuralist, and post-Marxist theories. Carastathis and Tsilimpounidi offer theoretical frameworks and methodological tools to critically analyse representations, both those circulated through hegemonic institutions, and those generated from ‘below’. They carve a space between logos and praxis, ways of knowing and ways of doing, by offering a new visual language that problematises reified categories such as that of the ‘refugee’ and makes possible disruptive, alternative, resistant perceptions. The book contributes to the fields of migration and border studies, critically engaging visual narratives drawn from migration movements to question dominant categories and frameworks, from a decolonial, no-borders, queer feminist perspective.
