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Author: Arthur Rothstein
Publisher: Giles
ISBN:
Category : History
Languages : en
Pages : 68
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Book Description
An introduction to the life of the photographer and 50 evocative images selected from his work.
Author: Arthur Rothstein
Publisher: Giles
ISBN:
Category : History
Languages : en
Pages : 68
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Book Description
An introduction to the life of the photographer and 50 evocative images selected from his work.
Author: Arthur Rothstein
Publisher: Courier Corporation
ISBN: 9780486235905
Category : Photography
Languages : en
Pages : 140
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Book Description
Rothstein's photographs provide a moving chronicle of rural and urban life, small-town America, and important labor and political events from 1936 to 1941
Author: Arthur Rothstein
Publisher: Butterworth-Heinemann
ISBN:
Category : Photography
Languages : en
Pages : 200
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Book Description
Author: Errol Morris
Publisher: Penguin
ISBN: 0143124250
Category : Photography
Languages : en
Pages : 338
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Book Description
Academy Award–winning director Errol Morris turns his eye to the nature of truth in photography In his inimitable style, Errol Morris untangles the mysteries behind an eclectic range of documentary photographs. With his keen sense of irony, skepticism, and humor, Morris shows how photographs can obscure as much as they reveal, and how what we see is often determined by our beliefs. Each essay in this book is part detective story, part philosophical meditation, presenting readers with a conundrum, and investigates the relationship between photographs and the real world they supposedly record. Believing Is Seeing is a highly original exploration of photography and perception, from one of America’s most provocative observers.
Author: W. H. McDowell
Publisher:
ISBN: 9781942084129
Category : Photography
Languages : en
Pages : 0
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Book Description
An artful selection of photographs commissioned by the FSA but 'killed' by Roy Stryker with some fantastic accompanying text.
Author: Stuart Cohen
Publisher: David R. Godine Publisher
ISBN: 1567923402
Category : History
Languages : en
Pages : 218
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Book Description
Housed at the Library of Congress, the archives of the Farm Security Administration constitute an essential visual record of American life from the late 1920s through the onset of the Second World War. Guided by the adroit hands and watchful eyes of the master photo editor Roy Stryker, the FSA archive includes the work of dozens of photographers, from acknowledged giants like Walker Evans, Ben Shahn, and Dorothea Lange to Marion Post Wolcott and Russell Lee, whose names and work may be less familiar. Stryker's approach to his photographers' assignments was a bracing mix of structure and improvisation. He sent his artists across the country to shoot for a few weeks, mostly in small towns and rural areas. They worked from what Stryker called shooting scripts - laundry lists of possible subjects and situations - but were always free to explore their own perspectives on a locale, its inhabitants, and their activities. When negatives and prints arrived, Stryker would guide his artists with suggestions, advice, and sharp-eyed criticism, all designed to elicit their best work. This book collects work from nine of these trips - Evans in Louisana and Alabama, Shahn in West Virginia, Lange in California, and others - uniting them with Stryker's shooting scripts, letters, and other relevant archival documents. What emerges, beyond the images themselves, is a complex and vital overview of the FSA at work, not just the work, but how the work evolved and matured under Stryker's guidance. The book concludes with photographs of New Orleans, the only city photographed in depth by the FSA artists. Reproduced in duotone, the 175 photographs in The Likes of Us, all printed from the original negatives at the Library of Congress, offer a rare opportunity not only to see a choice selection of famous and little-known images but also to understand the working of one of the government's most original and creative pre-war initiatives.
Author: United States. Farm Security Administration
Publisher:
ISBN:
Category : Erosion
Languages : en
Pages : 44
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Book Description
Author: Hank O'Neal
Publisher:
ISBN: 9783958291812
Category : Depressions
Languages : en
Pages : 384
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Book Description
Featuring the indelible work of the eleven photographers who worked for the Farm Security Administration ? perhaps the finest photographic team assembled in the twentieth century ? A Vision Shared: A Classic Portrait of America and Its People 1935?1943 was published in 1976 to great acclaim, and was named one of the hundred most important books of the decade by the Association of American Publishers. John Collier, Jack Delano, Walker Evans, Theo Jung, Dorothea Lange, Russell Lee, Carl Mydans, Arthur Rothstein, Ben Shahn, John Vachon and Marion Post Wolcott were invited by Hank O?Neal to choose the best of their own work, and provide commentary.0For the fortieth anniversary edition of this remarkable volume, all of the photographs, text and historical material that made up the original edition have been carefully reproduced, followed by a new afterword by O?Neal detailing the events that followed the book?s initial release.
Author: Nicholas Natanson
Publisher: Univ. of Tennessee Press
ISBN: 9780870497247
Category : History
Languages : en
Pages : 324
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Book Description
Between 1935 and 1942, photographers for the New Deal's Resettlement Administration-Farm Security Administration (FSA) captured in powerfully moving images the travail of the Great Depression and the ways of a people confronting radical social change. Those who speak of the special achievement of FSA photography usually have in mind such white icons as Dorothea Lange's Migrant Mother or Walker Evans's Alabama sharecroppers. But some six thousand printed images, a tenth of FSA's total, included black figures or their dwellings. At last, Nicholas Natanson reveals both the innovative treatment of African Americans in FSA photographs and the agency's highly problematic use of these images once they had been created. While mono-dimensional treatments of blacks were common in public and private photography of the period, such FSA photographers as Ben Shahn, Arthur Rothstein, and Jack Delano were well informed concerning racial problems and approached blacks in a manner that avoided stereotypes, right-wing as well as left-wing. In addition, rather than focusing exclusively on FSA-approved agency projects involving blacks - politically the safest course - they boldly addressed wider social and cultural themes. This study employs a variety of methodological tools to explore the political and administrative forces that worked against documentary coverage of particularly sensitive racial issues. Moreover, Natanson shows that those who drew on the FSA photo files for newspapers, magazines, books, and exhibitions often entirely omitted images of black people and their environment or used devices such as cropping and captioning to diminish the true range of the FSA photographers' vision.
Author: Lawrence W. Levine
Publisher: Univ of California Press
ISBN: 9780520062214
Category : History
Languages : en
Pages : 382
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Book Description
Photographs by a team of photographers who traveled across the United States documenting America's experience of the Great Depression and World War II.
